{"id":23106,"date":"2013-05-14T00:42:41","date_gmt":"2013-05-13T22:42:41","guid":{"rendered":"https:\/\/www.oberton.org\/overtone-singing\/undertone-singing\/vocal-fry-register-strohbass\/"},"modified":"2025-07-09T00:19:13","modified_gmt":"2025-07-08T22:19:13","slug":"vocal-fry-register-strohbass","status":"publish","type":"page","link":"https:\/\/www.oberton.org\/en\/overtone-singing\/undertone-singing\/vocal-fry-register-strohbass\/","title":{"rendered":"Vocal Fry Register (Strohbass)"},"content":{"rendered":"<div  class='flex_column av-4tpitr-cd6f6461a2ffb6bd6e5728660e9ce931 av_three_fifth  avia-builder-el-0  el_before_av_two_fifth  avia-builder-el-first  first flex_column_div  '     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kixaidb5-09f9436e24863291614f6b0599dda49e\">\n#top .av-special-heading.av-kixaidb5-09f9436e24863291614f6b0599dda49e{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-kixaidb5-09f9436e24863291614f6b0599dda49e .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-kixaidb5-09f9436e24863291614f6b0599dda49e .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-kixaidb5-09f9436e24863291614f6b0599dda49e av-special-heading-h1 blockquote modern-quote  avia-builder-el-1  el_before_av_hr  avia-builder-el-first '><h1 class='av-special-heading-tag '  itemprop=\"headline\"  >Vocal Fry Register (Strohbass)<\/h1><div class='av-subheading av-subheading_below'><p>Gentle Undertones<\/p>\n<\/div><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n<div  class='hr av-4lt7hj-435fbe0571997772e8d9a65869394195 hr-default  avia-builder-el-2  el_after_av_heading  el_before_av_icon_box '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<article  class='iconbox iconbox_left av-fwy1z-711b67de06783a0b87c91dc367360825  avia-builder-el-3  el_after_av_hr  avia-builder-el-last '  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconbox_content\"><header class=\"entry-content-header\" aria-label=\"Icon: Definition\"><div class='iconbox_icon heading-color avia-iconfont avia-font-entypo-fontello' data-av_icon='\ue8c9' data-av_iconfont='entypo-fontello'  ><\/div><h3 class='iconbox_content_title '  itemprop=\"headline\" >Definition<\/h3><\/header><div class='iconbox_content_container '  itemprop=\"text\" ><blockquote>\n<p>Vocal fry (or pulse register, strohbass) is a vocal technique that creates subharmonic undertones an octave or more below the modal voice by <strong>modulating the vocal cord vibration mode<\/strong>.<\/p>\n<\/blockquote>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/p><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-49segv-7721661397a043ea613565f1287ee170\">\n.flex_column.av-49segv-7721661397a043ea613565f1287ee170{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-49segv-7721661397a043ea613565f1287ee170 av_two_fifth  avia-builder-el-4  el_after_av_three_fifth  el_before_av_one_full  flex_column_div av-zero-column-padding  '     ><section  class='av_textblock_section av-1h53b-fe6945e0abe79624b965d6105e9bf86d '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" >\n<\/div><\/section><\/div>\n<div  class='flex_column av-3wup1b-4ed68253226e3f6968100cd942050884 av_one_full  avia-builder-el-6  el_after_av_two_fifth  el_before_av_one_full  first flex_column_div  '     ><p><div  class='av-special-heading av-3qfhqf-c3df146d0589138ede9152040f2768aa av-special-heading-h2 blockquote modern-quote  avia-builder-el-7  el_before_av_textblock  avia-builder-el-first '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >Modulation of the Vocal Cord Vibration<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-3jx9mv-ccc8926e572c3da7c72c4677f8ee9934 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>It is a vibration mode of the vocal cords. Vocal fry technique was studied in detail by Leonardo Fuks in his dissertation <span class=\"zp-InText-zp-ID--935790-CSM83DW7--wp23106 zp-InText-Citation loading\" rel=\"{ 'pages': 'np', 'items': '{935790:CSM83DW7}', 'format': '(%a%, %d%, %p%)', 'brackets': '', 'etal': '', 'separator': '', 'and': '' }\"><\/span>. He calls the vocal fry &#8220;periodic pulse register&#8221;. You get this relatively soft sound when the voice relaxes and starts to rattle, which can happen unintentionally when the voice gets tired. The same thing happens in yodeling when one slowly reaches the limit of flipping the modal voice into falsetto, i.e., the edge of full vibration to the vibration of the ligamentous edges of the vocal cords.<\/p>\n<\/div><\/section><\/p><\/div>\n<div  class='flex_column av-3bqnxb-e9b1300726d0e9c19897a780ac9e8a3e av_one_full  avia-builder-el-9  el_after_av_one_full  el_before_av_one_full  first flex_column_div  column-top-margin'     ><p><div  class='av-special-heading av-364njr-1ccb3e1e873058ed51a27df62e3206d8 av-special-heading-h2 blockquote modern-quote  avia-builder-el-10  el_before_av_image  avia-builder-el-first '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >Two Octaves Below<\/h2><div class='av-subheading av-subheading_below'><p>The Art of Leonardo Fuks<\/p>\n<\/div><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-330mdb-a74ca78383fa64fdba2876542392dcc2\">\n.avia-image-container.av-330mdb-a74ca78383fa64fdba2876542392dcc2 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-330mdb-a74ca78383fa64fdba2876542392dcc2 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-330mdb-a74ca78383fa64fdba2876542392dcc2 av-styling- av-img-linked avia_animated_image av-animated-when-visible-95 pop-up avia-align-center  avia-builder-el-11  el_after_av_heading  el_before_av_textblock '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><a href=\"https:\/\/www.oberton.org\/wp-content\/uploads\/fry_fucks_12345_analysis_de2-1030x579.jpg\" data-srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/fry_fucks_12345_analysis_de2-1030x579.jpg 1030w, https:\/\/www.oberton.org\/wp-content\/uploads\/fry_fucks_12345_analysis_de2-300x168.jpg 300w, https:\/\/www.oberton.org\/wp-content\/uploads\/fry_fucks_12345_analysis_de2-768x432.jpg 768w, https:\/\/www.oberton.org\/wp-content\/uploads\/fry_fucks_12345_analysis_de2-600x338.jpg 600w, https:\/\/www.oberton.org\/wp-content\/uploads\/fry_fucks_12345_analysis_de2-705x397.jpg 705w, https:\/\/www.oberton.org\/wp-content\/uploads\/fry_fucks_12345_analysis_de2-450x253.jpg 450w, https:\/\/www.oberton.org\/wp-content\/uploads\/fry_fucks_12345_analysis_de2.jpg 1280w\" data-sizes=\"(max-width: 1030px) 100vw, 1030px\" class='avia_image '  aria-label='Sound analysis of Leonardo Fuks&#039; undertone scale.'><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-7009 avia-img-lazy-loading-not-7009 avia_image ' src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/fry_fucks_12345_analysis_de2.jpg\" alt='Sound analysis of Leonardo Fuks&#039; undertone scale' title='Sound analysis of Leonardo Fuks&#039; undertone scale.'  height=\"720\" width=\"1280\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/fry_fucks_12345_analysis_de2.jpg 1280w, https:\/\/www.oberton.org\/wp-content\/uploads\/fry_fucks_12345_analysis_de2-300x168.jpg 300w, https:\/\/www.oberton.org\/wp-content\/uploads\/fry_fucks_12345_analysis_de2-1030x579.jpg 1030w, https:\/\/www.oberton.org\/wp-content\/uploads\/fry_fucks_12345_analysis_de2-768x432.jpg 768w, https:\/\/www.oberton.org\/wp-content\/uploads\/fry_fucks_12345_analysis_de2-600x338.jpg 600w, https:\/\/www.oberton.org\/wp-content\/uploads\/fry_fucks_12345_analysis_de2-705x397.jpg 705w, https:\/\/www.oberton.org\/wp-content\/uploads\/fry_fucks_12345_analysis_de2-450x253.jpg 450w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/><\/a><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-2vdo7z-380eecd7f71856953dfe647bc3741923 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><audio class=\"wp-audio-shortcode\" id=\"audio-23106-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Fuks-fry.mp3?_=1\" \/><a href=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Fuks-fry.mp3\">https:\/\/www.oberton.org\/wp-content\/uploads\/Fuks-fry.mp3<\/a><\/audio>\n<p>This unique sound sample comes from <a href=\"http:\/\/www.speech.kth.se\/music\/publications\/leofuks\/leosounds.html\" target=\"_blank\" rel=\"noopener\">Leonardo Fuks<\/a> (courtesy). He sings down to the 5th subharmonic, i.e. he produces a tone that has only one fifth of the frequency of the fundamental of his vocal chords.<\/p>\n<p>The picture shows the spectral analysis of this recording (Overtone Analyzer). From left to right you find the fundamental, then the 1st subharmonic, the 2nd subharmonic and so on until the fifth subharmonic. As you can see, not all perceived tones have a fundamental. The ear only needs a section of the partial tone series to perceive it (residual tone effect). Fuks sings the same fundamental B3 all the time.<\/p>\n<\/div><\/section><\/p><\/div>\n<div  class='flex_column av-2pgtev-87b419c2f4288ec3651aec4ead3536bf av_one_full  avia-builder-el-13  el_after_av_one_full  el_before_av_one_full  first flex_column_div  column-top-margin'     ><p><div  class='av-special-heading av-2lqskf-1faf98adfd498d4a526b630a6cd40390 av-special-heading-h2 blockquote modern-quote  avia-builder-el-14  el_before_av_textblock  avia-builder-el-first '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >Speaking with Vocal Fry<\/h2><div class='av-subheading av-subheading_below'><p>A Recent Habit Of Actors<\/p>\n<\/div><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-8fnlz-f856d3277f11a57f28033a3ff4571aab '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>In both speaking and classical singing, this effect is usually undesirable. I personally find the vocal fry technique very soothing and relaxing for the voice. It only works when you are completely relaxed, making it ideal for a quick, gentle warm-up. I have discovered that I can produce two qualities of straw bass: a quiet, relaxed one and a louder one, which causes tension in my larynx. Studies are still pending, but I suspect that the cartilage plays a role in the louder case. (Finally confirmed; see the <a title=\"Untertongesang\" href=\"https:\/\/www.oberton.org\/obertongesang\/stile\/untertongesang\/\">Video &#8220;Strohbass vs. Kargyraa&#8221;<\/a>)<\/p>\n<p>For some American actors, vocal fry in speaking voice seems to be becoming popular:<\/p>\n<div class=\"lyte-wrapper\" title=\"Vocal Fry\" style=\"width:1280px;max-width:100%;margin:5px;\">\n<div class=\"lyMe\" id=\"WYL_WDfJn1kcQuU\" itemprop=\"video\" itemscope itemtype=\"https:\/\/schema.org\/VideoObject\">\n<div><meta itemprop=\"thumbnailUrl\" content=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FWDfJn1kcQuU%2Fhqdefault.jpg\" \/><meta itemprop=\"embedURL\" content=\"https:\/\/www.youtube.com\/embed\/WDfJn1kcQuU\" \/><meta itemprop=\"duration\" content=\"PT1M17S\" \/><meta itemprop=\"uploadDate\" content=\"2019-03-16T22:11:19Z\" \/><\/div>\n<p><meta itemprop=\"accessibilityFeature\" content=\"captions\" \/><\/p>\n<div id=\"lyte_WDfJn1kcQuU\" data-src=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FWDfJn1kcQuU%2Fhqdefault.jpg\" class=\"pL\">\n<div class=\"tC\">\n<div class=\"tT\" itemprop=\"name\">Vocal Fry<\/div>\n<\/div>\n<p><button tabindex=\"0\" class=\"play\"><\/button><\/p>\n<div class=\"ctrl\">\n<div class=\"Lctrl\"><\/div>\n<div class=\"Rctrl\"><\/div>\n<\/div>\n<\/div>\n<p><noscript><a href=\"https:\/\/youtu.be\/WDfJn1kcQuU\" rel=\"nofollow\"><img decoding=\"async\" src=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FWDfJn1kcQuU%2F0.jpg\" alt=\"Vocal Fry\" width=\"1280\" height=\"700\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><meta itemprop=\"description\" content=\"From &quot;Loudermilk - Season 2, Episode 1&quot;\"><\/div>\n<\/div>\n<div class=\"lL\" style=\"max-width:100%;width:1280px;margin:5px;\"><\/div>\n<\/p>\n<p><em>Vocal fry &#8211; but some people don&#8217;t seem to like it.<\/em><\/p>\n<div class=\"lyte-wrapper\" title=\"The Vocal Fry Epidemic\" style=\"width:1280px;max-width:100%;margin:5px;\">\n<div class=\"lyMe\" id=\"WYL_UsE5mysfZsY\" itemprop=\"video\" itemscope itemtype=\"https:\/\/schema.org\/VideoObject\">\n<div><meta itemprop=\"thumbnailUrl\" content=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FUsE5mysfZsY%2Fhqdefault.jpg\" \/><meta itemprop=\"embedURL\" content=\"https:\/\/www.youtube.com\/embed\/UsE5mysfZsY\" \/><meta itemprop=\"duration\" content=\"PT3M29S\" \/><meta itemprop=\"uploadDate\" content=\"2011-12-13T22:28:53Z\" \/><\/div>\n<div id=\"lyte_UsE5mysfZsY\" data-src=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FUsE5mysfZsY%2Fhqdefault.jpg\" class=\"pL\">\n<div class=\"tC\">\n<div class=\"tT\" itemprop=\"name\">The Vocal Fry Epidemic<\/div>\n<\/div>\n<p><button tabindex=\"0\" class=\"play\"><\/button><\/p>\n<div class=\"ctrl\">\n<div class=\"Lctrl\"><\/div>\n<div class=\"Rctrl\"><\/div>\n<\/div>\n<\/div>\n<p><noscript><a href=\"https:\/\/youtu.be\/UsE5mysfZsY\" rel=\"nofollow\"><img decoding=\"async\" src=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FUsE5mysfZsY%2F0.jpg\" alt=\"The Vocal Fry Epidemic\" width=\"1280\" height=\"700\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><meta itemprop=\"description\" content=\"**I am talking about over-use. Some vocal fry is a natural part of human speech patterns.** Vocal fry resister: http:\/\/en.wikipedia.org\/wiki\/Vocal_fry_register Examples of low bass singers that may use the fry register http:\/\/www.youtube.com\/watch?feature=player_detailpage&amp;v=cqlB2-QuBbs#t=45s Information on occurrence in speech: http:\/\/bit.ly\/rPU8tC http:\/\/bit.ly\/rqunwf OMG, I was referenced on CBSNews.com http:\/\/bit.ly\/vEQBlU (click here for some vocal fry impressions) ______________________________________ Follow me on Twitter: https:\/\/twitter.com\/abbynormal0ne My alternate Youtube Channel: http:\/\/www.youtube.com\/user\/AbbyNormsBlogs G+ account: https:\/\/plus.google.com\/u\/0\/111777445418502062697\/posts Facebook: https:\/\/www.facebook.com\/abbynormal.one Last.fm page: http:\/\/www.last.fm\/user\/abbynormal_one Ask me things on Formspring: http:\/\/www.formspring.me\/abbynormal0ne\"><\/div>\n<\/div>\n<div class=\"lL\" style=\"max-width:100%;width:1280px;margin:5px;\"><\/div>\n<\/p>\n<p><em>Vocal fry &#8211; New trend among American actresses?<\/em><\/p>\n<div class=\"lyte-wrapper\" style=\"width:1280px;max-width:100%;margin:5px;\">\n<div class=\"lyMe\" id=\"WYL_gmRf0VoIxmw\">\n<div id=\"lyte_gmRf0VoIxmw\" data-src=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=%2F%2Fi.ytimg.com%2Fvi%2FgmRf0VoIxmw%2Fhqdefault.jpg\" class=\"pL\">\n<div class=\"tC\">\n<div class=\"tT\"><\/div>\n<\/div>\n<p><button tabindex=\"0\" class=\"play\"><\/button><\/p>\n<div class=\"ctrl\">\n<div class=\"Lctrl\"><\/div>\n<div class=\"Rctrl\"><\/div>\n<\/div>\n<\/div>\n<p><noscript><a href=\"https:\/\/youtu.be\/gmRf0VoIxmw\" rel=\"nofollow\"><img decoding=\"async\" src=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FgmRf0VoIxmw%2F0.jpg\" alt=\"YouTube video thumbnail\" width=\"1280\" height=\"700\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div>\n<\/div>\n<div class=\"lL\" style=\"max-width:100%;width:1280px;margin:5px;\"><\/div>\n<\/div><\/section><\/p><\/div><div  class='flex_column av-1gjwb3-c522b9ac4fe042f0cc1fd1c68037060f av_one_full  avia-builder-el-16  el_after_av_one_full  el_before_av_one_full  first flex_column_div  column-top-margin'     ><p><div  class='av-special-heading av-16fkkf-c73b0d011bb7e47ff9348f6b49c03479 av-special-heading-h2 blockquote modern-quote  avia-builder-el-17  el_before_av_textblock  avia-builder-el-first '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >How to Sing Vocal Fry<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-3nrc7-7c26fe07e1f4717988cd4ba0b3a73ea6 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>One achieves this relatively quiet sound when the voice relaxes and begins to creak, which occasionally occurs unintentionally when the voice is tired. The same happens when yodelling, if one slowly goes to the limit of switching the voice into falsetto, i.e. to the limit of the full vibration to the vibration of the ligamentous edges of the vocal cords. The rattling can be cultivated so that the voice virtually locks onto the lower note. This then makes it possible to sing a part an octave below the singing pitch, which is sometimes helpful in choral singing.<\/p>\n<\/div><\/section><\/p><\/div><\/p>\n<div  class='flex_column av-x8icv-430e8b9bfed133f9df8c65363416c599 av_one_full  avia-builder-el-19  el_after_av_one_full  el_before_av_comments_list  first flex_column_div  column-top-margin'     ><p><div  class='av-special-heading av-rnnnb-5dd9d8d42b26edca130b59b6fc831545 av-special-heading-h2 blockquote modern-quote  avia-builder-el-20  el_before_av_textblock  avia-builder-el-first '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >Literature <span class='special_amp'>&amp;<\/span> Sources<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-kvc4f-0056286228b2c67d4ee798a00c80c12f '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h4>Quotations in the Text<\/h4>\n\n<div id='zp-InTextBib-zotpress-b3b8aa317584e1a489aa48911b111dba' class='zp-Zotpress zp-Zotpress-InTextBib wp-block-group zp-Post-23106'>\r\n\t\t<span class=\"ZP_ITEM_KEY ZP_ATTR\">{935790:CSM83DW7}<\/span>\r\n\t\t<span class=\"ZP_STYLE ZP_ATTR\">nature<\/span>\r\n\t\t<span class=\"ZP_SORTBY ZP_ATTR\">default<\/span>\r\n\t\t<span class=\"ZP_ORDER ZP_ATTR\">asc<\/span>\r\n\t\t<span class=\"ZP_TITLE ZP_ATTR\"><\/span>\r\n\t\t<span class=\"ZP_SHOWIMAGE ZP_ATTR\"><\/span>\r\n\t\t<span class=\"ZP_SHOWTAGS ZP_ATTR\"><\/span>\r\n\t\t<span class=\"ZP_DOWNLOADABLE ZP_ATTR\"><\/span>\r\n\t\t<span class=\"ZP_NOTES ZP_ATTR\"><\/span>\r\n\t\t<span class=\"ZP_ABSTRACT ZP_ATTR\"><\/span>\r\n\t\t<span class=\"ZP_CITEABLE ZP_ATTR\"><\/span>\r\n\t\t<span class=\"ZP_TARGET ZP_ATTR\"><\/span>\r\n\t\t<span class=\"ZP_URLWRAP ZP_ATTR\"><\/span>\r\n\t\t<span class=\"ZP_FORCENUM ZP_ATTR\">0<\/span>\r\n\t\t<span class=\"ZP_HIGHLIGHT ZP_ATTR\"><\/span>\r\n\t\t<span class=\"ZP_POSTID ZP_ATTR\">23106<\/span><div class='zp-List loading'>\n<div class=\"zp-SEO-Content\"><\/div><!-- .zp-zp-SEO-Content -->\n<\/div><!-- .zp-List --><\/div><!--.zp-Zotpress-->\n\n\n<h4>Further Reading<\/h4>\n<div id=\"zotpress-81a401dc264d3cf6bfa0a618d6251944\" class=\"zp-Zotpress zp-Zotpress-Bib wp-block-group\">\n\n\t\t<span class=\"ZP_API_USER_ID ZP_ATTR\">935790<\/span>\n\t\t<span class=\"ZP_ITEM_KEY ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_COLLECTION_ID ZP_ATTR\">CS6USM4M<\/span>\n\t\t<span class=\"ZP_TAG_ID ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_AUTHOR ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_YEAR ZP_ATTR\"><\/span>\n        <span class=\"ZP_ITEMTYPE ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_INCLUSIVE ZP_ATTR\">1<\/span>\n\t\t<span class=\"ZP_STYLE ZP_ATTR\">nature<\/span>\n\t\t<span class=\"ZP_LIMIT ZP_ATTR\">50<\/span>\n\t\t<span class=\"ZP_SORTBY ZP_ATTR\">date<\/span>\n\t\t<span class=\"ZP_ORDER ZP_ATTR\">desc<\/span>\n\t\t<span class=\"ZP_TITLE ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_SHOWIMAGE ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_SHOWTAGS ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_DOWNLOADABLE ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_NOTES ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_ABSTRACT ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_CITEABLE ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_TARGET ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_URLWRAP ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_FORCENUM ZP_ATTR\"><\/span>\n        <span class=\"ZP_HIGHLIGHT ZP_ATTR\"><\/span>\n        <span class=\"ZP_POSTID ZP_ATTR\">23106<\/span>\n\t\t<span class=\"ZOTPRESS_PLUGIN_URL ZP_ATTR\">https:\/\/www.oberton.org\/wp-content\/plugins\/zotpress\/<\/span>\n\n\t\t<div class=\"zp-List loading\">\n\t\t\t<div class=\"zp-SEO-Content\">\n\t\t\t\t<span class=\"ZP_CACHETIMER ZP_ATTR\"><\/span><span class=\"ZP_JSON 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id=\"zp-ID-23106-935790-FIURQWXL\" data-zp-author-date='BariLane-2022-07-29' data-zp-date-author='2022-07-29-BariLane' data-zp-date='2022-07-29' data-zp-year='2022' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 2; \">\n  <div class=\"csl-entry\" style=\"clear: left; \">\n    <div class=\"csl-left-margin\" style=\"float: left; padding-right: 0.5em; text-align: right; width: 1em;\">1.<\/div><div class=\"csl-right-inline\" style=\"margin: 0 .4em 0 1.5em;\">BariLane. <i>Hitting the Fourth Subharmonic With Strong Overtones!!<\/i> (2022).<\/div>\n  <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-23106-935790-M4S6SLKS\" data-zp-author-date='Paolillo-et-al.-2021-05-01' data-zp-date-author='2021-05-01-Paolillo-et-al.' data-zp-date='2021-05-01' data-zp-year='2021' data-zp-itemtype='journalArticle' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 2; \">\n  <div class=\"csl-entry\" style=\"clear: left; \">\n    <div class=\"csl-left-margin\" style=\"float: left; padding-right: 0.5em; text-align: right; width: 1em;\">1.<\/div><div class=\"csl-right-inline\" style=\"margin: 0 .4em 0 1.5em;\">Paolillo, N. P., Carrozza, L., Osio, M., Rosa, E. & Scalabrin, M. Inspiratory Vocal Fry: Anatomical and Physiological Aspects, Application in Speech Therapy, Vocal Pedagogy and Singing. A Pilot study. <i>Journal of Voice<\/i> <b>35<\/b>, 394\u2013399 (2021).<\/div>\n  <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-23106-935790-JGS93CWZ\" data-zp-author-date='randyjsing-2016-04-18' data-zp-date-author='2016-04-18-randyjsing' data-zp-date='2016-04-18' data-zp-year='2016' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 2; \">\n  <div class=\"csl-entry\" style=\"clear: left; \">\n    <div class=\"csl-left-margin\" style=\"float: left; padding-right: 0.5em; text-align: right; width: 1em;\">1.<\/div><div class=\"csl-right-inline\" style=\"margin: 0 .4em 0 1.5em;\">randyjsing. <i>Singing Subharmonic B1 by 14 Year Old Girl.<\/i> (2016).<\/div>\n  <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-23106-935790-JWEM2Z87\" data-zp-author-date='Wolf-2015-07-24' data-zp-date-author='2015-07-24-Wolf' data-zp-date='2015-07-24' data-zp-year='2015' data-zp-itemtype='newspaperArticle' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 2; \">\n  <div class=\"csl-entry\" style=\"clear: left; \">\n    <div class=\"csl-left-margin\" style=\"float: left; padding-right: 0.5em; text-align: right; width: 1em;\">1.<\/div><div class=\"csl-right-inline\" style=\"margin: 0 .4em 0 1.5em;\">Wolf, N. Young women, give up the vocal fry and reclaim your strong female voice. <i>The Guardian<\/i> (2015).<\/div>\n  <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-23106-935790-53N4526N\" data-zp-author-date='-2014-01-25' data-zp-date-author='2014-01-25-' data-zp-date='2014-01-25' data-zp-year='2014' data-zp-itemtype='encyclopediaArticle' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 2; \">\n  <div class=\"csl-entry\" style=\"clear: left; \">\n    <div class=\"csl-left-margin\" style=\"float: left; padding-right: 0.5em; text-align: right; width: 1em;\">1.<\/div><div class=\"csl-right-inline\" style=\"margin: 0 .4em 0 1.5em;\">Diplophonie. <i>Wikipedia<\/i> (2014).<\/div>\n  <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-23106-935790-2DS6HRN7\" data-zp-author-date='Anderson-et-al.-2014' data-zp-date-author='2014-Anderson-et-al.' data-zp-date='2014' data-zp-year='2014' data-zp-itemtype='journalArticle' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 2; \">\n  <div class=\"csl-entry\" style=\"clear: left; \">\n    <div class=\"csl-left-margin\" style=\"float: left; padding-right: 0.5em; text-align: right; width: 1em;\">1.<\/div><div class=\"csl-right-inline\" style=\"margin: 0 .4em 0 1.5em;\">Anderson, R. C., Klofstad, C. A., Mayew, W. J. & Venkatachalam, M. Vocal Fry May Undermine the Success of Young Women in the Labor Market. <i>PLoS ONE<\/i> <b>9<\/b>, e97506 (2014).<\/div>\n  <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-23106-935790-9PX5SJ22\" data-zp-author-date='News-TV-2013-09-14' data-zp-date-author='2013-09-14-News-TV' data-zp-date='2013-09-14' data-zp-year='2013' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 2; \">\n  <div class=\"csl-entry\" style=\"clear: left; \">\n    <div class=\"csl-left-margin\" style=\"float: left; padding-right: 0.5em; text-align: right; width: 1em;\">1.<\/div><div class=\"csl-right-inline\" style=\"margin: 0 .4em 0 1.5em;\">News TV. <i>\u2018Vocal Fry\u2019 Speaking with Faith Salie<\/i>. (2013).<\/div>\n  <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-23106-935790-WKCU2BP8\" data-zp-author-date='therhodeshow-2012-02-01' data-zp-date-author='2012-02-01-therhodeshow' data-zp-date='2012-02-01' data-zp-year='2012' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 2; \">\n  <div class=\"csl-entry\" style=\"clear: left; \">\n    <div class=\"csl-left-margin\" style=\"float: left; padding-right: 0.5em; text-align: right; width: 1em;\">1.<\/div><div class=\"csl-right-inline\" style=\"margin: 0 .4em 0 1.5em;\"><i>The Buzz: Vocal Fry Trend<\/i>. (2012).<\/div>\n  <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-23106-935790-3KKZDS8K\" data-zp-author-date='newearthrecords-2010-11-30' data-zp-date-author='2010-11-30-newearthrecords' data-zp-date='2010-11-30' data-zp-year='2010' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 2; \">\n  <div class=\"csl-entry\" style=\"clear: left; \">\n    <div class=\"csl-left-margin\" style=\"float: left; padding-right: 0.5em; text-align: right; width: 1em;\">1.<\/div><div class=\"csl-right-inline\" style=\"margin: 0 .4em 0 1.5em;\"><i>Throat Singing by The Gyuto Monks of Tibet \u2022 Pure Sounds \u2022 Mandala Offering<\/i>. (2010).<\/div>\n  <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-23106-935790-D3FQZ7H7\" data-zp-author-date='novan888-2010-04-20' data-zp-date-author='2010-04-20-novan888' data-zp-date='2010-04-20' data-zp-year='2010' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 2; \">\n  <div class=\"csl-entry\" style=\"clear: left; \">\n    <div class=\"csl-left-margin\" style=\"float: left; padding-right: 0.5em; text-align: right; width: 1em;\">1.<\/div><div class=\"csl-right-inline\" style=\"margin: 0 .4em 0 1.5em;\"><i>Tibetan Chant - Heart Sutra<\/i>. (2010).<\/div>\n  <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-23106-935790-8A57NSVG\" data-zp-author-date='Nawka-and-Wirth-2008' data-zp-date-author='2008-Nawka-and-Wirth' data-zp-date='2008' data-zp-year='2008' data-zp-itemtype='book' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 2; \">\n  <div class=\"csl-entry\" style=\"clear: left; \">\n    <div class=\"csl-left-margin\" style=\"float: left; padding-right: 0.5em; text-align: right; width: 1em;\">1.<\/div><div class=\"csl-right-inline\" style=\"margin: 0 .4em 0 1.5em;\">Nawka, T. & Wirth, G. <i>Stimmsto\u0308rungen: fu\u0308r A\u0308rzte, Logopa\u0308den, Sprachheilpa\u0308dagogen und Sprechwissenschaftler\u202f; mit 30 Tabellen<\/i>. (Dt. A\u0308rzte-Verl., Ko\u0308ln, 2008).<\/div>\n  <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-23106-935790-BS8ZRKFI\" data-zp-author-date='Saus-and-Seimer-2006' data-zp-date-author='2006-Saus-and-Seimer' data-zp-date='2006' data-zp-year='2006' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 2; \">\n  <div class=\"csl-entry\" style=\"clear: left; \">\n    <div class=\"csl-left-margin\" style=\"float: left; padding-right: 0.5em; text-align: right; width: 1em;\">1.<\/div><div class=\"csl-right-inline\" style=\"margin: 0 .4em 0 1.5em;\">Saus, W. & Seimer, A. <i>Strohbass vs. Kargyraa Undertone (Subharmonic) Singing<\/i>. (2006).<\/div>\n  <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-23106-935790-9BTQQNFC\" data-zp-author-date='Fuks-et-al.-1998' data-zp-date-author='1998-Fuks-et-al.' data-zp-date='1998' data-zp-year='1998' data-zp-itemtype='journalArticle' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 2; \">\n  <div class=\"csl-entry\" style=\"clear: left; \">\n    <div class=\"csl-left-margin\" style=\"float: left; padding-right: 0.5em; text-align: right; width: 1em;\">1.<\/div><div class=\"csl-right-inline\" style=\"margin: 0 .4em 0 1.5em;\">Fuks, L., Hammarberg, B. & Sundberg, J. A self-sustained vocal-ventricular phonation mode: acoustical, aerodynamic and glottographic evidences. <i>KTH TMH-QPSR<\/i> <b>3<\/b>, 49\u201359 (1998).<\/div>\n  <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-23106-935790-6RNV38TN\" data-zp-author-date='Fuks-1998' data-zp-date-author='1998-Fuks' data-zp-date='1998' data-zp-year='1998' data-zp-itemtype='thesis' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 2; \">\n  <div class=\"csl-entry\" style=\"clear: left; \">\n    <div class=\"csl-left-margin\" style=\"float: left; padding-right: 0.5em; text-align: right; width: 1em;\">1.<\/div><div class=\"csl-right-inline\" style=\"margin: 0 .4em 0 1.5em;\">Fuks, L. PhD Thesis in music acoustics. (1998).<\/div>\n  <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-23106-935790-CSM83DW7\" data-zp-author-date='Fuks-1998' data-zp-date-author='1998-Fuks' data-zp-date='1998' data-zp-year='1998' data-zp-itemtype='thesis' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 2; \">\n  <div class=\"csl-entry\" style=\"clear: left; \">\n    <div class=\"csl-left-margin\" style=\"float: left; padding-right: 0.5em; text-align: right; width: 1em;\">1.<\/div><div class=\"csl-right-inline\" style=\"margin: 0 .4em 0 1.5em;\">Fuks, L. PhD Thesis in music acoustics: FROM AIR TO MUSIC - Acoustical, Physiological and Perceptual Aspects of Reed Wind Instrument Playing and Vocal-Ventricular Fold Phonation. (KTH, Stockholm, 1998).<\/div>\n  <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-23106-935790-3FUD3X4P\" data-zp-author-date='Fuks-1998' data-zp-date-author='1998-Fuks' data-zp-date='1998' data-zp-year='1998' data-zp-itemtype='webpage' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 2; \">\n  <div class=\"csl-entry\" style=\"clear: left; \">\n    <div class=\"csl-left-margin\" style=\"float: left; padding-right: 0.5em; text-align: right; width: 1em;\">1.<\/div><div class=\"csl-right-inline\" style=\"margin: 0 .4em 0 1.5em;\">Fuks, L. Leonardo Fuks Homepage. <a class='zp-ItemURL' href='http:\/\/www.speech.kth.se\/music\/publications\/leofuks\/leosounds.html'>http:\/\/www.speech.kth.se\/music\/publications\/leofuks\/leosounds.html<\/a> (1998).<\/div>\n  <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-23106-935790-3K5MXXE5\" data-zp-author-date='\u0160vec-et-al.-1996' data-zp-date-author='1996-\u0160vec-et-al.' data-zp-date='1996' data-zp-year='1996' data-zp-itemtype='journalArticle' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 2; \">\n  <div class=\"csl-entry\" style=\"clear: left; \">\n    <div class=\"csl-left-margin\" style=\"float: left; padding-right: 0.5em; text-align: right; width: 1em;\">1.<\/div><div class=\"csl-right-inline\" style=\"margin: 0 .4em 0 1.5em;\">\u0160vec, J. G., Schutte, H. K. & Miller, D. G. A Subharmonic Vibratory Pattern in Normal Vocal Folds. <i>J Speech Lang Hear Res<\/i> <b>39<\/b>, 135\u2013143 (1996).<\/div>\n  <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-23106-935790-CQ7NXSP6\" data-zp-author-date='-0000-00-00' data-zp-date-author='0000-00-00-' data-zp-date='0000-00-00' data-zp-year='0000' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 2; \">\n  <div class=\"csl-entry\" style=\"clear: left; \">\n    <div class=\"csl-left-margin\" style=\"float: left; padding-right: 0.5em; text-align: right; width: 1em;\">1.<\/div><div class=\"csl-right-inline\" style=\"margin: 0 .4em 0 1.5em;\"><i>Kommentar von @utliscarletaaron6287<\/i>.<\/div>\n  <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-23106-935790-LMKLLVK3\" data-zp-author-date='Heinrich-Christoph-Koch-(1749-1816)-0000-00-00' data-zp-date-author='0000-00-00-Heinrich-Christoph-Koch-(1749-1816)' data-zp-date='0000-00-00' data-zp-year='0000' data-zp-itemtype='book' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 2; \">\n  <div class=\"csl-entry\" style=\"clear: left; \">\n    <div class=\"csl-left-margin\" style=\"float: left; padding-right: 0.5em; text-align: right; width: 1em;\">1.<\/div><div class=\"csl-right-inline\" style=\"margin: 0 .4em 0 1.5em;\">Heinrich Christoph Koch (1749-1816). <i>Musikalisches Lexikon (1802)<\/i>.<\/div>\n  <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-23106-935790-LB7TG738\" data-zp-author-date='-0000-00-00' data-zp-date-author='0000-00-00-' data-zp-date='0000-00-00' data-zp-year='0000' data-zp-itemtype='blogPost' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 2; \">\n  <div class=\"csl-entry\" style=\"clear: left; \">\n    <div class=\"csl-left-margin\" style=\"float: left; padding-right: 0.5em; text-align: right; width: 1em;\">1.<\/div><div class=\"csl-right-inline\" style=\"margin: 0 .4em 0 1.5em;\">Strohbass\u202f\u00bb musikwissenschaften.de. <i>musikwissenschaften.de<\/i> <a class='zp-ItemURL' href='https:\/\/musikwissenschaften.de\/lexikon\/s\/strohbass\/'>https:\/\/musikwissenschaften.de\/lexikon\/s\/strohbass\/<\/a>.<\/div>\n  <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-23106-935790-SXBSU2WM\" data-zp-author-date='Osborne-Head-&-Neck-Institute-0000-00-00' data-zp-date-author='0000-00-00-Osborne-Head-&-Neck-Institute' data-zp-date='0000-00-00' data-zp-year='0000' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 2; \">\n  <div class=\"csl-entry\" style=\"clear: left; \">\n    <div class=\"csl-left-margin\" style=\"float: left; padding-right: 0.5em; text-align: right; width: 1em;\">1.<\/div><div class=\"csl-right-inline\" style=\"margin: 0 .4em 0 1.5em;\">Osborne Head & Neck Institute. <i>Vocal Fry<\/i>.<\/div>\n  <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-23106-935790-CKBQEWCP\" data-zp-author-date='Fessenden-0000-00-00' data-zp-date-author='0000-00-00-Fessenden' data-zp-date='0000-00-00' data-zp-year='0000' data-zp-itemtype='webpage' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 2; \">\n  <div class=\"csl-entry\" style=\"clear: left; \">\n    <div class=\"csl-left-margin\" style=\"float: left; padding-right: 0.5em; text-align: right; width: 1em;\">1.<\/div><div class=\"csl-right-inline\" style=\"margin: 0 .4em 0 1.5em;\">Fessenden, M. \u2018Vocal Fry\u2019 Creeping Into U.S. Speech. <a class='zp-ItemURL' href='http:\/\/news.sciencemag.org\/social-sciences\/2011\/12\/vocal-fry-creeping-u.s.-speech?ref=hp'>http:\/\/news.sciencemag.org\/social-sciences\/2011\/12\/vocal-fry-creeping-u.s.-speech?ref=hp<\/a>.<\/div>\n  <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-23106-935790-ZI7HRDFF\" data-zp-author-date='-0000-00-00' data-zp-date-author='0000-00-00-' data-zp-date='0000-00-00' data-zp-year='0000' data-zp-itemtype='webpage' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 2; \">\n  <div class=\"csl-entry\" style=\"clear: left; \">\n    <div class=\"csl-left-margin\" style=\"float: left; padding-right: 0.5em; text-align: right; width: 1em;\">1.<\/div><div class=\"csl-right-inline\" style=\"margin: 0 .4em 0 1.5em;\">Leonardo Fuks. <a class='zp-ItemURL' href='http:\/\/www.speech.kth.se\/music\/publications\/leofuks\/leosounds.html'>http:\/\/www.speech.kth.se\/music\/publications\/leofuks\/leosounds.html<\/a>.<\/div>\n  <\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\n\t\t\t<\/div><!-- .zp-zp-SEO-Content -->\n\t\t<\/div><!-- .zp-List -->\n\t<\/div><!--.zp-Zotpress-->\n\n\n<\/div><\/section><\/p><\/div>\n<div  class='av-buildercomment av-h7lu7-3e266327aa0058b6292260fab52bdbdb  av-blog-meta-html-info-disabled'><\/div>\n<div  class='av-special-heading av-7viav-be09dc4f324f72bb44a941723c84e447 av-special-heading-h2 meta-heading  avia-builder-el-23  el_after_av_comments_list  avia-builder-el-last '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >Tell a Friend<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<div class=\"shariff shariff-align-left shariff-widget-align-left\" style=\"display:none\"><div class=\"ShariffHeadline\"><h3>Share<\/h3><\/div><ul class=\"shariff-buttons theme-round orientation-horizontal buttonsize-medium\"><li class=\"shariff-button twitter shariff-nocustomcolor\" style=\"background-color:#595959\"><a href=\"https:\/\/twitter.com\/share?url=https%3A%2F%2Fwww.oberton.org%2Fen%2Fovertone-singing%2Fundertone-singing%2Fvocal-fry-register-strohbass%2F&text=Vocal%20Fry%20Register%20%28Strohbass%29\" title=\"Bei X teilen\" aria-label=\"Bei X teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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