{"id":7832,"date":"2014-02-03T19:28:12","date_gmt":"2014-02-03T18:28:12","guid":{"rendered":"http:\/\/www.oberton.org\/portfolio-item\/somei-satoh-2\/"},"modified":"2019-06-21T10:51:24","modified_gmt":"2019-06-21T08:51:24","slug":"somei-satoh","status":"publish","type":"portfolio","link":"https:\/\/www.oberton.org\/en\/portfolio-item\/somei-satoh\/","title":{"rendered":"S\u014dmei Sat\u014d"},"content":{"rendered":"<div  class='flex_column av-hjg03u-ca9a0f97471fe1c00529afd0e7a35531 av_two_third  avia-builder-el-0  el_before_av_one_third  avia-builder-el-first  first flex_column_div  '     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-jx5utvzv-0057af009b49a503ab02a7ec608da69a\">\n#top .av-special-heading.av-jx5utvzv-0057af009b49a503ab02a7ec608da69a{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-jx5utvzv-0057af009b49a503ab02a7ec608da69a .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-jx5utvzv-0057af009b49a503ab02a7ec608da69a .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-jx5utvzv-0057af009b49a503ab02a7ec608da69a av-special-heading-h1 blockquote modern-quote  avia-builder-el-1  el_before_av_textblock  avia-builder-el-first '><h1 class='av-special-heading-tag '  itemprop=\"headline\"  >S\u014dmei Sat\u014d<\/h1><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-1gat4a-78e7dd5d8a6773a6412d4e63cd7cc4ce '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><div data-update_with=\"content\">\n<p>Japan *1947<\/p>\n<p><a href=\"http:\/\/www.zen-on.co.jp\/world\/composers_satoh\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.zen-on.co.jp\/world\/composers_satoh\/<\/a><br \/>\n<a href=\"https:\/\/www.facebook.com\/someisatoh\/\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.facebook.com\/someisatoh\/<\/a><\/p>\n<p>S\u014dmei Sat\u014d (jap. \u4f50\u85e4 \u8070\u660e, Sat\u014d S\u014dmei; * 19. Januar 1947 in Sendai, Japan) ist ein japanischer Komponist. Seine Musik ist eine Fusion aus westlicher und japanischer Tradition (Gendai Hogaku) und inspiriert von Shint\u014d und Zen-Buddhismus. (<a href=\"http:\/\/de.wikipedia.org\/wiki\/S%C5%8Dmei_Sat%C5%8D\" target=\"_blank\" rel=\"noopener noreferrer\">Wikipedia<\/a>)<\/p>\n<\/div>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-jwt7p82u-ec86fce11394a7c579f2f56f1af211d7 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><div class='avia-iframe-wrap'>\n<div class=\"lyte-wrapper\" title=\"Somei Satoh, by Hilary Hahn\" style=\"width:1280px;max-width:100%;margin:5px;\">\n<div class=\"lyMe\" id=\"WYL_wmwUje_yz4E\" itemprop=\"video\" itemscope itemtype=\"https:\/\/schema.org\/VideoObject\">\n<div><meta itemprop=\"thumbnailUrl\" content=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FwmwUje_yz4E%2Fhqdefault.jpg\" \/><meta itemprop=\"embedURL\" content=\"https:\/\/www.youtube.com\/embed\/wmwUje_yz4E\" \/><meta itemprop=\"duration\" content=\"PT18M45S\" \/><meta itemprop=\"uploadDate\" content=\"2013-05-19T18:09:08Z\" \/><\/div>\n<div id=\"lyte_wmwUje_yz4E\" data-src=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FwmwUje_yz4E%2Fhqdefault.jpg\" class=\"pL\">\n<div class=\"tC\">\n<div class=\"tT\" itemprop=\"name\">Somei Satoh, by Hilary Hahn<\/div>\n<\/div>\n<p><button tabindex=\"0\" class=\"play\"><\/button><\/p>\n<div class=\"ctrl\">\n<div class=\"Lctrl\"><\/div>\n<div class=\"Rctrl\"><\/div>\n<\/div>\n<\/div>\n<p><noscript><a href=\"https:\/\/youtu.be\/wmwUje_yz4E\" rel=\"nofollow\"><img decoding=\"async\" src=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FwmwUje_yz4E%2F0.jpg\" alt=\"Somei Satoh, by Hilary Hahn\" width=\"1280\" height=\"700\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><meta itemprop=\"description\" content=\"Hilary Hahn interviews composer Somei Satoh, who wrote &quot;Bif\u016b&quot; for her project, &quot;In 27 Pieces: the Hilary Hahn Encores&quot;. He speaks about his life in music, his approach to creating, and his current projects. Recorded May 19 in Tokyo, Japan. Many thanks to Mika-san for interpreting off-camera.\"><\/div>\n<\/div>\n<div class=\"lL\" style=\"max-width:100%;width:1280px;margin:5px;\"><\/div>\n<\/div>\n<\/div><\/section><\/p><\/div><div  class='flex_column av-cxmcp6-e782ceb169de0846eb60bff8774f5de3 av_one_third  avia-builder-el-4  el_after_av_two_third  el_before_av_heading  flex_column_div  '     ><\/div><\/p>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_heading-42b3cd7401e3746650cc555980b786b7\">\n#top .av-special-heading.av-av_heading-42b3cd7401e3746650cc555980b786b7{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-av_heading-42b3cd7401e3746650cc555980b786b7 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-av_heading-42b3cd7401e3746650cc555980b786b7 .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-av_heading-42b3cd7401e3746650cc555980b786b7 av-special-heading-h2  avia-builder-el-5  el_after_av_one_third  el_before_av_one_full '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >Compositions<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<div  class='flex_column av-wmfkq-477ba73559e0a0fa7d01f11429287daa av_one_full  avia-builder-el-6  el_after_av_heading  el_before_av_heading  first flex_column_div  '     ><div  class='av-alb-blogposts template-blog  av-blog-meta-html-info-disabled '  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/Blog\" ><article class=\"post-entry post-entry-type-video post-entry-18292 post-loop-1 post-parity-odd single-big  post-18292 post type-post status-publish format-video hentry category-compositions category-worth-listening tag-composers-en tag-occidental-overtone-singing tag-somei-sato-en post_format-post-format-video\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" ><div class=\"big-preview single-big\"><div class='avia-iframe-wrap'><iframe loading=\"lazy\" title=\"Tantra\" width=\"1500\" height=\"844\" src=\"https:\/\/www.youtube.com\/embed\/wdKKbCtRIQA?wmode=transparent&amp;rel=0&amp;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/div><\/div><div class=\"blog-meta\"><\/div><div class='entry-content-wrapper clearfix video-content'><header class=\"entry-content-header\" aria-label=\"Post: S\u014dmei Sat\u014d &#8211; TANTRA, 4 Track Music for Tape (1990)\"><h2 class='post-title entry-title '  itemprop=\"headline\" ><a href=\"https:\/\/www.oberton.org\/en\/somei-sato-tantra-4-track-music-for-tape-1990\/\" rel=\"bookmark\" title=\"Permanent Link: S\u014dmei Sat\u014d &#8211; TANTRA, 4 Track Music for Tape (1990)\">S\u014dmei Sat\u014d &#8211; TANTRA, 4 Track Music for Tape (1990)<span class=\"post-format-icon minor-meta\"><\/span><\/a><\/h2><span class=\"post-meta-infos\"><time class=\"date-container minor-meta updated\"  itemprop=\"datePublished\" datetime=\"2019-06-12T23:58:44+02:00\" >12. June 2019<\/time><span class=\"text-sep\">\/<\/span><span class=\"comment-container minor-meta\"><a href=\"https:\/\/www.oberton.org\/en\/somei-sato-tantra-4-track-music-for-tape-1990\/#respond\" class=\"comments-link\" >0 Comments<\/a><\/span><span class=\"text-sep\">\/<\/span><span class=\"blog-categories minor-meta\">in <a href=\"https:\/\/www.oberton.org\/en\/category\/compositions\/\" rel=\"tag\">Compositions<\/a>, <a href=\"https:\/\/www.oberton.org\/en\/category\/worth-listening\/\" rel=\"tag\">Worth Listening<\/a><\/span><span class=\"text-sep\">\/<\/span><span class=\"blog-author minor-meta\">by <span class=\"entry-author-link\"  itemprop=\"author\" ><span class=\"author\"><span class=\"fn\"><a href=\"https:\/\/www.oberton.org\/en\/author\/ws\/\" rel=\"author\">wolf<\/a><\/span><\/span><\/span><\/span><\/span><\/header><div class=\"entry-content\"  itemprop=\"text\" ><p>&nbsp;<\/p>\n<p>Premiere: 1990 Wellington (New Zealand)<br \/>\nCommitioned by Victoria University of Wellington<br \/>\nRD:NEW ALBION\/NA-099<\/p>\n<div class=\"shariff shariff-align-left shariff-widget-align-left\" style=\"display:none\"><div class=\"ShariffHeadline\"><h3>Share<\/h3><\/div><ul class=\"shariff-buttons theme-round orientation-horizontal buttonsize-medium\"><li class=\"shariff-button twitter shariff-nocustomcolor\" style=\"background-color:#595959\"><a href=\"https:\/\/twitter.com\/share?url=https%3A%2F%2Fwww.oberton.org%2Fen%2Fsomei-sato-tantra-4-track-music-for-tape-1990%2F&text=S%C5%8Dmei%20Sat%C5%8D%20%E2%80%93%20TANTRA%2C%204%20Track%20Music%20for%20Tape%20%281990%29\" title=\"Bei X teilen\" aria-label=\"Bei X teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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TANTRA, 4 Track Music for Tape (1990)<\/span><\/span><\/span><\/article><article class=\"post-entry post-entry-type-video post-entry-18299 post-loop-2 post-parity-even single-big  post-18299 post type-post status-publish format-video hentry category-compositions category-worth-listening tag-composers-en tag-occidental-overtone-singing tag-overtone-choir tag-somei-sato-en post_format-post-format-video\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" ><div class=\"big-preview single-big\"><div class='avia-iframe-wrap'><iframe loading=\"lazy\" title=\"Mandara - Somei Satoh\" width=\"1333\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/f1Rme8ONCUI?wmode=transparent&amp;rel=0&amp;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/div><\/div><div class=\"blog-meta\"><\/div><div class='entry-content-wrapper clearfix video-content'><header class=\"entry-content-header\" aria-label=\"Post: S\u014dmei Sat\u014d &#8211; MANDARA, Music for Tape (1982)\"><h2 class='post-title entry-title '  itemprop=\"headline\" ><a href=\"https:\/\/www.oberton.org\/en\/somei-sato-mandara-music-for-tape-1982\/\" rel=\"bookmark\" title=\"Permanent Link: S\u014dmei Sat\u014d &#8211; MANDARA, Music for Tape (1982)\">S\u014dmei Sat\u014d &#8211; MANDARA, Music for Tape (1982)<span class=\"post-format-icon minor-meta\"><\/span><\/a><\/h2><span class=\"post-meta-infos\"><time class=\"date-container minor-meta updated\"  itemprop=\"datePublished\" datetime=\"2019-06-12T19:21:20+02:00\" >12. June 2019<\/time><span class=\"text-sep\">\/<\/span><span class=\"comment-container minor-meta\"><a href=\"https:\/\/www.oberton.org\/en\/somei-sato-mandara-music-for-tape-1982\/#respond\" class=\"comments-link\" >0 Comments<\/a><\/span><span class=\"text-sep\">\/<\/span><span class=\"blog-categories minor-meta\">in <a href=\"https:\/\/www.oberton.org\/en\/category\/compositions\/\" rel=\"tag\">Compositions<\/a>, <a href=\"https:\/\/www.oberton.org\/en\/category\/worth-listening\/\" rel=\"tag\">Worth Listening<\/a><\/span><span class=\"text-sep\">\/<\/span><span class=\"blog-author minor-meta\">by <span class=\"entry-author-link\"  itemprop=\"author\" ><span class=\"author\"><span class=\"fn\"><a href=\"https:\/\/www.oberton.org\/en\/author\/ws\/\" rel=\"author\">wolf<\/a><\/span><\/span><\/span><\/span><\/span><\/header><div class=\"entry-content\"  itemprop=\"text\" ><p>S\u014dmei Sat\u014d creates a multi-track overtone choir with his own voice and uses <a href=\"https:\/\/www.oberton.org\/en\/overtone-singing\/composing-with-overtone-singing-composers-guide\/#melodie_oder_klangfarbe\">vowel overtone singing<\/a> as an effect. I have heard something similar from Roberto Laneri&#8217;s &#8220;Two views of the Amazon&#8221; from 1981. At the beginning of the 1980s, this probably sounded more like electronic music to most listeners, as overtone singing was still virtually unknown in the West.<\/p>\n<p>Premiere 1982. Tokyo.<br \/>\nCommitioned by Japan Foundation<br \/>\nRD:ALM\/AL-26, NEW ALBION\/NA-099, NA-016<\/p>\n<div class=\"shariff shariff-align-left shariff-widget-align-left\" style=\"display:none\"><div class=\"ShariffHeadline\"><h3>Share<\/h3><\/div><ul class=\"shariff-buttons theme-round orientation-horizontal buttonsize-medium\"><li class=\"shariff-button twitter shariff-nocustomcolor\" style=\"background-color:#595959\"><a href=\"https:\/\/twitter.com\/share?url=https%3A%2F%2Fwww.oberton.org%2Fen%2Fsomei-sato-mandara-music-for-tape-1982%2F&text=S%C5%8Dmei%20Sat%C5%8D%20%E2%80%93%20MANDARA%2C%20Music%20for%20Tape%20%281982%29\" title=\"Bei X teilen\" aria-label=\"Bei X teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#000; color:#fff\" target=\"_blank\"><span class=\"shariff-icon\" style=\"\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\"><path fill=\"#000\" d=\"M14.258 10.152L23.176 0h-2.113l-7.747 8.813L7.133 0H0l9.352 13.328L0 23.973h2.113l8.176-9.309 6.531 9.309h7.133zm-2.895 3.293l-.949-1.328L2.875 1.56h3.246l6.086 8.523.945 1.328 7.91 11.078h-3.246zm0 0\"\/><\/svg><\/span><\/a><\/li><li class=\"shariff-button facebook shariff-nocustomcolor\" style=\"background-color:#4273c8\"><a href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fwww.oberton.org%2Fen%2Fsomei-sato-mandara-music-for-tape-1982%2F\" title=\"Bei Facebook teilen\" aria-label=\"Bei Facebook teilen\" role=\"button\" rel=\"nofollow\" class=\"shariff-link\" style=\"; 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MANDARA, Music for Tape (1982)<\/span><\/span><\/span><\/article><article class=\"post-entry post-entry-type-video post-entry-18234 post-loop-3 post-parity-odd post-entry-last single-big  post-18234 post type-post status-publish format-video hentry category-compositions category-worth-listening tag-composers-en tag-occidental-overtone-singing tag-somei-sato-en post_format-post-format-video\"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/BlogPosting\" ><div class=\"big-preview single-big\"><div class='avia-iframe-wrap'><iframe loading=\"lazy\" title=\"Somei Satoh - Mantra\" width=\"1500\" height=\"844\" src=\"https:\/\/www.youtube.com\/embed\/83Vcc7eElZk?wmode=transparent&amp;rel=0&amp;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/div><\/div><div class=\"blog-meta\"><\/div><div class='entry-content-wrapper clearfix video-content'><header class=\"entry-content-header\" aria-label=\"Post: S\u014dmei Sat\u014d &#8211; \u30de\u30f3\u30c8\u30e9 MANTRA, Music for Tape (1986)\"><h2 class='post-title entry-title '  itemprop=\"headline\" ><a href=\"https:\/\/www.oberton.org\/en\/somei-sato-%e3%83%9e%e3%83%b3%e3%83%88%e3%83%a9-mantra-music-for-tape-1986\/\" rel=\"bookmark\" title=\"Permanent Link: S\u014dmei Sat\u014d &#8211; \u30de\u30f3\u30c8\u30e9 MANTRA, Music for Tape (1986)\">S\u014dmei Sat\u014d &#8211; \u30de\u30f3\u30c8\u30e9 MANTRA, Music for Tape (1986)<span class=\"post-format-icon minor-meta\"><\/span><\/a><\/h2><span class=\"post-meta-infos\"><time class=\"date-container minor-meta updated\"  itemprop=\"datePublished\" datetime=\"2019-06-12T13:40:43+02:00\" >12. June 2019<\/time><span class=\"text-sep\">\/<\/span><span class=\"comment-container minor-meta\"><a href=\"https:\/\/www.oberton.org\/en\/somei-sato-%e3%83%9e%e3%83%b3%e3%83%88%e3%83%a9-mantra-music-for-tape-1986\/#respond\" class=\"comments-link\" >0 Comments<\/a><\/span><span class=\"text-sep\">\/<\/span><span class=\"blog-categories minor-meta\">in <a href=\"https:\/\/www.oberton.org\/en\/category\/compositions\/\" rel=\"tag\">Compositions<\/a>, <a href=\"https:\/\/www.oberton.org\/en\/category\/worth-listening\/\" rel=\"tag\">Worth Listening<\/a><\/span><span class=\"text-sep\">\/<\/span><span class=\"blog-author minor-meta\">by <span class=\"entry-author-link\"  itemprop=\"author\" ><span class=\"author\"><span class=\"fn\"><a href=\"https:\/\/www.oberton.org\/en\/author\/ws\/\" rel=\"author\">wolf<\/a><\/span><\/span><\/span><\/span><\/span><\/header><div class=\"entry-content\"  itemprop=\"text\" ><p>One of the very early compositions for western overtone singing. <a href=\"https:\/\/www.oberton.org\/obertongesang\/westlicher-obertongesang\/#historische_entwicklung\">At that time<\/a> overtone singing was hardly known.<\/p>\n<p>23&#8242;<br \/>\nWorld premiere Tokyo 1986.<br \/>\nRD:NEW ALBION\/NA-016, NA-099<\/p>\n<div class=\"shariff shariff-align-left shariff-widget-align-left\" style=\"display:none\"><div class=\"ShariffHeadline\"><h3>Share<\/h3><\/div><ul class=\"shariff-buttons theme-round orientation-horizontal buttonsize-medium\"><li class=\"shariff-button twitter shariff-nocustomcolor\" style=\"background-color:#595959\"><a href=\"https:\/\/twitter.com\/share?url=https%3A%2F%2Fwww.oberton.org%2Fen%2Fsomei-sato-%25e3%2583%259e%25e3%2583%25b3%25e3%2583%2588%25e3%2583%25a9-mantra-music-for-tape-1986%2F&text=S%C5%8Dmei%20Sat%C5%8D%20%E2%80%93%20%E3%83%9E%E3%83%B3%E3%83%88%E3%83%A9%20MANTRA%2C%20Music%20for%20Tape%20%281986%29\" title=\"Bei X teilen\" aria-label=\"Bei X teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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