{"id":9460,"date":"2013-05-13T17:56:57","date_gmt":"2013-05-13T15:56:57","guid":{"rendered":"http:\/\/www.oberton.org\/overtone-singing\/curiosities\/?lang=en"},"modified":"2020-08-10T15:51:27","modified_gmt":"2020-08-10T13:51:27","slug":"curiosities","status":"publish","type":"page","link":"https:\/\/www.oberton.org\/en\/overtone-singing\/curiosities\/","title":{"rendered":"Oddities"},"content":{"rendered":"<div  class='flex_column av-av_two_third-2a9015ff38129c418a3f2eafba3e9512 av_two_third  avia-builder-el-0  el_before_av_one_third  avia-builder-el-first  first flex_column_div  '     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_heading-71539cbf33ef8fd6998d42258a8827ea\">\n#top .av-special-heading.av-av_heading-71539cbf33ef8fd6998d42258a8827ea{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-av_heading-71539cbf33ef8fd6998d42258a8827ea .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-av_heading-71539cbf33ef8fd6998d42258a8827ea .av-subheading{\nfont-size:18px;\n}\n<\/style>\n<div  class='av-special-heading av-av_heading-71539cbf33ef8fd6998d42258a8827ea av-special-heading-h1 blockquote modern-quote  avia-builder-el-1  avia-builder-el-no-sibling '><h1 class='av-special-heading-tag '  itemprop=\"headline\"  >Oddities<\/h1><div class='av-subheading av-subheading_below'><p>Double Voice Without Overtone Singing<\/p>\n<\/div><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_one_third-9c1d454dc06f7247226bc4e8f931daae\">\n.flex_column.av-av_one_third-9c1d454dc06f7247226bc4e8f931daae{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-av_one_third-9c1d454dc06f7247226bc4e8f931daae av_one_third  avia-builder-el-2  el_after_av_two_third  el_before_av_heading  flex_column_div av-zero-column-padding  '     ><section  class='av_textblock_section av-av_textblock-35972167d9f102c5ddaec0c531c98b9e '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" >\n<\/div><\/section><\/div>\n<div  class='av-special-heading av-av_heading-40cd172361e14f6896be06a3be0ee5b9 av-special-heading-h2 blockquote modern-quote  avia-builder-el-4  el_after_av_one_third  el_before_av_textblock '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >Techniques with Two Oral Sound Sources<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<section  class='av_textblock_section av-av_textblock-0366cc7376be6c9e82a3e9cc8987b64f '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>If you combine lip vibration, as in the case of tuba playing, with the singing voice, then two-part effects are created, sometimes also three-part effects due to the formation of a combination tone.<\/p>\n<\/div><\/section>\n<section  class='av_textblock_section av-av_textblock-0366cc7376be6c9e82a3e9cc8987b64f '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>I shared the artist suite with <a title=\"http:\/\/www.youtube.com\/beatboxdome\" href=\"http:\/\/www.youtube.com\/beatboxdome\" target=\"_blank\" rel=\"noopener noreferrer\">D\u00f6me<\/a> at a didgerido festival in Israel. An unbelievable beatboxer who is constantly inventing new ideas. I was allowed to film him during this exercise, where he plays with lip and voice combinations in which he uses combination tone effects.<\/p>\n<\/div><\/section>\n<div  class='avia-video av-av_video-7b4fd990f5e2040030bc7e8ecfc6fa80 avia-video-16-9 av-no-preview-image avia-video-load-always av-lazyload-immediate av-lazyload-video-embed'  itemprop=\"video\" itemtype=\"https:\/\/schema.org\/VideoObject\"  data-original_url='http:\/\/www.youtube.com\/watch?v=bWevUhY_jQI'><script type='text\/html' class='av-video-tmpl'><div class='avia-iframe-wrap'><iframe loading=\"lazy\" width=\"1500\" height=\"844\" src=\"https:\/\/www.youtube.com\/embed\/bWevUhY_jQI?wmode=transparent&amp;rel=0&amp;feature=oembed&autoplay=0&loop=0&controls=1&mute=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/div><\/script><div class='av-click-to-play-overlay'><div class=\"avia_playpause_icon\"><\/div><\/div><\/div>\n<section  class='av_textblock_section av-av_textblock-0366cc7376be6c9e82a3e9cc8987b64f '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>The American vocal artist Bobby McFerrin demonstrates the lip technique in his piece <em>Drive<\/em> with additional glottis basedrum.<\/p>\n<\/div><\/section>\n<div  class='avia-video av-av_video-80cbebdb08f7813d12ac88a32a9c800b avia-video-16-9 av-no-preview-image avia-video-load-always av-lazyload-immediate av-lazyload-video-embed'  itemprop=\"video\" itemtype=\"https:\/\/schema.org\/VideoObject\"  data-original_url='http:\/\/youtu.be\/LtXrKo8Btfc?t=2m17s'><script type='text\/html' class='av-video-tmpl'><div class='avia-iframe-wrap'><iframe loading=\"lazy\" width=\"1333\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/LtXrKo8Btfc?start=137&wmode=transparent&amp;rel=0&amp;feature=oembed&autoplay=0&loop=0&controls=1&mute=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/div><\/script><div class='av-click-to-play-overlay'><div class=\"avia_playpause_icon\"><\/div><\/div><\/div>\n<div  class='avia-video av-av_video-a8bd6ec307516a642e78f4ee6cf34530 avia-video-16-9 av-no-preview-image avia-video-load-always av-lazyload-immediate av-lazyload-video-embed'  itemprop=\"video\" itemtype=\"https:\/\/schema.org\/VideoObject\"  data-original_url='http:\/\/youtu.be\/1qOQHB_V2g0?t=2m08s'><script type='text\/html' class='av-video-tmpl'><div class='avia-iframe-wrap'><iframe loading=\"lazy\" width=\"1333\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/1qOQHB_V2g0?start=128&wmode=transparent&amp;rel=0&amp;feature=oembed&autoplay=0&loop=0&controls=1&mute=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/div><\/script><div class='av-click-to-play-overlay'><div class=\"avia_playpause_icon\"><\/div><\/div><\/div>\n<section  class='av_textblock_section av-av_textblock-0366cc7376be6c9e82a3e9cc8987b64f '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>The Australian comedian <a title=\"http:\/\/www.jasonthompson.net\" href=\"http:\/\/www.jasonthompson.net\" target=\"_blank\" rel=\"noopener noreferrer\">Jason Thompson<\/a> uses a vibration between the cheek and the side tongue (Donald Duck voice) to create an additional tone.<\/p>\n<\/div><\/section>\n<div  class='avia-video av-av_video-5e910d3f22fbb36e828361b560cbe017 avia-video-16-9 av-no-preview-image avia-video-load-always av-lazyload-immediate av-lazyload-video-embed'  itemprop=\"video\" itemtype=\"https:\/\/schema.org\/VideoObject\"  data-original_url='http:\/\/youtu.be\/NpwvEALD_CY'><script type='text\/html' class='av-video-tmpl'><div class='avia-iframe-wrap'><iframe loading=\"lazy\" width=\"1333\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/NpwvEALD_CY?wmode=transparent&amp;rel=0&amp;feature=oembed&autoplay=0&loop=0&controls=1&mute=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/div><\/script><div class='av-click-to-play-overlay'><div class=\"avia_playpause_icon\"><\/div><\/div><\/div>\n<section  class='av_textblock_section av-av_textblock-35972167d9f102c5ddaec0c531c98b9e '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span id=\"eow-title\" dir=\"ltr\" title=\"Bach - Bwv1067 Orchestral Suite - 07 - Badinerie\">The former bass and mouth percussionist of the Swingle Singers, Simon Grant, presents here a highly virtuosic version of Bach&#8217;s Badinerie from BWV 1067 with a technique in which he whistles and sings at the same time.<br \/>\n<\/span><\/p>\n<\/div><\/section>\n<div  class='avia-video av-av_video-e80156fa12e649c4ca3f24b4ae54a9fc avia-video-16-9 av-no-preview-image avia-video-load-always av-lazyload-immediate av-lazyload-video-embed'  itemprop=\"video\" itemtype=\"https:\/\/schema.org\/VideoObject\"  data-original_url='https:\/\/youtu.be\/Et-PleT-v0A?t=31s'><script type='text\/html' class='av-video-tmpl'><div class='avia-iframe-wrap'><iframe loading=\"lazy\" width=\"1333\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/Et-PleT-v0A?start=31&wmode=transparent&amp;rel=0&amp;feature=oembed&autoplay=0&loop=0&controls=1&mute=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/div><\/script><div class='av-click-to-play-overlay'><div class=\"avia_playpause_icon\"><\/div><\/div><\/div>\n<div  class='av-special-heading av-av_heading-a2ec8c137a13a1238f826769498dc79d av-special-heading-h2 blockquote modern-quote  avia-builder-el-15  el_after_av_video  el_before_av_textblock '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >Multiphony Techniques<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<section  class='av_textblock_section av-av_textblock-0366cc7376be6c9e82a3e9cc8987b64f '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Biphony &#8211; the phenomenon that two frequencies originate simultaneously on the vocal cords &#8211; is really multiphone in contrast to overtone singing. So far I have not been able to find any works showing what is happening at the glottis.<\/p>\n<p>Sometimes the technique is called diplophony in studies. Biphony and diplophony are sometimes used synonymously. But I support the definition of Nwka and Wirth (Nawka, Tadeus, and Gu? nter Wirth. Stimmsto\u0308rungen: fu\u0308r A\u0308rzte, Logopa\u0308den, Sprachheilpa\u0308dagogen und Sprechwissenschaftler\u202f; mit 30 Tabellen. Ko\u0308ln: Dt. A\u0308rzte-Verl., 2008), according to which diplophony describes the phenomenon of Strohbass. The topic was discussed in detail at Fuks (Fuks, Leonardo. PhD Thesis in music acoustics: FROM AIR TO MUSIC &#8211; Acoustical, Physiological and Perceptual Aspects of Reed Wind Instrument Playing and Vocal-Ventricular Fold Phonation &#8220;. KTH, 1998.).<\/p>\n<p>The Greek-Italian singer Demitrio Stratos has called his overtone singing diplophony. The topic was discussed in great detail at Fuks (Fuks, Leonardo. PhD Thesis in music acoustics: FROM AIR TO MUSIC &#8211; Acoustical, Physiological and Perceptual Aspects of Reed Wind Instrument Playing and Vocal-Ventricular Fold Phonation &#8220;. KTH, 1998.).<\/p>\n<p>The Greek-Italian singer DEMITRIO STRATOS has called his overtone singing diplophony and triplophony. This is mainly the classical resonance technique of overtone singing and is therefore a third definition of the term.<\/p>\n<\/div><\/section>\n<section  class='av_textblock_section av-av_textblock-0366cc7376be6c9e82a3e9cc8987b64f '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><a title=\"http:\/\/www.lalahhathaway.com\/\" href=\"http:\/\/www.lalahhathaway.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Lalah Hathaway<\/a> sings two simultaneous notes at different intervals (06:12) on the <a title=\"http:\/\/snarkypuppy.ropeadope.com\/album\/family-dinner-volume-1\" href=\"http:\/\/snarkypuppy.ropeadope.com\/album\/family-dinner-volume-1\" target=\"_blank\" rel=\"noopener noreferrer\">Snarky Puppy&#8217;s live DVD\/CD &#8211; &#8220;Family Dinner &#8211; Volume One&#8221;<\/a>: Two times major second, minor third and major third, matching the musical context. She can obviously control both tones separately.<\/p>\n<\/div><\/section>\n<div  class='avia-video av-av_video-d75af08982447ceacf73a4054ee0196b avia-video-16-9 av-no-preview-image avia-video-load-always av-lazyload-immediate av-lazyload-video-embed'  itemprop=\"video\" itemtype=\"https:\/\/schema.org\/VideoObject\"  data-original_url='http:\/\/youtu.be\/0SJIgTLe0hc?t=6m'><script type='text\/html' class='av-video-tmpl'><div class='avia-iframe-wrap'><iframe loading=\"lazy\" width=\"1500\" height=\"844\" src=\"https:\/\/www.youtube.com\/embed\/0SJIgTLe0hc?start=360&wmode=transparent&amp;rel=0&amp;feature=oembed&autoplay=0&loop=0&controls=1&mute=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/div><\/script><div class='av-click-to-play-overlay'><div class=\"avia_playpause_icon\"><\/div><\/div><\/div>\n<section  class='av_textblock_section av-av_textblock-0366cc7376be6c9e82a3e9cc8987b64f '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>In the sound analysis (Overtone Analyzer) you can see that the double tones produced by Lalah Hathaway contain almost no overtones of their own, they are almost sine waves. The intervals do not correspond to natural overtone intervals and are therefore harmoniously independent of each other.<\/p>\n<\/div><\/section>\n<section  class='av_textblock_section av-av_textblock-0366cc7376be6c9e82a3e9cc8987b64f '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p style=\"text-align: center;\"><a href=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Snarky_Puppy_feat._Lalah_Hathaway_-_Something_Family_Dinner_-_Volume_One1.jpg\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-4808\" src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Snarky_Puppy_feat._Lalah_Hathaway_-_Something_Family_Dinner_-_Volume_One1.jpg\" alt=\"Lalah Hathaway multiphonics\" width=\"1280\" height=\"720\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Snarky_Puppy_feat._Lalah_Hathaway_-_Something_Family_Dinner_-_Volume_One1.jpg 1280w, https:\/\/www.oberton.org\/wp-content\/uploads\/Snarky_Puppy_feat._Lalah_Hathaway_-_Something_Family_Dinner_-_Volume_One1-300x168.jpg 300w, https:\/\/www.oberton.org\/wp-content\/uploads\/Snarky_Puppy_feat._Lalah_Hathaway_-_Something_Family_Dinner_-_Volume_One1-1030x579.jpg 1030w, https:\/\/www.oberton.org\/wp-content\/uploads\/Snarky_Puppy_feat._Lalah_Hathaway_-_Something_Family_Dinner_-_Volume_One1-768x432.jpg 768w, https:\/\/www.oberton.org\/wp-content\/uploads\/Snarky_Puppy_feat._Lalah_Hathaway_-_Something_Family_Dinner_-_Volume_One1-600x338.jpg 600w, https:\/\/www.oberton.org\/wp-content\/uploads\/Snarky_Puppy_feat._Lalah_Hathaway_-_Something_Family_Dinner_-_Volume_One1-705x397.jpg 705w, https:\/\/www.oberton.org\/wp-content\/uploads\/Snarky_Puppy_feat._Lalah_Hathaway_-_Something_Family_Dinner_-_Volume_One1-450x253.jpg 450w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/><\/a><\/p>\n<\/div><\/section>\n<section  class='av_textblock_section av-av_textblock-0366cc7376be6c9e82a3e9cc8987b64f '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><a title=\"http:\/\/www.swanvocals.com\/\" href=\"http:\/\/www.swanvocals.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Mavis Poole (SWAN)<\/a> even sings an excerpt from the famous flower duet from L\u00e9o Delibes Lakm\u00e9. Incredible!<\/p>\n<\/div><\/section>\n<div  class='avia-video av-av_video-fa4ed385468a631946797e41316776f1 avia-video-16-9 av-no-preview-image avia-video-load-always av-lazyload-immediate av-lazyload-video-embed'  itemprop=\"video\" itemtype=\"https:\/\/schema.org\/VideoObject\"  data-original_url='http:\/\/www.youtube.com\/watch?v=JYVnFfLbOv0'><script type='text\/html' class='av-video-tmpl'><div class='avia-iframe-wrap'><iframe loading=\"lazy\" width=\"1333\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/JYVnFfLbOv0?wmode=transparent&amp;rel=0&amp;feature=oembed&autoplay=0&loop=0&controls=1&mute=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/div><\/script><div class='av-click-to-play-overlay'><div class=\"avia_playpause_icon\"><\/div><\/div><\/div>\n<section  class='av_textblock_section av-av_textblock-0366cc7376be6c9e82a3e9cc8987b64f '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>The American jazz trombonist Ray Anderson performs the multiphone vocal technique to virtuoso highlights in &#8220;Comes Love&#8221; from his CD Wishbone (1991) (04:29). The funny previous scats are also worth listening!<\/p>\n<\/div><\/section>\n<div  class='avia-video av-av_video-5a720dbf42efb74cd38b75929c324873 avia-video-16-9 av-no-preview-image avia-video-load-always av-lazyload-immediate av-lazyload-video-embed'  itemprop=\"video\" itemtype=\"https:\/\/schema.org\/VideoObject\"  data-original_url='http:\/\/youtu.be\/VKmdgqxpfTo?t=4m28s'><script type='text\/html' class='av-video-tmpl'><div class='avia-iframe-wrap'><iframe loading=\"lazy\" width=\"1333\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/VKmdgqxpfTo?start=268&wmode=transparent&amp;rel=0&amp;feature=oembed&autoplay=0&loop=0&controls=1&mute=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/div><\/script><div class='av-click-to-play-overlay'><div class=\"avia_playpause_icon\"><\/div><\/div><\/div>\n<section  class='av_textblock_section av-av_textblock-0366cc7376be6c9e82a3e9cc8987b64f '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><a title=\"Wikipedia\" href=\"http:\/\/de.wikipedia.org\/wiki\/Phil_Minton\" target=\"_blank\" rel=\"noopener noreferrer\">Phil Minton<\/a>, an experimental singer from England, interprets John Cage&#8217;s Mesostics with multiphonic technique from 6:23 min on.<span id=\"eow-title\" class=\"watch-title \" dir=\"ltr\" style=\"vertical-align: top;\" title=\"Phil Minton: John Cage's Mesostics\"><br \/>\n<\/span><\/p>\n<\/div><\/section>\n<div  class='avia-video av-av_video-b40d2c0fa9e51d663553e79883181a3a avia-video-16-9 av-no-preview-image avia-video-load-always av-lazyload-immediate av-lazyload-video-embed'  itemprop=\"video\" itemtype=\"https:\/\/schema.org\/VideoObject\"  data-original_url='http:\/\/youtu.be\/ofSLGvRW8xA?t=6m23s'><script type='text\/html' class='av-video-tmpl'><div class='avia-iframe-wrap'><iframe loading=\"lazy\" width=\"1500\" height=\"844\" src=\"https:\/\/www.youtube.com\/embed\/ofSLGvRW8xA?start=383&wmode=transparent&amp;rel=0&amp;feature=oembed&autoplay=0&loop=0&controls=1&mute=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/div><\/script><div class='av-click-to-play-overlay'><div class=\"avia_playpause_icon\"><\/div><\/div><\/div>\n<section  class='av_textblock_section av-av_textblock-0366cc7376be6c9e82a3e9cc8987b64f '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>This boy demonstrates that it is actually child&#8217;s play.<\/p>\n<\/div><\/section>\n<div  class='avia-video av-av_video-a59f9eb473b9e0d71897b9681c6352a4 avia-video-16-9 av-no-preview-image avia-video-load-always av-lazyload-immediate av-lazyload-video-embed'  itemprop=\"video\" itemtype=\"https:\/\/schema.org\/VideoObject\"  data-original_url='http:\/\/youtu.be\/ZJfpEslDtok'><script type='text\/html' class='av-video-tmpl'><div class='avia-iframe-wrap'><iframe loading=\"lazy\" width=\"1333\" height=\"1000\" src=\"https:\/\/www.youtube.com\/embed\/ZJfpEslDtok?wmode=transparent&amp;rel=0&amp;feature=oembed&autoplay=0&loop=0&controls=1&mute=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/div><\/script><div class='av-click-to-play-overlay'><div class=\"avia_playpause_icon\"><\/div><\/div><\/div>\n<section  class='av_textblock_section av-av_textblock-35972167d9f102c5ddaec0c531c98b9e '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>And here Matt Palmer and Matt Steele show how to practice this multiphone technique. They mistakenly call it polyphonic overtone singing. However, it is not overtone singing, but a multiphone vocal chord technique.<\/p>\n<\/div><\/section>\n<div  class='avia-video av-av_video-015e2bcfaa44f2ea758d167acfe77405 avia-video-16-9 av-no-preview-image avia-video-load-always av-lazyload-immediate av-lazyload-video-embed'  itemprop=\"video\" itemtype=\"https:\/\/schema.org\/VideoObject\"  data-original_url='https:\/\/www.youtube.com\/watch?v=jo7IKKck9c8'><script type='text\/html' class='av-video-tmpl'><div class='avia-iframe-wrap'><iframe loading=\"lazy\" width=\"1500\" height=\"844\" src=\"https:\/\/www.youtube.com\/embed\/jo7IKKck9c8?wmode=transparent&amp;rel=0&amp;feature=oembed&autoplay=0&loop=0&controls=1&mute=0\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/div><\/script><div class='av-click-to-play-overlay'><div class=\"avia_playpause_icon\"><\/div><\/div><\/div>\n<div  class='av-buildercomment av-av_comments_list-56c66b2695468e12d3120bc7169a9873  av-blog-meta-html-info-disabled'><\/div>\n<div class=\"shariff shariff-align-left shariff-widget-align-left\" style=\"display:none\"><div class=\"ShariffHeadline\"><h3>Share<\/h3><\/div><ul class=\"shariff-buttons theme-round orientation-horizontal buttonsize-medium\"><li class=\"shariff-button twitter shariff-nocustomcolor\" style=\"background-color:#595959\"><a href=\"https:\/\/twitter.com\/share?url=https%3A%2F%2Fwww.oberton.org%2Fen%2Fovertone-singing%2Fcuriosities%2F&text=Oddities\" title=\"Bei X teilen\" aria-label=\"Bei X teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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