Imagine how a simple hearing test could change the world. That’s exactly what’s happening with my hearing test, which is attracting more and more attention – and not just in philosophical and neuroscience circles. But what makes it so special that it garners such widespread interest?
Since 2022, this test has been a key component of a groundbreaking educational concept for children. Developed under the leadership of the Omni Aqua Foundation by Akiko Stein in collaboration with Prof. Mag. rer. nat. Dr. phil. Annemarie Seither-Preisler, Prof. Dr. rer. nat. Peter Schneider, and myself, the concept, named F-dUR – Peace through Primordial Sound, is based on the unique properties of water and overtones. These elements, combined with mindfulness exercises and the synchronization of the brain hemispheres, foster a deep empathic connection with oneself, fellow humans, and nature from an early age. We are convinced that this approach is key to inner peace, which in turn is essential for peaceful and empathetic interaction with each other.
In the video excerpt from a thirty-minute documentary about the F-dUR concept, which you can see here, you’ll dive into the fascinating world of sound. The documentary features exciting interviews with leading neuroscientists and reveals the unexpected power of overtone awareness. This clip is just a taste of the whole story. You can watch the full film, which takes you deeper into this innovative concept, here. Dive with us into the world of sound and discover how a hearing test can do much more than just detect tones – it can build a bridge to deep inner peace and empathy.
https://www.oberton.org/wp-content/uploads/how-overtones-harmonize-your-bra.jpg7201280Wolfgang Saushttps://www.oberton.org/wp-content/uploads/logo-schmetterling-s.pngWolfgang Saus2024-01-27 23:30:052024-01-27 23:30:05How Overtones Harmonize Your Brain
Recording of the webinar “Voice Masters Live” by Philippe Hall from Singing Revealed on March 29, 2022.
Recording of the webinar Next Level Resonance Strategies in the Voice Masters Live series by Philippe Hall from Singing Revealed, on March 29, 2022.
Sprache: English
Next Level Resonance Strategies – Singing Phonetics
What are formants?
What are resonances?
Why are vowels dependent on pitch?
What is formant tuning?
Philippe Hall talks to Wolfgang Saus about vowels and their importance for resonance strategies.
Resonance is a cornerstone of any vocal technique. However, the relationship between vowels, resonances, formants, harmonics and pitch is a complex topic and often confusing.
Wolfgang Saus shows participants how to use a vowel resonance chart to see at a glance why some vowels work excellently at a particular pitch and others not at all. Participants learn how resonances can be controlled by tongue movements and how they can optimize their resonances by using the right vowel nuances. After the seminar, they will be able to deal confidently with the terms vowel, resonance and overtones.
“Es ist ein Ros entsprungen” is a Christmas carol from the Speyerer Gesangbuch 1599. Here as a version for piano (Michael Reimann) and overtone singing (Wolfgang Saus).
The challenge for overtone singers here is especially the intonation conflict of the natural overtone thirds with the equal-tempered ones of the piano. In this version, I have partially adjusted the overtones to match the equal-tempered tuning, resulting in “out of tune” fundamental tones. The alternative of intonating the harmonics in relation “out of tune” is found by some to be cleaner overall. An interesting experiment. Piano and overtones never fit together exactly because, except for the octave, none of the piano intervals correspond to the natural harmonic order. I think it sounds delightful nonetheless.
https://www.oberton.org/wp-content/uploads/logo-schmetterling-s.png00Wolfgang Saushttps://www.oberton.org/wp-content/uploads/logo-schmetterling-s.pngWolfgang Saus2021-12-12 00:05:442021-12-12 00:05:44“Es ist ein Ros entsprungen” – for Overtone Singing and Piano
“Maria durch ein Dornwald ging” is a German Advent hymn from the 19th century. The melody possibly dates from the 16th century (wikipedia). It was first printed in 1850 in “Geistliche Volkslieder mit ihren ursprünglichen Weisen – gesammelt aus mündlicher Tradition und seltenen alten Gesangbüchern”, [August Haxthausen]. Paderborn 1850. https://sammlungen.ulb.uni-muenster.de/hd/content/pageview/1931586
For overtone singing, the challenge is the minor scale melody. Because the singable harmonic series is tuned in major, you have to change the fundamental several times to be able to sing the melody. Michael Reimann improvises his piano part according to the demands of overtone singing. He can do that because he himself sings outstanding overtones. We are so well attuned to each other that we were able to improvise this version freely and record it in one take.
“A ship is coming laden” (“Es kommt ein Schiff, geladen”) is one of the oldest Advent hymns in German. It was written before 1450. The oldest record of the melody is found in the Andernacher Gesangsbuch, Cologne 1608.
A rhythmic rarity in old hymns is the change from a 6/4 to a 4/4 meter in the middle of the song. The Dorian part of the first part of the song ends on the minor third, while the second part turns to Lydian from the new root and returns to the Dorian finalis at the end.
Keys with minor thirds make fundamental changes unavoidable in overtone singing, because the natural overtone series is tuned to major.
The recording is a spontaneous improvisation by pianist Michael Reimann, who later orchestrated his piano part, and overtone singer Wolfgang Saus. Spontaneous improvisation with changing fundamental tones requires quite some experience.This can be acquired by re-singing the free collection of sheet music.
Sofie, my neighbor’s dog, loves it when I sing with her. She is rhythmic to the yodelling. We want to develop that now. Maybe she’ll learn overtone singing.
https://www.oberton.org/wp-content/uploads/logo-schmetterling-s.png00Wolfgang Saushttps://www.oberton.org/wp-content/uploads/logo-schmetterling-s.pngWolfgang Saus2019-04-20 15:14:422020-01-24 09:40:46Singing with Dogs – Mini Wolf Duet 1
The Deutschlandfunk Kultur broadcasts on Thursday, 28 February 2019 from 22h to 22h30 a radio feature about the European Overton Choir. The EOC is an experimental project choir that once a year from Easter Monday invites interested singers for a week to experiment with the potential and new sound possibilities of overtones in choral music. Works will be sung by notes as well as improvisations developed with new methods.
https://www.oberton.org/wp-content/uploads/2011_EOC-Prag_photo-Ivana-Lesna_1024.jpg7191024Wolfgang Saushttps://www.oberton.org/wp-content/uploads/logo-schmetterling-s.pngWolfgang Saus2019-02-26 13:42:532019-02-26 13:48:4528.02.19 – 22h – DLF Kultur Radio Broadcast about the Europa Obertonchor
Something private of mine today. I haven’t updated my website since spring. The reason: I had separated my left wrist from my joint in a bicycle accident in Belgium in spring and broke it several times, so that the hand had to be re-surgeryed twice. My helmet (I can only recommend it) was a lifesaver.
I couldn’t work on the computer for a few months and spent the summer in hospitals and recovering my bones. Now I have a titanium plate in my arm that holds everything together. I still can’t fully use my hand. But the prognosis is good that I can start playing the piano again in about a year.
Appropriately, the accident happened a few days after I had cancelled my apartment in Aachen and signed the lease for my current apartment in Bavaria.
Move from Aachen to Hirschbach
The move to Bavaria took place successfully with many great helpers in August and September, and I now live in the countryside on a 2.5 hectare site that three of us want to transform into a permaculture garden starting next year. The address: Hirschbach 1, 91602 Dürrwangen, Germany.
After 24 years in Aachen, now suddenly the heart and ears open in the silence and beauty of nature and the surrounding forest. How I enjoy this silence and how I missed it, I notice only now, although I have already lived relatively quietly in Aachen. I expect the move to create a new relationship with time, also for my music.
I had a longing for grounding, in the truest sense of the word. A quarter of a century of professional work with overtones has activated my right brain hemisphere and expanded my perception (scientifically proven). Even as a child I had planted a jungle in my room. Now I am curious how the plants and home-grown food will react to my overtones.
The new tranquillity will give me time to publish more and to put my experiences and many scientific achievements on paper or on the website. If everything goes as planned, my blog will get a new start in December, with more instructions on overtone singing, more from my research and more fascinating experiences with sounds.
My new home, impressions September 2018.
The move was only possible with the support of many dear helpers, as I could neither lift nor pack.
https://www.oberton.org/wp-content/uploads/cyborg-1.OP-hd.jpg10801920Wolfgang Saushttps://www.oberton.org/wp-content/uploads/logo-schmetterling-s.pngWolfgang Saus2018-10-31 01:43:042018-10-31 01:43:04My Accident and Move 2018
At the moment you can download the German version of the BBC documentation, e.g. with Mediathekview, from the ZDF Mediathek: 4th Episode, Wonders of Anatomy – Medical Record X – Borderline Cases of Science. Note: Video and link currently only work from Germany.
Surgeon Gabriel Weston has spent many years studying the functioning of the human body. In the series «Incredible Medicine: Dr Weston’s Casebook» she presents people from all over the world with the most unusual bodies and abilities.
One of them is the unique body control required for overtone singing (from 10:40 min.). In November 2016, a film team from BBC Science Production, Emma Hatherley (production, direction) and Alexis Smith (camera), produced a film at the Institute of Music Medicine at the University Hospital of Freiburg with Prof. Bernhard Richter and Wolfgang Saus.
Live images from the magnetic resonance tomograph show the complex motion sequences in the mouth and throat that are involved in overtone singing. Interviews explain the scientific background of the phenomenon.
https://www.oberton.org/wp-content/uploads/BBC-Drehtag-Uniklinik-Freiburg-20161107_130847.jpg10801920Wolfgang Saushttps://www.oberton.org/wp-content/uploads/logo-schmetterling-s.pngWolfgang Saus2018-02-18 04:30:262019-10-30 18:03:40BBC Documentary about Wolfgang Saus’ Overtones in the MRI Tube
In just 3:20 minutes, this listening test opens your ears to a new dimension of hearing that only around 5% of musicians are aware of: overtone listening. This ability is essential for learning overtone singing. And it is a prerequisite for the practical realisation of vocal and choral phonetics.
New Videos
Gehörst du zu den 5% Auserwählten, die die Melodie hören?
Wie Obertöne dein Gehirn harmonisieren
In 2004, a research group led by Dr Peter Schneider at Heidelberg University Hospital discovered that people perceive sounds differently depending on which hemisphere of the brain is responsible for processing the sound. They developed the Heidelberg Hearing Test to find out whether someone tends to perceive fundamental tones or overtones in a sound. →You can take the Heidelberg test here
My hearing test is different. It tests whether someone is more likely to recognise vowels or overtones in a sound. In the second part, it teaches you to shift the threshold between vowel and overtone perception in favour of the overtones.
Relax and listen to the first sound example. I am singing a series of meaningless syllables on a single note. If you recognise a well-known classical melody in it, then congratulations, you have a pronounced overtone hearing and are one of the 5% of people who have this perception spontaneously.
If you can’t hear the melody, don’t worry. At the end of the listening test you will hear the overtones.
In the next sound examples, I remove more and more sound information from the voice, which the brain interprets as part of speech. Next, I sing the syllables by changing only the 2nd vowel formant. I keep the first one unmoved in a low register. The syllables then only contain Ü sounds, the melody now becomes clearer for some.
If the melody is now clear, congratulations. At this point 20-30% hear the melody. But maybe you only sense the melody and don’t know whether you are imagining it. Trust your imagination. After all, your hearing picks up the melody, but a filter in your consciousness tells you that the information is not important. Speech recognition is much more important.
I want to reveal the melody at this point: It is “Ode to Joy” from the 9th Symphony by Ludwig van Beethoven. In the next sound example, I whistle it tonelessly. This will help your brain learn what to listen for. Afterwards, listen to sound example 2 again.
Is it easier now? If not, listen to the next example.
In sound example 4, I leave out the consonants. Now Broca’s centre, the brain region for speech recognition, has nothing more to do and passes the auditory attention on to other regions.
Now about 60-80% are on board. If you can’t hear the melody here, you are probably categorised as a fundamental listener in the Heidelberg hearing test. This has nothing to do with musicality. You are in the company of some of the best flutists, drummers and pianists.
In the next example, I completely defamiliarise the sound. I lower the third formant by 2 octaves with a special tongue position until it reaches the same frequency as the second. This creates a double resonance that does not occur in the German language.
The technique is called overtone singing. The ear now lacks information from the usual vocal sound and individual partials become so loud due to the double resonance that the brain separates the sounds and informs your consciousness that these are two separate tones.
You will probably now hear a flute-like melody and the voice. Overtone singing is an acoustic illusion. In fact, you are hearing more than 70 partials. Physical reality and perception rarely coincide.
In the last sound example, I go all the way back to the beginning. Try to keep your focus on the melody the whole time. Listen to sound example 6 more often, it trains your overtone hearing and makes you more aware of the sound details.
Our reality is created within ourselves. And it can be changed.
https://www.oberton.org/wp-content/uploads/seth-doyle-unsplash-76523-1500-1.jpg10001500Wolfgang Saushttps://www.oberton.org/wp-content/uploads/logo-schmetterling-s.pngWolfgang Saus2017-08-11 15:31:302024-06-08 16:33:47Can you hear the melody? – Take the Hearing Test
Schon heute freuen wir uns auf die kommenden Fachtage mit euch. Sie versprechen wieder einen Mix aus lehrreichen Fachvorträgen, interessanten Workshops mit viel Selbsterfahrung sowie Klangreise, Abendkonzert und viel Austausch mit tollen Menschen.
Die Fachtage bieten Inspiration für den Einsatz von Musik und Klang in der Gesundheitsförderung, Pflege, Pädagogik und Therapie. Das bedeutet – In Vorträgen Wissen über die Kraftquelle Musik und Musikresonanz zu vertiefen.
– In Workshops die Erlebnisse von Musik und Klang auf Körper, Geist und Seele erfahren und Konzerte und Klangentspannung zu genießen.
– Austausch mit vielen interessanten Besuchern und Referenten.
Aus dem Programm
VORTRÄGE Prof. Dr. Thilo Hinterberger: Klang und Bewusstsein – Ein sinnlich-wissenschaftlicher Blick in die transformierende Kraft der Klänge Dr. Mona Meyer: Die Energie der Heilung – Wie das Nervensystem unsere Gesundheit beeinflusst Dipl. Psychologin Martina Falk: Personare – Vom Instrumente-Benutzen zum Instrument-Werden Dr. Nicole Besse: Selbstwirksamkeit und Resonanz: Musizieren als Kunst der Begegnung
WORKSHOPS Prof. Dr. Thilo Hinterberger: Klang und Bewusstsein – Die Tiefen der Seele berühren, um das Leben zu verwandeln Dorothea Hartmann: Klingende Systeme – Familienaufstellung mit Musikinstrumenten Wolfgang Saus: Einführung in den Obertongesang Jochen Fassbender: Über die Resonanz zur sozialen Kunst Mathilde Tepper: Instrumenten-Karussell – Alltagstaugliches Klangwerkzeug für Therapie und Pflege Caspar Harbeke: Kraftquelle Musikresonanz Joachim Wohlfeil: Die erlaubnisfreie Heilkunde und anderes aus der Berufskunde Jens Zygar: Gongmusik-Workshop Silke Hausser: Instrumente für Klangentspannung, Klangreise und Trance Jochen Sattler: Resonanzkörper Gruppe – an einer Gemeinschaftstrommel zu sich selbst finden
KONZERTE / TRANCEMUSIK / KLANGREISEN / TANZ / BEWEGUNGSMEDITATION Konzert: Hear and Now (Freitagabend)
John Abdelsayed: Bodyflow mit Live-Musik – angeleitete Tanzmeditation Dorothee Basselli: Bewegte Klang-Meditation der vier Elemente mit Live-Musik Wolfgang Saus + Jochen Fassbender: Klangperformance – Das Reich der Obertöne
https://www.oberton.org/wp-content/uploads/Titel-Fachtage24a.jpg13332000Wolfgang Saushttps://www.oberton.org/wp-content/uploads/logo-schmetterling-s.pngWolfgang Saus2024-03-25 16:26:172024-03-25 16:28:26Fachtage Musikresonanz, 30. August bis 01. September 2024 in Bad Zwesten
Wenn die Obertöne zwar hörbar sind, aber einfach noch zu leise sind, oder die Grundstimme zu laut, dann ist das ganz normal. Ein paar Wochen nachdem man Obertonsingen gelernt hat, stellt sich in einiges in der Wahrnehmung um und man hört seine eigenen Obertöne. Jetzt ist genau der richtige Zeitpunkt, sich vertieft mit den Resonanzen zu befassen. Die Obertöne werden plötzlich wie von allein lauter, wenn die Feinheiten im Mund und Rachen justiert werden, was für jeden individuell etwas anders ist, und dabei entspannt sich Deine Stimme sogar noch.
Im Kurs lernst Du jede Menge Tricks, wie Du lautere und klarere Obertöne erzeugst ohne Deine Stimme anzustrengen. Du lernst ausserdem, wie Du die entspannende und heilsame Wirkung der Obertöne für Dich und Deine Visionen nutzen kannst. Unterschiedliche Vorkenntnisse werden berücksichtigt und sind sogar erwünscht, weil alle davon profitieren. Denn jeder lernt ein bisschen anders, was für alle inspirierend sein kann.
Vorkenntnisse
Voraussetzung ist, dass Du schon eigene Obertöne hören kannst, wenn Du z. B. schonmal einen Kurs gemacht hast, oder das Buch “Oberton Singen”, Traumzeit-Verlag, gelesen hast. Wenn Du eine professionell ausgebildete Singstimme hast, kannst Du auch ohne Vorkenntnisse einsteigen. Wer unsicher ist, ob der Kurs passt, kann mich gern einfach anrufen (+49 163 6237866) oder eine Klangprobe, z. B. mit Smartphone, per E-Mail oder Telegram senden.
https://www.oberton.org/wp-content/uploads/Wolfgang_Saus_photo_c_Luna_Buerger_41.jpg34565184Wolfgang Saushttps://www.oberton.org/wp-content/uploads/logo-schmetterling-s.pngWolfgang Saus2024-07-14 16:19:072024-07-14 16:32:33Obertongesang für Fortgeschrittene, lautere Obertöne – mit Wolfgang Saus | 20.-22.09.2024 in Weilrod/Taunus
Schreien, ohne heiser zu werden, mit Frauenstimme Bass singen, es klingen lassen, als fliege einem der Kehlkopft aus dem Hals, und dabei die Stimme völlig gesung und entspannt einsezten.
Das erste Harsh Vocal Camp, initiiert und organisiert von Britta Görtz, Extreme Metal Vokalistin seit über 20 Jahren, wird vom 04-06.10.2024 in Hannover stattfinden. Drei Tage geballtes Wissen rund um Harsh Vocals. Austausch mit Gleichgesinnten, Metalheads, Rockröhren und Vocal-Nerds. U. a. mit Britta Görtz, Toni Linke, Wolfgang Saus und weiteren Koryphäen.
Am 6. Oktober 2024 nehme ich Euch dort mit in die Welt der Klangfarbenmanipulation. Mit Resonanzen und Obertönen ist weit mehr möglich als nur Obertongesang, viel mehr als man ahnt
Seht Euch die Website des Harsh Vocal Camp an und tragt Euch in den Newsletter ein, wenn Euch diese krassen Techniken interessieren.
https://www.oberton.org/wp-content/uploads/Snag_bc69f87.png4941404Wolfgang Saushttps://www.oberton.org/wp-content/uploads/logo-schmetterling-s.pngWolfgang Saus2024-03-15 10:41:462024-07-18 08:56:45Harsch-Vocal-Camp 4.-6. Okt. 2024 – Die Welt der Klangfarbenmanipulation – Vortrag am 6.10.2024
Dein Weg zum Obertongesang: Entdecke Magie in Deiner Stimme – Mit Wolfgang Saus
Datum: 26.-27.10.2024, 10-17 Uhr Ort: KlangGalerie, Bad Zwesten
Wildunger Str. 7, Bad Zwesten, Deutschland Kosten: 360 €
Tauche ein in die magische Welt der Obertöne!
Du möchtest deine Stimme auf eine völlig neue Weise erleben, selbst wenn du glaubst, nicht singen zu können? Fasziniert von der Idee, mehrere Töne gleichzeitig zu erzeugen? Komm und entdecke das Geheimnis des Obertonsingens – es ist einfacher, als du denkst!
Warum diesen Kurs besuchen?
Musikalisches Experimentieren: Lerne, mit deiner Stimme einzigartige Klanglandschaften zu kreieren, die jenseits konventioneller Gesangstechniken liegen.
Meditative Erfahrung: Verbinde dich durch die Klänge tiefer mit dir selbst. Obertonsingen kann dir helfen, deinen Geist zu beruhigen und tranceähnliche Zustände zu erleben.
Gesundheit & Wohlbefinden: Spüre, wie die Vibrationen des Obertonsingens nicht nur deinen Körper, sondern auch deinen Geist positiv beeinflussen.
Was wirst du lernen?
Grundlegende Techniken, um deutliche Obertöne zu singen.
Humorvolle und einfühlsame Methoden, die dir den Einstieg erleichtern.
Ungewöhnliche Tricks, die dir den Weg zum Obertonsingen erleichtern.
Für wen ist dieser Kurs?
Wenn du sprechen kannst, kannst du auch Obertonsingen lernen! Vorkenntnisse sind nicht erforderlich. Hier lernst du in deinem eigenen Tempo, ohne Druck.
Bonus-Effekte des Kurses:
Schärfe dein Gehör und entdecke Obertöne in deiner Umgebung, die dir bisher entgangen sind.
Steigere deine Selbstwahrnehmung und erlebe die beruhigende Wirkung des Obertonsingens.
Erlebe das gemeinsame Tönen als tiefgreifendes, verbindendes Erlebnis.
Mit seiner humorvollen und einfühlsamen Art führt Wolfgang Saus jeden auf seinem individuellen Weg zu den eigenen Obertönen. Er hat die besondere Gabe, sich in die Feinheiten des Stimmklangs so einzufühlen, dass er sofort weiss, welche minimale Änderung zum Erfolg führt – ein unglaubliches Erlebnis, so geführt zu werden.
Lass dich von der Magie des Obertonsingens verzaubern und entdecke eine völlig neue Dimension deiner Stimme! Melde dich jetzt an und erlebe die Welt der Klänge auf eine Art und Weise, die du dir nie vorgestellt hättest.
https://www.oberton.org/wp-content/uploads/Wolfgang_Saus_photo_c_Luna_Buerger_41.jpg34565184Wolfgang Saushttps://www.oberton.org/wp-content/uploads/logo-schmetterling-s.pngWolfgang Saus2024-03-25 16:35:052024-07-18 11:14:38Dein Weg zum Obertongesang: Entdecke Magie in Deiner Stimme – Mit Wolfgang Saus
Entdecke die verborgene Kraft Deiner Stimme in einem außergewöhnlichen Workshop in der malerischen Landsteiner Mühle, nahe Frankfurt. Unter der Anleitung von Wolfgang Saus, einem Pionier und Meister des Obertongesangs mit 40 Jahren Erfahrung und bahnbrechenden didaktischen Konzepten, öffnet sich Dir die Welt der Obertöne. Dieser Kurs ist perfekt für Neugierige und Enthusiasten, die ihre Stimme auf einzigartige Weise erkunden möchten.
Was Dich erwartet:
Persönliche Entdeckungsreise: Wolfgang Saus’ einzigartige Fähigkeit, auf jeden Teilnehmer individuell einzugehen, garantiert Dir einen Lernweg, der genau zu Deinen stimmlichen Fähigkeiten passt.
Wissenschaft trifft Kunst: Erlerne bahnbrechende Techniken, die auf wissenschaftlichen Erkenntnissen und jahrzehntelanger Praxis basieren.
Natur und Klang: Die idyllische Lage der Landsteiner Mühle bietet den perfekten Rahmen, um Dich voll und ganz auf Deine Stimme einzulassen – mit der Option auf hervorragendes Essen und gemütliche Übernachtung.
Ziel des Workshops: Verlasse den Workshop mit der Fähigkeit, beeindruckende Obertöne zu singen, und einem tiefen Verständnis für die Kunst des Obertongesangs.
Workshop-Details:
Ort: Landsteiner Mühle, in der Natur nahe Frankfurt am Main
Zeit: Beginn Freitag um 18:00 Uhr, Ende Sonntag um 12:30 Uhr
Investition: 360 € inkl. MwSt. (ohne Unterkunft und Verpflegung)
Extras: Ein Eldorado an Gongs und Klanginstrumenten aus dem hausinternen Shop steht uns zum freien Spiel zur Verfüungn.
Gönne Dir ein Wochenende, das Deine Stimme und Dein Selbst in Einklang bringt. Tauche ein in die Welt der Obertöne und erlebe, wie Deine Stimme Räume mit faszinierenden Klängen füllt. Melde Dich jetzt an und verwandle Deine Neugier in Klang!
Eine Veranstaltung des Peter-Hess-Instituts Anmeldung hier
https://www.oberton.org/wp-content/uploads/obertongesang-fuer-anfaenger.jpg270710Wolfgang Saushttps://www.oberton.org/wp-content/uploads/logo-schmetterling-s.pngWolfgang Saus2024-07-19 12:45:572024-07-21 01:11:15Dein Weg zum Obertongesang – mit Wolfgang Saus – Weilrod/Taunus 29.-31.08.2025
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