{"id":17935,"date":"2013-05-13T17:56:57","date_gmt":"2013-05-13T15:56:57","guid":{"rendered":"https:\/\/www.oberton.org\/publications-articles\/"},"modified":"2025-12-10T20:56:01","modified_gmt":"2025-12-10T19:56:01","slug":"publications-articles","status":"publish","type":"page","link":"https:\/\/www.oberton.org\/en\/wolfgang-saus\/publications-articles\/","title":{"rendered":"Publications &#038; Articles"},"content":{"rendered":"<div  class='flex_column av-ajsud8-17d0a755f637ccdcd0f4c1863b503fdc av_one_full  avia-builder-el-0  el_before_av_two_fifth  avia-builder-el-first  first flex_column_div  '     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-ac4lx8-8596404be1478311fb021016b1a27495\">\n#top .av-special-heading.av-ac4lx8-8596404be1478311fb021016b1a27495{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-ac4lx8-8596404be1478311fb021016b1a27495 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-ac4lx8-8596404be1478311fb021016b1a27495 .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-ac4lx8-8596404be1478311fb021016b1a27495 av-special-heading-h1 blockquote modern-quote  avia-builder-el-1  avia-builder-el-no-sibling '><h1 class='av-special-heading-tag '  itemprop=\"headline\"  >Publications <span class='special_amp'>&amp;<\/span> Articles<\/h1><div class='av-subheading av-subheading_below'><p>by Wolfgang Saus<\/p>\n<\/div><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-a3u7n0-a4e014081beceb79f25f77c73d1481d8\">\n.flex_column.av-a3u7n0-a4e014081beceb79f25f77c73d1481d8{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-a3u7n0-a4e014081beceb79f25f77c73d1481d8 av_two_fifth  avia-builder-el-2  el_after_av_one_full  el_before_av_one_full  first flex_column_div av-zero-column-padding  column-top-margin'     ><section  class='av_textblock_section av-10a8u4-b1b67d3ffbc40e80b568721ee0498aa6 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" >\n<\/div><\/section><\/div>\n<div  class='flex_column av-9vjd5g-233aea44a54ffe96a84fbea8ed327ef2 av_one_full  avia-builder-el-4  el_after_av_two_fifth  el_before_av_heading  first flex_column_div av-zero-column-padding  '     ><div  id=\"av-sc-portfolio-1\"  class=' grid-sort-container isotope   no_margin-container with-title-container grid-total-even grid-col-4 grid-links-' data-portfolio-id='1'><div data-ajax-id='19759' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-19759 grid-entry-overview grid-loop-1 grid-parity-odd  wolfgang-saus-en_sort educational-material_sort  av_one_fourth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/www.oberton.org\/en\/portfolio-item\/overtone-slider-and-other-teaching-material\/\" title='Overtone Slider and Other Teaching Material'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" fetchpriority=\"high\" width=\"300\" height=\"300\" src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Obertonschieber_6.2_3d-300x300.png\" class=\"wp-image-7430 avia-img-lazy-loading-not-7430 attachment-medium size-medium wp-post-image\" alt=\"\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Obertonschieber_6.2_3d-300x300.png 300w, https:\/\/www.oberton.org\/wp-content\/uploads\/Obertonschieber_6.2_3d-80x80.png 80w, https:\/\/www.oberton.org\/wp-content\/uploads\/Obertonschieber_6.2_3d-180x180.png 180w, https:\/\/www.oberton.org\/wp-content\/uploads\/Obertonschieber_6.2_3d-450x450.png 450w, https:\/\/www.oberton.org\/wp-content\/uploads\/Obertonschieber_6.2_3d-768x768.png 768w, https:\/\/www.oberton.org\/wp-content\/uploads\/Obertonschieber_6.2_3d-600x600.png 600w, https:\/\/www.oberton.org\/wp-content\/uploads\/Obertonschieber_6.2_3d-36x36.png 36w, https:\/\/www.oberton.org\/wp-content\/uploads\/Obertonschieber_6.2_3d-705x705.png 705w, https:\/\/www.oberton.org\/wp-content\/uploads\/Obertonschieber_6.2_3d-120x120.png 120w, https:\/\/www.oberton.org\/wp-content\/uploads\/Obertonschieber_6.2_3d.png 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\" aria-label=\"Portfolio: Overtone Slider and Other Teaching Material\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/www.oberton.org\/en\/portfolio-item\/overtone-slider-and-other-teaching-material\/' title='Overtone Slider and Other Teaching Material'>Overtone Slider and Other Teaching Material<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='18465' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-18465 grid-entry-overview grid-loop-2 grid-parity-even  recommendations_sort wolfgang-saus-en_sort software-en_sort  av_one_fourth  default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/www.oberton.org\/en\/portfolio-item\/software-overtone-analyzer-vocevista\/\" title='Software &#8211; VoceVista \/ Overtone Analyzer'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Wolfgang_Saus_photo_c_Luna_Buerger_26-2560-300x200.jpg\" class=\"wp-image-18453 avia-img-lazy-loading-not-18453 attachment-medium size-medium wp-post-image\" alt=\"Wolfgang Saus sitting in nature with laptop and VoceVista software\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Wolfgang_Saus_photo_c_Luna_Buerger_26-2560-300x200.jpg 300w, https:\/\/www.oberton.org\/wp-content\/uploads\/Wolfgang_Saus_photo_c_Luna_Buerger_26-2560-768x512.jpg 768w, https:\/\/www.oberton.org\/wp-content\/uploads\/Wolfgang_Saus_photo_c_Luna_Buerger_26-2560-1030x687.jpg 1030w, https:\/\/www.oberton.org\/wp-content\/uploads\/Wolfgang_Saus_photo_c_Luna_Buerger_26-2560-600x400.jpg 600w, https:\/\/www.oberton.org\/wp-content\/uploads\/Wolfgang_Saus_photo_c_Luna_Buerger_26-2560-1500x1000.jpg 1500w, https:\/\/www.oberton.org\/wp-content\/uploads\/Wolfgang_Saus_photo_c_Luna_Buerger_26-2560-705x470.jpg 705w, https:\/\/www.oberton.org\/wp-content\/uploads\/Wolfgang_Saus_photo_c_Luna_Buerger_26-2560-450x300.jpg 450w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\" aria-label=\"Portfolio: Software &#8211; VoceVista \/ Overtone Analyzer\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/www.oberton.org\/en\/portfolio-item\/software-overtone-analyzer-vocevista\/' title='Software &#8211; VoceVista \/ Overtone Analyzer'>Software &#8211; VoceVista \/ Overtone Analyzer<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='18015' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-18015 grid-entry-overview grid-loop-3 grid-parity-odd  recommendations_sort wolfgang-saus-en_sort books_sort  av_one_fourth  default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/www.oberton.org\/en\/portfolio-item\/vocal-styles-vocal-techniques-voice-health\/\" title='Vocal Styles &#8211; Vocal Techniques &#8211; Vocal Health'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Bfuchs_michael_saus_wolfgang_kinder_jugendstimme-300x300.png\" class=\"wp-image-17932 avia-img-lazy-loading-not-17932 attachment-medium size-medium wp-post-image\" alt=\"Book title M Fuchs - singing styles - vocal techniques - vocal health\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Bfuchs_michael_saus_wolfgang_kinder_jugendstimme-300x300.png 300w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bfuchs_michael_saus_wolfgang_kinder_jugendstimme-80x80.png 80w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bfuchs_michael_saus_wolfgang_kinder_jugendstimme-768x768.png 768w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bfuchs_michael_saus_wolfgang_kinder_jugendstimme-600x600.png 600w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bfuchs_michael_saus_wolfgang_kinder_jugendstimme-36x36.png 36w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bfuchs_michael_saus_wolfgang_kinder_jugendstimme-180x180.png 180w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bfuchs_michael_saus_wolfgang_kinder_jugendstimme-705x705.png 705w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bfuchs_michael_saus_wolfgang_kinder_jugendstimme-120x120.png 120w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bfuchs_michael_saus_wolfgang_kinder_jugendstimme-450x450.png 450w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bfuchs_michael_saus_wolfgang_kinder_jugendstimme.png 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\" aria-label=\"Portfolio: Vocal Styles &#8211; Vocal Techniques &#8211; Vocal Health\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/www.oberton.org\/en\/portfolio-item\/vocal-styles-vocal-techniques-voice-health\/' title='Vocal Styles &#8211; Vocal Techniques &#8211; Vocal Health'>Vocal Styles &#8211; Vocal Techniques &#8211; Vocal Health<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='17968' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-17968 grid-entry-overview grid-loop-4 grid-parity-even  recommendations_sort wolfgang-saus-en_sort books_sort  av_one_fourth  default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/www.oberton.org\/en\/portfolio-item\/alikvotni-zpev\/\" title='Alikvotn\u00ed zp\u011bv'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_alikvotni_spev_2019-05-300x300.png\" class=\"wp-image-17928 avia-img-lazy-loading-not-17928 attachment-medium size-medium wp-post-image\" alt=\"Tato kniha v\u00e1s d\u00edky ohromn\u011b jednoduch\u00e9 t\u0159\u00edstup\u0148ov\u00e9 metod\u011b, vytvo\u0159en\u00e9 Wolfgangem Sausem, nau\u010d\u00ed alikvotn\u00edmu zp\u011bvu. Proniknete do taj\u016f fascinuj\u00edc\u00edho sv\u011bta alikvotn\u00edch t\u00f3n\u016f a zvuk\u016f, je\u017e nebylo mo\u017en\u00e9 doposud nikde dohledat. Autor srozumitelnou formou zprost\u0159edkov\u00e1v\u00e1 nov\u00fd a hrav\u00fd p\u0159\u00edstup ke sv\u011btu hudby, va\u0161emu vlastn\u00edmu hlasu a va\u0161\u00ed muzik\u00e1lnosti.\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_alikvotni_spev_2019-05-300x300.png 300w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_alikvotni_spev_2019-05-80x80.png 80w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_alikvotni_spev_2019-05-768x768.png 768w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_alikvotni_spev_2019-05-600x600.png 600w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_alikvotni_spev_2019-05-36x36.png 36w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_alikvotni_spev_2019-05-180x180.png 180w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_alikvotni_spev_2019-05-705x705.png 705w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_alikvotni_spev_2019-05-120x120.png 120w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_alikvotni_spev_2019-05-450x450.png 450w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_alikvotni_spev_2019-05.png 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\" aria-label=\"Portfolio: Alikvotn\u00ed zp\u011bv\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/www.oberton.org\/en\/portfolio-item\/alikvotni-zpev\/' title='Alikvotn\u00ed zp\u011bv'>Alikvotn\u00ed zp\u011bv<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='11302' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-11302 grid-entry-overview grid-loop-5 grid-parity-odd  recommendations_sort wolfgang-saus-en_sort books_sort  av_one_fourth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/www.oberton.org\/en\/portfolio-item\/stimmstoerungen-ein-fokus-der-klinischen-sprechwissenschaft\/\" title='Voice Disorders &#8211; a Focus of Clinical Speech Science'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Stimmstoerungen-ein-Fokus-der-Klinischen-Sprechwissenschaft-300x300.png\" class=\"wp-image-11300 avia-img-lazy-loading-not-11300 attachment-medium size-medium wp-post-image\" alt=\"Stimmst\u00f6rungen - ein Fokus der Klinischen Sprechwissenschaft\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Stimmst\u00f6rungen-ein-Fokus-der-Klinischen-Sprechwissenschaft-300x300.png 300w, https:\/\/www.oberton.org\/wp-content\/uploads\/Stimmst\u00f6rungen-ein-Fokus-der-Klinischen-Sprechwissenschaft-80x80.png 80w, https:\/\/www.oberton.org\/wp-content\/uploads\/Stimmst\u00f6rungen-ein-Fokus-der-Klinischen-Sprechwissenschaft-768x768.png 768w, https:\/\/www.oberton.org\/wp-content\/uploads\/Stimmst\u00f6rungen-ein-Fokus-der-Klinischen-Sprechwissenschaft-600x600.png 600w, https:\/\/www.oberton.org\/wp-content\/uploads\/Stimmst\u00f6rungen-ein-Fokus-der-Klinischen-Sprechwissenschaft-36x36.png 36w, https:\/\/www.oberton.org\/wp-content\/uploads\/Stimmst\u00f6rungen-ein-Fokus-der-Klinischen-Sprechwissenschaft-180x180.png 180w, https:\/\/www.oberton.org\/wp-content\/uploads\/Stimmst\u00f6rungen-ein-Fokus-der-Klinischen-Sprechwissenschaft-705x705.png 705w, https:\/\/www.oberton.org\/wp-content\/uploads\/Stimmst\u00f6rungen-ein-Fokus-der-Klinischen-Sprechwissenschaft-120x120.png 120w, https:\/\/www.oberton.org\/wp-content\/uploads\/Stimmst\u00f6rungen-ein-Fokus-der-Klinischen-Sprechwissenschaft-450x450.png 450w, https:\/\/www.oberton.org\/wp-content\/uploads\/Stimmstoerungen-ein-Fokus-der-Klinischen-Sprechwissenschaft.png 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\" aria-label=\"Portfolio: Voice Disorders &#8211; a Focus of Clinical Speech Science\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/www.oberton.org\/en\/portfolio-item\/stimmstoerungen-ein-fokus-der-klinischen-sprechwissenschaft\/' title='Voice Disorders &#8211; a Focus of Clinical Speech Science'>Voice Disorders &#8211; a Focus of Clinical Speech Science<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='10712' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-10712 grid-entry-overview grid-loop-6 grid-parity-even  recommendations_sort wolfgang-saus-en_sort books_sort  av_one_fourth  default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/www.oberton.org\/en\/portfolio-item\/lexikon-der-gesangsstimme\/\" title='Encyclopedia of the Voice'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/lexikon-der-gesangsstimme-3d-b1000-300x300.png\" class=\"wp-image-10690 avia-img-lazy-loading-not-10690 attachment-medium size-medium wp-post-image\" alt=\"Encyclopedia of the Voice\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/lexikon-der-gesangsstimme-3d-b1000-300x300.png 300w, https:\/\/www.oberton.org\/wp-content\/uploads\/lexikon-der-gesangsstimme-3d-b1000-80x80.png 80w, https:\/\/www.oberton.org\/wp-content\/uploads\/lexikon-der-gesangsstimme-3d-b1000-180x180.png 180w, https:\/\/www.oberton.org\/wp-content\/uploads\/lexikon-der-gesangsstimme-3d-b1000-450x450.png 450w, https:\/\/www.oberton.org\/wp-content\/uploads\/lexikon-der-gesangsstimme-3d-b1000.png 1000w, https:\/\/www.oberton.org\/wp-content\/uploads\/lexikon-der-gesangsstimme-3d-b1000-768x768.png 768w, https:\/\/www.oberton.org\/wp-content\/uploads\/lexikon-der-gesangsstimme-3d-b1000-600x600.png 600w, https:\/\/www.oberton.org\/wp-content\/uploads\/lexikon-der-gesangsstimme-3d-b1000-36x36.png 36w, https:\/\/www.oberton.org\/wp-content\/uploads\/lexikon-der-gesangsstimme-3d-b1000-705x705.png 705w, https:\/\/www.oberton.org\/wp-content\/uploads\/lexikon-der-gesangsstimme-3d-b1000-120x120.png 120w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\" aria-label=\"Portfolio: Encyclopedia of the Voice\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/www.oberton.org\/en\/portfolio-item\/lexikon-der-gesangsstimme\/' title='Encyclopedia of the Voice'>Encyclopedia of the Voice<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='7868' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-7868 grid-entry-overview grid-loop-7 grid-parity-odd  recommendations_sort wolfgang-saus-en_sort books_sort occidental-overtone-singing_sort  av_one_fourth  default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/www.oberton.org\/en\/portfolio-item\/overtone-singing-book-cd\/\" title='Book &#8211; Oberton Singen (Overtone Singing)'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/B_saus_oberton_singen_04transp_1000x1000-1-300x300.png\" class=\"wp-image-7108 avia-img-lazy-loading-not-7108 attachment-medium size-medium wp-post-image\" alt=\"Oberton Singen, Buch&amp;CD\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/B_saus_oberton_singen_04transp_1000x1000-1-300x300.png 300w, https:\/\/www.oberton.org\/wp-content\/uploads\/B_saus_oberton_singen_04transp_1000x1000-1-80x80.png 80w, https:\/\/www.oberton.org\/wp-content\/uploads\/B_saus_oberton_singen_04transp_1000x1000-1-768x768.png 768w, https:\/\/www.oberton.org\/wp-content\/uploads\/B_saus_oberton_singen_04transp_1000x1000-1-600x600.png 600w, https:\/\/www.oberton.org\/wp-content\/uploads\/B_saus_oberton_singen_04transp_1000x1000-1-36x36.png 36w, https:\/\/www.oberton.org\/wp-content\/uploads\/B_saus_oberton_singen_04transp_1000x1000-1-180x180.png 180w, https:\/\/www.oberton.org\/wp-content\/uploads\/B_saus_oberton_singen_04transp_1000x1000-1-705x705.png 705w, https:\/\/www.oberton.org\/wp-content\/uploads\/B_saus_oberton_singen_04transp_1000x1000-1-120x120.png 120w, https:\/\/www.oberton.org\/wp-content\/uploads\/B_saus_oberton_singen_04transp_1000x1000-1-450x450.png 450w, https:\/\/www.oberton.org\/wp-content\/uploads\/B_saus_oberton_singen_04transp_1000x1000-1.png 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\" aria-label=\"Portfolio: Book &#8211; Oberton Singen (Overtone Singing)\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/www.oberton.org\/en\/portfolio-item\/overtone-singing-book-cd\/' title='Book &#8211; Oberton Singen (Overtone Singing)'>Book &#8211; Oberton Singen (Overtone Singing)<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='7869' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-7869 grid-entry-overview grid-loop-8 grid-parity-even  recommendations_sort wolfgang-saus-en_sort documentaries_sort film-en_sort occidental-overtone-singing_sort  av_one_fourth  default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/www.oberton.org\/en\/portfolio-item\/dvd-raum-klang-stimme\/\" title='DVD: Space Sound Voice &#8211; Documentary Film'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/DVD_raum-klang-stimme_transp_1000x1000-300x300.png\" class=\"wp-image-7098 avia-img-lazy-loading-not-7098 attachment-medium size-medium wp-post-image\" alt=\"DVD Space Sound Voice\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/DVD_raum-klang-stimme_transp_1000x1000-300x300.png 300w, https:\/\/www.oberton.org\/wp-content\/uploads\/DVD_raum-klang-stimme_transp_1000x1000-80x80.png 80w, https:\/\/www.oberton.org\/wp-content\/uploads\/DVD_raum-klang-stimme_transp_1000x1000-180x180.png 180w, https:\/\/www.oberton.org\/wp-content\/uploads\/DVD_raum-klang-stimme_transp_1000x1000-450x450.png 450w, https:\/\/www.oberton.org\/wp-content\/uploads\/DVD_raum-klang-stimme_transp_1000x1000-120x120.png 120w, https:\/\/www.oberton.org\/wp-content\/uploads\/DVD_raum-klang-stimme_transp_1000x1000-36x36.png 36w, https:\/\/www.oberton.org\/wp-content\/uploads\/DVD_raum-klang-stimme_transp_1000x1000-600x600.png 600w, https:\/\/www.oberton.org\/wp-content\/uploads\/DVD_raum-klang-stimme_transp_1000x1000-705x705.png 705w, https:\/\/www.oberton.org\/wp-content\/uploads\/DVD_raum-klang-stimme_transp_1000x1000-768x768.png 768w, https:\/\/www.oberton.org\/wp-content\/uploads\/DVD_raum-klang-stimme_transp_1000x1000.png 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\" aria-label=\"Portfolio: DVD: Space Sound Voice &#8211; Documentary Film\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/www.oberton.org\/en\/portfolio-item\/dvd-raum-klang-stimme\/' title='DVD: Space Sound Voice &#8211; Documentary Film'>DVD: Space Sound Voice &#8211; Documentary Film<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='7870' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-7870 grid-entry-overview grid-loop-9 grid-parity-odd  recommendations_sort wolfgang-saus-en_sort documentaries_sort film-en_sort  av_one_fourth first default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/www.oberton.org\/en\/portfolio-item\/dvd-der-oberton-workshop\/\" title='DVD: The Overtone Workshop'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/DVDsaus_wolfgang_oberton_workshop_transp1000x1000-300x300.png\" class=\"wp-image-7101 avia-img-lazy-loading-not-7101 attachment-medium size-medium wp-post-image\" alt=\"DVD Self-study Video Course\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/DVDsaus_wolfgang_oberton_workshop_transp1000x1000-300x300.png 300w, https:\/\/www.oberton.org\/wp-content\/uploads\/DVDsaus_wolfgang_oberton_workshop_transp1000x1000-80x80.png 80w, https:\/\/www.oberton.org\/wp-content\/uploads\/DVDsaus_wolfgang_oberton_workshop_transp1000x1000-180x180.png 180w, https:\/\/www.oberton.org\/wp-content\/uploads\/DVDsaus_wolfgang_oberton_workshop_transp1000x1000-450x450.png 450w, https:\/\/www.oberton.org\/wp-content\/uploads\/DVDsaus_wolfgang_oberton_workshop_transp1000x1000-120x120.png 120w, https:\/\/www.oberton.org\/wp-content\/uploads\/DVDsaus_wolfgang_oberton_workshop_transp1000x1000-36x36.png 36w, https:\/\/www.oberton.org\/wp-content\/uploads\/DVDsaus_wolfgang_oberton_workshop_transp1000x1000-600x600.png 600w, https:\/\/www.oberton.org\/wp-content\/uploads\/DVDsaus_wolfgang_oberton_workshop_transp1000x1000-705x705.png 705w, https:\/\/www.oberton.org\/wp-content\/uploads\/DVDsaus_wolfgang_oberton_workshop_transp1000x1000-768x768.png 768w, https:\/\/www.oberton.org\/wp-content\/uploads\/DVDsaus_wolfgang_oberton_workshop_transp1000x1000.png 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\" aria-label=\"Portfolio: DVD: The Overtone Workshop\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/www.oberton.org\/en\/portfolio-item\/dvd-der-oberton-workshop\/' title='DVD: The Overtone Workshop'>DVD: The Overtone Workshop<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><div data-ajax-id='7871' class=' grid-entry flex_column isotope-item all_sort no_margin post-entry post-entry-7871 grid-entry-overview grid-loop-10 grid-parity-even  post-entry-last  recommendations_sort wolfgang-saus-en_sort cd-en_sort occidental-overtone-singing_sort  av_one_fourth  default_av_fullwidth '><article class='main_color inner-entry'  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><a href=\"https:\/\/www.oberton.org\/en\/portfolio-item\/wolfgang-saus-harmoniversum\/\" title='CD &#8211; Harmoniversum'  data-rel='grid-1' class='grid-image avia-hover-fx'> <img decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/CD_Harmoniversum_2016-1-300x300.png\" class=\"wp-image-10225 avia-img-lazy-loading-not-10225 attachment-medium size-medium wp-post-image\" alt=\"CD Harmoniversum Amra publishing house\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/CD_Harmoniversum_2016-1-300x300.png 300w, https:\/\/www.oberton.org\/wp-content\/uploads\/CD_Harmoniversum_2016-1-80x80.png 80w, https:\/\/www.oberton.org\/wp-content\/uploads\/CD_Harmoniversum_2016-1-180x180.png 180w, https:\/\/www.oberton.org\/wp-content\/uploads\/CD_Harmoniversum_2016-1-450x450.png 450w, https:\/\/www.oberton.org\/wp-content\/uploads\/CD_Harmoniversum_2016-1.png 1000w, https:\/\/www.oberton.org\/wp-content\/uploads\/CD_Harmoniversum_2016-1-768x768.png 768w, https:\/\/www.oberton.org\/wp-content\/uploads\/CD_Harmoniversum_2016-1-600x600.png 600w, https:\/\/www.oberton.org\/wp-content\/uploads\/CD_Harmoniversum_2016-1-36x36.png 36w, https:\/\/www.oberton.org\/wp-content\/uploads\/CD_Harmoniversum_2016-1-705x705.png 705w, https:\/\/www.oberton.org\/wp-content\/uploads\/CD_Harmoniversum_2016-1-120x120.png 120w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><div class='grid-content'><div class='avia-arrow'><\/div><header class=\"entry-content-header\" aria-label=\"Portfolio: CD &#8211; Harmoniversum\"><h3 class='grid-entry-title entry-title '  itemprop=\"headline\" ><a href='https:\/\/www.oberton.org\/en\/portfolio-item\/wolfgang-saus-harmoniversum\/' title='CD &#8211; Harmoniversum'>CD &#8211; Harmoniversum<\/a><\/h3><\/header><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div><\/div><\/div>\n<div  class='av-special-heading av-124yuc-e53455c0878118d5d6380f08d2a00930 av-special-heading-h2 meta-heading blockquote modern-quote  avia-builder-el-6  el_after_av_one_full  el_before_av_three_fourth '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >Books <span class='special_amp'>&amp;<\/span> Book Contributions<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<div  class='flex_column av-9dwqp8-18289ed94066709d12d537681c33bd5f av_three_fourth  avia-builder-el-7  el_after_av_heading  el_before_av_one_fourth  first flex_column_div  '     ><section  class='av_textblock_section av-96j1vw-d20f1554e4419a4ace2b0ab5b11c167c '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Saus, Wolfgang ; Svato\u0161ov\u00e1, M. (\u00dcbers.): <em>Alikvotn\u00ed zp\u011bv &#8211; Tajemstv\u00ed magick\u00e9ho um\u011bn\u00ed hlasu<\/em>. Praha\u00a0: Maitrea, 2019 \u2014\u00a0ISBN\u00a0978-80-7500-427-7<\/p>\n<p>Tato kniha v\u00e1s d\u00edky ohromn\u011b jednoduch\u00e9 t\u0159\u00edstup\u0148ov\u00e9 metod\u011b, vytvo\u0159en\u00e9 Wolfgangem Sausem, nau\u010d\u00ed alikvotn\u00edmu zp\u011bvu. Proniknete do taj\u016f fascinuj\u00edc\u00edho sv\u011bta alikvotn\u00edch t\u00f3n\u016f a zvuk\u016f, je\u017e nebylo mo\u017en\u00e9 doposud nikde dohledat. Autor srozumitelnou formou zprost\u0159edkov\u00e1v\u00e1 nov\u00fd a hrav\u00fd p\u0159\u00edstup ke sv\u011btu hudby, va\u0161emu vlastn\u00edmu hlasu a va\u0161\u00ed muzik\u00e1lnosti.<\/p>\n<\/div><\/section><\/div>\n<div  class='flex_column av-915his-1908f3d11f48e39ecaef20061decfc55 av_one_fourth  avia-builder-el-9  el_after_av_three_fourth  el_before_av_three_fourth  flex_column_div av-zero-column-padding  '     ><div  class='avia-image-container av-8s8a90-71dfd7ef27c6e69b5bbc1282f357e97d av-styling- av-img-linked avia-align-left  avia-builder-el-10  avia-builder-el-no-sibling '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><a href=\"https:\/\/www.oberton.org\/portfolio-item\/alikvotni-zpev\/\" class='avia_image '  aria-label='Bsaus_wolfgang_alikvotni_spev_2019-05'><img decoding=\"async\" class='wp-image-17928 avia-img-lazy-loading-not-17928 avia_image ' src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_alikvotni_spev_2019-05-300x300.png\" alt='Tato kniha v\u00e1s d\u00edky ohromn\u011b jednoduch\u00e9 t\u0159\u00edstup\u0148ov\u00e9 metod\u011b, vytvo\u0159en\u00e9 Wolfgangem Sausem, nau\u010d\u00ed alikvotn\u00edmu zp\u011bvu. Proniknete do taj\u016f fascinuj\u00edc\u00edho sv\u011bta alikvotn\u00edch t\u00f3n\u016f a zvuk\u016f, je\u017e nebylo mo\u017en\u00e9 doposud nikde dohledat. Autor srozumitelnou formou zprost\u0159edkov\u00e1v\u00e1 nov\u00fd a hrav\u00fd p\u0159\u00edstup ke sv\u011btu hudby, va\u0161emu vlastn\u00edmu hlasu a va\u0161\u00ed muzik\u00e1lnosti.' title='Bsaus_wolfgang_alikvotni_spev_2019-05'  height=\"300\" width=\"300\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_alikvotni_spev_2019-05-300x300.png 300w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_alikvotni_spev_2019-05-80x80.png 80w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_alikvotni_spev_2019-05-768x768.png 768w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_alikvotni_spev_2019-05-600x600.png 600w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_alikvotni_spev_2019-05-36x36.png 36w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_alikvotni_spev_2019-05-180x180.png 180w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_alikvotni_spev_2019-05-705x705.png 705w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_alikvotni_spev_2019-05-120x120.png 120w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_alikvotni_spev_2019-05-450x450.png 450w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_alikvotni_spev_2019-05.png 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/div><\/div><\/div><\/div>\n<div  class='flex_column av-9dwqp8-10-fdeb916206f49569c8c1315f2bbdc01e av_three_fourth  avia-builder-el-11  el_after_av_one_fourth  el_before_av_one_fourth  first flex_column_div  column-top-margin'     ><section  class='av_textblock_section av-96j1vw-9-a2e606c87836f9e6b70eb600de96126e '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Saus, Wolfgang ; <em>Obertonsingen mit Kindern und Jugendlichen: Auf ungew\u00f6hnliche Art Geh\u00f6r und Feinmotorik schulen<\/em>. In: Fuchs, M. (Hrsg.): <i>Gesangsstile &#8211; Stimmtechniken &#8211; Stimmgesundheit<\/i> : Logos publisher Berlin GmbH, 2019.\u00a0 \u2014 ISBN 978-3-8325-4844-5<\/p>\n<\/div><\/section><\/div>\n<div  class='flex_column av-915his-8-4ab7e5c2727e0ba8245d89338cc41b6c av_one_fourth  avia-builder-el-13  el_after_av_three_fourth  el_before_av_three_fourth  flex_column_div av-zero-column-padding  column-top-margin'     ><div  class='avia-image-container av-8s8a90-7-211520716f46f2aec3fd885115e20c73 av-styling- av-img-linked avia-align-left  avia-builder-el-14  avia-builder-el-no-sibling '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><a href=\"https:\/\/www.oberton.org\/portfolio-item\/gesangsstile-stimmtechniken-stimmgesundheit\/\" class='avia_image '  aria-label='Bfuchs_michael_saus_wolfgang_kinder_jugendstimme-1.png'><img decoding=\"async\" class='wp-image-17932 avia-img-lazy-loading-not-17932 avia_image ' src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Bfuchs_michael_saus_wolfgang_kinder_jugendstimme-300x300.png\" alt='Book title M Fuchs - singing styles - vocal techniques - vocal health' title='Bfuchs_michael_saus_wolfgang_kinder_jugendstimme-1.png'  height=\"300\" width=\"300\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Bfuchs_michael_saus_wolfgang_kinder_jugendstimme-300x300.png 300w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bfuchs_michael_saus_wolfgang_kinder_jugendstimme-80x80.png 80w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bfuchs_michael_saus_wolfgang_kinder_jugendstimme-768x768.png 768w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bfuchs_michael_saus_wolfgang_kinder_jugendstimme-600x600.png 600w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bfuchs_michael_saus_wolfgang_kinder_jugendstimme-36x36.png 36w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bfuchs_michael_saus_wolfgang_kinder_jugendstimme-180x180.png 180w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bfuchs_michael_saus_wolfgang_kinder_jugendstimme-705x705.png 705w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bfuchs_michael_saus_wolfgang_kinder_jugendstimme-120x120.png 120w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bfuchs_michael_saus_wolfgang_kinder_jugendstimme-450x450.png 450w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bfuchs_michael_saus_wolfgang_kinder_jugendstimme.png 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/div><\/div><\/div><\/div>\n<div  class='flex_column av-9dwqp8-6-3b6fc638e7a86274d9ba7fe74d079a40 av_three_fourth  avia-builder-el-15  el_after_av_one_fourth  el_before_av_one_fourth  first flex_column_div  column-top-margin'     ><section  class='av_textblock_section av-96j1vw-5-1944af5742eec0ebe2a65cf224bebdb4 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Saus, Wolfgang. <em>\u201eObertongesang &#8211; wenn Formanten zu T\u00f6nen werden\u201c<\/em>. In <em>Stimmst\u00f6rungen \u2013 ein Fokus der Klinischen Sprechwissenschaft: Aktuelle Beitr\u00e4ge aus Wissenschaft, Forschung und Praxis<\/em>, published by Susanne Voigt-Zimmermann, Stephanie Kurtenbach, Gabriele Finkbeiner, Anke Bergt, and Wanda Mainka, 19\u201323. Berlin: Frank &amp; Timme, 2016.<\/p>\n<p><a href=\"https:\/\/www.oberton.org\/en\/portfolio-item\/stimmstoerungen-ein-fokus-der-klinischen-sprechwissenschaft\/\">read more \u2192<\/a><\/p>\n<\/div><\/section><\/div>\n<div  class='flex_column av-915his-4-61cae0cf06bef8fe08580fa77760e071 av_one_fourth  avia-builder-el-17  el_after_av_three_fourth  el_before_av_three_fourth  flex_column_div av-zero-column-padding  column-top-margin'     ><div  class='avia-image-container av-8s8a90-3-d18a25bdc67efaebd98ae93f817fe9f0 av-styling- av-img-linked avia-align-left  avia-builder-el-18  avia-builder-el-no-sibling '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><a href=\"https:\/\/www.oberton.org\/portfolio-item\/stimmstoerungen-ein-fokus-der-klinischen-sprechwissenschaft\/\" class='avia_image '  aria-label='Stimmst\u00f6rungen - ein Fokus der Klinischen Sprechwissenschaft'><img decoding=\"async\" class='wp-image-11300 avia-img-lazy-loading-not-11300 avia_image ' src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Stimmstoerungen-ein-Fokus-der-Klinischen-Sprechwissenschaft-300x300.png\" alt='Stimmst\u00f6rungen - ein Fokus der Klinischen Sprechwissenschaft' title='Stimmst\u00f6rungen - ein Fokus der Klinischen Sprechwissenschaft'  height=\"300\" width=\"300\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Stimmst\u00f6rungen-ein-Fokus-der-Klinischen-Sprechwissenschaft-300x300.png 300w, https:\/\/www.oberton.org\/wp-content\/uploads\/Stimmst\u00f6rungen-ein-Fokus-der-Klinischen-Sprechwissenschaft-80x80.png 80w, https:\/\/www.oberton.org\/wp-content\/uploads\/Stimmst\u00f6rungen-ein-Fokus-der-Klinischen-Sprechwissenschaft-768x768.png 768w, https:\/\/www.oberton.org\/wp-content\/uploads\/Stimmst\u00f6rungen-ein-Fokus-der-Klinischen-Sprechwissenschaft-600x600.png 600w, https:\/\/www.oberton.org\/wp-content\/uploads\/Stimmst\u00f6rungen-ein-Fokus-der-Klinischen-Sprechwissenschaft-36x36.png 36w, https:\/\/www.oberton.org\/wp-content\/uploads\/Stimmst\u00f6rungen-ein-Fokus-der-Klinischen-Sprechwissenschaft-180x180.png 180w, https:\/\/www.oberton.org\/wp-content\/uploads\/Stimmst\u00f6rungen-ein-Fokus-der-Klinischen-Sprechwissenschaft-705x705.png 705w, https:\/\/www.oberton.org\/wp-content\/uploads\/Stimmst\u00f6rungen-ein-Fokus-der-Klinischen-Sprechwissenschaft-120x120.png 120w, https:\/\/www.oberton.org\/wp-content\/uploads\/Stimmst\u00f6rungen-ein-Fokus-der-Klinischen-Sprechwissenschaft-450x450.png 450w, https:\/\/www.oberton.org\/wp-content\/uploads\/Stimmstoerungen-ein-Fokus-der-Klinischen-Sprechwissenschaft.png 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/div><\/div><\/div><\/div>\n<div  class='flex_column av-vbg3w-76620ab818a26d510a9c89a17b2db013 av_three_fourth  avia-builder-el-19  el_after_av_one_fourth  el_before_av_one_fourth  first flex_column_div  column-top-margin'     ><section  class='av_textblock_section av-8izp98-65d262714f134ee51e402c41ba7b4212 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Saus, Wolfgang. <em>&#8220;Obertongesang&#8221;<\/em>. In <em>Lexikon der Gesangsstimme<\/em>, ed. Ann-Christine Mecke, Bernhard Richter, Martin Pfleiderer, Thomas Seedorf. Laaber publishing house, 2016.<\/p>\n<p><a href=\"https:\/\/www.oberton.org\/en\/portfolio-item\/lexikon-der-gesangsstimme\/\">read more \u2192<\/a><\/p>\n<\/div><\/section><\/div>\n<div  class='flex_column av-8df0pw-5216a2182dee81806106fc100d132c07 av_one_fourth  avia-builder-el-21  el_after_av_three_fourth  el_before_av_three_fourth  flex_column_div av-zero-column-padding  column-top-margin'     ><div  class='avia-image-container av-tqhyc-fc2504c882d8d21f8f6120a8b74931b6 av-styling- av-img-linked avia-align-left  avia-builder-el-22  avia-builder-el-no-sibling '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><a href=\"https:\/\/www.oberton.org\/portfolio-item\/lexikon-der-gesangsstimme\/\" class='avia_image '  aria-label='Encyclopedia of the Voice'><img decoding=\"async\" class='wp-image-10690 avia-img-lazy-loading-not-10690 avia_image ' src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/lexikon-der-gesangsstimme-3d-b1000-300x300.png\" alt='Encyclopedia of the Voice' title='Encyclopedia of the Voice'  height=\"300\" width=\"300\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/lexikon-der-gesangsstimme-3d-b1000-300x300.png 300w, https:\/\/www.oberton.org\/wp-content\/uploads\/lexikon-der-gesangsstimme-3d-b1000-80x80.png 80w, https:\/\/www.oberton.org\/wp-content\/uploads\/lexikon-der-gesangsstimme-3d-b1000-180x180.png 180w, https:\/\/www.oberton.org\/wp-content\/uploads\/lexikon-der-gesangsstimme-3d-b1000-450x450.png 450w, https:\/\/www.oberton.org\/wp-content\/uploads\/lexikon-der-gesangsstimme-3d-b1000.png 1000w, https:\/\/www.oberton.org\/wp-content\/uploads\/lexikon-der-gesangsstimme-3d-b1000-768x768.png 768w, https:\/\/www.oberton.org\/wp-content\/uploads\/lexikon-der-gesangsstimme-3d-b1000-600x600.png 600w, https:\/\/www.oberton.org\/wp-content\/uploads\/lexikon-der-gesangsstimme-3d-b1000-36x36.png 36w, https:\/\/www.oberton.org\/wp-content\/uploads\/lexikon-der-gesangsstimme-3d-b1000-705x705.png 705w, https:\/\/www.oberton.org\/wp-content\/uploads\/lexikon-der-gesangsstimme-3d-b1000-120x120.png 120w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/div><\/div><\/div><\/div>\n<div  class='flex_column av-81ivws-cdbcab6d1c9e1734f577407b8ca47669 av_three_fourth  avia-builder-el-23  el_after_av_one_fourth  el_before_av_one_fourth  first flex_column_div  column-top-margin'     ><section  class='av_textblock_section av-7wenys-93b244dd4a8cae944f08cbe21c3990e9 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Hinds, Stuart. <em>Eine Oberton-Erfahrung &#8211; An Overtone-Experience: 15 Lieder mit mehrstimmigem Obertongesang &#8211; 15 polyphonic overtone songs you\u2019ll love to sing<\/em>. Translated by Wolfgang Saus. 1st edition Traumzeit-publishing company, 2012.<\/p>\n<\/div><\/section><\/div>\n<div  class='flex_column av-7mheus-e0f978889ac0451607259ac17c253ddd av_one_fourth  avia-builder-el-25  el_after_av_three_fourth  el_before_av_three_fourth  flex_column_div av-zero-column-padding  column-top-margin'     ><div  class='avia-image-container av-7j9i0k-ca7ca5bfa6a36a2acea33f01b025f535 av-styling- avia-align-left  avia-builder-el-26  avia-builder-el-no-sibling '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" class='wp-image-7109 avia-img-lazy-loading-not-7109 avia_image ' src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Bhinds-stuart_obertonerfahrung_2012_1000x1000t-300x300.png\" alt='Stuart Hinds - An overtone experience' title='Stuart Hinds - An overtone experience'  height=\"300\" width=\"300\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Bhinds-stuart_obertonerfahrung_2012_1000x1000t-300x300.png 300w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bhinds-stuart_obertonerfahrung_2012_1000x1000t-80x80.png 80w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bhinds-stuart_obertonerfahrung_2012_1000x1000t-180x180.png 180w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bhinds-stuart_obertonerfahrung_2012_1000x1000t-450x450.png 450w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bhinds-stuart_obertonerfahrung_2012_1000x1000t-768x768.png 768w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bhinds-stuart_obertonerfahrung_2012_1000x1000t-600x600.png 600w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bhinds-stuart_obertonerfahrung_2012_1000x1000t-36x36.png 36w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bhinds-stuart_obertonerfahrung_2012_1000x1000t-705x705.png 705w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bhinds-stuart_obertonerfahrung_2012_1000x1000t-120x120.png 120w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bhinds-stuart_obertonerfahrung_2012_1000x1000t.png 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div><\/div><\/div><\/div>\n<div  class='flex_column av-7djmr0-57a417c1fddbf83bfa52f5fd8afa3387 av_three_fourth  avia-builder-el-27  el_after_av_one_fourth  el_before_av_one_fourth  first flex_column_div  column-top-margin'     ><section  class='av_textblock_section av-785zas-bfc8c88329fa2dde0a6aaabcc880447a '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Saus, Wolfgang. \u201e<em>Obertongesang<\/em>\u201c. In <i>Peter Hess &#8211; Klangmethoden im Kontext von Forschung und Wissenschaft<\/i>, published by Peter Hess und Christina M. Koller, 182\u2013189. Sch\u00fcttorf: Hess, 2010.<\/p>\n<\/div><\/section><\/div>\n<div  class='flex_column av-6yvt7g-ad546dfe5270521afd388c88955c6510 av_one_fourth  avia-builder-el-29  el_after_av_three_fourth  el_before_av_three_fourth  flex_column_div av-zero-column-padding  column-top-margin'     ><div  class='avia-image-container av-6tjid8-e0ae18b2a340f4541664417d08a2c619 av-styling- avia-align-left  avia-builder-el-30  avia-builder-el-no-sibling '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" class='wp-image-7097 avia-img-lazy-loading-not-7097 avia_image ' src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_hess_klangmethoden_2010_1000x1000-300x300.png\" alt='Peter Hess Klangmethoden' title='Peter Hess Klangmethoden'  height=\"300\" width=\"300\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_hess_klangmethoden_2010_1000x1000-300x300.png 300w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_hess_klangmethoden_2010_1000x1000-80x80.png 80w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_hess_klangmethoden_2010_1000x1000-180x180.png 180w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_hess_klangmethoden_2010_1000x1000-450x450.png 450w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_hess_klangmethoden_2010_1000x1000-120x120.png 120w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_hess_klangmethoden_2010_1000x1000-36x36.png 36w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_hess_klangmethoden_2010_1000x1000-600x600.png 600w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_hess_klangmethoden_2010_1000x1000-705x705.png 705w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_hess_klangmethoden_2010_1000x1000-768x768.png 768w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_hess_klangmethoden_2010_1000x1000.png 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div><\/div><\/div><\/div>\n<div  class='flex_column av-6qsohw-2bc15bae29927a66bd669379d47f7ba5 av_three_fourth  avia-builder-el-31  el_after_av_one_fourth  el_before_av_one_fourth  first flex_column_div  column-top-margin'     ><p><section  class='av_textblock_section av-6jsmf8-a25d721aa21aec6754164c2cb2fe5cac '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Saus, W., 2009. <em>Karlheinz Stockhausen\u2019s STIMMUNG and Vowel Overtone Singing<\/em>. In Ro\u010denka text\u016f zahrani\u010dn\u00edch profesor\u016f \/ The Annual of Texts by Foreign Guest Professors. Univerzita Karlova v Praze, Filozofick\u00e1 fakulta: FF UK Praha, ISBN 978-80-7308-290-1, S 471-478. Available at:\u00a0<a title=\"Karls-Universit\u00e4t Prag\" href=\"http:\/\/www.ff.cuni.cz\/FF-8338.html\" target=\"_blank\" rel=\"noopener\">http:\/\/www.ff.cuni.cz\/FF-8338.html<\/a><\/p>\n<\/div><\/section><br \/>\n<div  class='avia-button-wrap av-6fir2k-ef7efe9d1f419a24c67b54873e546b07-wrap avia-button-left  avia-builder-el-33  el_after_av_textblock  el_before_av_button '><a href='https:\/\/www.oberton.org\/wp-content\/uploads\/Stimmung-und-Vokalobertonsingen-2lr_sp_by_nd.pdf'  class='avia-button av-6fir2k-ef7efe9d1f419a24c67b54873e546b07 av-link-btn avia-icon_select-yes-left-icon avia-size-small avia-position-left avia-color-green'  target=\"_blank\"  rel=\"noopener noreferrer\"  aria-label=\"Download pdf - deutsch\"><span class='avia_button_icon avia_button_icon_left avia-iconfont avia-font-entypo-fontello' data-av_icon='\ue82d' data-av_iconfont='entypo-fontello' ><\/span><span class='avia_iconbox_title' >Download pdf - deutsch<\/span><\/a><\/div><br \/>\n<div  class='avia-button-wrap av-686uas-44ea7419086740bf520a4407ad542e42-wrap avia-button-left  avia-builder-el-34  el_after_av_button  avia-builder-el-last '><a href='https:\/\/www.oberton.org\/wp-content\/uploads\/stimmung-and-vowel-overtone-singing-2lr_sp_EN.pdf'  class='avia-button av-686uas-44ea7419086740bf520a4407ad542e42 av-link-btn avia-icon_select-yes-left-icon avia-size-small avia-position-left avia-color-green'  target=\"_blank\"  rel=\"noopener noreferrer\"  aria-label=\"Download pdf - english\"><span class='avia_button_icon avia_button_icon_left avia-iconfont avia-font-entypo-fontello' data-av_icon='\ue82d' data-av_iconfont='entypo-fontello' ><\/span><span class='avia_iconbox_title' >Download pdf - english<\/span><\/a><\/div><\/p><\/div>\n<div  class='flex_column av-61ux1w-31021931410db7bb0df3f8dbe44314f5 av_one_fourth  avia-builder-el-35  el_after_av_three_fourth  el_before_av_three_fourth  flex_column_div av-zero-column-padding  column-top-margin'     ><div  class='avia-image-container av-5tgyok-51dce4f295e21c27b9e00d11600a4684 av-styling- avia-align-left  avia-builder-el-36  avia-builder-el-no-sibling '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" class='wp-image-7096 avia-img-lazy-loading-not-7096 avia_image ' src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_annual_texts_2009_1000x1000-300x300.png\" alt='The Annual of Text by Foreign Guest Professors' title='The Annual of Text by Foreign Guest Professors'  height=\"300\" width=\"300\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_annual_texts_2009_1000x1000-300x300.png 300w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_annual_texts_2009_1000x1000-80x80.png 80w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_annual_texts_2009_1000x1000-180x180.png 180w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_annual_texts_2009_1000x1000-450x450.png 450w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_annual_texts_2009_1000x1000-120x120.png 120w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_annual_texts_2009_1000x1000-36x36.png 36w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_annual_texts_2009_1000x1000-600x600.png 600w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_annual_texts_2009_1000x1000-705x705.png 705w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_annual_texts_2009_1000x1000-768x768.png 768w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_annual_texts_2009_1000x1000.png 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div><\/div><\/div><\/div>\n<div  class='flex_column av-5sb3qk-2e3a396faabf7363452ea6cf5e857eed av_three_fourth  avia-builder-el-37  el_after_av_one_fourth  el_before_av_one_fourth  first flex_column_div  column-top-margin'     ><section  class='av_textblock_section av-5iqxb0-2d33b840527e26b3fe79822b6230775f '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Saus, Wolfgang; <em>Oberton singen &#8211; Das Geheimnis einer magischen Stimmkunst<\/em>; Traumzeit publishing company (2004), 3. Edition 2008.<br \/><a title=\"Oberton Singen \u2013 Buch &amp; CD\" href=\"https:\/\/www.oberton.org\/en\/portfolio-item\/overtone-singing-book-cd\/\">read more \u2192<\/a><\/p>\n<\/div><\/section><\/div>\n<div  class='flex_column av-5fynqk-473e49bec549557e6975c9db319cbaea av_one_fourth  avia-builder-el-39  el_after_av_three_fourth  el_before_av_three_fourth  flex_column_div av-zero-column-padding  column-top-margin'     ><p><div  class='avia-image-container av-5738ic-fac53738eb7d1a4f513fea345a50317a av-styling- av-img-linked avia-align-left  avia-builder-el-40  el_before_av_image  avia-builder-el-first '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><a href=\"https:\/\/www.oberton.org\/en\/portfolio-item\/overtone-singing-book-cd\/\" class='avia_image '  aria-label='Oberton Singen, Buch&amp;CD'><img decoding=\"async\" class='wp-image-7108 avia-img-lazy-loading-not-7108 avia_image ' src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/B_saus_oberton_singen_04transp_1000x1000-1-300x300.png\" alt='Oberton Singen, Buch&amp;CD' title='Oberton Singen, Buch&amp;CD'  height=\"300\" width=\"300\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/B_saus_oberton_singen_04transp_1000x1000-1-300x300.png 300w, https:\/\/www.oberton.org\/wp-content\/uploads\/B_saus_oberton_singen_04transp_1000x1000-1-80x80.png 80w, https:\/\/www.oberton.org\/wp-content\/uploads\/B_saus_oberton_singen_04transp_1000x1000-1-768x768.png 768w, https:\/\/www.oberton.org\/wp-content\/uploads\/B_saus_oberton_singen_04transp_1000x1000-1-600x600.png 600w, https:\/\/www.oberton.org\/wp-content\/uploads\/B_saus_oberton_singen_04transp_1000x1000-1-36x36.png 36w, https:\/\/www.oberton.org\/wp-content\/uploads\/B_saus_oberton_singen_04transp_1000x1000-1-180x180.png 180w, https:\/\/www.oberton.org\/wp-content\/uploads\/B_saus_oberton_singen_04transp_1000x1000-1-705x705.png 705w, https:\/\/www.oberton.org\/wp-content\/uploads\/B_saus_oberton_singen_04transp_1000x1000-1-120x120.png 120w, https:\/\/www.oberton.org\/wp-content\/uploads\/B_saus_oberton_singen_04transp_1000x1000-1-450x450.png 450w, https:\/\/www.oberton.org\/wp-content\/uploads\/B_saus_oberton_singen_04transp_1000x1000-1.png 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/div><\/div><\/div><br \/>\n<div  class='avia-image-container av-4zoo24-95db473edc59eddf878e5fa8cc7d84f9 av-styling- av-img-linked avia-align-left  avia-builder-el-41  el_after_av_image  avia-builder-el-last '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><a href=\"https:\/\/www.oberton.org\/en\/portfolio-item\/overtone-singing-book-cd\/\" class='avia_image '  aria-label='Oberton Singen, Buch&amp;CD'><img decoding=\"async\" class='wp-image-7108 avia-img-lazy-loading-not-7108 avia_image ' src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/wolfgang-saus_oberton-singen_02-80x80.png\" alt='Oberton Singen, Buch&amp;CD' title='Oberton Singen, Buch&amp;CD'   itemprop=\"thumbnailUrl\"  \/><\/a><\/div><\/div><\/div><\/p><\/div>\n<div  class='flex_column av-4uz7r0-3f4890a377afdc7c811d88210908295b av_three_fourth  avia-builder-el-42  el_after_av_one_fourth  el_before_av_one_fourth  first flex_column_div  column-top-margin'     ><section  class='av_textblock_section av-4sgsck-f9735876605afd3bc5602640360b4e4d '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Neuschaefer-Rube, Ch.; Saus, W.; Matern, G.; Kob, M.; Klajman, S.; <em>Sonographische und endoskopische Untersuchungen beim Obertonsingen<\/em> in \u201c<em>Stimmkulturen &#8211; 3. Stuttgarter Stimmtage 2000<\/em>\u201d, ed. Hellmut K. Geissner, R\u00f6hrig, St. Ingbert 2002, 219-222.<\/p>\n<\/div><\/section><\/div>\n<div  class='flex_column av-4jxwic-ae1a576a858eab592004ecec1adeee11 av_one_fourth  avia-builder-el-44  el_after_av_three_fourth  el_before_av_heading  flex_column_div av-zero-column-padding  column-top-margin'     ><div  class='avia-image-container av-4gdoro-43c7a92673a5827a578ff79fdcc4c562 av-styling- avia-align-left  avia-builder-el-45  avia-builder-el-no-sibling '   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" class='wp-image-7095 avia-img-lazy-loading-not-7095 avia_image ' src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_Stimmkulturen-2000_1000x1000-300x300.png\" alt='Stimmkulturen - 3. Stuttgarter Stimmtage 2000' title='Stimmkulturen - 3. Stuttgarter Stimmtage 2000'  height=\"300\" width=\"300\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_Stimmkulturen-2000_1000x1000-300x300.png 300w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_Stimmkulturen-2000_1000x1000-80x80.png 80w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_Stimmkulturen-2000_1000x1000-180x180.png 180w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_Stimmkulturen-2000_1000x1000-450x450.png 450w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_Stimmkulturen-2000_1000x1000-120x120.png 120w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_Stimmkulturen-2000_1000x1000-36x36.png 36w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_Stimmkulturen-2000_1000x1000-600x600.png 600w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_Stimmkulturen-2000_1000x1000-705x705.png 705w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_Stimmkulturen-2000_1000x1000-768x768.png 768w, https:\/\/www.oberton.org\/wp-content\/uploads\/Bsaus_wolfgang_Stimmkulturen-2000_1000x1000.png 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div><\/div><\/div><\/div>\n<div  class='av-special-heading av-zf0lw-fb5db65e79883934f56b59dd63cb8b87 av-special-heading-h2 meta-heading blockquote modern-quote  avia-builder-el-46  el_after_av_one_fourth  el_before_av_textblock '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >Software<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<section  class='av_textblock_section av-41csjo-88bbde911e47884d4003b5638de2a410 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><ol>\n<li><a href=\"https:\/\/www.oberton.org\/portfolio-item\/software-overtone-analyzer-vocevista\/\">Overtone Analyzer \/ VoceVista Video<\/a> &#8211; Software for modern vocal pedagogy and sound analysis, together with Bodo Maass and Don Miller.<\/li>\n<\/ol>\n<\/div><\/section>\n<div  class='av-special-heading av-pr0tw-2e749a681588ce004ce8ac491428a58a av-special-heading-h2 meta-heading blockquote modern-quote  avia-builder-el-48  el_after_av_textblock  el_before_av_textblock '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >Spezialized articles<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<section  class='av_textblock_section av-3sp7q4-d70d2ba0a3af975c0211532ad83d3281 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><div class=\"csl-bib-body\">\n<div class=\"csl-entry\">\n<ol>\n<li>\n<div class=\"csl-bib-body\">\n<div class=\"csl-entry\">\n<p>Saus, Wolfgang, Annemarie Seither-Preisler, und Peter Schneider. \u201eHarmonic Vowels and Neural Dynamics: MEG Evidence for Auditory Resonance Integration in Singing\u201c. <i>Frontiers in Neuroscience<\/i> 19 (August 2025): 1\u201318. <a href=\"https:\/\/doi.org\/10.3389\/fnins.2025.1625403\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.3389\/fnins.2025.1625403<\/a>.<\/p>\n<\/div>\n<\/div>\n<\/li>\n<\/ol>\n<\/div>\n<\/div>\n<div  class='avia-button-wrap av-3jxndw-5193079848d6ee7a17f333dfbc80bd0d-wrap avia-button-left  avia-builder-el-50  el_before_av_button  avia-builder-el-first '><a href='\/wp-content\/uploads\/Saus-et-al.-2025-Harmonic-vowels-and-neural-dynamics-MEG-evidence-for-auditory-resonance-integration-in-singing.pdf'  class='avia-button av-3jxndw-5193079848d6ee7a17f333dfbc80bd0d av-link-btn avia-icon_select-yes-left-icon avia-size-small avia-position-left avia-color-green'  target=\"_blank\"  rel=\"noopener noreferrer\"  aria-label=\"Download pdf\"><span class='avia_button_icon avia_button_icon_left avia-iconfont avia-font-entypo-fontello' data-av_icon='\ue82d' data-av_iconfont='entypo-fontello' ><\/span><span class='avia_iconbox_title' >Download pdf<\/span><\/a><\/div>\n<div class=\"csl-bib-body\">\n<div class=\"csl-entry\">\n<ol>\n<li>\n<div class=\"csl-bib-body\">\n<div class=\"csl-entry\">\n<div class=\"csl-bib-body\">\n<div class=\"csl-entry\">Saus, Wolfgang, Annemarie Seither-Preisler, and Peter Schneider. \u201cHarmonic Vowels and Neural Dynamics: MEG Evidence for Auditory Resonance Integration in Singing.\u201d <i>Frontiers in Neuroscience<\/i> 19 (August 2025): 1\u201318. <a href=\"https:\/\/doi.org\/10.3389\/fnins.2025.1625403\">https:\/\/doi.org\/10.3389\/fnins.2025.1625403<\/a>.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/li>\n<li>\n<div class=\"csl-bib-body\">\n<div class=\"csl-entry\">Saus, Wolfgang. \u201eGeheimen van geluid\u201c. <i>Vocazine<\/i>, Dezember 2024.<\/div>\n<\/div>\n<\/li>\n<li>Saus, Wolfgang. \u201eLust auf Obert\u00f6ne\u201c. <i>Baden Vokal &#8211; Magazin des Badischen Chorverbandes<\/i>, January 2023. <a href=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Saus-2023-Lust-auf-Obertoene-Extract3-4.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/li>\n<li><img decoding=\"async\" class=\"size-thumbnail wp-image-32860 alignnone\" src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/\/Vox-Humana-2017-4-Titelbild-80x80.jpg\" alt=\"Titelbild Vox Humana 2017 13.4\" width=\"80\" height=\"80\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Vox-Humana-2017-4-Titelbild-80x80.jpg 80w, https:\/\/www.oberton.org\/wp-content\/uploads\/Vox-Humana-2017-4-Titelbild-36x36.jpg 36w, https:\/\/www.oberton.org\/wp-content\/uploads\/Vox-Humana-2017-4-Titelbild-180x180.jpg 180w\" sizes=\"(max-width: 80px) 100vw, 80px\" \/>Saus, Wolfgang. \u201eObertongesang &#8211; eine faszinierende akustische T\u00e4uschung\u201c. Vox Humana &#8211; Professional journal for vocal pedagogy 17, Nr. 4 (December 2021): 56\u201357. https:\/\/voxhumana.de\/.<\/li>\n<\/ol>\n<\/div>\n<\/div>\n<ol>\n<li>\n<div class=\"csl-bib-body\">\n<div class=\"csl-entry\">\n<div class=\"csl-bib-body\">\n<div class=\"csl-entry\"><img decoding=\"async\" class=\"size-thumbnail wp-image-21985 alignnone\" src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/\/2109musik-kirche-80x80.jpg\" alt=\"Musik &amp; Kirche 5-2021\" width=\"80\" height=\"80\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/2109musik-kirche-80x80.jpg 80w, https:\/\/www.oberton.org\/wp-content\/uploads\/2109musik-kirche-36x36.jpg 36w, https:\/\/www.oberton.org\/wp-content\/uploads\/2109musik-kirche-180x180.jpg 180w\" sizes=\"(max-width: 80px) 100vw, 80px\" \/>Saus, Wolfgang. \u201eResonanzen statt Vokale. Mit wenig Aufwand auf ein neues Klangniveau.\u201c <i>Musik &amp; Kirche &#8211; Die Zeitschrift f\u00fcr Kirchenmusik. B\u00e4renreiter-Verlag.<\/i> 5 (2021): 302\u20135. <a href=\"https:\/\/www.musikundkirche.de\/\">https:\/\/www.musikundkirche.de\/<\/a>.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/li>\n<li><\/li>\n<li><img decoding=\"async\" class=\"size-thumbnail wp-image-21986 alignnone\" src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/\/2109musik-kirche-80x80.jpg\" alt=\"Musik &amp; Kirche 5-2021\" width=\"80\" height=\"80\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/2109musik-kirche-80x80.jpg 80w, https:\/\/www.oberton.org\/wp-content\/uploads\/2109musik-kirche-36x36.jpg 36w, https:\/\/www.oberton.org\/wp-content\/uploads\/2109musik-kirche-180x180.jpg 180w\" sizes=\"(max-width: 80px) 100vw, 80px\" \/>Saus, Wolfgang. \u201eResonanzen statt Vokale. Mit wenig Aufwand auf ein neues Klangniveau.\u201c <i>Musik &amp; Kirche &#8211; Die Zeitschrift f\u00fcr Kirchenmusik. B\u00e4renreiter-Verlag.<\/i> 5 (2021): 302\u20135. <a href=\"https:\/\/www.musikundkirche.de\/\">https:\/\/www.musikundkirche.de\/<\/a>.<\/li>\n<li><img decoding=\"async\" class=\"size-thumbnail wp-image-21984 alignnone\" src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/\/2108accento-fdc-80x80.jpg\" alt=\"accento Magazin f\u00fcr Chorleiter 01-2021\" width=\"80\" height=\"80\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/2108accento-fdc-80x80.jpg 80w, https:\/\/www.oberton.org\/wp-content\/uploads\/2108accento-fdc-36x36.jpg 36w, https:\/\/www.oberton.org\/wp-content\/uploads\/2108accento-fdc-180x180.jpg 180w\" sizes=\"(max-width: 80px) 100vw, 80px\" \/>Saus, Wolfgang. \u201eVon Vokalen und reiner Intonation\u201c. <i>accento, Das Magazin f\u00fcr Chorleiterinnen und Chorleiter<\/i>, 2021. <a href=\"https:\/\/fdc-online.de\">https:\/\/fdc-online.de<\/a>.<\/li>\n<li><a href=\"https:\/\/www.oberton.org\/wp-content\/uploads\/\/vox-humana-04-17_cover-80x80.jpg\"><img decoding=\"async\" class=\"size-thumbnail wp-image-17036 alignnone\" src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/\/vox-humana-04-17_cover-80x80.jpg\" alt=\"\" width=\"80\" height=\"80\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/vox-humana-04-17_cover-80x80.jpg 80w, https:\/\/www.oberton.org\/wp-content\/uploads\/vox-humana-04-17_cover-36x36.jpg 36w, https:\/\/www.oberton.org\/wp-content\/uploads\/vox-humana-04-17_cover-180x180.jpg 180w, https:\/\/www.oberton.org\/wp-content\/uploads\/vox-humana-04-17_cover-120x120.jpg 120w, https:\/\/www.oberton.org\/wp-content\/uploads\/vox-humana-04-17_cover-450x450.jpg 450w\" sizes=\"(max-width: 80px) 100vw, 80px\" \/><\/a>Saus, Wolfgang. \u201eGesangsphonetik \u2013 Ein neuer Weg zum optimalen Vokal\u201c. Vox Humana &#8211; Professional journal for singing education 13, No. 4 (December 2017): 17\u201320.<\/li>\n<\/ol>\n<div class=\"notranslate\" style=\"all: initial;\"><\/div>\n<div  class='avia-button-wrap av-rswjw-d44b416692325b77b14cbdf8f83065a9-wrap avia-button-left  avia-builder-el-51  el_after_av_button  el_before_av_button '><a href='https:\/\/www.oberton.org\/en\/saus-2017-gesangsphonetik-ein-neuer-weg-zum-optimalen-voka-2\/'  class='avia-button av-rswjw-d44b416692325b77b14cbdf8f83065a9 av-link-btn avia-icon_select-yes-left-icon avia-size-small avia-position-left avia-color-green'  target=\"_blank\"  rel=\"noopener noreferrer\"  aria-label=\" Download PDF (German version)\"><span class='avia_button_icon avia_button_icon_left avia-iconfont avia-font-entypo-fontello' data-av_icon='\ue82d' data-av_iconfont='entypo-fontello' ><\/span><span class='avia_iconbox_title' > Download PDF (German version)<\/span><\/a><\/div>\n<ul>\n<li><a href=\"https:\/\/www.oberton.org\/wp-content\/uploads\/\/cover_big-80x80.jpg\"><img decoding=\"async\" class=\"alignnone wp-image-12320\" src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/\/cover_big-80x80.jpg\" alt=\"Cover Deutsche Heilpraktiker Zeitschrift Ausgabe 5 2017\" width=\"60\" height=\"80\" \/><\/a>Saus, Wolfgang. \u201eFremd und doch vertraut: Obertongesang\u201c. <i>Deutsche Heilpraktiker-Zeitschrift<\/i> 12, Nr. 05 (August 2017): 14\u201319. doi:10.1055\/s-0043-115597. <a href=\"https:\/\/www.thieme-connect.de\/products\/ejournals\/abstract\/10.1055\/s-0043-115597\">Link to Thieme<\/a>.<\/li>\n<li><img decoding=\"async\" class=\"alignnone wp-image-8296\" src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/\/Vox-Humana-11-1-2015-80x80.jpg\" alt=\"Vox Humana 11-1 2015\" width=\"56\" height=\"80\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Vox-Humana-11-1-2015-209x300.jpg 209w, https:\/\/www.oberton.org\/wp-content\/uploads\/Vox-Humana-11-1-2015-716x1030.jpg 716w, https:\/\/www.oberton.org\/wp-content\/uploads\/Vox-Humana-11-1-2015-768x1105.jpg 768w, https:\/\/www.oberton.org\/wp-content\/uploads\/Vox-Humana-11-1-2015-600x863.jpg 600w, https:\/\/www.oberton.org\/wp-content\/uploads\/Vox-Humana-11-1-2015-490x705.jpg 490w, https:\/\/www.oberton.org\/wp-content\/uploads\/Vox-Humana-11-1-2015-450x647.jpg 450w, https:\/\/www.oberton.org\/wp-content\/uploads\/Vox-Humana-11-1-2015.jpg 778w\" sizes=\"(max-width: 56px) 100vw, 56px\" \/>Saus, Wolfgang: Chorphonetik &#8211; wenn Vokale die Intonation steuern. In: VOX HUMANA &#8211; Professional journal for singing education Volume 11 (2015), Nr. 1, S. 22\u201326 \u2014 ISSN: 1861-065X.<\/li>\n<\/ul>\n<div  class='avia-button-wrap av-3jxndw-1-e7e275298b59e28de1905684d50f86b9-wrap avia-button-left  avia-builder-el-52  el_after_av_button  el_before_av_button '><a href='https:\/\/www.oberton.org\/wp-content\/uploads\/Vox-Humana-01-15-Wolfgang-Saus_150115.pdf'  class='avia-button av-3jxndw-1-e7e275298b59e28de1905684d50f86b9 av-link-btn avia-icon_select-yes-left-icon avia-size-small avia-position-left avia-color-green'   aria-label=\"Download pdf\"><span class='avia_button_icon avia_button_icon_left avia-iconfont avia-font-entypo-fontello' data-av_icon='\ue82d' data-av_iconfont='entypo-fontello' ><\/span><span class='avia_iconbox_title' >Download pdf<\/span><\/a><\/div>\n<ul>\n<li><img decoding=\"async\" class=\"alignnone\" src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/\/Zsaus_wolfgang_chorundkonzert_2009_1000x1000-80x80.png\" alt=\"Wolfgang Saus in Chor und Konzert\" width=\"80\" height=\"80\" \/>Saus, Wolfgang. \u201eObert\u00f6ne im Chor\u201c. Herausgegeben von VDKC e. V.\u00a0<i>Chor und Konzert<\/i>\u00a0130, Nr. 2\/2009. Zeitschrift des Verbandes Deutscher Konzertch\u00f6re (2009): 26\u201332.<\/li>\n<\/ul>\n<div  class='avia-button-wrap av-3d98ak-2f513adf84b22fb6225d926a25a9d4e9-wrap avia-button-left  avia-builder-el-53  el_after_av_button  el_before_av_button '><a href='https:\/\/www.oberton.org\/wp-content\/uploads\/ws_2009_VDKC_-_Obertone_im_Chor.pdf'  class='avia-button av-3d98ak-2f513adf84b22fb6225d926a25a9d4e9 av-link-btn avia-icon_select-yes-left-icon avia-size-small avia-position-left avia-color-green'   aria-label=\"Download pdf\"><span class='avia_button_icon avia_button_icon_left avia-iconfont avia-font-entypo-fontello' data-av_icon='\ue82d' data-av_iconfont='entypo-fontello' ><\/span><span class='avia_iconbox_title' >Download pdf<\/span><\/a><\/div>\n<ul>\n<li><img decoding=\"async\" class=\"wp-image-1739 size-thumbnail alignnone\" src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/\/Zsaus_wolfgang_klangmassage_2008_1000x1000-80x80.png\" alt=\"Wolfgang Saus in Klangmassage\" width=\"80\" height=\"80\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/Zsaus_wolfgang_klangmassage_2008_1000x1000-80x80.png 80w, https:\/\/www.oberton.org\/wp-content\/uploads\/Zsaus_wolfgang_klangmassage_2008_1000x1000-300x300.png 300w, https:\/\/www.oberton.org\/wp-content\/uploads\/Zsaus_wolfgang_klangmassage_2008_1000x1000-180x180.png 180w, https:\/\/www.oberton.org\/wp-content\/uploads\/Zsaus_wolfgang_klangmassage_2008_1000x1000-450x450.png 450w, https:\/\/www.oberton.org\/wp-content\/uploads\/Zsaus_wolfgang_klangmassage_2008_1000x1000-768x768.png 768w, https:\/\/www.oberton.org\/wp-content\/uploads\/Zsaus_wolfgang_klangmassage_2008_1000x1000-600x600.png 600w, https:\/\/www.oberton.org\/wp-content\/uploads\/Zsaus_wolfgang_klangmassage_2008_1000x1000-36x36.png 36w, https:\/\/www.oberton.org\/wp-content\/uploads\/Zsaus_wolfgang_klangmassage_2008_1000x1000-705x705.png 705w, https:\/\/www.oberton.org\/wp-content\/uploads\/Zsaus_wolfgang_klangmassage_2008_1000x1000-120x120.png 120w, https:\/\/www.oberton.org\/wp-content\/uploads\/Zsaus_wolfgang_klangmassage_2008_1000x1000.png 1000w\" sizes=\"(max-width: 80px) 100vw, 80px\" \/>Wolfgang Saus; Faszination Oberton &#8211; Was sind Obert\u00f6ne?; in Klang -Massage-Therapie 6\/2008, 58-60. ISSN 18624081.<\/li>\n<\/ul>\n<div  class='avia-button-wrap av-3849cc-9fb38b5a03faaadaf8c33b94af2348b0-wrap avia-button-left  avia-builder-el-54  el_after_av_button  avia-builder-el-last '><a href='https:\/\/www.oberton.org\/wp-content\/uploads\/ws_Fachartikel_FZ_Wellness_S.58-60.pdf'  class='avia-button av-3849cc-9fb38b5a03faaadaf8c33b94af2348b0 av-link-btn avia-icon_select-yes-left-icon avia-size-small avia-position-left avia-color-green'   aria-label=\"Download pdf\"><span class='avia_button_icon avia_button_icon_left avia-iconfont avia-font-entypo-fontello' data-av_icon='\ue82d' data-av_iconfont='entypo-fontello' ><\/span><span class='avia_iconbox_title' >Download pdf<\/span><\/a><\/div>\n<ul>\n<li>Neuschaefer-Rube, Ch.; Saus, W.; Matern, G.; Kob, M.; Klajman, S.; Sonographische und endoskopische Untersuchungen beim Obertonsingen in \u201cStimmkulturen &#8211; 3. Stuttgarter Stimmtage 2000\u201d, Hrsg. Hellmut K. Geissner, R\u00f6hrig, St. Ingbert 2002, 219-222.<\/li>\n<li>Kob, M.; Neuschaefer-Rube, Ch.; Saus, W.; Untersuchungen der akustischen Eigenschaften des Obertongesangs; DAGA 2001, TU Hamburg-Harburg (2001).<\/li>\n<li>Matern, G; Neuschaefer-Rube, Ch.; Saus, W.; Kob, M.; Ansatzrohrgestaltung beim Obertonsingen; in Gross, M. (Hrsg.), Aktuelle phoniatrisch-p\u00e4daudiologische Aspekte 2000\/2001, Bd. 8.<\/li>\n<li>Saus, W.; Nutzen von Obertongesang f\u00fcr westliche S\u00e4nger und Chorleiter in \u201cStimmkulturen &#8211; 3. Stuttgarter Stimmtage 2000\u201d, Hrsg. Hellmut K. Geissner, R\u00f6hrig, St. Ingbert 2002, 247-248.<\/li>\n<li>Matern, G; Neuschaefer-Rube, Ch.; Saus, W.; Kob, M.; Videobeitrag Ansatzrohrgestaltung beim Obertonsingen; 17. Wiss. Jahrestagung Deutsche Ges. f\u00fcr Phoniatrie und P\u00e4daudiologie, T\u00fcbingen (2000).<\/li>\n<li>Saus,W.; SFD &#8211; Dry Dyeing of Polyester in CO2; Text. Tech. Int.\u00a0 (1995).<\/li>\n<li>Saus, W.; Cleve, E.; Denter, U.; Duffner, H.; Schollmeyer, E.; Bestimmung der Farbstoffaufnahme beim trichromen F\u00e4rben von Baumwolle. Teil 1 &#8211; Grundlagen zur quantitativen Multikomponentenanalyse; Textilveredlung 29 (1994) 13-18.<\/li>\n<li>Knittel,D.; Saus,W.; Schollmeyer,E.; Wasserfreies F\u00e4rben von Synthesefasern in komprimiertem Kohlendioxid; Chem. Ing. Tech. 66 (1994) 683-686.<\/li>\n<li>Knittel,D.; Saus,W.; Schollmeyer,E.; F\u00e4rben aus \u00fcberkritischem CO2 &#8211; Echtheiten von F\u00e4rbungen; Melliand 75 (1994) 388-391.<\/li>\n<li>Knittel,D.; Saus,W.; Schollmeyer,E.; F\u00e4rben aus \u00fcberkritischem CO2 &#8211; F\u00e4rben von Textil-Accessoires; (1994) .<\/li>\n<li>Knittel,D.; Saus,W.; Hoger,S.; Schollmeyer,E.; F\u00e4rben in \u00fcberkritischem CO2: Bestimmung von Einflu\u00dfgr\u00f6\u00dfen auf das strukturelle Verhalten von Polyethylenterephthalat-Fasermaterial; Angew. Makromol. Chem. 218 (1994) 69-79.<\/li>\n<li>Saus,W.; Knittel,D.; Schollmeyer,E.; Wasserfreies F\u00e4rben von Synthesefasermaterial &#8211; F\u00e4rbung in \u00fcberkritischem CO2; Int. Text. Bull. Veredlung 39 (1993) 20-22.<\/li>\n<li>Saus,W.; Knittel,D.; Schollmeyer,E.; Dyeing of Textiles in Supercritical Carbon Dioxide; Text. Res. J. 63 (1993) 135-142.<\/li>\n<li>Saus,W.; Knittel,D.; Schollmeyer,E.; F\u00e4rben aus \u00fcberkritischem Kolhendioxid &#8211; Physikalisch-chemische Grundlagen; tpi 48 (1993) 32-36.<\/li>\n<li>Saus,W.; Hoger,S.; Knittel,D.; Schollmeyer,E.; F\u00e4rben aus \u00fcberkritischem Kohlendioxid &#8211; Dispersionsfarbstoff und Baumwollgewebe; Textilveredlung 28 (1993) 38-40.<\/li>\n<li>Saus,W.; Knittel, D.; Schollmeyer, E.; Wasserfreies F\u00e4rben mit komprimiertem Kohlendioxid; Chem. Ing. Tech. 65 (1993) 1031.<\/li>\n<li>Knittel,D.; Saus,W.; Schollmeyer,E.; Application of Supercritical Carbon Dioxide in Finishing Processes; J. Text. Inst. 84 (1993) 534-552.<\/li>\n<li>Saus,W.; Knittel,D.; Schollmeyer,E.; Textilien wasserfrei f\u00e4rben; VDI Umwelt 22 (1992) 671-672.<\/li>\n<li>Saus,W.; Knittel,D.; Schollmeyer,E.; F\u00e4rben aus \u00fcberkritischem Kohlendioxid &#8211; Eine Alternative zur HT-F\u00e4rbung von Polyester; tpi 47 (1992) 1052-1054.<\/li>\n<li>Saus,W.; Dyeing Technical Fibres in Supercritical Carbon Dioxide; Int. Dyer 177 (1992) 120.<\/li>\n<li>Saus, W.; Knittel, D.; Schollmeyer, E.; Voltammetric determination of reducing agents and dyestuffs in textile printing pastes; Fresenius J. Anal. Chem. 338 (1990) 912-916.<\/li>\n<li>Knittel, D.; Saus, W.; Schollmeyer, E.; Voltammetrische Untersuchungen zur Stabilit\u00e4t von Reduktionsmitteln in Druckpasten; Melliand Textilber. 71 (1990) 629-630.<\/li>\n<\/ul>\n<\/div><\/section>\n<div  class='av-special-heading av-2cbn0-5fab7058e5affc52e3d2c3b75dc7e25e av-special-heading-h2 meta-heading blockquote modern-quote  avia-builder-el-55  el_after_av_textblock  el_before_av_textblock '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >Patents<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<section  class='av_textblock_section av-2yzdu4-8491b88ad4a6d7a31eedc5e5e739d6e6 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><ol>\n<li>Buschmann, H.-J.; Jonas, C.; Saus, W.; Verfahren zur Reinigung von mit bestimmten organischen Molek\u00fclen, insbesondere Farbstoff, belastetem Abwasser; Anmelder Wedeco Umwelttechnologie Wasser-Boden-Luft GmbH, Herford; Anmeldung 44 12 320, 1994.<\/li>\n<li>Knittel, D.; Saus, W.; Schollmeyer, E.; Verfahren zum Aufbringen oder Eingringen von Substanzen auf bzw. in Substrate und\/oder Impr\u00e4gnieren von Substraten; DE 4404839.4; 16. Febr. 1994.<\/li>\n<li>Knittel, D.; Gebert, B.; Saus, W.; Schollmeyer, E.; Verfahren zum Entf\u00e4rben von Substraten aus Kunststoff, insbesondere Synthesefasern; DE 43 33 221.0, 29. Sept. 1993.<\/li>\n<li>Knittel, D.; Saus, W.; Schollmeyer, E.; Hoger, S.; Gebert, B.; Anm. Ciba Geigy, Basel.; Verfahren zum F\u00e4rben von Textilmaterial aus Wolle oder Cellulose mit Dispersionsfarbstoffen; CH-Patentanmeldung, 24. Sept. 1992.<\/li>\n<li>Saus, W.; Knittel, D.; Schollmeyer, E.; Buschmann, H.-J.; Anm. Ciba Geigy, Basel.; Process for dyeing hydrophobic textile material with disperse dyes from supercritical CO2; EP 928 103 43.1, 08.05.1992.<\/li>\n<li>Knittel, D.; Saus, W.; Benken, R.; Buschman, H.-J.; Schollmeyer, E.; Verfahren zum Impr\u00e4gnieren von Substraten; DE 42 02 320.3, 29. Jan. 1992.<\/li>\n<li>Knittel, D.; Saus, W.; Benken, R.; Buschman, H.-J.; Schollmeyer, E.; Verfahren zum Aufbringen von Substanzen auf Fasermaterialien und textile Substrate; Dt. Anmeldung, Jan. 1992.<\/li>\n<\/ol>\n<\/div><\/section>\n<div  class='av-special-heading av-fesd8-15898b0bcd013c42823519f46c4c614d av-special-heading-h2 meta-heading blockquote modern-quote  avia-builder-el-57  el_after_av_textblock  el_before_av_textblock '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >Multimedia<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<section  class='av_textblock_section av-2m73mc-0784dabdb711811d02c834b250cf4043 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><div>\n<ol>\n<li><\/li>\n<\/ol>\n<\/div>\n<p><span  class='av_font_icon av-2gej4s-265c910e9f047022ed237052f058b003 avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-svg-icon avia-font-svg_entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_svg_icon='146' data-av_iconset='svg_entypo-fontello' ><\/span><\/span><strong>Film<\/strong>: 2023. <em>Konsensverschiebungen<\/em>. Composition by Wolfgang Delnui. A film by Hans Erich Viet. <em>Institute for Democratic Pedagogy, Belgium.<\/em><em><br \/>\n<\/em><\/p>\n<ul>\n<li title=\"Overtone Analyzer\"><\/li>\n<\/ul>\n<p>&nbsp;<span  class='av_font_icon av-2gej4s-2-49afd9ae988d177616e80e31db5a16f6 avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-svg-icon avia-font-svg_entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_svg_icon='146' data-av_iconset='svg_entypo-fontello' ><\/span><\/span><strong>Film<\/strong>: 2022. <em>FdUR &#8211;\u00a0<\/em>Peace through primal sound. demo reel. A film by Bernd Handke. Omni Aqua Stiftung.<em><br \/>\n<\/em><\/p>\n<ul>\n<li><\/li>\n<\/ul>\n<p>&nbsp;<span  class='av_font_icon av-2gej4s-1-255e95d60c79c89eb7986d382db324bd avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-svg-icon avia-font-svg_entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_svg_icon='146' data-av_iconset='svg_entypo-fontello' ><\/span><\/span><strong>Film<\/strong>: 2017. BBC documentary. <em><a href=\"https:\/\/www.oberton.org\/?p=11383\">Incedible Medicine. Dr. Weston&#8217;s Casebook<\/a>. <\/em><\/p>\n<ul>\n<li title=\"Overtone Analyzer\"><\/li>\n<\/ul>\n<p>&nbsp;<span  class='av_font_icon av-276kik-a54ace0734877f2c7f68e60fbb585390 avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-svg-icon avia-font-svg_entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_svg_icon='146' data-av_iconset='svg_entypo-fontello' ><\/span><\/span><strong>Film<\/strong>: Lena Giovanazzi, Daniel B\u00fcche. <i><a href=\"https:\/\/www.oberton.org\/en\/stimmig-10-vokalexkursionen\/stimmig-10-vokalexkursionen\/\">stimmig \u2013 10 Vokalexkursionen<\/a> (<a title=\"Trailer stimmig\" href=\"http:\/\/vimeo.com\/39181363\" target=\"_blank\" rel=\"noopener\">Trailer<\/a>)<\/i>, 2012.<\/p>\n<ul>\n<li><\/li>\n<\/ul>\n<p>&nbsp;<span  class='av_font_icon av-205gms-6a78c61f78e81b4db16d82c6d79ad13e avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-svg-icon avia-font-svg_entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_svg_icon='67' data-av_iconset='svg_entypo-fontello' ><\/span><\/span><strong>CD<\/strong>: Michael Reimann, Wolfgang Saus. <a title=\"Harmoniversum \u2013 Michael Reimann &amp; Wolfgang Saus\" href=\"https:\/\/www.oberton.org\/en\/portfolio-item\/wolfgang-saus-harmoniversum\/\"><i>HARMONIVERSUM<\/i>. Audio CD<\/a>. ACRON MUSIC, 2012.<\/p>\n<ul>\n<li><\/li>\n<\/ul>\n<p>&nbsp;<span  class='av_font_icon av-1w25e4-74d3ac23f27430488a1b3829f13fde7c avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-svg-icon avia-font-svg_entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_svg_icon='147' data-av_iconset='svg_entypo-fontello' ><\/span><\/span><strong>Radio<\/strong>: Dagmar Neumann. <em>Das Geheimnis des guten Klangs &#8211; Auf den Spuren der Obert\u00f6ne im Chorgesang<\/em>\u201c.\u00a0<a title=\"Radiofeature\" href=\"http:\/\/www.uni-hildesheim.de\/fb2\/institute\/musik\/projekte-kuenstl-praxis\/radiofeature\/\" target=\"_blank\" rel=\"noopener\"><i>Radiofeature<\/i><\/a>, 2011.<\/p>\n<ul>\n<li><\/li>\n<\/ul>\n<p>&nbsp;<span  class='av_font_icon av-1p6fyc-5d9e3b85371ae10abb37b3f83f4276ea avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-svg-icon avia-font-svg_entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_svg_icon='67' data-av_iconset='svg_entypo-fontello' ><\/span><\/span><strong>CD<\/strong>: Steffen Schreyer, European vocal soloists, children&#8217;s choir St.Gregor, and Wolfgang Saus. <i>Sancta Lucia-Licht in Dunkler Zeit<\/i>. Audio CD. Cantate (Klassik Center Kassel), 2010.<\/p>\n<ul>\n<li><\/li>\n<\/ul>\n<p>&nbsp;<span  class='av_font_icon av-1lwnzg-f85721b60c6c0374c0067aae299d7a15 avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-svg-icon avia-font-svg_entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_svg_icon='147' data-av_iconset='svg_entypo-fontello' ><\/span><\/span><strong>Radio<\/strong>: <a href=\"http:\/\/www.die-berichter.de\/\" target=\"_blank\" rel=\"noopener\">Gerhard Richter<\/a>. <em>\u201eStimmung aus zwei T\u00f6nen<\/em>\u201c. SWR<\/p>\n<ul>\n<li><\/li>\n<\/ul>\n<p>&nbsp;<span  class='av_font_icon av-1f26j0-bcde4821b152a57be032c492c5ee9fbc avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-svg-icon avia-font-svg_entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_svg_icon='67' data-av_iconset='svg_entypo-fontello' ><\/span><\/span><strong>CD<\/strong>: \u2014\u2014. \u00a0<i>Away in a Manger<\/i>. Audio CD\/mp3. Santa Lucia. Cantate, 2010.<\/p>\n<ul>\n<li><\/li>\n<\/ul>\n<p>&nbsp;<span  class='av_font_icon av-1au72s-a763972e3ab2f61f6b7f8b22b7e70338 avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-svg-icon avia-font-svg_entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_svg_icon='67' data-av_iconset='svg_entypo-fontello' ><\/span><\/span><strong>CD<\/strong>:\u00a0\u2014\u2014.\u00a0<i>Vindo<\/i>. Audio CD\/mp3. Santa Lucia. Cantate, 2010.<\/p>\n<ul>\n<li><\/li>\n<\/ul>\n<p>&nbsp;<span  class='av_font_icon av-3uj10-8f3931e0dfab798f3e63d56635e64092 avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-svg-icon avia-font-svg_entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_svg_icon='146' data-av_iconset='svg_entypo-fontello' ><\/span><\/span><strong>Film<\/strong>: Wolfgang Saus, Minghao Xu. <i><a title=\"DVD: Der Oberton Workshop\" href=\"https:\/\/www.oberton.org\/en\/portfolio-item\/dvd-der-oberton-workshop\/\" target=\"_blank\" rel=\"noopener\">DVD. Der Oberton Workshop<\/a> Wolfgang Saus. The Overtone-Workshop. Aquire the magical art of harmonic singing.<\/i> DVD-5. 16:9 PAL. Battweiler: Traumzeit publishing house, 2009.<\/p>\n<ul>\n<li><\/li>\n<\/ul>\n<p>&nbsp;<span  class='av_font_icon av-v0d6s-4e70872b639e1caa1612b836823634b6 avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-svg-icon avia-font-svg_entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_svg_icon='146' data-av_iconset='svg_entypo-fontello' ><\/span><\/span><strong>Film<\/strong>: Xu, Minghao.\u00a0<i><a title=\"DVD: Raum-Klang-Stimme\" href=\"https:\/\/www.oberton.org\/en\/portfolio-item\/dvd-raum-klang-stimme\/\" target=\"_blank\" rel=\"noopener\">DVD. Raum Klang Stimme<\/a>: Space Sound Voice. A quest for the origin of harmonics.<\/i> DVD-5. 16:9 PAL. Battweiler: Traumzeit publishing house, 2009. www.traumzeit-verlag.de.<\/p>\n<ul>\n<li><\/li>\n<\/ul>\n<p>&nbsp;<span  class='av_font_icon av-q29x8-134dc6192da2873a770685f7525f4853 avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-svg-icon avia-font-svg_entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_svg_icon='67' data-av_iconset='svg_entypo-fontello' ><\/span><\/span><strong>CD<\/strong>: Saus, Wolfgang, and Od*chi. <i>Tropfsteinh\u00f6hle Schulerloch, \u201eKlangreise in die Unterwelt\u201c, 2 CDs<\/i>. Audio CD, 2002.<\/p>\n<ul>\n<li><\/li>\n<\/ul>\n<p>&nbsp;<span  class='av_font_icon av-kcxy4-d0d63865eff208a8a588f9c3ee51f9a2 avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-svg-icon avia-font-svg_entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_svg_icon='146' data-av_iconset='svg_entypo-fontello' ><\/span><\/span><strong>Film<\/strong>: Matern, Gabriele, Christiane Neuschaefer-Rube, Wolfgang Saus, and Malte Kob. <i>Ansatzrohrgestaltung beim Obertonsingen. 17. Wiss. Jahrestagung Deutsche Ges. f\u00fcr Phoniatrie und P\u00e4daudiologie, T\u00fcbingen (2000)<\/i>. DVD. Aachen: RWTH, Uniklinik, 2000.<\/p>\n<\/div><\/section>\n<div  class='av-buildercomment av-cv3fw-78190792c3d153ef6be69f07911f457a  av-blog-meta-html-info-disabled'><\/div>\n<div  class='av-special-heading av-8o3hg-4d225d6141d5565e8db568c0342b2ea3 av-special-heading-h2 meta-heading  avia-builder-el-74  el_after_av_comments_list  avia-builder-el-last '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >Tell a Friend<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<div class=\"shariff shariff-align-left shariff-widget-align-left\" style=\"display:none\"><div class=\"ShariffHeadline\"><h3>Share<\/h3><\/div><ul class=\"shariff-buttons theme-round orientation-horizontal buttonsize-medium\"><li class=\"shariff-button twitter shariff-nocustomcolor\" style=\"background-color:#595959\"><a href=\"https:\/\/twitter.com\/share?url=https%3A%2F%2Fwww.oberton.org%2Fen%2Fwolfgang-saus%2Fpublications-articles%2F&text=Publications%20%26%20Articles\" title=\"Bei X teilen\" aria-label=\"Bei X teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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