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	Comments on: Harmonic Awareness Training (HAT) &#8211; Hearing Test	</title>
	<atom:link href="https://www.oberton.org/en/hearing-test-saus/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.oberton.org/en/hearing-test-saus/</link>
	<description>The art of singing two tones at the same time</description>
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		<title>
		By: Emma		</title>
		<link>https://www.oberton.org/en/hearing-test-saus/#comment-12547</link>

		<dc:creator><![CDATA[Emma]]></dc:creator>
		<pubDate>Tue, 14 Jan 2025 13:38:39 +0000</pubDate>
		<guid isPermaLink="false">http://www.oberton.org/?p=9260&#038;lang=en#comment-12547</guid>

					<description><![CDATA[I heard the melody on the first sample. I think you are extremely clever to use your voice in this way.]]></description>
			<content:encoded><![CDATA[<p>I heard the melody on the first sample. I think you are extremely clever to use your voice in this way.</p>
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		<title>
		By: Rob hu		</title>
		<link>https://www.oberton.org/en/hearing-test-saus/#comment-12363</link>

		<dc:creator><![CDATA[Rob hu]]></dc:creator>
		<pubDate>Sun, 23 Jul 2023 10:27:43 +0000</pubDate>
		<guid isPermaLink="false">http://www.oberton.org/?p=9260&#038;lang=en#comment-12363</guid>

					<description><![CDATA[I must say, this page, test, and the samples solved my long-lasting confusion. When hearing chords or harmonics, I always hear some high pitch notes that doesn’t exist in that chord or harmony, like when hearing a major 3rd(C E), I could always hear a octave E instead the actually E. When it comes to other chords, I could always hear other notes in it. For example, I sometimes recognize a triad as a 7th chord or 9th chord, because I could hear a much higher note ringing above the chord . Especially when it comes to low pitch chords, there are so many other notes in my ear that confused me. I guess its because lower pitch has longer overtone series. Turns out I’m a overtone listener. That solves so many problems! I wonder if you have any suggestions for music productions(mixing e.g), ear training, etc. thank you]]></description>
			<content:encoded><![CDATA[<p>I must say, this page, test, and the samples solved my long-lasting confusion. When hearing chords or harmonics, I always hear some high pitch notes that doesn’t exist in that chord or harmony, like when hearing a major 3rd(C E), I could always hear a octave E instead the actually E. When it comes to other chords, I could always hear other notes in it. For example, I sometimes recognize a triad as a 7th chord or 9th chord, because I could hear a much higher note ringing above the chord . Especially when it comes to low pitch chords, there are so many other notes in my ear that confused me. I guess its because lower pitch has longer overtone series. Turns out I’m a overtone listener. That solves so many problems! I wonder if you have any suggestions for music productions(mixing e.g), ear training, etc. thank you</p>
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		<title>
		By: Wolfgang		</title>
		<link>https://www.oberton.org/en/hearing-test-saus/#comment-10705</link>

		<dc:creator><![CDATA[Wolfgang]]></dc:creator>
		<pubDate>Thu, 30 Jun 2022 08:05:04 +0000</pubDate>
		<guid isPermaLink="false">http://www.oberton.org/?p=9260&#038;lang=en#comment-10705</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.oberton.org/en/hearing-test-saus/#comment-10704&quot;&gt;God&lt;/a&gt;.

Hello God,

the point is, that everybody starts hearing the melody of &quot;Ode to Yoy&quot; at some point of the experiment, although nowhere a tone is changed. 

Your comment suggests that you don&#039;t hear the melody. The case has not yet occurred. You&#039;d be the first of thousands by now not to notice the melody.]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.oberton.org/en/hearing-test-saus/#comment-10704">God</a>.</p>
<p>Hello God,</p>
<p>the point is, that everybody starts hearing the melody of &#8220;Ode to Yoy&#8221; at some point of the experiment, although nowhere a tone is changed. </p>
<p>Your comment suggests that you don&#8217;t hear the melody. The case has not yet occurred. You&#8217;d be the first of thousands by now not to notice the melody.</p>
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		<title>
		By: God		</title>
		<link>https://www.oberton.org/en/hearing-test-saus/#comment-10704</link>

		<dc:creator><![CDATA[God]]></dc:creator>
		<pubDate>Wed, 29 Jun 2022 22:29:44 +0000</pubDate>
		<guid isPermaLink="false">http://www.oberton.org/?p=9260&#038;lang=en#comment-10704</guid>

					<description><![CDATA[So it&#039;s six samples of nonsense singing? What&#039;s the point of this?]]></description>
			<content:encoded><![CDATA[<p>So it&#8217;s six samples of nonsense singing? What&#8217;s the point of this?</p>
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		<title>
		By: Daniel		</title>
		<link>https://www.oberton.org/en/hearing-test-saus/#comment-10062</link>

		<dc:creator><![CDATA[Daniel]]></dc:creator>
		<pubDate>Tue, 29 Mar 2022 12:13:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.oberton.org/?p=9260&#038;lang=en#comment-10062</guid>

					<description><![CDATA[LOL, this just made me find with little bit of SoundHound help that Blondie &quot;call me&quot; is probably plagiarism! Thank you for this excellent article.]]></description>
			<content:encoded><![CDATA[<p>LOL, this just made me find with little bit of SoundHound help that Blondie &#8220;call me&#8221; is probably plagiarism! Thank you for this excellent article.</p>
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		<title>
		By: Stefan Emrold		</title>
		<link>https://www.oberton.org/en/hearing-test-saus/#comment-9879</link>

		<dc:creator><![CDATA[Stefan Emrold]]></dc:creator>
		<pubDate>Thu, 17 Mar 2022 08:03:45 +0000</pubDate>
		<guid isPermaLink="false">http://www.oberton.org/?p=9260&#038;lang=en#comment-9879</guid>

					<description><![CDATA[Fantastic! What an ear opener]]></description>
			<content:encoded><![CDATA[<p>Fantastic! What an ear opener</p>
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		<title>
		By: Wolfgang		</title>
		<link>https://www.oberton.org/en/hearing-test-saus/#comment-7052</link>

		<dc:creator><![CDATA[Wolfgang]]></dc:creator>
		<pubDate>Mon, 23 Aug 2021 12:44:06 +0000</pubDate>
		<guid isPermaLink="false">http://www.oberton.org/?p=9260&#038;lang=en#comment-7052</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.oberton.org/en/hearing-test-saus/#comment-7049&quot;&gt;Tobi&lt;/a&gt;.

Hallo Tobi,
ich habe öfter die Erfahrung gemacht, dass Kinder, die Töne nicht vom Klavier abnehmen können, sogenannte &quot;Brummer&quot;, es dann sofort können, wenn man ihnen die Töne in ihrem eigenen Klang und in ihrer Tonhöhe vorsingt, anstatt sie vom Klavier zu spielen. Wenn man dann zunächst langsam den Tonumfang vergrößert, lernen sie recht schnell, präzise die Töne zu treffen.]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.oberton.org/en/hearing-test-saus/#comment-7049">Tobi</a>.</p>
<p>Hallo Tobi,<br />
ich habe öfter die Erfahrung gemacht, dass Kinder, die Töne nicht vom Klavier abnehmen können, sogenannte &#8220;Brummer&#8221;, es dann sofort können, wenn man ihnen die Töne in ihrem eigenen Klang und in ihrer Tonhöhe vorsingt, anstatt sie vom Klavier zu spielen. Wenn man dann zunächst langsam den Tonumfang vergrößert, lernen sie recht schnell, präzise die Töne zu treffen.</p>
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		<item>
		<title>
		By: Tobi		</title>
		<link>https://www.oberton.org/en/hearing-test-saus/#comment-7049</link>

		<dc:creator><![CDATA[Tobi]]></dc:creator>
		<pubDate>Sun, 22 Aug 2021 19:54:09 +0000</pubDate>
		<guid isPermaLink="false">http://www.oberton.org/?p=9260&#038;lang=en#comment-7049</guid>

					<description><![CDATA[Ich bin hier gelandet, weil ich nach Tone Deafness Tests gegoogelt hatte, da ich starke Probleme habe zu erkennen ob ich richtig singe. Auf Instrumenten erkenne ich recht schnell, wenn ein Ton falsch ist, bei (meinem) Gesang teilweise überhaupt nicht, auch wenn er stellenweise ein paar Töne daneben liegt. Ich bin laut dem anderen Test ein Obertonhörer und habe direkt im 1. Beispiel Ode to joy erkannt. Das gibt mir ein bisschen Hoffnung, dass ich nun vielleicht auf andere Weise &quot;hören lernen&quot; kann.]]></description>
			<content:encoded><![CDATA[<p>Ich bin hier gelandet, weil ich nach Tone Deafness Tests gegoogelt hatte, da ich starke Probleme habe zu erkennen ob ich richtig singe. Auf Instrumenten erkenne ich recht schnell, wenn ein Ton falsch ist, bei (meinem) Gesang teilweise überhaupt nicht, auch wenn er stellenweise ein paar Töne daneben liegt. Ich bin laut dem anderen Test ein Obertonhörer und habe direkt im 1. Beispiel Ode to joy erkannt. Das gibt mir ein bisschen Hoffnung, dass ich nun vielleicht auf andere Weise &#8220;hören lernen&#8221; kann.</p>
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		<item>
		<title>
		By: Wolfgang		</title>
		<link>https://www.oberton.org/en/hearing-test-saus/#comment-2589</link>

		<dc:creator><![CDATA[Wolfgang]]></dc:creator>
		<pubDate>Sun, 20 Sep 2020 09:55:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.oberton.org/?p=9260&#038;lang=en#comment-2589</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.oberton.org/en/hearing-test-saus/#comment-2588&quot;&gt;denise pépin&lt;/a&gt;.

Hello Denise, 
thank you for your comment. It is unlikely that you recognized the rhythm, because I changed it in the first examples and sang all notes equally long. It is more likely that you heard the melody as a sequence of notes, but the overtones had not yet reached your full consciousness when you first recognized them. Our perception is indeed fascinating.

merci pour votre commentaire. Il est peu probable que vous ayez reconnu le rythme, car je l&#039;ai changé dans les premiers exemples et j&#039;ai chanté toutes les notes de la même longueur. Il est plus probable que vous ayez entendu la mélodie comme une séquence de notes, mais que les harmoniques n&#039;avaient pas encore atteint votre pleine conscience lorsque vous les avez reconnues pour la première fois. Notre perception est en effet fascinante.]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.oberton.org/en/hearing-test-saus/#comment-2588">denise pépin</a>.</p>
<p>Hello Denise,<br />
thank you for your comment. It is unlikely that you recognized the rhythm, because I changed it in the first examples and sang all notes equally long. It is more likely that you heard the melody as a sequence of notes, but the overtones had not yet reached your full consciousness when you first recognized them. Our perception is indeed fascinating.</p>
<p>merci pour votre commentaire. Il est peu probable que vous ayez reconnu le rythme, car je l&#8217;ai changé dans les premiers exemples et j&#8217;ai chanté toutes les notes de la même longueur. Il est plus probable que vous ayez entendu la mélodie comme une séquence de notes, mais que les harmoniques n&#8217;avaient pas encore atteint votre pleine conscience lorsque vous les avez reconnues pour la première fois. Notre perception est en effet fascinante.</p>
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		<title>
		By: denise pépin		</title>
		<link>https://www.oberton.org/en/hearing-test-saus/#comment-2588</link>

		<dc:creator><![CDATA[denise pépin]]></dc:creator>
		<pubDate>Sun, 20 Sep 2020 01:59:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.oberton.org/?p=9260&#038;lang=en#comment-2588</guid>

					<description><![CDATA[Bonjour, hello, 
First sample .. wow got the rhythm of this classical piece. To me, the rhythm was more , a bit more obvious. As to the Exemple 3 , to me, the whistle is not toneless. I can’t explain it but I sense, hear the melody ! Ha bizarre , intéressant ! Merci à vous.]]></description>
			<content:encoded><![CDATA[<p>Bonjour, hello,<br />
First sample .. wow got the rhythm of this classical piece. To me, the rhythm was more , a bit more obvious. As to the Exemple 3 , to me, the whistle is not toneless. I can’t explain it but I sense, hear the melody ! Ha bizarre , intéressant ! Merci à vous.</p>
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