Tag Archive for: Wolfgang Saus

European Overtone Choir

28.02.19 – 22h – DLF Kultur Radio Broadcast about the Europa Obertonchor

The Deutschlandfunk Kultur broadcasts on Thursday, 28 February 2019 from 22h to 22h30 a radio feature about the European Overton Choir. The EOC is an experimental project choir that once a year from Easter Monday invites interested singers for a week to experiment with the potential and new sound possibilities of overtones in choral music. Works will be sung by notes as well as improvisations developed with new methods.

DLF Kultur, Thursday 28. Feb 2019, 22:00 h

European Overton Choir, next project week 22.-28. April 2019

A few weeks of cyborg

My Accident and Move 2018

Something private of mine today. I haven’t updated my website since spring. The reason: I had separated my left wrist from my joint in a bicycle accident in Belgium in spring and broke it several times, so that the hand had to be re-surgeryed twice. My helmet (I can only recommend it) was a lifesaver.

I couldn’t work on the computer for a few months and spent the summer in hospitals and recovering my bones. Now I have a titanium plate in my arm that holds everything together. I still can’t fully use my hand. But the prognosis is good that I can start playing the piano again in about a year.

Appropriately, the accident happened a few days after I had cancelled my apartment in Aachen and signed the lease for my current apartment in Bavaria.

FahrradsturzMove from Aachen to Hirschbach

The move to Bavaria took place successfully with many great helpers in August and September, and I now live in the countryside on a 2.5 hectare site that three of us want to transform into a permaculture garden starting next year. The address: Hirschbach 1, 91602 Dürrwangen, Germany.

After 24 years in Aachen, now suddenly the heart and ears open in the silence and beauty of nature and the surrounding forest. How I enjoy this silence and how I missed it, I notice only now, although I have already lived relatively quietly in Aachen. I expect the move to create a new relationship with time, also for my music.

I had a longing for grounding, in the truest sense of the word. A quarter of a century of professional work with overtones has activated my right brain hemisphere and expanded my perception (scientifically proven). Even as a child I had planted a jungle in my room. Now I am curious how the plants and home-grown food will react to my overtones.

The new tranquillity will give me time to publish more and to put my experiences and many scientific achievements on paper or on the website. If everything goes as planned, my blog will get a new start in December, with more instructions on overtone singing, more from my research and more fascinating experiences with sounds.

My new home

My new home, impressions September 2018.

Umzug mit vielen HelferInnen

The move was only possible with the support of many dear helpers, as I could neither lift nor pack.

BBC Documentary about Wolfgang Saus’ Overtones in the MRI Tube


At the moment you can download the German version of the BBC documentation, e.g. with Mediathekview, from the ZDF Mediathek: 4th Episode, Wonders of Anatomy – Medical Record X – Borderline Cases of Science.
Note: Video and link currently only work from Germany.


Surgeon Gabriel Weston has spent many years studying the functioning of the human body. In the series «Incredible Medicine: Dr Weston’s Casebook» she presents people from all over the world with the most unusual bodies and abilities.

One of them is the unique body control required for overtone singing (from 10:40 min.). In November 2016, a film team from BBC Science Production, Emma Hatherley (production, direction) and Alexis Smith (camera), produced a film at the Institute of Music Medicine at the University Hospital of Freiburg with Prof. Bernhard Richter and Wolfgang Saus.

Live images from the magnetic resonance tomograph show the complex motion sequences in the mouth and throat that are involved in overtone singing. Interviews explain the scientific background of the phenomenon.

Pictures of the Making-of

Links

→BBC Website

Online Voice Conference 2016 – Download

In November 2016 Dorothea Sahlmüller interviewed 33 voice experts for an online voice conference (affiliate link). 33 video contributions illuminate the human voice from 33 highly exciting and sometimes unusual perspectives.

I was interviewed too. My video was even voted on number 2 of the best interviews :) You will learn some phenomena that you would not immediately associate with overtone singing. Among them a new hearing test that will fundamentally change your perception of sound, experiences with dolphins and overtone singing in the Red Sea and my emotional experiences with autistic children.

The congress package with all the videos and some extras can be downloaded from Dorothea’s website.
Affiliate link to the download package

Stimmkonferenz 2016 Dorothea Sahlmüller Kongresspaket


Pachelbel’s Canon

Here is my overtone variation about the canon of Johann Pachelbel, in which I sing bass and soprano at the same time. It is an exercise for polyphonic overtone singing, which I once wrote for my students in the mid 1990s.

I have developed a series of preparatory exercises for my Masterclass students to build up the polyphonic singing skills step by step. It takes a whole weekend and a few weeks of practice. But if you want to try it out with the canon right away: Download the sheet music for free here.

It is a multitasking exercise that requires concentration. I sing two melodies contrapuntally. I lead the bass melody (ostinato) with my left hand and sing it first without overtone technique. Then I start the melody in the overtones and follow it with my right hand.

The left hand is linked to the right brain, where the perception of overtones is located. But it follows the basic melody, which is processed in the left brain. The right hand is controlled by the left hemisphere, but follows the overtones that are processed on the right side (see “How overtones work in the brain” and “Test: Are you an overtone or a fundamental listener?“).

In my experience, this crossover of hand control and auditory perception has an accelerating effect on learning and intonation gets better. If you occasionally swap hands, i. e. overtones on the left and fundamental tones on the right, this intensifies the training effect. But generally I recommend to practice the first version.

At the beginning you always have the problem that either the overtones don’t sound good or the keynote is completely out of tune. This is probably due to the fact that the brain can initially concentrate either on the clarity of the overtones or on the intonation of the fundamental tones. This multitasking is very similar to playing the piano, where the left hand plays the bass and the right hand the high part.

Try out which hand follows the overtones more easily and leave it in the comments. And whether you’re right or left-handed. I’d like to know if left-handed people are different.

Ack, Värmeland, du sköna

Herausforderung für gute Obertonsänger

Wie immer könnt Ihr die Noten als Print- und editierbare MuseScore-Version kostenlos herunterladen:

Zurzeit (März 2014) unterrichte ich in Schweden und genieße den nordischen Frühling. Zum Anlass zweier Konzerte am kommenden Wochenende in Lund und in Kopenhagen habe ich einen Satz des schönen schwedischen Volksliedes “Ack, Värmeland, du sköna” für Obertongesang geschrieben, der dort zur Uraufführung kommt. Zusammen mit Anna-Maria Hefele singen wir eine Version für zwei Stimmen und Nyckelharpa.

Tag Archive for: Wolfgang Saus

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