{"id":15300,"date":"2013-05-14T00:42:41","date_gmt":"2013-05-13T22:42:41","guid":{"rendered":"https:\/\/www.oberton.org\/overtone-singing\/undertone-singing\/kargyraa-throat-singing-undertones\/"},"modified":"2022-08-21T14:41:43","modified_gmt":"2022-08-21T12:41:43","slug":"kargyraa-throat-singing-undertones","status":"publish","type":"page","link":"https:\/\/www.oberton.org\/en\/overtone-singing\/undertone-singing\/kargyraa-throat-singing-undertones\/","title":{"rendered":"Kargyraa &#8211; Throat Singing Undertones"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-ga5d2-847b3391f88796c96c865fef563a7259\">\n#top .av-special-heading.av-ga5d2-847b3391f88796c96c865fef563a7259{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-ga5d2-847b3391f88796c96c865fef563a7259 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-ga5d2-847b3391f88796c96c865fef563a7259 .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-ga5d2-847b3391f88796c96c865fef563a7259 av-special-heading-h1 blockquote modern-quote  avia-builder-el-0  el_before_av_three_fifth  avia-builder-el-first '><h1 class='av-special-heading-tag '  itemprop=\"headline\"  >Kargyraa &#8211; throat singing<\/h1><div class='av-subheading av-subheading_below'><p>Powerful rough undertone singing technique<\/p>\n<\/div><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<div  class='flex_column av-m852e-119c1163bf35eb63c817872de50283af av_three_fifth  avia-builder-el-1  el_after_av_heading  el_before_av_two_fifth  first flex_column_div  '     ><article  class='iconbox iconbox_left av-5ufuzq-c6002522e72727230c015bd18d9bc673  avia-builder-el-2  avia-builder-el-no-sibling '  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class=\"iconbox_content\"><header class=\"entry-content-header\" aria-label=\"Icon: Definition\"><div class='iconbox_icon heading-color avia-iconfont avia-font-entypo-fontello' data-av_icon='\ue8c9' data-av_iconfont='entypo-fontello'  ><\/div><h3 class='iconbox_content_title '  itemprop=\"headline\" >Definition<\/h3><\/header><div class='iconbox_content_container '  itemprop=\"text\" ><p>Throat singing (kargyraa) is a singing technique that creates a pitch impression of one octave below the modal voice by <strong>vibrating the ventricular folds or aryepiglottic folds<\/strong> alongside the vocal cords.<\/p>\n<\/div><\/div><footer class=\"entry-footer\"><\/footer><\/article><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-5pm2ti-345035057c818e9121d58f960d98a82f\">\n.flex_column.av-5pm2ti-345035057c818e9121d58f960d98a82f{\nborder-radius:0px 0px 0px 0px;\npadding:0px 0px 0px 0px;\n}\n<\/style>\n<div  class='flex_column av-5pm2ti-345035057c818e9121d58f960d98a82f av_two_fifth  avia-builder-el-3  el_after_av_three_fifth  el_before_av_one_full  flex_column_div av-zero-column-padding  '     ><section  class='av_textblock_section av-jqody-9df661698e3fdca9547c418e3083ba16 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" >\n<\/div><\/section><\/div>\n<div  class='flex_column av-jlvjq-311f0de31cc7448f6f534d491b0a621a av_one_full  avia-builder-el-5  el_after_av_two_fifth  el_before_av_one_full  first flex_column_div  '     ><section  class='av_textblock_section av-5a9p0m-d05b0907eb4b746e17ecc5e2b91903c9 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>The Tuvinian singing technique called kargyraa is a prime example of throat undertone singing. There are undertone techniques similar to kargyraa in other cultures. There is no cross-cultural category name yet. Unfortunately, there is a likelihood of confusion with the term throat singing: <em>throat singing<\/em> is used in literature with four completely different meanings:<\/p>\n<ol>\n<li>throat singing = undertone singing<\/li>\n<li>throat singing = synonymous with overtone and undertone singing of the nomads in Central Asia as a translation of the Tuvinian word <em>kh\u00f6\u00f6mej<\/em>.<\/li>\n<li>throat singing = throaty-rough singing techniques with throat constriction (neither overtone nor undertone singing)<\/li>\n<li>throat singing = overtone singing<\/li>\n<\/ol>\n<p>That is why, in case of doubt, I use undertone throat singing, vemtricular fold technique or simply the Tuvinian term kargyraa to describe the technique.<\/p>\n<\/div><\/section><\/div>\n<div  class='flex_column av-hxmke-062ded1394e6723d9228cd4ddf26b7d2 av_one_full  avia-builder-el-7  el_after_av_one_full  el_before_av_one_full  first flex_column_div  column-top-margin'     ><div  class='av-special-heading av-4vrx2e-80e1dc1620bbbc4d972c91db6bfb6765 av-special-heading-h2 blockquote modern-quote  avia-builder-el-8  avia-builder-el-no-sibling '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >Undertones Without Overtone Singing<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><\/div>\n<div  class='flex_column av-84gty-877a1d94b33003bfe281a551ce32841b av_one_full  avia-builder-el-9  el_after_av_one_full  el_before_av_one_full  first flex_column_div av-zero-column-padding  column-top-margin'     ><p><section  class='av_textblock_section av-jkbmgv9i-4ddd9fa3f16bd2293619156826134bdc '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Yevgeniy Ulgbasev &#8211; Khai from Khakassia<\/p>\n<div class=\"lyte-wrapper\" title=\"Yevgeniy Ulgbasev from Khaskassia - throat singing\" style=\"width:1280px;max-width:100%;margin:5px;\">\n<div class=\"lyMe\" id=\"WYL_ttOKMzx6Fao\" itemprop=\"video\" itemscope itemtype=\"https:\/\/schema.org\/VideoObject\">\n<div><meta itemprop=\"thumbnailUrl\" content=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FttOKMzx6Fao%2Fhqdefault.jpg\" \/><meta itemprop=\"embedURL\" content=\"https:\/\/www.youtube.com\/embed\/ttOKMzx6Fao\" \/><meta itemprop=\"duration\" content=\"PT42S\" \/><meta itemprop=\"uploadDate\" content=\"2013-03-27T17:45:16Z\" \/><\/div>\n<div id=\"lyte_ttOKMzx6Fao\" data-src=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FttOKMzx6Fao%2Fhqdefault.jpg\" class=\"pL\">\n<div class=\"tC\">\n<div class=\"tT\" itemprop=\"name\">Yevgeniy Ulgbasev from Khaskassia - throat singing<\/div>\n<\/div>\n<p><button tabindex=\"0\" class=\"play\"><\/button><\/p>\n<div class=\"ctrl\">\n<div class=\"Lctrl\"><\/div>\n<div class=\"Rctrl\"><\/div>\n<\/div>\n<\/div>\n<p><noscript><a href=\"https:\/\/youtu.be\/ttOKMzx6Fao\" rel=\"nofollow\"><img decoding=\"async\" src=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FttOKMzx6Fao%2F0.jpg\" alt=\"Yevgeniy Ulgbasev from Khaskassia - throat singing\" width=\"1280\" height=\"700\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><meta itemprop=\"description\" content=\"Yevgeniy Ulgbasev from Khaskassia performing near Times Square, NYC at the Nevruz Festival, April 2011. I wrote a book about my three trips to Tuva. Take a look at it here \ud83d\udc47 https:\/\/bit.ly\/MYADVENTURESINTUVA https:\/\/bit.ly\/MYADVENTURESINTUVAeBook\"><\/div>\n<\/div>\n<div class=\"lL\" style=\"max-width:100%;width:1280px;margin:5px;\"><\/div>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-jkbmgv9i-4ddd9fa3f16bd2293619156826134bdc '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Julia Charkova \u2013 Takhpakh from Khakassia<\/p>\n<div class=\"lyte-wrapper\" title=\"Julia Charkova Khai epic\" style=\"width:1280px;max-width:100%;margin:5px;\">\n<div class=\"lyMe\" id=\"WYL_fh_FKLUsC9s\" itemprop=\"video\" itemscope itemtype=\"https:\/\/schema.org\/VideoObject\">\n<div><meta itemprop=\"thumbnailUrl\" content=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2Ffh_FKLUsC9s%2Fhqdefault.jpg\" \/><meta itemprop=\"embedURL\" content=\"https:\/\/www.youtube.com\/embed\/fh_FKLUsC9s\" \/><meta itemprop=\"duration\" content=\"PT6M9S\" \/><meta itemprop=\"uploadDate\" content=\"2009-05-04T19:09:16Z\" \/><\/div>\n<div id=\"lyte_fh_FKLUsC9s\" data-src=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2Ffh_FKLUsC9s%2Fhqdefault.jpg\" class=\"pL\">\n<div class=\"tC\">\n<div class=\"tT\" itemprop=\"name\">Julia Charkova Khai epic<\/div>\n<\/div>\n<p><button tabindex=\"0\" class=\"play\"><\/button><\/p>\n<div class=\"ctrl\">\n<div class=\"Lctrl\"><\/div>\n<div class=\"Rctrl\"><\/div>\n<\/div>\n<\/div>\n<p><noscript><a href=\"https:\/\/youtu.be\/fh_FKLUsC9s\" rel=\"nofollow\"><img decoding=\"async\" src=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2Ffh_FKLUsC9s%2F0.jpg\" alt=\"Julia Charkova Khai epic\" width=\"1280\" height=\"700\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><meta itemprop=\"description\" content=\"Khakassian (South Siberia) epics sung in khai style by Julia Charkova. Echo&#039;s from the Steppes Festival, Amsterdam, November, 2007. Filmed by BOOZ. www.windowtoeurope.eu\"><\/div>\n<\/div>\n<div class=\"lL\" style=\"max-width:100%;width:1280px;margin:5px;\"><\/div>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-jkbmgv9i-4ddd9fa3f16bd2293619156826134bdc '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>A Baluch boy with undertone singing from Pakistan<\/p>\n<div class=\"lyte-wrapper\" title=\"Balochi Kid Throat Singing\" style=\"width:1280px;max-width:100%;margin:5px;\">\n<div class=\"lyMe\" id=\"WYL_XyDm63_E098\" itemprop=\"video\" itemscope itemtype=\"https:\/\/schema.org\/VideoObject\">\n<div><meta itemprop=\"thumbnailUrl\" content=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FXyDm63_E098%2Fhqdefault.jpg\" \/><meta itemprop=\"embedURL\" content=\"https:\/\/www.youtube.com\/embed\/XyDm63_E098\" \/><meta itemprop=\"duration\" content=\"PT1M42S\" \/><meta itemprop=\"uploadDate\" content=\"2010-07-29T16:29:23Z\" \/><\/div>\n<div id=\"lyte_XyDm63_E098\" data-src=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FXyDm63_E098%2Fhqdefault.jpg\" class=\"pL\">\n<div class=\"tC\">\n<div class=\"tT\" itemprop=\"name\">Balochi Kid Throat Singing<\/div>\n<\/div>\n<p><button tabindex=\"0\" class=\"play\"><\/button><\/p>\n<div class=\"ctrl\">\n<div class=\"Lctrl\"><\/div>\n<div class=\"Rctrl\"><\/div>\n<\/div>\n<\/div>\n<p><noscript><a href=\"https:\/\/youtu.be\/XyDm63_E098\" rel=\"nofollow\"><img decoding=\"async\" src=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FXyDm63_E098%2F0.jpg\" alt=\"Balochi Kid Throat Singing\" width=\"1280\" height=\"700\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><meta itemprop=\"description\" content=\"Throat singing is more common in Mongolia, outer Mongolia, Tuva and other parts of Central Asia. It was a way of relaying epic stories to pass the time by. It goes all the way back the Greco-diaspora over Asia (the Greeks used an accompanied double flute-similar to the alghoza of the Punjab, Sindh, and Rajastan areas).... I was shocked to see this type of singing art-form still existing in Pakistan. &quot;The partials (fundamental and overtones) of a sound wave made by the human voice can be selectively amplified by changing the shape of the resonant cavities of the mouth, larynx and pharynx.&#091;1&#093; This resonant tuning allows the singer to create apparently more than one pitch at the same time (the fundamental and a selected overtone), while in effect still generating a single fundamental frequency with his\/her vocal folds.&quot;\"><\/div>\n<\/div>\n<div class=\"lL\" style=\"max-width:100%;width:1280px;margin:5px;\"><\/div>\n<\/div><\/section><\/p><\/div>\n<div  class='flex_column av-3qkjty-8f27eb455ef2d212b6d16ea6bb00707f av_one_full  avia-builder-el-13  el_after_av_one_full  el_before_av_heading  first flex_column_div  column-top-margin'     ><p><div  class='av-special-heading av-3ih86e-c65d2384bc3dad4801fdb55757be0800 av-special-heading-h2 blockquote modern-quote  avia-builder-el-14  el_before_av_textblock  avia-builder-el-first '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >Undertones With Overtones<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-3dipha-b5a95ca7d76de8c29380d1168a90de54 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Undertone singing is combined with overtone singing in some cultures. Lowering the fundamental by undertone singing shifts the entire harmonic scale downwards. This means that twice as many overtones are available as with the normal voice. In this way, women, for example, can sing in the bass and baritone ranges and produce the same overtones as men.<\/p>\n<\/div><\/section><br \/>\n<div  class='av-special-heading av-364v9i-42ee22fce3aae9fa9158dce80ae2150b av-special-heading-h3 blockquote modern-quote  avia-builder-el-16  el_after_av_textblock  el_before_av_textblock '><h3 class='av-special-heading-tag '  itemprop=\"headline\"  >Central Asia<\/h3><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-au84e-f696e2e9236da59acf6f5ac1b3863225 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>In Tuva there is the undertone singing technique called kargyraa, which is often combined with overtone singing. There are artists who use only this low register (cf. Albert Kuvezin, Yat Kha). Many (probably most) undertone throat songs do not use overtone singing (see above). Kargyraa-like undertones also exist in the traditional music of Europe and Africa.<\/p>\n<p><a href=\"https:\/\/www.oberton.org\/obertongesang\/stile\/kehlgesang\/\">More about throat overtone singing -&gt;<\/a><\/p>\n<\/div><\/section><br \/>\n<div  class='av-special-heading av-2ypj1a-df74508b22be05beb88f6533977c4184 av-special-heading-h3 blockquote modern-quote  avia-builder-el-18  el_after_av_textblock  el_before_av_textblock '><h3 class='av-special-heading-tag '  itemprop=\"headline\"  >Africa<\/h3><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-2qxddy-da78455b55ceabfcea8330ada331738f '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>The <em>umngqokolo<\/em>, which combines the vocal technique of kargyraa with overtone singing, is known from Xhosa women. In this case it is very virtuosic, because the Xhosa women (singing in a bass\/baritone register!) imitate the sounds of the mouth bow and thereby change the fundamental note and thus sing two melodies at the same time (polyphonic overtone singing). The fundamental changes rhythmically by a major second, while an overtone melody appears above it in a faster tone sequence.<\/p>\n<p><a href=\"https:\/\/www.oberton.org\/en\/overtone-singing\/styles\/south-africa\/\">More about umngqokolo -&gt;<\/a><\/p>\n<\/div><\/section><br \/>\n<div  class='av-special-heading av-2ldeba-3209c1340e0dde84db2909f72b00b54f av-special-heading-h3 blockquote modern-quote  avia-builder-el-20  el_after_av_textblock  el_before_av_textblock '><h3 class='av-special-heading-tag '  itemprop=\"headline\"  >Tibet<\/h3><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-2dqpfa-c88d80655d2a8db85bc2a18356fbf3b0 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>There are also throat singing styles in <a href=\"https:\/\/www.oberton.org\/en\/overtone-singing\/styles\/tibet\/\">Tibetan monasteries<\/a> that produce undertones. It is not always clear to me whether the techniques are based on kargyraa or strobass, or whether both techniques occur and are used differently depending on the singer. The recordings I know are sung with strobass, which you can easily recognize by the occasional overturning of the voice into modal register. Tibetan monks usually recite very slow texts or mantras or phrases. Often the sound is dominated by the 10th harmonic, which is why some authors regard these songs as overtone singing.<\/p>\n<\/div><\/section><br \/>\n<div  class='av-special-heading av-7wx86-77aed58c5345c591bbf33703732d113a av-special-heading-h3 blockquote modern-quote  avia-builder-el-22  el_after_av_textblock  el_before_av_textblock '><h3 class='av-special-heading-tag '  itemprop=\"headline\"  >Europe<\/h3><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-218vr2-6a447c813c556057dc7a8644b7877187 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>In <em>paghjella<\/em> from Corsica and in <em>cantu a tenores<\/em> from Sardinia there is a rough deep voice called bassu or su basciu. It corresponds technically to kargyraa, but is sung without overtone techniques. In classical choral singing there are compositions &#8211; e.g. Rachmaninov and Tchaikovsky &#8211; which require basses down to A1 (contra A). Hardly any German voice achieves this bass with a modal voice (normal voice). That is why <a href=\"https:\/\/www.oberton.org\/en\/overtone-singing\/undertone-singing\/vocal-fry-register-strohbass\/\">strohbass<\/a> is used in such passages, something that only a few experts have mastered.<\/p>\n<\/div><\/section><\/p><\/div>\n<div  class='av-special-heading av-66ohi-4dd1b16138de3f89990b06180c92177d av-special-heading-h2 blockquote modern-quote  avia-builder-el-24  el_after_av_one_full  el_before_av_textblock '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >Kargyraa<\/h2><div class='av-subheading av-subheading_below'><p>Undertone singing of the Turkic peoples of Central Asia<\/p>\n<\/div><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<section  class='av_textblock_section av-l73ah63e-bb4a2cde0829a137d3c540d59831a46d '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>There are several styles of undertone singing in the Tuvan kargyraa technique that have been little studied. A good overview is given by the diploma thesis by <a href=\"http:\/\/www.eva.mpg.de\/lingua\/staff\/grawunder.php\" target=\"_blank\" rel=\"noopener\">Sven Grawunder<\/a>.<\/p>\n<\/div><\/section>\n<div  class='flex_column av-av_one_third-516b7eac7a9c6cd1b746245801c7486c av_one_third  avia-builder-el-26  el_after_av_textblock  el_before_av_two_third  first flex_column_div  column-top-margin'     ><section  class='av_textblock_section av-l73agny8-e4ba7a49a476a7a258797d1355c33c7a '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><div id=\"attachment_7008\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/www.oberton.org\/wp-content\/uploads\/pseudoglottis_photo_sven_grawunder.png\"><img decoding=\"async\" aria-describedby=\"caption-attachment-7008\" class=\"size-medium wp-image-7008 \" src=\"https:\/\/www.oberton.org\/wp-content\/uploads\/\/pseudoglottis_photo_sven_grawunder-300x267.png\" alt=\"Pseudo glottis during kargyraa singing. Photo courtesy of Sven Grawunder.\" width=\"300\" height=\"267\" srcset=\"https:\/\/www.oberton.org\/wp-content\/uploads\/pseudoglottis_photo_sven_grawunder-300x267.png 300w, https:\/\/www.oberton.org\/wp-content\/uploads\/pseudoglottis_photo_sven_grawunder-600x535.png 600w, https:\/\/www.oberton.org\/wp-content\/uploads\/pseudoglottis_photo_sven_grawunder-705x628.png 705w, https:\/\/www.oberton.org\/wp-content\/uploads\/pseudoglottis_photo_sven_grawunder-450x400.png 450w, https:\/\/www.oberton.org\/wp-content\/uploads\/pseudoglottis_photo_sven_grawunder.png 724w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-7008\" class=\"wp-caption-text\">Die aryepiglottischen Falten dr\u00fccken beim Steppen-Kargyraa an die Epiglottis und erzeugen Untert\u00f6ne, wenn sie mit der Stimme in Resonanz schwingen.<\/p><\/div>\n<\/div><\/section><\/div><div  class='flex_column av-av_two_third-f73a11ccd29996a2a11249d534554c23 av_two_third  avia-builder-el-28  el_after_av_one_third  el_before_av_textblock  flex_column_div  column-top-margin'     ><section  class='av_textblock_section av-l73apfr0-3a30eec2893f96eacaacf653c9e0a380 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Sven Grawunder found the <strong>same constriction in the steppe kargyraa as in kh\u00f6\u00f6mej<\/strong>. The aryepiglottic folds that form this constriction are oscillated in addition to the vocal cords when singing. This creates a pseudoglottis, <strong>a second sound source<\/strong>. Apparently, these coupled oscillations produce a period of oscillation at half the frequency of the singing tone, creating the overtones of a note one octave below the singing voice.<\/p>\n<\/div><\/section><\/div><section  class='av_textblock_section av-l73aogv6-256981563a2c621982fbe138e2153b86 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>It is possible that the ventricular folds underneath the constriction are also involved in the phonation process. However, since they are covered in the picture, this cannot be seen. Studies by Tran Quang Hai, myself and others show that in Kargyraa techniques, the ventricular folds (false vocal folds) together with the vocal cords form a complex oscillatory system without involvement of the aryepiglottic folds.<\/p>\n<\/div><\/section><\/p>\n<section  class='av_textblock_section av-l73b06rz-d84e9caf56a8e69817f35d5d59867d79 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>American throat singing expert Steve Sklar had a revealing videolaryngoscopy done on his kargyraa at the University of Wisconsin in 1998.<\/p>\n<div class=\"lyte-wrapper\" title=\"Inside Steve Sklar&amp;#039;s Larynx: Kargyraa\" style=\"width:1280px;max-width:100%;margin:5px;\">\n<div class=\"lyMe\" id=\"WYL_AqXk1ShKsc0\" itemprop=\"video\" itemscope itemtype=\"https:\/\/schema.org\/VideoObject\">\n<div><meta itemprop=\"thumbnailUrl\" content=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FAqXk1ShKsc0%2Fhqdefault.jpg\" \/><meta itemprop=\"embedURL\" content=\"https:\/\/www.youtube.com\/embed\/AqXk1ShKsc0\" \/><meta itemprop=\"duration\" content=\"PT51S\" \/><meta itemprop=\"uploadDate\" content=\"2007-07-25T02:25:32Z\" \/><\/div>\n<div id=\"lyte_AqXk1ShKsc0\" data-src=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FAqXk1ShKsc0%2Fhqdefault.jpg\" class=\"pL\">\n<div class=\"tC\">\n<div class=\"tT\" itemprop=\"name\">Inside Steve Sklar&#039;s Larynx: Kargyraa<\/div>\n<\/div>\n<p><button tabindex=\"0\" class=\"play\"><\/button><\/p>\n<div class=\"ctrl\">\n<div class=\"Lctrl\"><\/div>\n<div class=\"Rctrl\"><\/div>\n<\/div>\n<\/div>\n<p><noscript><a href=\"https:\/\/youtu.be\/AqXk1ShKsc0\" rel=\"nofollow\"><img decoding=\"async\" src=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FAqXk1ShKsc0%2F0.jpg\" alt=\"Inside Steve Sklar&amp;#039;s Larynx: Kargyraa\" width=\"1280\" height=\"700\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><meta itemprop=\"description\" content=\"Endoscopic video examination of my larynx while singing Tuvan kargyraa style. Things to notice: the constriction of the vestibule of the larynx; compare this to the more open area around and at the vocal folds when I stop singing, and when I speak in normal voice. Also, you can see the two levels of kargyraa phonation: at the level of the vocal folds (lower, and partially occluded, and the ventricular folds, which are vibrating ABOVE the vocal folds. The ventricular folds are the source of the low tones, NOT something low in the neck as claimed by others here at YouTube. Ever wonder how videos of the inside of the larynx are made? See this video about fibroscopy, used to make endoscopic videos: http:\/\/khoomei.com\/videos\/fibroscopy.mov Kids, don&#039;t try this at home!!! Get better quality videos, mp3s, online throat-singing lessons, throat-and-overtone singing forum and lots more at http:\/\/khoomei.com\"><\/div>\n<\/div>\n<div class=\"lL\" style=\"max-width:100%;width:1280px;margin:5px;\"><\/div>\n<p><\/p>\n<\/div><\/section>\n<div  class='flex_column av-1fw5da-2b16f93fd5c75b2130e4982b2c67a6ba av_one_full  avia-builder-el-32  el_after_av_textblock  el_before_av_one_full  first flex_column_div  column-top-margin'     ><p><div  class='av-special-heading av-b5dcu-0aa378da5b76c466a74f52cdcd8bd856 av-special-heading-h2 meta-heading blockquote modern-quote  avia-builder-el-33  el_before_av_textblock  avia-builder-el-first '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >How to learn kargyraa<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-12c2dq-0a84e68bd5a96ac8bc510582f7cca262 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Kargyraa is not entirely risk-free to learn, as one can easily injure the vocal cords. You don&#8217;t need a deep voice. There is a wonderful recording of an 11-year-old singing this technique on the CD &#8220;Tuva&#8221; by zeitausendeins and the same recording on the CD &#8220;Deep in the Heart of Tuva&#8221; by ellipsis arts.<\/p>\n<p>Women can also use it to sing the bass, as the singers of the Tuvan group Tyva Kyzy and the throat singers of the Xhosa impressively demonstrate. In kargyraa you always sing an octave higher than the voice sounds. During a long campfire night together with the group Huun-Huur-Tu I learned to develop the approach to kargyraa from a relaxed throat by feeling the vibration deep in the windpipe and keeping my mouth closed.<\/p>\n<p><a href=\"http:\/\/www.khoomei.com\/lessons.htm\" target=\"_blank\" rel=\"noopener\">Steve Sklar<\/a> has released a CD video tutorial that I recommend.<\/p>\n<p>Here&#8217;s a video by Jonathan Cope:<\/p>\n<div class=\"lyte-wrapper\" title=\"Khargyraa basic technique\" style=\"width:1280px;max-width:100%;margin:5px;\">\n<div class=\"lyMe\" id=\"WYL_uCom9ZCJAmE\" itemprop=\"video\" itemscope itemtype=\"https:\/\/schema.org\/VideoObject\">\n<div><meta itemprop=\"thumbnailUrl\" content=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FuCom9ZCJAmE%2Fhqdefault.jpg\" \/><meta itemprop=\"embedURL\" content=\"https:\/\/www.youtube.com\/embed\/uCom9ZCJAmE\" \/><meta itemprop=\"duration\" content=\"PT4M58S\" \/><meta itemprop=\"uploadDate\" content=\"2009-02-05T17:07:24Z\" \/><\/div>\n<div id=\"lyte_uCom9ZCJAmE\" data-src=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FuCom9ZCJAmE%2Fhqdefault.jpg\" class=\"pL\">\n<div class=\"tC\">\n<div class=\"tT\" itemprop=\"name\">Khargyraa basic technique<\/div>\n<\/div>\n<p><button tabindex=\"0\" class=\"play\"><\/button><\/p>\n<div class=\"ctrl\">\n<div class=\"Lctrl\"><\/div>\n<div class=\"Rctrl\"><\/div>\n<\/div>\n<\/div>\n<p><noscript><a href=\"https:\/\/youtu.be\/uCom9ZCJAmE\" rel=\"nofollow\"><img decoding=\"async\" src=\"https:\/\/www.oberton.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FuCom9ZCJAmE%2F0.jpg\" alt=\"Khargyraa basic technique\" width=\"1280\" height=\"700\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><meta itemprop=\"description\" content=\"These videos have been completely replaced by my new online course with lots more content https:\/\/www.udemy.com\/throat-singing-overtone-singing\/?couponCode=FBdirectOT Use the coupon code for a discount!\"><\/div>\n<\/div>\n<div class=\"lL\" style=\"max-width:100%;width:1280px;margin:5px;\"><\/div>\n<\/div><\/section><\/p><\/div>\n<div  class='flex_column av-2tpjq-980da01219890a2ae1289c9f4ffec21d av_one_full  avia-builder-el-35  el_after_av_one_full  el_before_av_comments_list  first flex_column_div  column-top-margin'     ><p><div  class='av-special-heading av-lwzty-ccaf89ade71546e72be95f51e180d76a av-special-heading-h2 blockquote modern-quote  avia-builder-el-36  el_before_av_textblock  avia-builder-el-first '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >References <span class='special_amp'>&amp;<\/span> Sources<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n<section  class='av_textblock_section av-1fnum-eb5c31950992064a44352f2bd4cbea28 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><div id=\"zotpress-4fa154319fbfc0dd20b7eeebdf7c995c\" class=\"zp-Zotpress zp-Zotpress-Bib wp-block-group\">\n\n\t\t<span class=\"ZP_API_USER_ID ZP_ATTR\">935790<\/span>\n\t\t<span class=\"ZP_ITEM_KEY ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_COLLECTION_ID ZP_ATTR\">NCR2IT7H<\/span>\n\t\t<span class=\"ZP_TAG_ID ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_AUTHOR ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_YEAR ZP_ATTR\"><\/span>\n        <span class=\"ZP_ITEMTYPE ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_INCLUSIVE ZP_ATTR\">1<\/span>\n\t\t<span class=\"ZP_STYLE ZP_ATTR\">chicago-fullnote-bibliography<\/span>\n\t\t<span class=\"ZP_LIMIT ZP_ATTR\">50<\/span>\n\t\t<span class=\"ZP_SORTBY ZP_ATTR\">default<\/span>\n\t\t<span class=\"ZP_ORDER ZP_ATTR\"><\/span>\n\t\t<span class=\"ZP_TITLE ZP_ATTR\"><\/span>\n\t\t<span 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id=\"zp-ID-15300-935790-UMMUCSXY\" data-zp-author-date='Leonid-&-Friends-2021-04-26' data-zp-date-author='2021-04-26-Leonid-&-Friends' data-zp-date='2021-04-26' data-zp-year='2021' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\">Leonid & Friends. <i>The Speck of Dust - Leonid & Friends<\/i>, 2021. <a class='zp-ItemURL' href='https:\/\/www.youtube.com\/watch?v=a1zNRIs0OiM'>https:\/\/www.youtube.com\/watch?v=a1zNRIs0OiM<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-IPJHZSLJ\" data-zp-author-date='-0000-00-00' data-zp-date-author='0000-00-00-' data-zp-date='0000-00-00' data-zp-year='0000' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\"><i>The Speck of Dust \u2013 Leonid & Friends<\/i>. Accessed December 15, 2023. <a class='zp-ItemURL' href='https:\/\/www.facebook.com\/Leonidandfriends\/videos\/154769159829442\/'>https:\/\/www.facebook.com\/Leonidandfriends\/videos\/154769159829442\/<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-QEQCN9BN\" data-zp-author-date='4K-HDR-Media-2022-04-06' data-zp-date-author='2022-04-06-4K-HDR-Media' data-zp-date='2022-04-06' data-zp-year='2022' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\">4K HDR Media. <i>Dune - Sardaukar Chant - (HDR - 4K - 5.1)<\/i>, 2022. <a class='zp-ItemURL' href='https:\/\/www.youtube.com\/watch?v=sEymyO5Abp4'>https:\/\/www.youtube.com\/watch?v=sEymyO5Abp4<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-C59KGXS7\" data-zp-author-date='Secrets-of-Dune-2022-01-06' data-zp-date-author='2022-01-06-Secrets-of-Dune' data-zp-date='2022-01-06' data-zp-year='2022' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\">Secrets of Dune. <i>Sardaukar Chant (Official) Unreleased | Hans Zimmer<\/i>, 2022. <a class='zp-ItemURL' href='https:\/\/www.youtube.com\/watch?v=9E0CNj-kXZ0'>https:\/\/www.youtube.com\/watch?v=9E0CNj-kXZ0<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-GM5NNWA2\" data-zp-author-date='OTYKEN-2022-04-29' data-zp-date-author='2022-04-29-OTYKEN' data-zp-date='2022-04-29' data-zp-year='2022' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\">OTYKEN. <i>OTYKEN - STORM (Official Music Video)<\/i>, 2022. <a class='zp-ItemURL' href='https:\/\/www.youtube.com\/watch?app=desktop&v=CqwrwwOzVcQ'>https:\/\/www.youtube.com\/watch?app=desktop&v=CqwrwwOzVcQ<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-U8KMQ45U\" data-zp-author-date='Abel-Selaocoe-2017-11-22' data-zp-date-author='2017-11-22-Abel-Selaocoe' data-zp-date='2017-11-22' data-zp-year='2017' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\">Abel Selaocoe. <i>Lamentatio - Abel Selaocoe<\/i>, 2017. <a class='zp-ItemURL' href='https:\/\/www.youtube.com\/watch?v=5FSofJ4r4bg'>https:\/\/www.youtube.com\/watch?v=5FSofJ4r4bg<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-37ULJ7DF\" data-zp-author-date='Mat\u00edas-2010-02-09' data-zp-date-author='2010-02-09-Mat\u00edas' data-zp-date='2010-02-09' data-zp-year='2010' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\">Mat\u00edas. <i>Sheldon Cooper Throat Singing<\/i>, 2010. <a class='zp-ItemURL' href='https:\/\/www.youtube.com\/watch?v=t-RsB4a4ogc'>https:\/\/www.youtube.com\/watch?v=t-RsB4a4ogc<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-MCFMKB7I\" data-zp-author-date='-0000-00-00' data-zp-date-author='0000-00-00-' data-zp-date='0000-00-00' data-zp-year='0000' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\"><i>ISHKINNER - \u0418\u0448\u043a\u0438\u043d\u043d\u0435\u0440<\/i>. Accessed April 1, 2020. <a class='zp-ItemURL' href='https:\/\/www.youtube.com\/watch?v=3OrLK1STsC0&feature=share'>https:\/\/www.youtube.com\/watch?v=3OrLK1STsC0&feature=share<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-9CH76NEI\" data-zp-author-date='QuangHai-Tran-0000-00-00' data-zp-date-author='0000-00-00-QuangHai-Tran' data-zp-date='0000-00-00' data-zp-year='0000' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\">QuangHai Tran. <i>42\u00a0 CHEINESH ALTAI Moscow June 12, 2012<\/i>. Accessed January 10, 2019. <a class='zp-ItemURL' href='https:\/\/www.youtube.com\/watch?time_continue=64&v=quwRQaoc5y4'>https:\/\/www.youtube.com\/watch?time_continue=64&v=quwRQaoc5y4<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-Q32C5IWC\" data-zp-author-date='Overtone-Pear-0000-00-00' data-zp-date-author='0000-00-00-Overtone-Pear' data-zp-date='0000-00-00' data-zp-year='0000' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\">Overtone Pear. <i>Kargyraa by Choduraa Tumat (Tyva Kyzy) - Female Tuvan Throat Singing<\/i>. Accessed September 29, 2018. <a class='zp-ItemURL' href='https:\/\/www.youtube.com\/watch?v=-G3PfdwCXjM&feature=youtu.be'>https:\/\/www.youtube.com\/watch?v=-G3PfdwCXjM&feature=youtu.be<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-ZCA6FK6Z\" data-zp-author-date='Vocatrix-2008-08-07' data-zp-date-author='2008-08-07-Vocatrix' data-zp-date='2008-08-07' data-zp-year='2008' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\">Vocatrix. <i>Multi-Tone Didjeredoo\/Tuvan Throat Singing Tutorial<\/i>, 2008. <a class='zp-ItemURL' href='https:\/\/www.youtube.com\/watch?v=nfEp67sRZNI'>https:\/\/www.youtube.com\/watch?v=nfEp67sRZNI<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-8A24S3RN\" data-zp-author-date='barbatuques-2010-09-16' data-zp-date-author='2010-09-16-barbatuques' data-zp-date='2010-09-16' data-zp-year='2010' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\"><i>Barbatuques - Baian\u00e1<\/i>, 2010. <a class='zp-ItemURL' href='https:\/\/www.youtube.com\/watch?v=KHyzrYBACcg&feature=youtube_gdata_player'>https:\/\/www.youtube.com\/watch?v=KHyzrYBACcg&feature=youtube_gdata_player<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-5G82USWK\" data-zp-author-date='Marc--Volcano--Szeglat-2012-07-16' data-zp-date-author='2012-07-16-Marc--Volcano--Szeglat' data-zp-date='2012-07-16' data-zp-year='2012' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\">Marc -Volcano- Szeglat. <i>Maasai: Traditional Dances<\/i>, 2012. <a class='zp-ItemURL' href='https:\/\/www.youtube.com\/watch?v=Y_xRTiLcSx4&feature=youtu.be'>https:\/\/www.youtube.com\/watch?v=Y_xRTiLcSx4&feature=youtu.be<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-TXKD2QGD\" data-zp-author-date='Marc--Volcano--Szeglat-2007-07-26' data-zp-date-author='2007-07-26-Marc--Volcano--Szeglat' data-zp-date='2007-07-26' data-zp-year='2007' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\">Marc -Volcano- Szeglat. <i>Masai Traditional Dances<\/i>, 2007. <a class='zp-ItemURL' href='https:\/\/www.youtube.com\/watch?time_continue=30&v=0lUQFT4zVWk'>https:\/\/www.youtube.com\/watch?time_continue=30&v=0lUQFT4zVWk<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-8MWNI3AU\" data-zp-author-date='-0000-00-00' data-zp-date-author='0000-00-00-' data-zp-date='0000-00-00' data-zp-year='0000' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\"><i>Salty Holmes - The Ghost Song - YouTube<\/i>. Accessed August 20, 2015. <a class='zp-ItemURL' href='https:\/\/www.youtube.com\/watch?v=U-_RoYpySpA'>https:\/\/www.youtube.com\/watch?v=U-_RoYpySpA<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-9CHEE7GA\" data-zp-author-date='Kemper-2015-08-04' data-zp-date-author='2015-08-04-Kemper' data-zp-date='2015-08-04' data-zp-year='2015' data-zp-itemtype='newspaperArticle' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\">Kemper, Peter. \u201cVerschollenes von Frank Zappa Neues aus der Muffin-Forschung.\u201d <i>Frankfurter Allgemeine Zeitung<\/i>, August 4, 2015. <a class='zp-ItemURL' href='http:\/\/www.faz.net\/aktuell\/feuilleton\/pop\/frank-zappas-letztes-studioalbum-dance-me-this-13732861.html'>http:\/\/www.faz.net\/aktuell\/feuilleton\/pop\/frank-zappas-letztes-studioalbum-dance-me-this-13732861.html<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-I4UX2CM9\" data-zp-author-date='Utamaduni-Archive-2014-02-05' data-zp-date-author='2014-02-05-Utamaduni-Archive' data-zp-date='2014-02-05' data-zp-year='2014' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\"><i>Tanzania Sukuma Dance, Kabadi Ng\u2019wenekele and Bachonga Magembe<\/i>, 2014. <a class='zp-ItemURL' href='https:\/\/www.youtube.com\/watch?v=N_b2BfnOA6A'>https:\/\/www.youtube.com\/watch?v=N_b2BfnOA6A<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-KSH5K7MA\" data-zp-author-date='Gnawalux-Brussels-2015-02-14' data-zp-date-author='2015-02-14-Gnawalux-Brussels' data-zp-date='2015-02-14' data-zp-year='2015' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\"><i>Mongolian Throat Singing<\/i>, 2015. <a class='zp-ItemURL' href='https:\/\/www.youtube.com\/watch?v=1rmo3fKeveo&feature=youtube_gdata_player'>https:\/\/www.youtube.com\/watch?v=1rmo3fKeveo&feature=youtube_gdata_player<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-HD9M244X\" data-zp-author-date='MichealDarwin-2010-03-26' data-zp-date-author='2010-03-26-MichealDarwin' data-zp-date='2010-03-26' data-zp-year='2010' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\"><i>Popeye The Sailor Man (FULL CARTOON)<\/i>, 2010. <a class='zp-ItemURL' href='https:\/\/www.youtube.com\/watch?v=h0LqfnA8FI8&feature=youtube_gdata_player'>https:\/\/www.youtube.com\/watch?v=h0LqfnA8FI8&feature=youtube_gdata_player<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-H46PDBBF\" data-zp-author-date='hrmann-2009-02-16' data-zp-date-author='2009-02-16-hrmann' data-zp-date='2009-02-16' data-zp-year='2009' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\"><i>Female Mongolian Throat Singer<\/i>, 2009. <a class='zp-ItemURL' href='http:\/\/www.youtube.com\/watch?v=qNFSB4PnVPI'>http:\/\/www.youtube.com\/watch?v=qNFSB4PnVPI<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-BA2RFBW6\" data-zp-author-date='kwwkwwkww-2007-08-27' data-zp-date-author='2007-08-27-kwwkwwkww' data-zp-date='2007-08-27' data-zp-year='2007' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\"><i>Mongolian Song - Manduul Khan \u6ee1\u90fd\u62c9\u6c49\u8d5e<\/i>, 2007. <a class='zp-ItemURL' href='http:\/\/www.youtube.com\/watch?v=TqxrNGu-YUU'>http:\/\/www.youtube.com\/watch?v=TqxrNGu-YUU<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-8IQUXZ36\" data-zp-author-date='Steve-Sklar-2007-07-25' data-zp-date-author='2007-07-25-Steve-Sklar' data-zp-date='2007-07-25' data-zp-year='2007' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\"><i>Inside Steve Sklar\u2019s Larynx: Kargyraa<\/i>, 2007. <a class='zp-ItemURL' href='http:\/\/www.youtube.com\/watch?v=AqXk1ShKsc0'>http:\/\/www.youtube.com\/watch?v=AqXk1ShKsc0<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-WXWIIKBG\" data-zp-author-date='JonnyMcBoingBoing-2009-02-05' data-zp-date-author='2009-02-05-JonnyMcBoingBoing' data-zp-date='2009-02-05' data-zp-year='2009' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\"><i>Khargyraa Basic Technique<\/i>, 2009. <a class='zp-ItemURL' href='http:\/\/www.youtube.com\/watch?v=uCom9ZCJAmE'>http:\/\/www.youtube.com\/watch?v=uCom9ZCJAmE<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-5ZRDB66N\" data-zp-author-date='TEDxTalks-2013-07-09' data-zp-date-author='2013-07-09-TEDxTalks' data-zp-date='2013-07-09' data-zp-year='2013' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\"><i>Beatbox Brilliance: Tom Thum at TEDxSydney<\/i>, 2013. <a class='zp-ItemURL' href='http:\/\/www.youtube.com\/watch?v=GNZBSZD16cY&feature=youtube_gdata_player'>http:\/\/www.youtube.com\/watch?v=GNZBSZD16cY&feature=youtube_gdata_player<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-BS8ZRKFI\" data-zp-author-date='Saus-and-Seimer-2006' data-zp-date-author='2006-Saus-and-Seimer' data-zp-date='2006' data-zp-year='2006' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\">Saus, Wolfgang, and Andreas Seimer. <i>Strohbass vs. Kargyraa Undertone (Subharmonic) Singing<\/i>, 2006. <a class='zp-ItemURL' href='http:\/\/www.youtube.com\/watch?v=_gZGMSQljmk'>http:\/\/www.youtube.com\/watch?v=_gZGMSQljmk<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-4NGT6FDT\" data-zp-author-date='mehothra-2011-01-28' data-zp-date-author='2011-01-28-mehothra' data-zp-date='2011-01-28' data-zp-year='2011' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\"><i>Undertone Tutorial<\/i>, 2011. <a class='zp-ItemURL' href='http:\/\/www.youtube.com\/watch?v=PqNdMPPJ9AE'>http:\/\/www.youtube.com\/watch?v=PqNdMPPJ9AE<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-6NEXAQHA\" data-zp-author-date='ORPHOLOGIST-2009-05-03' data-zp-date-author='2009-05-03-ORPHOLOGIST' data-zp-date='2009-05-03' data-zp-year='2009' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\"><i>Julia Charkova Sings Takhpakh<\/i>, 2009. <a class='zp-ItemURL' href='http:\/\/www.youtube.com\/watch?v=Zc7SysX16Qk'>http:\/\/www.youtube.com\/watch?v=Zc7SysX16Qk<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\t\t\t\t<div id=\"zp-ID-15300-935790-WNDTB7M9\" data-zp-author-date='ORPHOLOGIST-2009-05-04' data-zp-date-author='2009-05-04-ORPHOLOGIST' data-zp-date='2009-05-04' data-zp-year='2009' data-zp-itemtype='videoRecording' class=\"zp-Entry zpSearchResultsItem\">\n<div class=\"csl-bib-body\" style=\"line-height: 1.35; padding-left: 1em; text-indent:-1em;\">\n  <div class=\"csl-entry\"><i>Julia Charkova Khai Epic<\/i>, 2009. <a class='zp-ItemURL' href='http:\/\/www.youtube.com\/watch?v=fh_FKLUsC9s'>http:\/\/www.youtube.com\/watch?v=fh_FKLUsC9s<\/a>.<\/div>\n<\/div>\n\t\t\t\t<\/div><!-- .zp-Entry .zpSearchResultsItem -->\n\t\t\t<\/div><!-- .zp-zp-SEO-Content -->\n\t\t<\/div><!-- .zp-List -->\n\t<\/div><!--.zp-Zotpress-->\n\n\n<\/div><\/section><\/p><\/div>\n<div  class='av-buildercomment av-8fp5i-1f90623eecd0b3b6461d6e877677bf6f  av-blog-meta-html-info-disabled'><\/div>\n<div class=\"shariff shariff-align-left shariff-widget-align-left\" style=\"display:none\"><div class=\"ShariffHeadline\"><h3>Share<\/h3><\/div><ul class=\"shariff-buttons theme-round orientation-horizontal buttonsize-medium\"><li class=\"shariff-button twitter shariff-nocustomcolor\" style=\"background-color:#595959\"><a href=\"https:\/\/twitter.com\/share?url=https%3A%2F%2Fwww.oberton.org%2Fen%2Fovertone-singing%2Fundertone-singing%2Fkargyraa-throat-singing-undertones%2F&text=Kargyraa%20%E2%80%93%20Throat%20Singing%20Undertones\" title=\"Bei X teilen\" aria-label=\"Bei X teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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