In this video you will learn how to hear harmonics in vowels. This will open up a new dimension of sound perception to you. This way of hearing is rare on the fly, but it can be learned and is a prerequisite for understanding and learning choral phonetics. And it makes learning overtone singing easy and fast.
Do You Hear Syllables or a Melody?
After this video, your hearing is immediately changed, and that irreversibly. It is like a picture puzzle: once you have seen both sides, you will always see them. After the video, you are always able to hear harmonics in sounds. As soon as you have perceived both syllables and overtones, you can decide what you want to hear. And if you focus on harmonics for the next 3 weeks from today, your overtone hearing will become an integral part of your sound perception. Your brain will form new synapses.
You’ll be surprised what additional changes come after that:
- You will hear more empathically, understand better how other people feel, just by hearing their voice.
- When you sing in a choir, you will perceive intonation quite differently and unconsciously find a resonance with other voices.
- Many also report that they perceive colors and scents more intensely afterwards.
- You will notice a more conscious access to resonance in your voice.
If you immediately heard the melody in the first example, then you already were an overtone listener. Then the video will help you understand and become aware that you hear differently than 95% of the people around you.
But I Never Sang a Melody
One of the most exciting things about overtone listening for me is: In the end, everyone has heard the melody once, right? – but I never sang a melody! In all the singing examples, all the pitch frequencies are unchanged. I have not changed a single pitch. So in the classical sense I did not sing a melody. I only changed resonances and thus volume ratios, so in the classical sense I sang syllables on a single note, which is what most people heard at the beginning.
Despite Contradiction Everybody is Right
So if someone thought at the beginning that there was no melody, he was right, even when the melody became obvious to everyone. And everyone who hears a melody is also right. One would have to define melody independently of the tone pitch.
Many years ago, after I found out that others do not hear the same as I do, I had sent a sound file of the first example to various experts. But nobody found a melody, not even with the most modern methods of analysis. Why not? Because apparently no one thought to look for a melody. However, after hearing the melody, one finds it in the sound spectrum. But only as a volume pattern, not as a pitch change. Isn’t that exciting?
Personally, I have learned from this to approach perceptions of other people with less prejudice, especially people from the spiritual realm, who I might have dismissed as unscientific in the past. Leaving paradigms behind is probably part of the coming zeitgeist in many ways.
Find more information about the test as well as an audio version for download in my blogpost “A Melody Only Some Can Hear – Take the Hearing Test”.