{"id":8606,"date":"2015-06-25T00:42:30","date_gmt":"2015-06-24T22:42:30","guid":{"rendered":"http:\/\/www.oberton.org\/?p=8606"},"modified":"2020-03-16T02:40:48","modified_gmt":"2020-03-16T01:40:48","slug":"now-thats-a-vocal-range-alber-hera","status":"publish","type":"post","link":"https:\/\/www.oberton.org\/en\/now-thats-a-vocal-range-alber-hera\/","title":{"rendered":"Now, that&#8217;s a vocal range &#8211; Alber Hera"},"content":{"rendered":"<div class='avia-iframe-wrap'><div class=\"lyte-wrapper\" title=\"M0+M1+M3 non &egrave; un&amp;#039;equazione\" style=\"width:1280px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_9F11Z4YU2vM\" itemprop=\"video\" itemscope itemtype=\"https:\/\/schema.org\/VideoObject\"><div><meta itemprop=\"thumbnailUrl\" content=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2F9F11Z4YU2vM%2Fhqdefault.jpg\" \/><meta itemprop=\"embedURL\" content=\"https:\/\/www.youtube.com\/embed\/9F11Z4YU2vM\" \/><meta itemprop=\"duration\" content=\"PT1M7S\" \/><meta itemprop=\"uploadDate\" content=\"2015-06-25T11:20:37Z\" \/><\/div><div id=\"lyte_9F11Z4YU2vM\" data-src=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2F9F11Z4YU2vM%2Fhqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\" itemprop=\"name\">M0+M1+M3 non \u00e8 un&#039;equazione<\/div><\/div><button tabindex=\"0\" class=\"play\"><\/button><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/9F11Z4YU2vM\" rel=\"nofollow\"><img decoding=\"async\" src=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2F9F11Z4YU2vM%2F0.jpg\" alt=\"M0+M1+M3 non &egrave; un&amp;#039;equazione\" width=\"1280\" height=\"700\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><meta itemprop=\"description\" content=\"Dopo anni eccovi un video relativo alla mia ultima ricerca sui meccanismi vocali. In questo video vengoni proposti tre dei quattro meccanismi con cui avviene la produzione della voce in relazione al comportamento vibratorio delle corde vocali. L&#039;estensione prodotta con l&#039;utilizzo di questi meccanismi va da A1 a Ab6. Descrizione concessa dal Dott. Franco Fussi Specialista in Foniatria e in Otorinolaringoiatria sito web: www.voceartistica.it M0_M1_M2_M3 sono le sigle con cui vengono etichettati i diversi meccanismi con cui avviene la produzione della voce in relazione al comportamento vibratorio delle corde vocali. Nella categoria dell\u2019M0 si raggruppano i comportamenti vibratori che prevedono massima attivit\u00e0 del tiroaritenoideo e minima attivit\u00e0 del cricotiroideo, con risultante aumento di massa cordale, onda mucosa che si propaga ad impulsi, massima ampiezza di attivit\u00e0 del cover cordale, tipico ad esempio del vocal fry. In esso vengono inclusi anche sonorizzazioni aggiuntive ad opera del reclutamento di altre strutture vibranti, oltre le corde vocali vere, quali false corde, aritenoidi e strutture sovraglottiche. Nell\u2019esempio offerto da Albert l\u2019M0 viene usato all\u2019inizio del pezzo nella sua accezione di fry con vibrazione falsocordale. Il pezzo prosegue poi con alcune produzioni in canto armonico, tecnica attraverso la quale alcuni armonici presenti nel tono fondamentale, eseguito questa volta in M1, cio\u00e8 in registro modale (massa cordale spessa, ampio coinvolgimento vibratorio del cover cordale, buona durata del tempo di contatto durante il ciclo vibratorio) , vengono esaltati attraverso la tecnica del canto difonico e percepiti come linea melodica aggiuntiva. Il pezzo si conclude con un efficace esempio di meccanismo 3, in cui la vibrazione cordale \u00e8 sostituita da corda rigida e non pi\u00f9 vibrante, con passaggio di aria pressurizzata attraverso un piccolo pertugio glottico anteriore percepibile come fischio laringeo. Manca il meccanismo 2 che raggruppa tutte le realt\u00e0 vibratorie in cui la prevalente attivit\u00e0 del cricotiroideo rende la massa pi\u00f9 sottile e il coinvolgimento del cover cordale limiato alla sua parte pi\u00f9 mediale, con tempo di contatto ridotto (falsetto, falsettone, suoni acuti leggeri in consonanza di testa)\"><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:1280px;margin:5px;\"><\/div><\/div>\n<p>The Italian jazz musician <a href=\"http:\/\/www.alberthera.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Albert Hera<\/a>, who refers to himself as &#8220;Sound Teller&#8221;, is a specialist in experimental voice and choir improvisation in the style of circle singing. I really like this little video sample, that allready gained more than 10,000 views on Facebook (June 2015). He demonstrates a vocal range from gigantic 5 octaves in the few seconds, from A1 till G#6, higher than the top tone of the Queen of the night by Mozart, using undertone singing, overtone singing and whistle register, in addition to this a funny musical arrangement.<\/p>\n<p>Source: <a href=\"https:\/\/www.facebook.com\/1531391704\/videos\/10206930054439802\/\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook &#8211; Albert Hera<\/a><\/p>\n<div class=\"shariff shariff-align-left shariff-widget-align-left\" style=\"display:none\"><div class=\"ShariffHeadline\"><h3>Share<\/h3><\/div><ul class=\"shariff-buttons theme-round orientation-horizontal buttonsize-medium\"><li class=\"shariff-button twitter shariff-nocustomcolor\" style=\"background-color:#595959\"><a href=\"https:\/\/twitter.com\/share?url=https%3A%2F%2Fwww.oberton.org%2Fen%2Fnow-thats-a-vocal-range-alber-hera%2F&text=Now%2C%20that%E2%80%99s%20a%20vocal%20range%20%E2%80%93%20Alber%20Hera\" title=\"Bei X teilen\" aria-label=\"Bei X teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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