Was ist Obertongesang?

Die Kunst, zwei Töne zugleich zu singen

Obertongesang ist eine Gesangstechnik, die den Höreindruck einer Mehrstimmigkeit erzeugt, indem sie durch Kontrolle der Resonanzen im Vokaltrakt einzelne Obertöne aus dem Klangspektrum der Stimme so herausfiltert, dass sie als getrennte Töne wahrgenommen werden. [(Saus 2004)]

Kurzfassung

Es ist verblüffend, wenn ein einzelner Mensch zwei Töne gleichzeitig singt. Etwa zwei Oktaven über der normalen Stimme klingt plötzlich ein zweiter flötenartiger Ton, der kristallklar und kaum ortbar im Raum zu schweben scheint. Der Klang erinnert an eine Glasharfe, exotisch und doch merkwürdig vertraut. Er berührt auf eigentümliche Weise, wirkt beruhigend und ist beinahe körperlich spürbar.

Kann das jeder?
Ja, jeder der sprechen kann, kann auch Obertonsingen lernen.

→ Obertonsingen lernen

Wie klingt Obertongesang?

Brahms, „Guten Abend, gut‘ Nacht“ in Bass und Sopran gleichzeitig.

→ mehr Klangproben

Woher kommt Obertongesang?
Die Stile entstanden unabhängig voneinander. Westlicher Obertongesang stammt aus Europa und nicht etwa aus der Mongolei, wie oft behauptet wird. Altaiische Stile der Turkvölker sind untereinander verwandt. Weniger bekannt sind Obertongesänge aus Afrika, Papua Neuguinea, Tibet. Hier gibt’s eine Stile Übersicht:

→ Obertongesangsstile im Detail

Wie geht Obertonsingen?
Mit Zungen-, Lippen- und Kieferbewegungen werden die Resonanzen im Mund- und Rachenraum so kombiniert, dass einzelne Obertöne so laut klingen, dass sie als Einzeltöne wahrgenommen werden.

→ siehe unten

Der Trick: Doppelresonanz

Das Geheimnis des Obertongesangs ist Doppelresonanz – das Zusammenlegen von zwei Resonanztönen, die im Rachen- und Mundraum (Vokaltrakt) entstehen [(Kob, Neuschaefer-Rube, und Saus 2001), (Matern u. a. 2001), (Neuschaefer-Rube u. a. 2002), (Saus 2009)]. Das kommt in der deutschen Sprache nicht vor. Deshalb ist Obertongesang nicht so leicht von allein zu entdecken, obwohl er prinzipiell nur aus exotischen „Vokalen“ besteht.

Die tiefsten drei Resonanzfrequenzen im Vokaltrakt können willkürlich in der Tonhöhe verändert werden. Das macht man mit Mund-, Lippen- und Zungen- und Kehlkopfbewegungen. Vokale entstehen durch die ersten beiden Resonanztöne, für jeden Vokal eine spezielle Tonhöhe.

Beim Obertongesang wird der dritte Resonanzton hinzugenommen und auf die Tonhöhe des zweiten abgesenkt, indem man einen zusätzlichen Hohlraum unter der Zunge bildet.

Doppelresonator

Der so erzeugte Doppelresonator wird dann präzise auf einen Oberton abgestimmt. Der Effekt: der Oberton wird wesentlich lauter als seine Nachbarn, was den Eindruck erzeugt, dass man höre zwei Töne, nämlich den Sington und den verstärkten Oberton. Wandert man mit dem Doppelresonator von Teilton zu Teilton, entsteht der Eindruck einer Obertonmelodie.

Obertonsänger erzeugen also die Melodie mit der Form des Vokaltrakts, nicht mit den Stimmbändern. Der zweite Resonanzton bestimmt dabei die Tonhöhe. Der dritte Resonanzton dient der Verstärkung.

In Wirklichkeit hört man nicht zwei, sondern immer noch alle Teiltöne. Aber die Klangfarbe, die durch den isolierten Oberton entsteht, ist so ungewohnt, dass das Gehirn nach einem Vergleich mit Bekanntem sucht und so dem Bewußtsein mitteilt, dass eine Flöte und ein Sänger gleichzeitig zu hören seien. Obertongesang ist also eine Art akustischer Täuschung.

Tatsächlich hört jeder den Obertongesang etwas anders. Manche Menschen empfinden mehr oder weniger Vokalcharakter und assoziieren den Klang des australischen Didgeridoos. Andere hören den Flötenton so klar und getrennt, dass sie nicht glauben können, dass er von der Stimme kommt. Diese unterschiedlichen Wahrnehmungen hängen mit der individuellen Klangverarbeitung zusammen (vgl. Wie Obertöne im Gehirn wirken).

Dieser Doppelresonator kann über mehr als eine Oktave variiert werden. Die meisten Obertonsänger wissen nichts davon. Sie können trotzdem gut Obertonsingen, weil sie über lange Zeit intuitiv gelernt haben, die Resonanzen zu steuern. Wer allerdings die Zusammenhänge kennt, lernt das Obertonsingen wesentlich schneller und kann das Obertonsingen ganz gezielt optimieren. Wenn Du einen Lehrer für Obertongesang suchst, achte darauf, dass dieses Hintergrundwissen vorhanden ist. Das spart Zeit und Geld.

Doppel-Formanten

Stimme als Doppelinstrument

Unsere Stimme besteht aus 2 Instrumenten:

  1. Der Primärklang (Sington) wird im Kehlkopf gebildet und besteht aus einem Akkord von Teiltönen (Sinustönen) plus Geräuschanteil.
    Er erzeugt die Grundtonhöhe.
  2. Die Resonanzen im Vokaltrakt (Mund, Rachen, Nase) modulieren die Lautstärken der Teiltöne. Sie erzeugen die Klangfarbe. Beim Obertongesang erzeugen sie die Melodie aus Obertönen.

Stimme = Primärklang + Resonanz

Das entspricht dem klassischen Quelle-Filter-Modell der Stimme. Neu ist jedoch, dass beim Obertonsingen die Resonanzen als zweites Melodieinstrument eingesetzt werden. Dass Resonanzen tongenau gestimmt werden können, ist im Allgemeinen nicht bekannt und wird in der klassischen Gesangspädagogik nicht gelehrt.

Erstes Instrument: Teiltöne

Teiltonakkord von c mit Spektrum und SpektrogrammObertöne sind ein natürlicher Bestandteil der Stimme. Sie klingen in der Stimme immer mit. Ein normaler Sington besteht aus einem Bündel von Teiltönen (zum Unterschied Teilton / Oberton siehe hier).

Dieses Bündel bildet einen speziellen harmonischen Teiltonakkord, den wir normalerweise als Ton mit einer Klangfarbe hören. Die Klangfarbe entsteht durch die Lautstärkeverteilung der Teiltöne. Die Lautstärkeverteilung im Bild ergibt z. B. den Vokal ä.

Wird ein Oberton nun wesentlich lauter als seine Nachbarn, dann wird er plötzlich als getrennter Ton wahrgenommen. Beim Obertongesang geschieht genau das. Man nutzt dabei extreme „Vokale“, die in der Sprache nicht vorkommen. Obertongesang ist in gewisser Weise eine akustische Täuschung, denn es wird ja tatsächlich nur ein Ton gesungen, der sich jedoch wegen einer extremen „Aussprache“ wie zwei Töne anhört. Man könnte aber auch sagen, er ist eine aktustische Enttäuschung: Denn der Ton besteht ja aus vielen Tönen, und jetzt hören wir zumindest schonmal zwei davon, den Grundton und den verstärkten Oberton.

Zweites Instrument: Resonanztöne

Der Mund- und Rachenraum vom Kehlkopf bis zu den Lippen wird auch Vokaltrakt oder Ansatzrohr genannt. Wie jeder Hohlraum, hat der Vokaltrakt Eigenresonanzen. Diese Resonanzen sind Tonhöhen, die sich mit der Form des Mundraums ändern. Die Resonanzen verändern die Lautstärkeverteilung der Teiltöne im Sington. Dadurch entstehen Vokale. Dass aber die Resonanzen als Melodieinstrument genutzt werden können, ist als Konzept völlig unbekannt.

Rachenzunge & zweiter Formant

Schnittbild vom Kopf mit Resonanzräumen

Die Rachenzunge steuert den 2. Resonanzton (2. Formant), der Raum unter der Zunge den 3. Resonanzton. Ziel beim Obertonsingen ist es, die beiden Resonanztöne exakt aufeinander zu legen und gleichzeitig einen Oberton zu treffen.

Bei Untersuchungen am Universitäts-Klinikum Aachen fanden wir heraus, dass die Rachenzungenbewegung zusammen mit dem Kehldeckel die Obertöne kontrolliert .

Probiere es mal: Laß die Zunge leicht aus dem Mund heraushängen und sprich mit Knarrstimme und unbewegten Lippen das französische Wort oui oder das englische we aus, am besten in Zeitlupe. Und dann rückwärts, das englische you. Der Vokalübergang i-u und u-i in diesen Worten wird durch die stillgelegte vordere Zunge jetzt ausschließlich von der Rachenzunge erzeugt. Wichtig ist, dass du dir für alle Zwischenvokale Zeit nimmst.

Lade Dir den kostenlosen Overtone Analyzer Free herunter und nimm ein Spektrogramm davon auf. Du wirst sehen, dass sich im Spektrogramm dann nur noch der 2. Resonanzton bewegt.

Mundboden & dritter Formant

Den 3. Resonanzton benutzen wir im Deutschen nicht. Deshalb sind die zugehörigen Zungenbewegungen ungewohnt. Wenn Du die Zunge in L-Position hälst, entsteht unter der Zunge ein Hohlraum. Senkst Du jetzt den Mundboden ab und ziehst die Muskeln seitlich neben dem Zungenbändchen zurück, dann entsteht ein Laut, der dem amerikanischen „r“ [ ɹ ] ähnelt. Stelle Dir eine kleine heisse Kartoffel unter der Zunge vor. Je größer der Hohlraum ist, desto tiefer wird der 3. Resonanzton.

Mit etwas Übung kann der 3. Resonanzton genau auf den 2. abgesenkt werden, die Grundtechnik des Obertongesangs.

Literatur & Quellen

Einzelnachweise

{935790:VPHCZQWP} chicago-fullnote-bibliography default asc 0 2129

Bücher

935790 ZUVTPAN5 1 chicago-fullnote-bibliography 50 creator asc 2129 http://www.oberton.org/wp-content/plugins/zotpress/
%7B%22status%22%3A%22success%22%2C%22updateneeded%22%3Afalse%2C%22instance%22%3Afalse%2C%22meta%22%3A%7B%22request_last%22%3A0%2C%22request_next%22%3A0%2C%22used_cache%22%3Atrue%7D%2C%22data%22%3A%5B%7B%22key%22%3A%22C2QDBSA3%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Akademie%20f.%20gesprochenes%20Wort%20and%20Geissner%22%2C%22parsedDate%22%3A%222002-07%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BAkademie%20f.%20gesprochenes%20Wort%2C%20and%20Hellmut%20K%20Geissner.%20%26lt%3Bi%26gt%3BStimmkulturen%3A%203.%20Stuttgarter%20Stimmtage%202000%26lt%3B%5C%2Fi%26gt%3B.%201st%20ed.%20St.%20Ingbert%3A%20R%26%23xF6%3Bhrig%20Universit%26%23xE4%3Btsverlag%2C%202002.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Stimmkulturen%3A%203.%20Stuttgarter%20Stimmtage%202000%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22%22%2C%22lastName%22%3A%22Akademie%20f.%20gesprochenes%20Wort%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Hellmut%20K%22%2C%22lastName%22%3A%22Geissner%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222002-07%22%2C%22language%22%3A%22Deutsch%22%2C%22ISBN%22%3A%22978-3-86110-308-0%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%222CSIETRP%22%2C%22KJWB5QGH%22%2C%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222024-02-07T18%3A31%3A17Z%22%7D%7D%2C%7B%22key%22%3A%22N67VEADT%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Arjopa%22%2C%22parsedDate%22%3A%221999%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BArjopa.%20%26lt%3Bi%26gt%3BChoomii%20-%20das%20mongolische%20Obertonsingen%20%5BMedienkombination%5D%26%23x202F%3B%3A%20Anleitung%20zum%20Selberlernen%26lt%3B%5C%2Fi%26gt%3B.%201st%20ed.%20Frankfurt%20am%20Main%3A%20Zweitausendeins%2C%201999.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Choomii%20-%20das%20mongolische%20Obertonsingen%20%5BMedienkombination%5D%20%3A%20Anleitung%20zum%20Selberlernen%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22%22%2C%22lastName%22%3A%22Arjopa%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%221999%22%2C%22language%22%3A%22deutsch%22%2C%22ISBN%22%3A%223-86150-320-4%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ERRN4U67%22%2C%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222022-09-22T16%3A28%3A30Z%22%7D%7D%2C%7B%22key%22%3A%22F3ANGB8L%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Birkicht%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BBirkicht%2C%20Matthias.%20%26%23x201C%3BDas%20Kleine%20Obertonbrevier.%26%23x201D%3B%20self-published%2C%20n.d.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fwww.oberton.info%5C%2Fobertonbrevier.pdf%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fwww.oberton.info%5C%2Fobertonbrevier.pdf%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22document%22%2C%22title%22%3A%22Das%20kleine%20Obertonbrevier%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Matthias%22%2C%22lastName%22%3A%22Birkicht%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%22%22%2C%22language%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fwww.oberton.info%5C%2Fobertonbrevier.pdf%22%2C%22collections%22%3A%5B%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222025-05-17T17%3A26%3A47Z%22%7D%7D%2C%7B%22key%22%3A%22WZ5HPM49%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Coffin%22%2C%22parsedDate%22%3A%221980-06-28%22%2C%22numChildren%22%3A3%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BCoffin%2C%20Berton.%20%26lt%3Bi%26gt%3BCoffin%26%23x2019%3Bs%20Overtones%20of%20Bel%20Canto%3A%20Phonetic%20Basis%20of%20Artistic%20Singing%20with%20100%20Chromatic%20Vowel%20Chart%20Exercises%26lt%3B%5C%2Fi%26gt%3B.%20Metuchen%2C%20N.J%3A%20Scarecrow%20Press%2C%201980.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Coffin%27s%20Overtones%20of%20Bel%20Canto%3A%20Phonetic%20Basis%20of%20Artistic%20Singing%20with%20100%20Chromatic%20Vowel%20Chart%20Exercises%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Berton%22%2C%22lastName%22%3A%22Coffin%22%7D%5D%2C%22abstractNote%22%3A%22This%20book%20and%20the%20accompanying%20chromatic%20vowel%20chart%20present%20many%20exercises%20that%20will%20make%20the%20voice%20stronger%20and%20more%20musical%20according%20to%20the%20precepts%20of%20Bel%20Canto.%20Vowel-pitch%20relationships%20have%20been%20notated%20in%20117%20exercises%20for%20teachers%20and%20singers%2C%20using%20acoustical%20phonetics%2C%20register%2C%20and%20musical%20notation.%20The%20exercises%20will%20develop%20the%20musical-muscular%20skills%20of%20both%20male%20and%20female%20singers.%22%2C%22date%22%3A%2228.%20Juni%201980%22%2C%22language%22%3A%22Englisch%22%2C%22ISBN%22%3A%22978-0-8108-1370-0%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22HIKN527Q%22%2C%22ERRN4U67%22%2C%22ZUVTPAN5%22%2C%22XVD594QU%22%2C%22WMEQJKJG%22%5D%2C%22dateModified%22%3A%222021-08-07T16%3A06%3A44Z%22%7D%7D%2C%7B%22key%22%3A%225AZIFNMT%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Cope%22%2C%22parsedDate%22%3A%222004-04-01%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BCope%2C%20Jonathan.%20%26lt%3Bi%26gt%3BHow%20to%20Khoomei%3A%20And%20Other%20Overtone%20Singing%20Styles%26lt%3B%5C%2Fi%26gt%3B.%20Sound%20For%20Health%2C%202004.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22How%20to%20Khoomei%3A%20And%20Other%20Overtone%20Singing%20Styles%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Jonathan%22%2C%22lastName%22%3A%22Cope%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222004-04-01%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%220953981118%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ERRN4U67%22%2C%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222008-05-16T10%3A49%3A10Z%22%7D%7D%2C%7B%22key%22%3A%22ID6AZ6BF%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Finscher%20and%20Blume%22%2C%22parsedDate%22%3A%221994-10-04%22%2C%22numChildren%22%3A2%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BFinscher%2C%20Ludwig%2C%20and%20Friedrich%20Blume.%20%26lt%3Bi%26gt%3BDie%20Musik%20in%20Geschichte%20Und%20Gegenwart%20%28%20MGG%29%3A%2023%20B%26%23xE4%3Bnde.%26lt%3B%5C%2Fi%26gt%3B%202.%2C%20Neubearb.%20A.%20Metzler%2C%201994.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Die%20Musik%20in%20Geschichte%20und%20Gegenwart%20%28%20MGG%29%3A%2023%20B%5Cu00e4nde.%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Ludwig%22%2C%22lastName%22%3A%22Finscher%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Friedrich%22%2C%22lastName%22%3A%22Blume%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%221994-10-04%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%223-476-41022-6%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ERRN4U67%22%2C%22H77IT95A%22%2C%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222012-11-11T19%3A03%3A55Z%22%7D%7D%2C%7B%22key%22%3A%22FI3JIWD7%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Galgut%22%2C%22parsedDate%22%3A%222005-07-31%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BGalgut%2C%20Peter.%20%26lt%3Bi%26gt%3BHumming%20Your%20Way%20Happiness%3A%20An%20Introduction%20to%20Tuva%20and%20Overtone%20Singing%20from%20Around%20the%20World%26lt%3B%5C%2Fi%26gt%3B.%20O%20Books%20%28John%20Hunt%29%2C%202005.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Humming%20Your%20Way%20Happiness%3A%20An%20Introduction%20to%20Tuva%20and%20Overtone%20Singing%20from%20Around%20the%20World%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Peter%22%2C%22lastName%22%3A%22Galgut%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222005-07-31%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%221905047142%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ERRN4U67%22%2C%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222008-05-16T10%3A49%3A32Z%22%7D%7D%2C%7B%22key%22%3A%22UXIVE3CK%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Goldman%22%2C%22parsedDate%22%3A%222002-09-26%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BGoldman%2C%20Jonathan.%20%26lt%3Bi%26gt%3BHealing%20Sounds%3A%20The%20Power%20of%20Harmonics%26lt%3B%5C%2Fi%26gt%3B.%20New.%20Healing%20Arts%20Home%2C%202002.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Healing%20Sounds%3A%20The%20Power%20of%20Harmonics%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Jonathan%22%2C%22lastName%22%3A%22Goldman%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222002-09-26%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%220892819936%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ERRN4U67%22%2C%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222012-02-28T17%3A19%3A28Z%22%7D%7D%2C%7B%22key%22%3A%22RGVTZQN4%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Goldman%22%2C%22parsedDate%22%3A%221994%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BGoldman%2C%20Jonathan.%20%26lt%3Bi%26gt%3BHeilende%20Kl%26%23xE4%3Bnge%26%23x202F%3B%3A%20Die%20Macht%20Der%20Obert%26%23xF6%3Bne%26lt%3B%5C%2Fi%26gt%3B.%20M%26%23xFC%3Bnchen%3A%20Droemer%20Knaur%2C%201994.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Heilende%20Kl%5Cu00e4nge%20%3A%20die%20Macht%20der%20Obert%5Cu00f6ne%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Jonathan%22%2C%22lastName%22%3A%22Goldman%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%221994%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%223-426-76060-6%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ERRN4U67%22%2C%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222008-04-29T19%3A31%3A07Z%22%7D%7D%2C%7B%22key%22%3A%22AAJ48U6F%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Goldman%22%2C%22parsedDate%22%3A%222008-08-28%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BGoldman%2C%20Jonathan.%20%26lt%3Bi%26gt%3BKlangheilung.%20Die%20Sch%26%23xF6%3Bpferkraft%20Des%20Obertongesangs.%20Mit%20CD%20Zum%20Erlernen%20Heilender%20Kl%26%23xE4%3Bnge%21%26lt%3B%5C%2Fi%26gt%3B%20Erw.%20Ausg.%20mit%20CD.%20AMRA%20Verlag%2C%202008.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Klangheilung.%20Die%20Sch%5Cu00f6pferkraft%20des%20Obertongesangs.%20Mit%20CD%20zum%20Erlernen%20heilender%20Kl%5Cu00e4nge%21%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Jonathan%22%2C%22lastName%22%3A%22Goldman%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222008-08-28%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%223-939373-04-4%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ERRN4U67%22%2C%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222022-09-22T16%3A27%3A47Z%22%7D%7D%2C%7B%22key%22%3A%22UTFRCXS7%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Grawunder%22%2C%22parsedDate%22%3A%222005%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BGrawunder%2C%20Sven.%20%26%23x201C%3BOn%20the%20Physiology%20of%20Voice%20Production%20in%20South-Siberian%20Throat%20Singing%20%26%23x2013%3B%20Analysis%20of%20Acoustic%20and%20Electrophysiological%20Evidences.%26%23x201D%3B%20Unpublished%20PhD%20thesis%2C%20Martin%20Luther%20University%20Halle-Wittenberg%2C%20Halle.%2C%202005.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22thesis%22%2C%22title%22%3A%22On%20the%20Physiology%20of%20Voice%20Production%20in%20South-Siberian%20Throat%20Singing%20%5Cu2013%20Analysis%20of%20Acoustic%20and%20Electrophysiological%20Evidences.%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Sven%22%2C%22lastName%22%3A%22Grawunder%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22thesisType%22%3A%22Unpublished%20PhD%20thesis%22%2C%22university%22%3A%22Martin%20Luther%20University%20Halle-Wittenberg%2C%20Halle.%22%2C%22date%22%3A%222005%22%2C%22language%22%3A%22de%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222014-07-06T18%3A29%3A27Z%22%7D%7D%2C%7B%22key%22%3A%22F7WS8EXT%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Grawunder%22%2C%22parsedDate%22%3A%221999%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BGrawunder%2C%20Sven.%20%26%23x201C%3BObertongesang%20versus%20Kehlgesang%20-%20Die%20Erforschung%20Eines%20Besonderen%20Stimmgebrauchs.%26%23x201D%3B%20Unpublished%20Diploma%2C%20Martin-Luther-Universit%26%23xE4%3Bt%20Halle-Wittenberg%2C%20Halle%5C%2FS.%2C%201999.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Femail.eva.mpg.de%5C%2F~grawunde%5C%2FKehlgesangversObertongesang.pdf%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Femail.eva.mpg.de%5C%2F~grawunde%5C%2FKehlgesangversObertongesang.pdf%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22thesis%22%2C%22title%22%3A%22Obertongesang%20versus%20Kehlgesang%20-%20Die%20Erforschung%20eines%20besonderen%20Stimmgebrauchs%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Sven%22%2C%22lastName%22%3A%22Grawunder%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22thesisType%22%3A%22Unpublished%20Diploma%22%2C%22university%22%3A%22Martin-Luther-Universit%5Cu00e4t%20Halle-Wittenberg%2C%20Halle%5C%2FS.%22%2C%22date%22%3A%221999%22%2C%22language%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Femail.eva.mpg.de%5C%2F~grawunde%5C%2FKehlgesangversObertongesang.pdf%22%2C%22collections%22%3A%5B%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222021-10-16T09%3A59%3A22Z%22%7D%7D%2C%7B%22key%22%3A%2238GCJSW7%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Grawunder%22%2C%22parsedDate%22%3A%222009%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BGrawunder%2C%20Sven.%20%26lt%3Bi%26gt%3BOn%20the%20Physiology%20of%20Voice%20Production%20in%20South-Siberian%20Throat%20Singing%3A%20Analysis%20of%20Acoustic%20and%20Electrophysiological%20Evidences%26lt%3B%5C%2Fi%26gt%3B.%20Berlin%3A%20Frank%20%26amp%3B%20Timme%2C%202009.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22On%20the%20physiology%20of%20voice%20production%20in%20South-Siberian%20throat%20singing%3A%20analysis%20of%20acoustic%20and%20electrophysiological%20evidences%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Sven%22%2C%22lastName%22%3A%22Grawunder%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222009%22%2C%22language%22%3A%22English%22%2C%22ISBN%22%3A%22978-3-86596-172-3%203-86596-172-X%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22FTCRNM7T%22%2C%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222022-09-22T16%3A27%3A01Z%22%7D%7D%2C%7B%22key%22%3A%22IG6GR42R%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Groeneveld%22%2C%22parsedDate%22%3A%222007-05%22%2C%22numChildren%22%3A2%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BGroeneveld%2C%20B.D.%20%26lt%3Bi%26gt%3BStem%20En%20Boventonen%20%5C%2F%20Druk%201%3A%20Oefeningen%2C%20Improvisaties%2C%20Klankmeditaties%26lt%3B%5C%2Fi%26gt%3B.%201.%20Panta%20Rhei%2C%20Uitgeverij%2C%202007.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Stem%20en%20boventonen%20%5C%2F%20druk%201%3A%20oefeningen%2C%20improvisaties%2C%20klankmeditaties%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22B.D.%22%2C%22lastName%22%3A%22Groeneveld%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222007-05%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%229073207371%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ERRN4U67%22%2C%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222012-11-22T11%3A01%3A52Z%22%7D%7D%2C%7B%22key%22%3A%22T8TN9KPR%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Hinds%22%2C%22parsedDate%22%3A%222019%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BHinds%2C%20Stuart.%20%26lt%3Bi%26gt%3BComposing%20Music%20for%20Overtone%20Singing.Pdf%26lt%3B%5C%2Fi%26gt%3B.%20self-published%2C%202019.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fwww.stuarthinds.com%5C%2F%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fwww.stuarthinds.com%5C%2F%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Composing%20Music%20for%20Overtone%20Singing.pdf%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Stuart%22%2C%22lastName%22%3A%22Hinds%22%7D%5D%2C%22abstractNote%22%3A%22This%20book%20is%20intended%20for%20use%20by%20composers%20who%20want%20to%20write%20music%20for%20overtone%20singing%2C%20performers%20of%20overtone%20singing%20music%2C%20teachers%20of%20overtone%20singing%20%28as%20music%29%2C%20and%20by%20scholars%20studying%20any%20aspect%20of%20overtone%20singing.%20%20The%20ability%20to%20read%20music%20and%20basic%20knowledge%20of%20music%20theory%20are%20needed%20to%20gain%20full%20benefit%20from%20the%20book.%22%2C%22date%22%3A%222019%22%2C%22language%22%3A%22en%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fwww.stuarthinds.com%5C%2F%22%2C%22collections%22%3A%5B%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222021-10-07T14%3A53%3A46Z%22%7D%7D%2C%7B%22key%22%3A%223TBTA3XP%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Hinds%22%2C%22parsedDate%22%3A%222020%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BHinds%2C%20Stuart.%20%26lt%3Bi%26gt%3BGroup%20Singing%20with%20Overtones%26lt%3B%5C%2Fi%26gt%3B.%20Self-published%2C%202020.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fwww.stuarthinds.com%5C%2F%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fwww.stuarthinds.com%5C%2F%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Group%20Singing%20with%20Overtones%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Stuart%22%2C%22lastName%22%3A%22Hinds%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222020%22%2C%22language%22%3A%22en%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fwww.stuarthinds.com%5C%2F%22%2C%22collections%22%3A%5B%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222022-10-04T10%3A52%3A27Z%22%7D%7D%2C%7B%22key%22%3A%223NEGV2VM%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Hinds%22%2C%22parsedDate%22%3A%222012-03-28%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BHinds%2C%20Stuart.%20%26lt%3Bi%26gt%3BEine%20Oberton-Erfahrung%20-%20An%20Overtone-Experience%3A%2015%20Lieder%20Mit%20Mehrstimmigem%20Obertongesang%20-%2015%20Polyphonic%20Overtone%20Songs%20You%26%23x2019%3Bll%20Love%20to%20Sing%26lt%3B%5C%2Fi%26gt%3B.%20Translated%20by%20Wolfgang%20Saus.%201.%2C%20Aufl.%20Battweiler%3A%20Traumzeit-Verlag%2C%202012.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Eine%20Oberton-Erfahrung%20-%20An%20Overtone-Experience%3A%2015%20Lieder%20mit%20mehrstimmigem%20Obertongesang%20-%2015%20polyphonic%20overtone%20songs%20you%27ll%20love%20to%20sing%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Stuart%22%2C%22lastName%22%3A%22Hinds%22%7D%2C%7B%22creatorType%22%3A%22translator%22%2C%22firstName%22%3A%22Wolfgang%22%2C%22lastName%22%3A%22Saus%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222012-03-28%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%223-933825-73-3%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%222CSIETRP%22%2C%22ZUVTPAN5%22%2C%22DTHJF98A%22%5D%2C%22dateModified%22%3A%222022-09-22T16%3A27%3A17Z%22%7D%7D%2C%7B%22key%22%3A%2229FQTI59%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Levin%20and%20Suzukei%22%2C%22parsedDate%22%3A%222006-03%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BLevin%2C%20Theodore%20Craig%2C%20and%20Valentina%20Suzukei.%20%26lt%3Bi%26gt%3BWhere%20Rivers%20and%20Mountains%20Sing%3A%20Sound%2C%20Music%2C%20and%20Nomadism%20in%20Tuva%20and%20Beyond%20with%20CD%20%28Audio%29%20and%20DVD%3A%20Sound%2C%20Music%20and%20Nomadism%20in%20Tuva%20and%20Beyond%26lt%3B%5C%2Fi%26gt%3B.%20Har%5C%2FCom%5C%2FDv.%20Indiana%20University%20Press%2C%202006.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Where%20Rivers%20and%20Mountains%20Sing%3A%20Sound%2C%20Music%2C%20and%20Nomadism%20in%20Tuva%20and%20Beyond%20with%20CD%20%28Audio%29%20and%20DVD%3A%20Sound%2C%20Music%20and%20Nomadism%20in%20Tuva%20and%20Beyond%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Theodore%20Craig%22%2C%22lastName%22%3A%22Levin%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Valentina%22%2C%22lastName%22%3A%22Suzukei%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222006-03%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%220253347157%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ERRN4U67%22%2C%22FTCRNM7T%22%2C%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222008-11-11T16%3A37%3A10Z%22%7D%7D%2C%7B%22key%22%3A%2279QRK6ZE%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Mecke%20et%20al.%22%2C%22parsedDate%22%3A%222016-09-01%22%2C%22numChildren%22%3A4%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BMecke%2C%20Ann-Christine%2C%20Martin%20Pfleiderer%2C%20Bernhard%20Richter%2C%20and%20Thomas%20Seedorf%2C%20eds.%20%26lt%3Bi%26gt%3BLexikon%20der%20Gesangsstimme%3A%20Geschichte%20%26%23x2013%3B%20Wissenschaftliche%20Grundlagen%20%26%23x2013%3B%20Gesangstechniken%20%26%23x2013%3B%20Interpreten%26lt%3B%5C%2Fi%26gt%3B.%201st%20ed.%20Instrumenten-Lexika.%20Laaber%3A%20Laaber-Verlag%2C%202016.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Lexikon%20der%20Gesangsstimme%3A%20Geschichte%20%5Cu2013%20Wissenschaftliche%20Grundlagen%20%5Cu2013%20Gesangstechniken%20%5Cu2013%20Interpreten%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Ann-Christine%22%2C%22lastName%22%3A%22Mecke%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Martin%22%2C%22lastName%22%3A%22Pfleiderer%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Bernhard%22%2C%22lastName%22%3A%22Richter%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Thomas%22%2C%22lastName%22%3A%22Seedorf%22%7D%5D%2C%22abstractNote%22%3A%22Dieses%20umfassende%20Nachschlagewerk%20informiert%20mit%20enzyklop%5Cu00e4dischem%20Anspruch%20%5Cu00fcber%20das%20%5Cu00e4lteste%20Musikinstrument%20der%20Menschheitsgeschichte%3A%20die%20menschliche%20Stimme.%20Indem%20sich%20das%20%26%23039%3BLexikon%20der%20Gesangsstimme%26%23039%3B%20diesem%20Ph%5Cu00e4nomen%20aus%20einem%20v%5Cu00f6llig%20neuen%20Blickwinkel%20n%5Cu00e4hert%20und%20gleichzeitig%20alle%20Erscheinungsformen%20des%20Singens%20thematisiert%2C%20schlie%5Cu00dft%20es%20endlich%20eine%20lange%20bestehende%20L%5Cu00fccke%20in%20der%20Musikliteratur.Physiologische%20Gesichtspunkte%2C%20wie%20Anatomie%20der%20%28Gesangs-%29Stimme%20und%20Stimmbildung%2C%20werden%20dabei%20ebenso%20ausf%5Cu00fchrlich%20behandelt%20wie%20die%20unterschiedlichen%20Stimmtypen%20und%20Gesangstechniken.%20%26%23039%3BSingen%20ist%20eine%20edle%20Kunst%20und%20%5Cu00dcbung%26%23039%3B%20stellte%20bereits%20Martin%20Luther%20in%20seinen%20%26%23039%3BTischreden%26%23039%3B%20fest.%20Fragen%20der%20Gesangsp%5Cu00e4dagogik%20und%20der%20Vortragslehre%20des%20Gesangs%20wird%20dementsprechend%20ein%20ebenso%20gro%5Cu00dfer%20Stellenwert%20beigemessen%20wie%20dem%20Bereich%20der%20Kirchenmusik%20und%20den%20unterschiedlichen%20Entwicklungen%20des%20Chorwesens.Einen%20durchgehenden%20Schwerpunkt%20dieses%20umfassenden%20Buches%20bildet%20die%20breit%20angelegte%20Geschichte%20des%20abendl%5Cu00e4ndischen%20Kunstgesangs.%20S%5Cu00e4nger%2C%20P%5Cu00e4dagogen%20und%20andere%20Pers%5Cu00f6nlichkeiten%20aus%20der%20Historie%20und%20der%20Gegenwart%2C%20die%20f%5Cu00fcr%20die%20Gesangslehre%20und%20-interpretation%20von%20Bedeutung%20sind%2C%20werden%20in%20differenzierten%20Einzeldarstellungen%20gew%5Cu00fcrdigt.%20Nicht%20zu%20vernachl%5Cu00e4ssigen%20ist%20auch%20der%20Teil%2C%20der%20sich%20mit%20dem%20Gesang%20in%20der%20Pop-%20und%20Volkskultur%20besch%5Cu00e4ftigt.%20Gerade%20der%20Bereich%20der%20kommerziellen%20Unterhaltungsmusik%2C%20der%20unglaublich%20schnelllebig%20ist%2C%20gleichzeitig%20aber%20immer%20wieder%20neue%20Inspiration%20aus%20der%20Tradition%20gewinnt%2C%20unterstreicht%20die%20Vielfalt%20dieser%20spannenden%20Thematik.%22%2C%22date%22%3A%221.%20September%202016%22%2C%22language%22%3A%22Deutsch%22%2C%22ISBN%22%3A%22978-3-89007-546-4%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%222CSIETRP%22%2C%22HIKN527Q%22%2C%22ZUVTPAN5%22%2C%22DTHJF98A%22%5D%2C%22dateModified%22%3A%222016-11-17T23%3A19%3A23Z%22%7D%7D%2C%7B%22key%22%3A%22EX978HCA%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Pegg%22%2C%22parsedDate%22%3A%222001-08%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BPegg%2C%20Carole.%20%26lt%3Bi%26gt%3BMongolian%20Music%2C%20Dance%2C%20and%20Oral%20Narrative%3A%20Recovering%20Performance%20Traditions%26lt%3B%5C%2Fi%26gt%3B.%20Pap%5C%2FCom.%20Univ%20of%20Washington%20Pr%2C%202001.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Mongolian%20Music%2C%20Dance%2C%20and%20Oral%20Narrative%3A%20Recovering%20Performance%20Traditions%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Carole%22%2C%22lastName%22%3A%22Pegg%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222001-08%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%220295981121%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ERRN4U67%22%2C%22TBKN9IWS%22%2C%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222009-04-03T00%3A55%3A46Z%22%7D%7D%2C%7B%22key%22%3A%22E595IQKS%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Rachele%22%2C%22parsedDate%22%3A%221989%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BRachele%2C%20Rollin.%20%26lt%3Bi%26gt%3BBoventoonzang%3A%20een%20zelfstudiecursus%20in%20het%20leren%20hzingen%20van%20boventoonen%26lt%3B%5C%2Fi%26gt%3B.%201st%20ed.%20Katwijk%20aan%20Zee%3A%20Servire%20Uitgevers%20B.%20V.%2C%201989.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Boventoonzang%3A%20een%20zelfstudiecursus%20in%20het%20leren%20hzingen%20van%20boventoonen%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Rollin%22%2C%22lastName%22%3A%22Rachele%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%221989%22%2C%22language%22%3A%22ne%22%2C%22ISBN%22%3A%229063253648%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ERRN4U67%22%2C%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222012-02-28T17%3A19%3A28Z%22%7D%7D%2C%7B%22key%22%3A%22ZQSIUPAT%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Rachele%22%2C%22parsedDate%22%3A%221989%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BRachele%2C%20Rollin.%20%26lt%3Bi%26gt%3BOvertone%20Singing%20Study%20Guide%26lt%3B%5C%2Fi%26gt%3B.%201st%20ed.%20Cryptic%20Voices%2C%201989.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Overtone%20Singing%20Study%20Guide%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Rollin%22%2C%22lastName%22%3A%22Rachele%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%221989%22%2C%22language%22%3A%22en%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ERRN4U67%22%2C%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222008-05-16T15%3A39%3A03Z%22%7D%7D%2C%7B%22key%22%3A%22G9RCU5PB%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Reimann%22%2C%22parsedDate%22%3A%221993%22%2C%22numChildren%22%3A2%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BReimann%2C%20Michael.%20%26lt%3Bi%26gt%3BUnendlicher%20Klang.%20Obert%26%23xF6%3Bne%20in%20Stimme%20und%20Instrumentalmusik.%26lt%3B%5C%2Fi%26gt%3B%201st%20ed.%20Norderstedt%3A%20Kolibri%2C%201993.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Unendlicher%20Klang.%20Obert%5Cu00f6ne%20in%20Stimme%20und%20Instrumentalmusik.%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Michael%22%2C%22lastName%22%3A%22Reimann%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%221993%22%2C%22language%22%3A%22de%22%2C%22ISBN%22%3A%223-928288-04-0%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ERRN4U67%22%2C%22ZUVTPAN5%22%2C%22CQXHTMVG%22%5D%2C%22dateModified%22%3A%222022-09-22T16%3A28%3A19Z%22%7D%7D%2C%7B%22key%22%3A%22689GN7MD%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Reimann%22%2C%22parsedDate%22%3A%222022-08-27%22%2C%22numChildren%22%3A2%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BReimann%2C%20Michael.%20%26lt%3Bi%26gt%3BUnendlicher%20Klang%3A%20Das%20Mysterium%20der%20Obert%26%23xF6%3Bne%20-%20ebook%26lt%3B%5C%2Fi%26gt%3B.%203rd%20ed.%20ACRON%20MUSIC%20EDITION%2C%202022.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Unendlicher%20Klang%3A%20Das%20Mysterium%20der%20Obert%5Cu00f6ne%20-%20ebook%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Michael%22%2C%22lastName%22%3A%22Reimann%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222022-08-27%22%2C%22language%22%3A%22Deutsch%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ZUVTPAN5%22%2C%22CQXHTMVG%22%5D%2C%22dateModified%22%3A%222022-09-22T16%3A26%3A18Z%22%7D%7D%2C%7B%22key%22%3A%2233UQ3N35%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Reimann%22%2C%22parsedDate%22%3A%222022-09-04%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BReimann%2C%20Michael.%20%26lt%3Bi%26gt%3BUnendlicher%20Klang%3A%20Das%20Mysterium%20der%20Obert%26%23xF6%3Bne%20in%20Stimme%20und%20Instrument%26lt%3B%5C%2Fi%26gt%3B.%203rd%20ed.%20Michael%20Reimann%2C%20ACRON%20MUSIC%2C%202022.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Unendlicher%20Klang%3A%20Das%20Mysterium%20der%20Obert%5Cu00f6ne%20in%20Stimme%20und%20Instrument%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Michael%22%2C%22lastName%22%3A%22Reimann%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222022-09-04%22%2C%22language%22%3A%22Deutsch%22%2C%22ISBN%22%3A%22978-3-9824942-0-3%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ZUVTPAN5%22%2C%22CQXHTMVG%22%5D%2C%22dateModified%22%3A%222022-09-22T16%3A26%3A37Z%22%7D%7D%2C%7B%22key%22%3A%22UT68KFBZ%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Saus%22%2C%22parsedDate%22%3A%222004%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BSaus%2C%20Wolfgang.%20%26%23x201C%3BWas%20ist%20Obertongesang%20-%20Eine%20Definition.%26%23x201D%3B%20In%20%26lt%3Bi%26gt%3BOberton%20Singen.%20Mit%20Lern-CD%3A%20Das%20Geheimnis%20einer%20magischen%20Stimmkunst%20-%20Obertongesang%20erlernen%20mit%20dem%20Drei-Stufen-Selbstlernkurs%26lt%3B%5C%2Fi%26gt%3B%2C%201st%20ed.%2C%2058.%20Battweiler%3A%20Traumzeit-Verlag%2C%202004.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22bookSection%22%2C%22title%22%3A%22Was%20ist%20Obertongesang%20-%20Eine%20Definition%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Wolfgang%22%2C%22lastName%22%3A%22Saus%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22bookTitle%22%3A%22Oberton%20Singen.%20Mit%20Lern-CD%3A%20Das%20Geheimnis%20einer%20magischen%20Stimmkunst%20-%20Obertongesang%20erlernen%20mit%20dem%20Drei-Stufen-Selbstlernkurs%22%2C%22date%22%3A%222004%22%2C%22language%22%3A%22de%22%2C%22ISBN%22%3A%223-933825-36-9%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222015-09-26T09%3A43%3A20Z%22%7D%7D%2C%7B%22key%22%3A%222XI6KRNA%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Saus%22%2C%22parsedDate%22%3A%222006%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BSaus%2C%20Wolfgang.%20%26lt%3Bi%26gt%3BOberton%20Singen.%20Mit%20Lern-CD%26lt%3B%5C%2Fi%26gt%3B.%202nd%20ed.%20Battweiler%3A%20Traumzeit-Verlag%2C%202006.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Oberton%20Singen.%20Mit%20Lern-CD%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Wolfgang%22%2C%22lastName%22%3A%22Saus%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222006%22%2C%22language%22%3A%22Deutsch%22%2C%22ISBN%22%3A%22978-3-933825-36-0%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222022-09-22T16%3A26%3A10Z%22%7D%7D%2C%7B%22key%22%3A%22V45V8Q7X%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Saus%22%2C%22parsedDate%22%3A%222016%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BSaus%2C%20Wolfgang.%20%26%23x201C%3BObertongesang.%26%23x201D%3B%20In%20%26lt%3Bi%26gt%3BLexikon%20der%20Gesangsstimme%26lt%3B%5C%2Fi%26gt%3B%2C%20edited%20by%20Ann-Christine%20Mecke%2C%20Martin%20Pfleiderer%2C%20Bernhard%20Richter%2C%20and%20Thomas%20Seedorf%2C%20ca.%20800.%20Instrumenten-Lexika%205.%20Laaber%3A%20Laaber%2C%202016.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22encyclopediaArticle%22%2C%22title%22%3A%22Obertongesang%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Wolfgang%22%2C%22lastName%22%3A%22Saus%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Ann-Christine%22%2C%22lastName%22%3A%22Mecke%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Martin%22%2C%22lastName%22%3A%22Pfleiderer%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Bernhard%22%2C%22lastName%22%3A%22Richter%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Thomas%22%2C%22lastName%22%3A%22Seedorf%22%7D%5D%2C%22abstractNote%22%3A%22Lexikonartikel%20%5Cu00fcber%20Stile%2C%20Akustik%2C%20Historie%20und%20Verwendung%20von%20Obertongesang.%22%2C%22encyclopediaTitle%22%3A%22Lexikon%20der%20Gesangsstimme%22%2C%22date%22%3A%222016%22%2C%22ISBN%22%3A%22978-3-89007-546-4%22%2C%22url%22%3A%22%22%2C%22language%22%3A%22Deutsch%22%2C%22collections%22%3A%5B%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222022-09-22T16%3A29%3A08Z%22%7D%7D%2C%7B%22key%22%3A%228H9KRH2H%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Saus%22%2C%22parsedDate%22%3A%222010-11-09%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BSaus%2C%20Wolfgang.%20%26%23x201C%3BObertongesang.%26%23x201D%3B%20In%20%26lt%3Bi%26gt%3BPeter%20Hess%20-%20Klangmethoden%20Im%20Kontext%20von%20Forschung%20Und%20Wissenschaft%26lt%3B%5C%2Fi%26gt%3B%2C%20edited%20by%20Peter%20Hess%20and%20Christina%20M.%20Koller%2C%20182%26%23x2013%3B89.%20Sch%26%23xFC%3Bttorf%3A%20Hess%2C%202010.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22bookSection%22%2C%22title%22%3A%22Obertongesang%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Wolfgang%22%2C%22lastName%22%3A%22Saus%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Peter%22%2C%22lastName%22%3A%22Hess%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Christina%20M.%22%2C%22lastName%22%3A%22Koller%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22bookTitle%22%3A%22Peter%20Hess%20-%20Klangmethoden%20im%20Kontext%20von%20Forschung%20und%20Wissenschaft%22%2C%22date%22%3A%222010-11-09%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%223-938263-19-9%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%222CSIETRP%22%2C%22ZUVTPAN5%22%2C%22DTHJF98A%22%5D%2C%22dateModified%22%3A%222010-12-06T11%3A23%3A12Z%22%7D%7D%2C%7B%22key%22%3A%22RAQMNEC3%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Saus%22%2C%22parsedDate%22%3A%222004%22%2C%22numChildren%22%3A2%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BSaus%2C%20Wolfgang.%20%26lt%3Bi%26gt%3BOberton%20Singen.%20Mit%20Lern-CD%3A%20Das%20Geheimnis%20einer%20magischen%20Stimmkunst%20-%20Obertongesang%20erlernen%20mit%20dem%20Drei-Stufen-Selbstlernkurs%26lt%3B%5C%2Fi%26gt%3B.%204.%20%282011%29.%20Battweiler%3A%20Traumzeit-Verlag%2C%202004.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Ftraumzeit.online%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Ftraumzeit.online%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Oberton%20Singen.%20Mit%20Lern-CD%3A%20Das%20Geheimnis%20einer%20magischen%20Stimmkunst%20-%20Obertongesang%20erlernen%20mit%20dem%20Drei-Stufen-Selbstlernkurs%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Wolfgang%22%2C%22lastName%22%3A%22Saus%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222004%22%2C%22language%22%3A%22de%22%2C%22ISBN%22%3A%223-933825-36-9%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Ftraumzeit.online%22%2C%22collections%22%3A%5B%222CSIETRP%22%2C%22HIKN527Q%22%2C%22ERRN4U67%22%2C%22ZUVTPAN5%22%2C%22DTHJF98A%22%5D%2C%22dateModified%22%3A%222024-02-07T15%3A31%3A29Z%22%7D%7D%2C%7B%22key%22%3A%22T4ZUM54E%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Saus%20and%20Xu%22%2C%22parsedDate%22%3A%222009%22%2C%22numChildren%22%3A2%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BSaus%2C%20Wolfgang%2C%20and%20Minghao%20Xu.%20%26lt%3Bi%26gt%3BDVD.%20Der%20Oberton%20Workshop%20mit%20Wolfgang%20Saus.%20Erlerne%20das%20Geheimnis%20der%20magischen%20Stimmkunst%20Obertongesang.%20The%20Overtone-Workshop.%20Aquire%20the%20magical%20art%20of%20harmonic%20singing.%26lt%3B%5C%2Fi%26gt%3B%20DVD-5.%2016%3A9%20PAL.%20Battweiler%3A%20Traumzeit-Verlag%2C%202009.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22videoRecording%22%2C%22title%22%3A%22DVD.%20Der%20Oberton%20Workshop%20mit%20Wolfgang%20Saus.%20Erlerne%20das%20Geheimnis%20der%20magischen%20Stimmkunst%20Obertongesang.%20The%20Overtone-Workshop.%20Aquire%20the%20magical%20art%20of%20harmonic%20singing.%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22director%22%2C%22firstName%22%3A%22Wolfgang%22%2C%22lastName%22%3A%22Saus%22%7D%2C%7B%22creatorType%22%3A%22director%22%2C%22firstName%22%3A%22Minghao%22%2C%22lastName%22%3A%22Xu%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22videoRecordingFormat%22%3A%22DVD-5.%2016%3A9%20PAL.%22%2C%22studio%22%3A%22Traumzeit-Verlag%22%2C%22date%22%3A%222009%22%2C%22runningTime%22%3A%22120%22%2C%22language%22%3A%22de%2C%20en%20subtitles%22%2C%22ISBN%22%3A%223-933825-82-2%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22Z2R37FKZ%22%2C%22ZUVTPAN5%22%2C%22PA2Z29NZ%22%5D%2C%22dateModified%22%3A%222013-03-01T18%3A15%3A28Z%22%7D%7D%2C%7B%22key%22%3A%22PSADVZI5%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Saus%20et%20al.%22%2C%22parsedDate%22%3A%222010-11-09%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BSaus%2C%20Wolfgang%2C%20Alexander%20Lauterwasser%2C%20Michael%20Konrath%2C%20Uwe%20Ross%2C%20Emily%20Zurek%2C%20Peter%20Gabis%2C%20Herbert%20Seitz%2C%20et%20al.%20%26lt%3Bi%26gt%3BPeter%20Hess%20-%20Klangmethoden%20Im%20Kontext%20von%20Forschung%20Und%20Wissenschaft%26lt%3B%5C%2Fi%26gt%3B.%20Edited%20by%20Peter%20Hess%20and%20Christina%20M.%20Koller.%20Hess%2C%20Sch%26%23xFC%3Bttorf%2C%202010.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Peter%20Hess%20-%20Klangmethoden%20im%20Kontext%20von%20Forschung%20und%20Wissenschaft%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Peter%22%2C%22lastName%22%3A%22Hess%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Christina%20M.%22%2C%22lastName%22%3A%22Koller%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Wolfgang%22%2C%22lastName%22%3A%22Saus%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alexander%22%2C%22lastName%22%3A%22Lauterwasser%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Michael%22%2C%22lastName%22%3A%22Konrath%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Uwe%22%2C%22lastName%22%3A%22Ross%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Emily%22%2C%22lastName%22%3A%22Zurek%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Peter%22%2C%22lastName%22%3A%22Gabis%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Herbert%22%2C%22lastName%22%3A%22Seitz%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Tanja%22%2C%22lastName%22%3A%22Grotz%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Rolf%22%2C%22lastName%22%3A%22Verres%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Klaus%22%2C%22lastName%22%3A%22Fe%5Cu00dfmann%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Halina%22%2C%22lastName%22%3A%22Portalska%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Marek%22%2C%22lastName%22%3A%22Portalski%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222010-11-09%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%223-938263-19-9%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%222CSIETRP%22%2C%22ZUVTPAN5%22%2C%22DTHJF98A%22%5D%2C%22dateModified%22%3A%222010-12-06T11%3A13%3A19Z%22%7D%7D%2C%7B%22key%22%3A%227SEE2JTF%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Steller%22%2C%22parsedDate%22%3A%221774%22%2C%22numChildren%22%3A4%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BSteller%2C%20Georg%20Wilhelm.%20%26lt%3Bi%26gt%3BGeorg%20Wilhelm%20Stellers%20gewesenen%20Adjuncti%20und%20Mitglieds%20der%20Kayserl.%20Academie%20der%20Wissenschaften%20zu%20St.%20Petersburg%20Beschreibung%20von%20dem%20Lande%20Kamtschatka%3A%20dessen%20Einwohnern%20deren%20Sitten%2C%20Nahmen%2C%20Lebensart%20und%20verschiedenen%20Gewohnheiten%26lt%3B%5C%2Fi%26gt%3B.%20Edited%20by%20Jean%20Beno%26%23xEE%3Bt%20Sch%26%23xE9%3Brer.%20Frankfurt%2C%20Leipzig%3A%20bey%20Johann%20Georg%20Fleischer%2C%201774.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fwww.digitale-sammlungen.de%5C%2Fde%5C%2Fview%5C%2Fbsb11095462%3Fpage%3D5%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fwww.digitale-sammlungen.de%5C%2Fde%5C%2Fview%5C%2Fbsb11095462%3Fpage%3D5%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Georg%20Wilhelm%20Stellers%20gewesenen%20Adjuncti%20und%20Mitglieds%20der%20Kayserl.%20Academie%20der%20Wissenschaften%20zu%20St.%20Petersburg%20Beschreibung%20von%20dem%20Lande%20Kamtschatka%3A%20dessen%20Einwohnern%20deren%20Sitten%2C%20Nahmen%2C%20Lebensart%20und%20verschiedenen%20Gewohnheiten%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Georg%20Wilhelm%22%2C%22lastName%22%3A%22Steller%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Jean%20Beno%5Cu00eet%22%2C%22lastName%22%3A%22Sch%5Cu00e9rer%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%221774%22%2C%22language%22%3A%22de%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fwww.digitale-sammlungen.de%5C%2Fde%5C%2Fview%5C%2Fbsb11095462%3Fpage%3D5%22%2C%22collections%22%3A%5B%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222024-02-01T02%3A14%3A39Z%22%7D%7D%2C%7B%22key%22%3A%22TTGFIZJV%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Stroh%22%2C%22parsedDate%22%3A%221999-10%22%2C%22numChildren%22%3A2%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BStroh%2C%20Wolfgang%20Martin.%20%26lt%3Bi%26gt%3BHandbuch%20New%20Age%20Musik.%20Auf%20Der%20Suche%20Nach%20Neuen%20Musikalischen%20Erfahrungen%26lt%3B%5C%2Fi%26gt%3B.%20Conbrio%20Verlagsges.Mbh%2C%201999.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Handbuch%20New%20Age%20Musik.%20Auf%20der%20Suche%20nach%20neuen%20musikalischen%20Erfahrungen%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Wolfgang%20Martin%22%2C%22lastName%22%3A%22Stroh%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%221999-10%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%223930079402%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ERRN4U67%22%2C%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222008-05-16T11%3A15%3A18Z%22%7D%7D%2C%7B%22key%22%3A%22TY3CVMTS%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Sundberg%22%2C%22parsedDate%22%3A%221989-06-14%22%2C%22numChildren%22%3A2%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BSundberg%2C%20Johan.%20%26%23x201C%3BSynthesis%20of%20Singing%20by%20Rule.%26%23x201D%3B%20In%20%26lt%3Bi%26gt%3BCurrent%20Directions%20in%20Computer%20Music%20Research%26lt%3B%5C%2Fi%26gt%3B%2C%20edited%20by%20Max%20V.%20Mathews%20and%20John%20R.%20Pierce%2C%2043%26%23x2013%3B55%2C%20401%26%23x2013%3B3.%20Cambridge%2C%20Mass%3A%20MIT%20Press%2C%201989.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22bookSection%22%2C%22title%22%3A%22Synthesis%20of%20singing%20by%20rule%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Max%20V.%22%2C%22lastName%22%3A%22Mathews%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22John%20R.%22%2C%22lastName%22%3A%22Pierce%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Johan%22%2C%22lastName%22%3A%22Sundberg%22%7D%5D%2C%22abstractNote%22%3A%22An%20expensive%20laboratory%20luxury%20just%2025%20years%20ago%2C%20computer%20music%20is%20now%20entering%20the%20public%20domain.%20Inexpensive%20digital%20keyboards%20and%20related%20hardware%20are%20more%20widely%20available%20than%20the%20piano.%20These%2021%20original%20contributions%20by%20composers%2C%20behavioral%20scientists%2C%20engineers%2C%20and%20other%20specialists%20from%20many%20of%20the%20international%20centers%20of%20research%20in%20computer%20music%20provide%20an%20inside%20report%20on%20the%20most%20sophisticated%20aspects%20of%20digital%20synthesis%2C%20control%20and%20understanding%20of%20musical%20sound%2C%20and%20related%20work%20on%20perception.%20The%20use%20of%20the%20computer%20to%20analyze%20and%20synthesize%20complex%20sounds%20has%20resulted%20in%20faster%20and%20more%20accurate%20experimental%20study%20of%20this%20key%20aspect%20of%20human%20perception.%20Many%20of%20the%20chapters%20in%20this%20book%20provide%20new%20insights%20into%20sounds%20and%20hearing.%20These%20include%20the%20investigation%20of%20loudness%2C%20masking%2C%20and%20binaural%20phenomena%2C%20and%20also%20an%20extensive%20study%20of%20the%20perceived%20pitch%20of%20sounds%2C%20many%20of%20which%20are%20remote%20from%20sounds%20ever%20heard%20in%20nature.%20Among%20the%20specific%20topics%20covered%20are%20speech%20songs%2C%20synthesis%20of%20the%20singing%20voice%2C%20spatial%20reverberation%2C%20Fourier-transform-based%20timbral%20manipulations%2C%20the%20simulation%20of%20bowed%20instruments%2C%20automatic%20counterpoint%2C%20and%20a%20conductor%20program%20utilizing%20a%20mechanical%20baton.%20A%20chapter%20authored%20jointly%20by%20Mathews%20and%20Pierce%20describes%20a%20new%20musical%20scale%20they%20have%20been%20working%20on%20over%20the%20past%20few%20years.%20Max%20V.%20Mathews%20and%20John%20R.%20Pierce%20are%20members%20of%20the%20music%20faculty%20at%20Stanford%20University.%20Both%20spent%20the%20major%20part%20of%20their%20professional%20lives%20at%20Bell%20Telephone%20Laboratories%2C%20where%20Mathews%20directed%20the%20Acoustical%20%26amp%3B%20Behavioral%20Research%20Center%2C%20and%20Pierce%20directed%20the%20Communication%20Sciences%20Division.Current%20Directions%20in%20Computer%20Music%20Research%20isincluded%20in%20the%20System%20Development%20Foundation%20Benchmark%20series.%20The%20System%20Development%20Foundation%20was%20one%20of%20the%20first%20major%20supporters%20of%20computer%20music%20research.%22%2C%22bookTitle%22%3A%22Current%20Directions%20in%20Computer%20Music%20Research%22%2C%22date%22%3A%221989-06-14%22%2C%22language%22%3A%22Englisch%22%2C%22ISBN%22%3A%22978-0-262-13241-1%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222021-09-09T21%3A48%3A35Z%22%7D%7D%2C%7B%22key%22%3A%22BHLWIM44%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Tinctoris%22%2C%22parsedDate%22%3A%221481%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BTinctoris%2C%20Johannes.%20%26%23x201C%3BJohannes%20Tinctoris%20%26%23x2014%3B%20De%20Inventione%20et%20Usu%20Musice.%26%23x201D%3B%20Early%20Music%20Theory%2C%20ca%201481.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fearlymusictheory.org%5C%2FTinctoris%5C%2Ftexts%5C%2Fdeinventioneetusumusice%5C%2F%23pane0%3DTranslation%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fearlymusictheory.org%5C%2FTinctoris%5C%2Ftexts%5C%2Fdeinventioneetusumusice%5C%2F%23pane0%3DTranslation%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22Johannes%20Tinctoris%20%5Cu2014%20De%20inventione%20et%20usu%20musice%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Johannes%22%2C%22lastName%22%3A%22Tinctoris%22%7D%5D%2C%22abstractNote%22%3A%22But%20as%20I%20shall%20let%20both%20male%20and%20female%20singers%20singing%20by%20nature%20alone%20or%20by%20imitation%2C%20in%20the%20manner%20of%20birds%2C%20be%20praised%20by%20others%2C%20I%20cannot%20pass%20over%20in%20silence%20that%20%28if%20I%20may%20say%20so%29%20I%20and%20none%20other%2C%20that%20is%20with%20another%26%23039%3Bs%20senses%2C%20once%20saw%20and%20heard%20something%20miraculous%20invented%20for%20singing.%20For%20indeed%20my%20countryman%20Gerardus%20of%20Brabant%2C%20a%20courtier%20of%20the%20most%20illustrious%20duke%20of%20Bourbon%20%28with%20me%20present%2C%20seeing%2C%20and%20hearing%29%2C%20beneath%20the%20right-hand%20porch%20of%20the%20distinguished%20church%20of%20Chartres%2C%20whose%20boys%20I%20then%20taught%20music%2C%20most%20perfectly%20sang%20the%20soprano%20part%20together%20with%20the%20tenor%2C%20not%20alternating%20the%20voices%2C%20of%20the%20song%20%5Cu201cTout%20%5Cu00e0%20part%20moy%5Cu201d.%20As%20Vergil%20says%2C%20%5Cu201cI%20hardly%20speak%20of%20things%20unknown%5Cu201d.%20If%20anyone%20has%20put%20off%20believing%20this%20%28for%20%28with%20Ovid%5Cu2019s%20testimony%29.%20%5B...%5D%20for%20the%20physical%20reason%2C%20however%2C%20I%20regard%20the%20two-part%20song%20of%20our%20single%20Gerardus%20as%20more%20wonderful.%22%2C%22date%22%3A%221481%20ca.%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fearlymusictheory.org%5C%2FTinctoris%5C%2Ftexts%5C%2Fdeinventioneetusumusice%5C%2F%23pane0%3DTranslation%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222021-07-29T18%3A59%3A42Z%22%7D%7D%2C%7B%22key%22%3A%22ZFFEVJI7%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Tongeren%20and%20Hai%22%2C%22parsedDate%22%3A%222023-01-10%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BTongeren%2C%20Mark%20Van%2C%20and%20Tran%20Quang%20Hai.%20%26lt%3Bi%26gt%3BOvertone%20Singing%3A%20Harmonic%20Dimensions%20of%20the%20Human%20Voice%26lt%3B%5C%2Fi%26gt%3B.%20S.l.%3A%20Terra%20Nova%20Press%2C%202023.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Overtone%20Singing%3A%20Harmonic%20Dimensions%20of%20the%20Human%20Voice%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Mark%20Van%22%2C%22lastName%22%3A%22Tongeren%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Tran%20Quang%22%2C%22lastName%22%3A%22Hai%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222023-01-10%22%2C%22language%22%3A%22Englisch%22%2C%22ISBN%22%3A%22978-1-949597-22-6%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222022-09-22T16%3A27%3A09Z%22%7D%7D%2C%7B%22key%22%3A%22KWT47FTR%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22van%20Tongeren%22%2C%22parsedDate%22%3A%222004-02-01%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BTongeren%2C%20Mark%20C.%20van.%20%26lt%3Bi%26gt%3BOvertone%20Singing%3A%20Physics%20and%20Metaphysics%20of%20Harmonics%20in%20East%20and%20West%20%28Hardcover%29%26lt%3B%5C%2Fi%26gt%3B.%202Rev%20Ed.%20Amsterdam%3A%20Eburon%20B%20V%2C%202004.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Overtone%20Singing%3A%20Physics%20and%20Metaphysics%20of%20Harmonics%20in%20East%20and%20West%20%28Hardcover%29%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Mark%20C.%22%2C%22lastName%22%3A%22van%20Tongeren%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222004-02-01%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%229059721330%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ERRN4U67%22%2C%22FTCRNM7T%22%2C%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222013-04-26T13%3A29%3A47Z%22%7D%7D%2C%7B%22key%22%3A%22CVMX3MS3%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22van%20Tongeren%22%2C%22parsedDate%22%3A%222004-02-01%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BTongeren%2C%20Mark%20C.%20van.%20%26lt%3Bi%26gt%3BOvertone%20Singing%3A%20Physics%20and%20Metaphysics%20of%20Harmonics%20in%20East%20and%20West%26lt%3B%5C%2Fi%26gt%3B.%202Rev%20Ed.%20Amsterdam%3A%20Eburon%20B%20V%2C%202004.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Overtone%20Singing%3A%20Physics%20and%20Metaphysics%20of%20Harmonics%20in%20East%20and%20West%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Mark%20C.%22%2C%22lastName%22%3A%22van%20Tongeren%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222004-02-01%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%229059721322%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ERRN4U67%22%2C%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222013-04-26T13%3A29%3A56Z%22%7D%7D%2C%7B%22key%22%3A%22KTNW3W8K%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Vetter%22%2C%22parsedDate%22%3A%221996-10-04%22%2C%22numChildren%22%3A2%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BVetter%2C%20Michael.%20%26lt%3Bi%26gt%3BOm-Eine%20Obertonschule%26lt%3B%5C%2Fi%26gt%3B.%20Audio%20CD.%20Spectrum%20%28Note%201%29%2C%201996.%20Amazon.com.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22audioRecording%22%2C%22title%22%3A%22Om-Eine%20Obertonschule%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22performer%22%2C%22firstName%22%3A%22Michael%22%2C%22lastName%22%3A%22Vetter%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22audioRecordingFormat%22%3A%22Audio%20CD%22%2C%22label%22%3A%22Spectrum%20%28Note%201%29%22%2C%22date%22%3A%221996-10-04%22%2C%22runningTime%22%3A%22%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22E2TZ23BS%22%2C%22ERRN4U67%22%2C%22Q8MGQAIS%22%2C%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222008-05-05T19%3A53%3A51Z%22%7D%7D%2C%7B%22key%22%3A%22JDRJKJ8F%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Voigt-Zimmermann%20et%20al.%22%2C%22parsedDate%22%3A%222016%22%2C%22numChildren%22%3A6%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BVoigt-Zimmermann%2C%20Susanne%2C%20Stephanie%20Kurtenbach%2C%20Gabriele%20Finkbeiner%2C%20Anke%20Bergt%2C%20and%20Wanda%20Mainka%2C%20eds.%20%26lt%3Bi%26gt%3BStimmst%26%23xF6%3Brungen%20%26%23x2013%3B%20ein%20Fokus%20der%20Klinischen%20Sprechwissenschaft%3A%20Aktuelle%20Beitr%26%23xE4%3Bge%20aus%20Wissenschaft%2C%20Forschung%20und%20Praxis%26lt%3B%5C%2Fi%26gt%3B.%20Berlin%3A%20Frank%20%26amp%3B%20Timme%2C%202016.%20https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.26530%5C%2F20.500.12657%5C%2F42799.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Stimmst%5Cu00f6rungen%20%5Cu2013%20ein%20Fokus%20der%20Klinischen%20Sprechwissenschaft%3A%20Aktuelle%20Beitr%5Cu00e4ge%20aus%20Wissenschaft%2C%20Forschung%20und%20Praxis%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Susanne%22%2C%22lastName%22%3A%22Voigt-Zimmermann%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Stephanie%22%2C%22lastName%22%3A%22Kurtenbach%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Gabriele%22%2C%22lastName%22%3A%22Finkbeiner%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Anke%22%2C%22lastName%22%3A%22Bergt%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Wanda%22%2C%22lastName%22%3A%22Mainka%22%7D%5D%2C%22abstractNote%22%3A%22Die%20Arbeit%20an%20der%20Stimme%2C%20ob%20diagnostisch%2C%20therapeutisch%2C%20vorbeugend%20oder%20wiederherstellend%2C%20ist%20und%20bleibt%20einer%20der%20Kernbereiche%20der%20Klinischen%20Sprechwissenschaft.%20Die%20Autoren%20dieses%20Bandes%20geben%20exemplarisch%20Auskunft%20%5Cu00fcber%20aktuelle%20Stimmforschungsergebnisse%2C%20interdisziplin%5Cu00e4re%20Projekte%20und%20zentrale%20sowie%20randst%5Cu00e4ndige%20Aspekte%20der%20Stimme%2C%20ihrer%20Variabilit%5Cu00e4t%2C%20Erkrankung%2C%20Diagnostik%20und%20Therapie.%20So%20geht%20es%20beispielsweise%20um%20den%20kindlichen%20Umgang%20mit%20der%20Stimme%2C%20Stimmtraining%20f%5Cu00fcr%20Transsexuelle%2C%20die%20%5Cu00c4sthetik%20von%20Radiostimmen%20und%20besondere%20Ph%5Cu00e4nomene%20wie%20das%20Jodeln%20oder%20den%20Obertongesang.%5Cn%5Cn---%20English%20---%5CnWorking%20on%20the%20voice%2C%20whether%20diagnosticly%2C%20therapeuticly%2C%20preventively%20or%20restoratively%2C%20is%20and%20will%20remain%20one%20of%20the%20core%20areas%20of%20clinical%20speech%20science.%20The%20authors%20of%20this%20volume%20provide%20information%20on%20current%20vocal%20research%20results%2C%20interdisciplinary%20projects%20and%20central%20and%20marginal%20aspects%20of%20the%20voice%2C%20its%20variability%2C%20disease%2C%20diagnosis%20and%20therapy.%20For%20example%2C%20it%20is%20about%20the%20child%26%23039%3Bs%20handling%20of%20the%20voice%2C%20voice%20training%20for%20transsexuals%2C%20the%20aesthetics%20of%20radio%20voices%20and%20special%20phenomena%20such%20as%20yodelling%20or%20overtone%20singing.%20Susanne%20Voigt-Zimmermann%2C%20Dr.%20phil.%2C%20ENT%20clinic%20of%20the%20Otto%20von%20Guericke%20University%20Magdeburg.%20Stephanie%20Kurtenbach%2C%20Dr.%20phil.%2C%20Seminar%20for%20Speech%20Science%20and%20Phonetics%20at%20the%20MLU%20Halle-Wittenberg.%20Gabriele%20Finkbeiner%2C%20Practice%20for%20Speech%20Therapy%20Oswald%2C%20R%5Cu00fcdersdorf%20near%20Berlin%2C%20Chairwoman%20of%20DBKS%20e.%20V.%20Anke%20Bergt%2C%20Lebenshilfe-Werk%20Weimar%20%5C%2F%20Apolda%20e.%20V.%2C%20deputy%20chairwoman%20of%20DBKS%20e.%20V.%20Wanda%20Mainka%2C%20Neurological%20Specialist%20Hospital%20for%20Movement%20Disorders%20%5C%2F%20Parkinson%26%23039%3Bs%2C%20Beelitz-Heilst%5Cu00e4tten.%22%2C%22date%22%3A%222016%22%2C%22language%22%3A%22Deutsch%22%2C%22ISBN%22%3A%22978-3-7329-0240-8%20978-3-7329-9737-4%20978-3-7329-9245-4%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Flibrary.oapen.org%5C%2Fhandle%5C%2F20.500.12657%5C%2F42799%22%2C%22collections%22%3A%5B%222CSIETRP%22%2C%22HIKN527Q%22%2C%22ZUVTPAN5%22%2C%22DTHJF98A%22%2C%22VSP2INIQ%22%5D%2C%22dateModified%22%3A%222024-11-09T13%3A51%3A12Z%22%7D%7D%2C%7B%22key%22%3A%22DDC3TDVT%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Wikipedia%22%2C%22parsedDate%22%3A%222011%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BWikipedia.%20%26%23x201C%3BBenutzer%3AOberton%5C%2FB%26%23xFC%3Bcher%5C%2FIntervalle%20%26%23x2013%3B%20Wikipedia%2C%26%23x201D%3B%202011.%20http%3A%5C%2F%5C%2Fde.wikipedia.org%5C%2Fwiki%5C%2FBenutzer%3AWolfgang_Saus%5C%2FB%26%23xFC%3Bcher%5C%2FIntervalle.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22Benutzer%3AOberton%5C%2FB%5Cu00fccher%5C%2FIntervalle%20%5Cu2013%20Wikipedia%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22contributor%22%2C%22firstName%22%3A%22Wolfgang%22%2C%22lastName%22%3A%22Saus%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22%22%2C%22lastName%22%3A%22Wikipedia%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222011%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fde.wikipedia.org%5C%2Fwiki%5C%2FBenutzer%3AWolfgang_Saus%5C%2FB%5Cu00fccher%5C%2FIntervalle%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22ZUVTPAN5%22%2C%22UJG36AE7%22%5D%2C%22dateModified%22%3A%222016-01-18T02%3A05%3A55Z%22%7D%7D%2C%7B%22key%22%3A%22G54AJ8EA%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Wikipedia%22%2C%22parsedDate%22%3A%222011%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BWikipedia.%20%26%23x201C%3BBenutzer%3AOberton%5C%2FB%26%23xFC%3Bcher%5C%2FStimme%20%26%23x2013%3B%20Wikipedia%2C%26%23x201D%3B%202011.%20http%3A%5C%2F%5C%2Fde.wikipedia.org%5C%2Fwiki%5C%2FBenutzer%3AWolfgang_Saus%5C%2FB%26%23xFC%3Bcher%5C%2FStimme.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22Benutzer%3AOberton%5C%2FB%5Cu00fccher%5C%2FStimme%20%5Cu2013%20Wikipedia%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22contributor%22%2C%22firstName%22%3A%22Wolfgang%22%2C%22lastName%22%3A%22Saus%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22%22%2C%22lastName%22%3A%22Wikipedia%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222011%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fde.wikipedia.org%5C%2Fwiki%5C%2FBenutzer%3AWolfgang_Saus%5C%2FB%5Cu00fccher%5C%2FStimme%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22ZUVTPAN5%22%2C%22UJG36AE7%22%5D%2C%22dateModified%22%3A%222016-01-18T02%3A05%3A51Z%22%7D%7D%2C%7B%22key%22%3A%223FNXH7KU%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Wikipedia%22%2C%22parsedDate%22%3A%222011%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BWikipedia.%20%26%23x201C%3BBenutzer%3AOberton%5C%2FB%26%23xFC%3Bcher%5C%2FObert%26%23xF6%3Bne%20%26%23x2013%3B%20Wikipedia%2C%26%23x201D%3B%202011.%20http%3A%5C%2F%5C%2Fde.wikipedia.org%5C%2Fwiki%5C%2FBenutzer%3AWolfgang_Saus%5C%2FB%26%23xFC%3Bcher%5C%2FObert%26%23xF6%3Bne.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22Benutzer%3AOberton%5C%2FB%5Cu00fccher%5C%2FObert%5Cu00f6ne%20%5Cu2013%20Wikipedia%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22contributor%22%2C%22firstName%22%3A%22Wolfgang%22%2C%22lastName%22%3A%22Saus%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22%22%2C%22lastName%22%3A%22Wikipedia%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222011%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fde.wikipedia.org%5C%2Fwiki%5C%2FBenutzer%3AWolfgang_Saus%5C%2FB%5Cu00fccher%5C%2FObert%5Cu00f6ne%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22ZUVTPAN5%22%2C%22UJG36AE7%22%5D%2C%22dateModified%22%3A%222016-01-18T02%3A05%3A47Z%22%7D%7D%2C%7B%22key%22%3A%22VN2J9S9S%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Wikipedia%22%2C%22parsedDate%22%3A%222011%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BWikipedia.%20%26%23x201C%3BBenutzer%3AOberton%5C%2FB%26%23xFC%3Bcher%5C%2FH%26%23xF6%3Bren%20%26%23x2013%3B%20Wikipedia%2C%26%23x201D%3B%202011.%20http%3A%5C%2F%5C%2Fde.wikipedia.org%5C%2Fwiki%5C%2FBenutzer%3AWolfgang_Saus%5C%2FB%26%23xFC%3Bcher%5C%2FH%26%23xF6%3Bren.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22Benutzer%3AOberton%5C%2FB%5Cu00fccher%5C%2FH%5Cu00f6ren%20%5Cu2013%20Wikipedia%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22contributor%22%2C%22firstName%22%3A%22Wolfgang%22%2C%22lastName%22%3A%22Saus%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22%22%2C%22lastName%22%3A%22Wikipedia%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222011%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fde.wikipedia.org%5C%2Fwiki%5C%2FBenutzer%3AWolfgang_Saus%5C%2FB%5Cu00fccher%5C%2FH%5Cu00f6ren%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22ZUVTPAN5%22%2C%22UJG36AE7%22%2C%225QC96SJI%22%5D%2C%22dateModified%22%3A%222016-01-18T02%3A05%3A32Z%22%7D%7D%2C%7B%22key%22%3A%22CERWEDFD%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Wikipedia%22%2C%22parsedDate%22%3A%222011%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BWikipedia.%20%26%23x201C%3BBenutzer%3AOberton%5C%2FB%26%23xFC%3Bcher%5C%2FFormanten%20%26%23x2013%3B%20Wikipedia%2C%26%23x201D%3B%202011.%20http%3A%5C%2F%5C%2Fde.wikipedia.org%5C%2Fwiki%5C%2FBenutzer%3AWolfgang_Saus%5C%2FB%26%23xFC%3Bcher%5C%2FFormanten.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22Benutzer%3AOberton%5C%2FB%5Cu00fccher%5C%2FFormanten%20%5Cu2013%20Wikipedia%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22%22%2C%22lastName%22%3A%22Wikipedia%22%7D%2C%7B%22creatorType%22%3A%22contributor%22%2C%22firstName%22%3A%22Wolfgang%22%2C%22lastName%22%3A%22Saus%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222011%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fde.wikipedia.org%5C%2Fwiki%5C%2FBenutzer%3AWolfgang_Saus%5C%2FB%5Cu00fccher%5C%2FFormanten%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22ZUVTPAN5%22%2C%22UJG36AE7%22%5D%2C%22dateModified%22%3A%222025-01-13T17%3A36%3A48Z%22%7D%7D%2C%7B%22key%22%3A%22SUZP3EUZ%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Wolff%22%2C%22parsedDate%22%3A%221987%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BWolff%2C%20Stephanie.%20%26lt%3Bi%26gt%3BObert%26%23xF6%3Bne.%20Versinken%20in%20Die%20Welt%20Des%20Klanges.%20Meditation%20Und%20Therapie%20Durch%20Neue%20Dimensionen%20Der%20Musik.%20Mit%20Einer%20Praktischen%20Einf%26%23xFC%3Bhrung%20in%20Die%20Technik%20Des%20Obertonsingens.%26lt%3B%5C%2Fi%26gt%3B%20Freiburg%3A%20Bauer%2C%201987.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Obert%5Cu00f6ne.%20Versinken%20in%20die%20Welt%20des%20Klanges.%20Meditation%20und%20Therapie%20durch%20neue%20Dimensionen%20der%20Musik.%20Mit%20einer%20praktischen%20Einf%5Cu00fchrung%20in%20die%20Technik%20des%20Obertonsingens.%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Stephanie%22%2C%22lastName%22%3A%22Wolff%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%221987%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22ERRN4U67%22%2C%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222022-09-22T16%3A28%3A43Z%22%7D%7D%5D%7D
Akademie f. gesprochenes Wort, and Hellmut K Geissner. Stimmkulturen: 3. Stuttgarter Stimmtage 2000. 1st ed. St. Ingbert: Röhrig Universitätsverlag, 2002.
Arjopa. Choomii - das mongolische Obertonsingen [Medienkombination] : Anleitung zum Selberlernen. 1st ed. Frankfurt am Main: Zweitausendeins, 1999.
Birkicht, Matthias. “Das Kleine Obertonbrevier.” self-published, n.d. http://www.oberton.info/obertonbrevier.pdf.
Coffin, Berton. Coffin’s Overtones of Bel Canto: Phonetic Basis of Artistic Singing with 100 Chromatic Vowel Chart Exercises. Metuchen, N.J: Scarecrow Press, 1980.
Cope, Jonathan. How to Khoomei: And Other Overtone Singing Styles. Sound For Health, 2004.
Finscher, Ludwig, and Friedrich Blume. Die Musik in Geschichte Und Gegenwart ( MGG): 23 Bände. 2., Neubearb. A. Metzler, 1994.
Galgut, Peter. Humming Your Way Happiness: An Introduction to Tuva and Overtone Singing from Around the World. O Books (John Hunt), 2005.
Goldman, Jonathan. Healing Sounds: The Power of Harmonics. New. Healing Arts Home, 2002.
Goldman, Jonathan. Heilende Klänge : Die Macht Der Obertöne. München: Droemer Knaur, 1994.
Goldman, Jonathan. Klangheilung. Die Schöpferkraft Des Obertongesangs. Mit CD Zum Erlernen Heilender Klänge! Erw. Ausg. mit CD. AMRA Verlag, 2008.
Grawunder, Sven. “On the Physiology of Voice Production in South-Siberian Throat Singing – Analysis of Acoustic and Electrophysiological Evidences.” Unpublished PhD thesis, Martin Luther University Halle-Wittenberg, Halle., 2005.
Grawunder, Sven. “Obertongesang versus Kehlgesang - Die Erforschung Eines Besonderen Stimmgebrauchs.” Unpublished Diploma, Martin-Luther-Universität Halle-Wittenberg, Halle/S., 1999. http://email.eva.mpg.de/~grawunde/KehlgesangversObertongesang.pdf.
Grawunder, Sven. On the Physiology of Voice Production in South-Siberian Throat Singing: Analysis of Acoustic and Electrophysiological Evidences. Berlin: Frank & Timme, 2009.
Groeneveld, B.D. Stem En Boventonen / Druk 1: Oefeningen, Improvisaties, Klankmeditaties. 1. Panta Rhei, Uitgeverij, 2007.
Hinds, Stuart. Composing Music for Overtone Singing.Pdf. self-published, 2019. https://www.stuarthinds.com/.
Hinds, Stuart. Group Singing with Overtones. Self-published, 2020. https://www.stuarthinds.com/.
Hinds, Stuart. Eine Oberton-Erfahrung - An Overtone-Experience: 15 Lieder Mit Mehrstimmigem Obertongesang - 15 Polyphonic Overtone Songs You’ll Love to Sing. Translated by Wolfgang Saus. 1., Aufl. Battweiler: Traumzeit-Verlag, 2012.
Levin, Theodore Craig, and Valentina Suzukei. Where Rivers and Mountains Sing: Sound, Music, and Nomadism in Tuva and Beyond with CD (Audio) and DVD: Sound, Music and Nomadism in Tuva and Beyond. Har/Com/Dv. Indiana University Press, 2006.
Mecke, Ann-Christine, Martin Pfleiderer, Bernhard Richter, and Thomas Seedorf, eds. Lexikon der Gesangsstimme: Geschichte – Wissenschaftliche Grundlagen – Gesangstechniken – Interpreten. 1st ed. Instrumenten-Lexika. Laaber: Laaber-Verlag, 2016.
Pegg, Carole. Mongolian Music, Dance, and Oral Narrative: Recovering Performance Traditions. Pap/Com. Univ of Washington Pr, 2001.
Rachele, Rollin. Boventoonzang: een zelfstudiecursus in het leren hzingen van boventoonen. 1st ed. Katwijk aan Zee: Servire Uitgevers B. V., 1989.
Rachele, Rollin. Overtone Singing Study Guide. 1st ed. Cryptic Voices, 1989.
Reimann, Michael. Unendlicher Klang. Obertöne in Stimme und Instrumentalmusik. 1st ed. Norderstedt: Kolibri, 1993.
Reimann, Michael. Unendlicher Klang: Das Mysterium der Obertöne - ebook. 3rd ed. ACRON MUSIC EDITION, 2022.
Reimann, Michael. Unendlicher Klang: Das Mysterium der Obertöne in Stimme und Instrument. 3rd ed. Michael Reimann, ACRON MUSIC, 2022.
Saus, Wolfgang. “Was ist Obertongesang - Eine Definition.” In Oberton Singen. Mit Lern-CD: Das Geheimnis einer magischen Stimmkunst - Obertongesang erlernen mit dem Drei-Stufen-Selbstlernkurs, 1st ed., 58. Battweiler: Traumzeit-Verlag, 2004.
Saus, Wolfgang. Oberton Singen. Mit Lern-CD. 2nd ed. Battweiler: Traumzeit-Verlag, 2006.
Saus, Wolfgang. “Obertongesang.” In Lexikon der Gesangsstimme, edited by Ann-Christine Mecke, Martin Pfleiderer, Bernhard Richter, and Thomas Seedorf, ca. 800. Instrumenten-Lexika 5. Laaber: Laaber, 2016.
Saus, Wolfgang. “Obertongesang.” In Peter Hess - Klangmethoden Im Kontext von Forschung Und Wissenschaft, edited by Peter Hess and Christina M. Koller, 182–89. Schüttorf: Hess, 2010.
Saus, Wolfgang. Oberton Singen. Mit Lern-CD: Das Geheimnis einer magischen Stimmkunst - Obertongesang erlernen mit dem Drei-Stufen-Selbstlernkurs. 4. (2011). Battweiler: Traumzeit-Verlag, 2004. https://traumzeit.online.
Saus, Wolfgang, and Minghao Xu. DVD. Der Oberton Workshop mit Wolfgang Saus. Erlerne das Geheimnis der magischen Stimmkunst Obertongesang. The Overtone-Workshop. Aquire the magical art of harmonic singing. DVD-5. 16:9 PAL. Battweiler: Traumzeit-Verlag, 2009.
Saus, Wolfgang, Alexander Lauterwasser, Michael Konrath, Uwe Ross, Emily Zurek, Peter Gabis, Herbert Seitz, et al. Peter Hess - Klangmethoden Im Kontext von Forschung Und Wissenschaft. Edited by Peter Hess and Christina M. Koller. Hess, Schüttorf, 2010.
Steller, Georg Wilhelm. Georg Wilhelm Stellers gewesenen Adjuncti und Mitglieds der Kayserl. Academie der Wissenschaften zu St. Petersburg Beschreibung von dem Lande Kamtschatka: dessen Einwohnern deren Sitten, Nahmen, Lebensart und verschiedenen Gewohnheiten. Edited by Jean Benoît Schérer. Frankfurt, Leipzig: bey Johann Georg Fleischer, 1774. https://www.digitale-sammlungen.de/de/view/bsb11095462?page=5.
Stroh, Wolfgang Martin. Handbuch New Age Musik. Auf Der Suche Nach Neuen Musikalischen Erfahrungen. Conbrio Verlagsges.Mbh, 1999.
Sundberg, Johan. “Synthesis of Singing by Rule.” In Current Directions in Computer Music Research, edited by Max V. Mathews and John R. Pierce, 43–55, 401–3. Cambridge, Mass: MIT Press, 1989.
Tinctoris, Johannes. “Johannes Tinctoris — De Inventione et Usu Musice.” Early Music Theory, ca 1481. https://earlymusictheory.org/Tinctoris/texts/deinventioneetusumusice/#pane0=Translation.
Tongeren, Mark Van, and Tran Quang Hai. Overtone Singing: Harmonic Dimensions of the Human Voice. S.l.: Terra Nova Press, 2023.
Tongeren, Mark C. van. Overtone Singing: Physics and Metaphysics of Harmonics in East and West (Hardcover). 2Rev Ed. Amsterdam: Eburon B V, 2004.
Tongeren, Mark C. van. Overtone Singing: Physics and Metaphysics of Harmonics in East and West. 2Rev Ed. Amsterdam: Eburon B V, 2004.
Vetter, Michael. Om-Eine Obertonschule. Audio CD. Spectrum (Note 1), 1996. Amazon.com.
Voigt-Zimmermann, Susanne, Stephanie Kurtenbach, Gabriele Finkbeiner, Anke Bergt, and Wanda Mainka, eds. Stimmstörungen – ein Fokus der Klinischen Sprechwissenschaft: Aktuelle Beiträge aus Wissenschaft, Forschung und Praxis. Berlin: Frank & Timme, 2016. https://doi.org/10.26530/20.500.12657/42799.
Wikipedia. “Benutzer:Oberton/Bücher/Intervalle – Wikipedia,” 2011. http://de.wikipedia.org/wiki/Benutzer:Wolfgang_Saus/Bücher/Intervalle.
Wikipedia. “Benutzer:Oberton/Bücher/Stimme – Wikipedia,” 2011. http://de.wikipedia.org/wiki/Benutzer:Wolfgang_Saus/Bücher/Stimme.
Wikipedia. “Benutzer:Oberton/Bücher/Obertöne – Wikipedia,” 2011. http://de.wikipedia.org/wiki/Benutzer:Wolfgang_Saus/Bücher/Obertöne.
Wikipedia. “Benutzer:Oberton/Bücher/Hören – Wikipedia,” 2011. http://de.wikipedia.org/wiki/Benutzer:Wolfgang_Saus/Bücher/Hören.
Wikipedia. “Benutzer:Oberton/Bücher/Formanten – Wikipedia,” 2011. http://de.wikipedia.org/wiki/Benutzer:Wolfgang_Saus/Bücher/Formanten.
Wolff, Stephanie. Obertöne. Versinken in Die Welt Des Klanges. Meditation Und Therapie Durch Neue Dimensionen Der Musik. Mit Einer Praktischen Einführung in Die Technik Des Obertonsingens. Freiburg: Bauer, 1987.

Fachartikel

935790 KJWB5QGH 1 chicago-fullnote-bibliography 50 creator asc 2129 http://www.oberton.org/wp-content/plugins/zotpress/
%7B%22status%22%3A%22success%22%2C%22updateneeded%22%3Afalse%2C%22instance%22%3Afalse%2C%22meta%22%3A%7B%22request_last%22%3A50%2C%22request_next%22%3A50%2C%22used_cache%22%3Atrue%7D%2C%22data%22%3A%5B%7B%22key%22%3A%2297Z2BPR4%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Adachi%20and%20Yamada%22%2C%22parsedDate%22%3A%221999%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BAdachi%2C%20Seiji%2C%20and%20Masashi%20Yamada.%20%26%23x201C%3BAn%20Acoustical%20Study%20of%20Sound%20Production%20in%20Biphonic%20Singing%2C%20X%26%23xF6%3B%26%23xF6%3Bmij.%26%23x201D%3B%20%26lt%3Bi%26gt%3BThe%20Journal%20of%20the%20Acoustical%20Society%20of%20America%26lt%3B%5C%2Fi%26gt%3B%20105%2C%20no.%205%20%281999%29%3A%202920%26%23x2013%3B32.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-DOIURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1121%5C%2F1.426905%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1121%5C%2F1.426905%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22An%20acoustical%20study%20of%20sound%20production%20in%20biphonic%20singing%2C%20X%5Cu00f6%5Cu00f6mij%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Seiji%22%2C%22lastName%22%3A%22Adachi%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Masashi%22%2C%22lastName%22%3A%22Yamada%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%2205%5C%2F1999%22%2C%22language%22%3A%22en%22%2C%22DOI%22%3A%2210.1121%5C%2F1.426905%22%2C%22ISSN%22%3A%220001-4966%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fasa.scitation.org%5C%2Fdoi%5C%2F10.1121%5C%2F1.426905%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222020-11-29T11%3A07%3A01Z%22%7D%7D%2C%7B%22key%22%3A%22C2QDBSA3%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Akademie%20f.%20gesprochenes%20Wort%20and%20Geissner%22%2C%22parsedDate%22%3A%222002-07%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BAkademie%20f.%20gesprochenes%20Wort%2C%20and%20Hellmut%20K%20Geissner.%20%26lt%3Bi%26gt%3BStimmkulturen%3A%203.%20Stuttgarter%20Stimmtage%202000%26lt%3B%5C%2Fi%26gt%3B.%201st%20ed.%20St.%20Ingbert%3A%20R%26%23xF6%3Bhrig%20Universit%26%23xE4%3Btsverlag%2C%202002.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Stimmkulturen%3A%203.%20Stuttgarter%20Stimmtage%202000%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22%22%2C%22lastName%22%3A%22Akademie%20f.%20gesprochenes%20Wort%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Hellmut%20K%22%2C%22lastName%22%3A%22Geissner%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222002-07%22%2C%22language%22%3A%22Deutsch%22%2C%22ISBN%22%3A%22978-3-86110-308-0%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%222CSIETRP%22%2C%22KJWB5QGH%22%2C%22ZUVTPAN5%22%5D%2C%22dateModified%22%3A%222024-02-07T18%3A31%3A17Z%22%7D%7D%2C%7B%22key%22%3A%22NCGZQQ6U%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Barbiera%20et%20al.%22%2C%22parsedDate%22%3A%222022-03-01%22%2C%22numChildren%22%3A2%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BBarbiera%2C%20Filippo%2C%20Antonio%20Lo%20Casto%2C%20Bruno%20Murmura%2C%20Giovanni%20Bortoluzzi%2C%20Ilaria%20Orefice%2C%20and%20Alfonso%20Gianluca%20Gucciardo.%20%26%23x201C%3BDynamic%20Fast%20Imaging%20Employing%20Steady%20State%20Acquisition%20Magnetic%20Resonance%20Imaging%20of%20the%20Vocal%20Tract%20in%20One%20Overtone%20Male%20Singer%3A%20Our%20Preliminary%20Experience.%26%23x201D%3B%20%26lt%3Bi%26gt%3BJournal%20of%20Voice%26lt%3B%5C%2Fi%26gt%3B%2036%2C%20no.%202%20%28March%201%2C%202022%29%3A%20170%26%23x2013%3B75.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-DOIURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1016%5C%2Fj.jvoice.2020.05.016%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1016%5C%2Fj.jvoice.2020.05.016%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22Dynamic%20Fast%20Imaging%20Employing%20Steady%20State%20Acquisition%20Magnetic%20Resonance%20Imaging%20of%20the%20Vocal%20Tract%20in%20One%20Overtone%20Male%20Singer%3A%20Our%20Preliminary%20Experience%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Filippo%22%2C%22lastName%22%3A%22Barbiera%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Antonio%20Lo%22%2C%22lastName%22%3A%22Casto%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Bruno%22%2C%22lastName%22%3A%22Murmura%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Giovanni%22%2C%22lastName%22%3A%22Bortoluzzi%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Ilaria%22%2C%22lastName%22%3A%22Orefice%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alfonso%20Gianluca%22%2C%22lastName%22%3A%22Gucciardo%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222022-03-01%22%2C%22language%22%3A%22English%22%2C%22DOI%22%3A%2210.1016%5C%2Fj.jvoice.2020.05.016%22%2C%22ISSN%22%3A%220892-1997%2C%201557-8658%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fwww.jvoice.org%5C%2Farticle%5C%2FS0892-1997%2820%2930184-3%5C%2Ffulltext%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222022-03-17T12%3A57%3A19Z%22%7D%7D%2C%7B%22key%22%3A%22D7YL3Q4P%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Barras%20and%20Gouiff%5Cu00e8s%22%2C%22parsedDate%22%3A%222008%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BBarras%2C%20Marie-C%26%23xE9%3Bcile%2C%20and%20Anne-Marie%20Gouiff%26%23xE8%3Bs.%20%26%23x201C%3BThe%20Reception%20of%20Overtone%20Singing%20by%20Uninformed%20Listeners.%26%23x201D%3B%20%26lt%3Bi%26gt%3BJournal%20of%20Interdisciplinary%20Music%20Studies%26lt%3B%5C%2Fi%26gt%3B%202%2C%20no.%20142%20%282008%29%3A%2059%26%23x2013%3B70.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22The%20Reception%20of%20Overtone%20Singing%20by%20Uninformed%20Listeners%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Marie-C%5Cu00e9cile%22%2C%22lastName%22%3A%22Barras%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Anne-Marie%22%2C%22lastName%22%3A%22Gouiff%5Cu00e8s%22%7D%5D%2C%22abstractNote%22%3A%22Background%20in%20acoustics%20and%20psychoacoustics.%20Overtone%20singing%20is%20a%20vocal%20technique%20by%20which%20a%20single%20source%20produces%20two%20melodic%20pitches%20simultaneously.%20When%20an%20unprepared%20listener%20hears%20a%20recording%20of%20overtone%20singing%2C%20the%20first%20question%20is%20usually%3A%20%5Cu201cHow%20was%20the%20sound%20produced%3F%5Cu201d%20The%20level%20of%20auditory%20education%20may%20play%20a%20role%20in%20the%20perception%20of%20this%20phenomenon.%20Background%20in%20cultural%20studies.%20A%20study%20of%20a%20cultural%20initiation%20includes%20subjective%20aspects%20of%20reception.%20Listeners%20are%20presented%20with%20an%20unknown%20vocal%20technique%20from%20a%20popular%20culture.%20The%20majority%20of%20listeners%20will%20experience%20it%20as%20a%20real%20cultural%20confrontation%20with%20an%20unknown%20world%20of%20sound.%20The%20initial%20phase%20of%20acculturation%20is%20therefore%20the%20most%20salient.%20Aims.%20Our%20objective%20is%20to%20determine%20how%20the%20listener%20reacts%20to%20an%20unknown%20musical%20phenomenon%2C%20in%20both%20its%20perceptive%20and%20cultural%20dimensions.%20Main%20contribution.%20The%20present%20study%20concerns%20the%20listener%5Cu2019s%20reception%20of%20overtone%20singing.%20The%20musical%20corpus%20includes%20styles%20of%20singing%20as%20diverse%20as%20those%20found%20in%20Tuva%20and%20Mongolia%2C%20in%20South%20Africa%20%28Xhosa%20women%29%2C%20or%20among%20the%20Dani%20people%20of%20Irian%20Jaya%20in%20the%20Indonesian%20territory%20of%20New%20Guinea.%20Psychoacoustic%20tests%20were%20given%20to%20338%20adolescents%20%2810%5Cu201315%20years%20old%29.%20Implications.%20In%20order%20to%20understand%20the%20mechanism%20%5Cu2018from%20the%20inside%5Cu2019%2C%20all%20the%20listeners%2C%20who%20have%20undergone%20the%20tests%2C%20then%20try%20overtone%20singing.%20Our%20study%20opens%20the%20door%20to%20a%20transformation%20in%20the%20way%20one%20listens.%20It%20encourages%20an%20openness%20to%20other%20artistic%20and%20cultural%20dimensions%20through%20a%20real%20education%20of%20the%20ear.%22%2C%22date%22%3A%222008%22%2C%22language%22%3A%22en%22%2C%22DOI%22%3A%22%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222021-10-07T06%3A23%3A55Z%22%7D%7D%2C%7B%22key%22%3A%2293Y5HE3G%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Bergevin%20et%20al.%22%2C%22parsedDate%22%3A%222020-02-17%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BBergevin%2C%20Christopher%2C%20Chandan%20Narayan%2C%20Joy%20Williams%2C%20Natasha%20Mhatre%2C%20Jennifer%20KE%20Steeves%2C%20Joshua%20GW%20Bernstein%2C%20and%20Brad%20Story.%20%26%23x201C%3BOvertone%20Focusing%20in%20Biphonic%20Tuvan%20Throat%20Singing.%26%23x201D%3B%20%26lt%3Bi%26gt%3BELife%26lt%3B%5C%2Fi%26gt%3B%209%20%28February%2017%2C%202020%29%3A%20e50476.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-DOIURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.7554%5C%2FeLife.50476%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.7554%5C%2FeLife.50476%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22Overtone%20focusing%20in%20biphonic%20tuvan%20throat%20singing%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Christopher%22%2C%22lastName%22%3A%22Bergevin%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Chandan%22%2C%22lastName%22%3A%22Narayan%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Joy%22%2C%22lastName%22%3A%22Williams%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Natasha%22%2C%22lastName%22%3A%22Mhatre%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Jennifer%20KE%22%2C%22lastName%22%3A%22Steeves%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Joshua%20GW%22%2C%22lastName%22%3A%22Bernstein%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Brad%22%2C%22lastName%22%3A%22Story%22%7D%5D%2C%22abstractNote%22%3A%22Khoomei%20is%20a%20unique%20singing%20style%20originating%20from%20the%20republic%20of%20Tuva%20in%20central%20Asia.%20Singers%20produce%20two%20pitches%20simultaneously%3A%20a%20booming%20low-frequency%20rumble%20alongside%20a%20hovering%20high-pitched%20whistle-like%20tone.%20The%20biomechanics%20of%20this%20biphonation%20are%20not%20well-understood.%20Here%2C%20we%20use%20sound%20analysis%2C%20dynamic%20magnetic%20resonance%20imaging%2C%20and%20vocal%20tract%20modeling%20to%20demonstrate%20how%20biphonation%20is%20achieved%20by%20modulating%20vocal%20tract%20morphology.%20Tuvan%20singers%20show%20remarkable%20control%20in%20shaping%20their%20vocal%20tract%20to%20narrowly%20focus%20the%20harmonics%20%28or%20overtones%29%20emanating%20from%20their%20vocal%20cords.%20The%20biphonic%20sound%20is%20a%20combination%20of%20the%20fundamental%20pitch%20and%20a%20focused%20filter%20state%2C%20which%20is%20at%20the%20higher%20pitch%20%281%5Cu20132%20kHz%29%20and%20formed%20by%20merging%20two%20formants%2C%20thereby%20greatly%20enhancing%20sound-production%20in%20a%20very%20narrow%20frequency%20range.%20Most%20importantly%2C%20we%20demonstrate%20that%20this%20biphonation%20is%20a%20phenomenon%20arising%20from%20linear%20filtering%20rather%20than%20from%20a%20nonlinear%20source.%22%2C%22date%22%3A%222020-02-17%22%2C%22language%22%3A%22en%22%2C%22DOI%22%3A%2210.7554%5C%2FeLife.50476%22%2C%22ISSN%22%3A%222050-084X%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Felifesciences.org%5C%2Farticles%5C%2F50476%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222020-03-23T07%3A26%3A32Z%22%7D%7D%2C%7B%22key%22%3A%223S27UR3N%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Birkicht%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BBirkicht%2C%20Matthias.%20%26%23x201C%3BObertonbrevier.Pdf.%26%23x201D%3B%20Accessed%20July%2012%2C%202022.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fwww.oberton.info%5C%2Fobertonbrevier.pdf%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fwww.oberton.info%5C%2Fobertonbrevier.pdf%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22obertonbrevier.pdf%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Matthias%22%2C%22lastName%22%3A%22Birkicht%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fwww.oberton.info%5C%2Fobertonbrevier.pdf%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222022-07-12T23%3A03%3A26Z%22%7D%7D%2C%7B%22key%22%3A%22QM8U5ANQ%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Black%22%2C%22parsedDate%22%3A%222018-12-01%22%2C%22numChildren%22%3A2%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BBlack%2C%20Jocelyn.%20%26%23x201C%3BOvertone%20Singing%3A%20History%2C%20Development%2C%20and%20Influence%20in%20Contemporary%20Music.%26%23x201D%3B%20%26lt%3Bi%26gt%3BCapstone%20Projects%20and%20Master%26%23x2019%3Bs%20Theses%26lt%3B%5C%2Fi%26gt%3B%2C%20December%201%2C%202018.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fdigitalcommons.csumb.edu%5C%2Fcaps_thes_all%5C%2F402%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fdigitalcommons.csumb.edu%5C%2Fcaps_thes_all%5C%2F402%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22Overtone%20Singing%3A%20History%2C%20Development%2C%20and%20Influence%20in%20Contemporary%20Music%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Jocelyn%22%2C%22lastName%22%3A%22Black%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222018-12-01%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fdigitalcommons.csumb.edu%5C%2Fcaps_thes_all%5C%2F402%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222019-08-24T05%3A44%3A16Z%22%7D%7D%2C%7B%22key%22%3A%223FXD2MI4%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Bloothooft%20et%20al.%22%2C%22parsedDate%22%3A%221992-10-01%22%2C%22numChildren%22%3A2%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BBloothooft%2C%20Gerrit%2C%20Eldrid%20Bringmann%2C%20Marieke%20van%20Cappellen%2C%20Jolanda%20B.%20van%20Luipen%2C%20and%20Koen%20P.%20Thomassen.%20%26%23x201C%3BAcoustics%20and%20Perception%20of%20Overtone%20Singing.%26%23x201D%3B%20%26lt%3Bi%26gt%3BThe%20Journal%20of%20the%20Acoustical%20Society%20of%20America%26lt%3B%5C%2Fi%26gt%3B%2092%2C%20no.%204%20%28October%201%2C%201992%29%3A%201827%26%23x2013%3B36.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1121%5C%2F1.403839%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1121%5C%2F1.403839%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22Acoustics%20and%20perception%20of%20overtone%20singing%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Gerrit%22%2C%22lastName%22%3A%22Bloothooft%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Eldrid%22%2C%22lastName%22%3A%22Bringmann%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Marieke%22%2C%22lastName%22%3A%22van%20Cappellen%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Jolanda%20B.%22%2C%22lastName%22%3A%22van%20Luipen%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Koen%20P.%22%2C%22lastName%22%3A%22Thomassen%22%7D%5D%2C%22abstractNote%22%3A%22Overtone%20singing%2C%20a%20technique%20of%20Asian%20origin%2C%20is%20a%20special%20type%20of%20voice%20production%20resulting%20in%20a%20very%20pronounced%2C%20high%20and%20separate%20tone%20that%20can%20be%20heard%20over%20a%20more%20or%20less%20constant%20drone.%20An%20acoustic%20analysis%20is%20presented%20of%20the%20phenomenon%20and%20the%20results%20are%20described%20in%20terms%20of%20the%20classical%20theory%20of%20speech%20production.%20The%20overtone%20sound%20may%20be%20interpreted%20as%20the%20result%20of%20an%20interaction%20of%20closely%20spaced%20formants.%20For%20the%20lower%20overtones%2C%20these%20may%20be%20the%20first%20and%20second%20formant%2C%20separated%20from%20the%20lower%20harmonics%20by%20a%20nasal%20pole%5Cu2010zero%20pair%2C%20as%20the%20result%20of%20a%20nasalized%20articulation%20shifting%20from%20%5C%2Fc%5C%2F%20to%20%5C%2Fa%5C%2F%2C%20or%2C%20as%20an%20alternative%2C%20the%20second%20formant%20alone%2C%20separated%20from%20the%20first%20formant%20by%20the%20nasal%20pole%5Cu2010zero%20pair%2C%20again%20as%20the%20result%20of%20a%20nasalized%20articulation%20around%20%5C%2Fc%5C%2F.%20For%20overtones%20with%20a%20frequency%20higher%20than%20800%20Hz%2C%20the%20overtone%20sound%20can%20be%20explained%20as%20a%20combination%20of%20the%20second%20and%20third%20formant%20as%20the%20result%20of%20a%20careful%2C%20retroflex%2C%20and%20rounded%20articulation%20from%20%5C%2Fc%5C%2F%2C%20via%20schwa%20%5C%2FE%5C%2F%20to%20%5C%2Fy%5C%2F%20and%20%5C%2Fi%5C%2F%20for%20the%20highest%20overtones.%20The%20results%20indicate%20a%20firm%20and%20relatively%20long%20closure%20of%20the%20glottis%20during%20overtone%20phonation.%20The%20corresponding%20short%20open%20duration%20of%20the%20glottis%20introduces%20a%20glottal%20formant%20that%20may%20enhance%20the%20amplitude%20of%20the%20intended%20overtone.%20Perception%20experiments%20showed%20that%20listeners%20categorized%20the%20overtone%20sounds%20differently%20from%20normally%20sung%20vowels%2C%20which%20possibly%20has%20its%20basis%20in%20an%20independent%20perception%20of%20the%20small%20bandwidth%20of%20the%20resonance%20underlying%20the%20overtone.%20Their%20verbal%20judgments%20were%20in%20agreement%20with%20the%20presented%20phonetic%5Cu2010acoustic%20explanation.%22%2C%22date%22%3A%221992-10-01%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%2210.1121%5C%2F1.403839%22%2C%22ISSN%22%3A%220001-4966%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1121%5C%2F1.403839%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222023-11-05T19%3A08%3A49Z%22%7D%7D%2C%7B%22key%22%3A%22I2TUNFAE%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Cosi%20and%20Tisato%22%2C%22parsedDate%22%3A%222003%22%2C%22numChildren%22%3A3%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BCosi%2C%20Piero%2C%20and%20Graziano%20Tisato.%20%26%23x201C%3BON%20THE%20MAGIC%20OF%20OVERTONE%20SINGING.%26%23x201D%3B%20%26lt%3Bi%26gt%3BVoce%2C%20Canto%2C%20Parlato%20%5C%2F%20Studi%20Di%20Onore%20Di%20Franco%20Ferrero%26lt%3B%5C%2Fi%26gt%3B%2C%20Instituto%20di%20Scienze%20e%20Tecnologie%20della%20Cognizione%20Sezione%20di%20Padova%20%26%23x201C%3BFonetica%20e%20Dialettologia%2C%26%23x201D%3B%202003%2C%2083%26%23x2013%3B100.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22ON%20THE%20MAGIC%20OF%20OVERTONE%20SINGING%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Piero%22%2C%22lastName%22%3A%22Cosi%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Graziano%22%2C%22lastName%22%3A%22Tisato%22%7D%5D%2C%22abstractNote%22%3A%22Ifd%20I%20really%20like%20to%20remember%20that%20Franco%20was%20the%20first%20person%20I%20met%20when%20I%20approached%20the%20%26quot%3BCentro%20di%20Studio%20per%20le%20Ricerche%20di%20Fonetica%26quot%3B%20and%20I%20still%20have%20a%20greatly%20pleasant%20and%20happy%20sensation%20of%20that%20our%20first%20warm%20and%20unexpectedly%20informal%20talk.%20It%20is%20quite%20obvious%20and%20it%20seems%20rhetorical%20to%20say%20that%20I%20will%20never%20forget%20a%20man%20like%20Franco%2C%20but%20it%20is%20true%2C%20and%20that%20is%2C%20a%20part%20from%20his%20quite%20relevant%20scientific%20work%2C%20mostly%20for%20his%20great%20heart%20and%20sincere%20friendship.%22%2C%22date%22%3A%222003%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222019-08-23T15%3A03%3A18Z%22%7D%7D%2C%7B%22key%22%3A%228BMXVMT8%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Edgerton%20et%20al.%22%2C%22numChildren%22%3A2%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BEdgerton%2C%20Michael%20Edward%2C%20Graham%20Welch%2C%20John%20Nix%2C%20and%20David%20Howard.%20%26%23x201C%3BThe%20Extra-Normal%20Voice.%26%23x201D%3B%20%26lt%3Bi%26gt%3BOxford%20Handbooks%20Online%26lt%3B%5C%2Fi%26gt%3B.%20Accessed%20August%2023%2C%202019.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fwww.academia.edu%5C%2F6978897%5C%2FThe_Extra-Normal_Voice%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fwww.academia.edu%5C%2F6978897%5C%2FThe_Extra-Normal_Voice%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22The%20Extra-normal%20Voice%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Michael%20Edward%22%2C%22lastName%22%3A%22Edgerton%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Graham%22%2C%22lastName%22%3A%22Welch%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22John%22%2C%22lastName%22%3A%22Nix%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22David%22%2C%22lastName%22%3A%22Howard%22%7D%5D%2C%22abstractNote%22%3A%22This%20chapter%20presents%20an%20overview%20of%20new%20developments%20in%20vocal%20exploration.%20Beginning%20with%20a%20discussion%20of%20multiple%20parameters%20involved%20in%20voice%20production%2C%20this%20chapter%20identifies%20the%20crucial%20role%20that%20non-linear%20phenomena%20has%20in%20the%20performance%20of%22%2C%22date%22%3A%22%22%2C%22language%22%3A%22en%22%2C%22DOI%22%3A%22%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fwww.academia.edu%5C%2F6978897%5C%2FThe_Extra-Normal_Voice%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222019-08-23T18%3A21%3A24Z%22%7D%7D%2C%7B%22key%22%3A%22QWAKIIDP%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Foresman%22%2C%22parsedDate%22%3A%222008-04-25%22%2C%22numChildren%22%3A2%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BForesman%2C%20Bryant.%20%26%23x201C%3BAcoustical%20Measurement%20of%20the%20Human%20Vocal%20Tract%3A%20Quantifying%20Speech%20%26amp%3B%20Throat-Singing.%26%23x201D%3B%20Senior%20Thesis%2C%20Pomona%20College%2C%202008.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fscholarship.claremont.edu%5C%2Fpomona_theses%5C%2F25%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fscholarship.claremont.edu%5C%2Fpomona_theses%5C%2F25%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22thesis%22%2C%22title%22%3A%22Acoustical%20Measurement%20of%20the%20Human%20Vocal%20Tract%3A%20Quantifying%20Speech%20%26%20Throat-Singing%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Bryant%22%2C%22lastName%22%3A%22Foresman%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22thesisType%22%3A%22Senior%20Thesis%22%2C%22university%22%3A%22Pomona%20College%22%2C%22date%22%3A%222008-04-25%22%2C%22language%22%3A%22en%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fscholarship.claremont.edu%5C%2Fpomona_theses%5C%2F25%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222013-04-30T07%3A49%3A23Z%22%7D%7D%2C%7B%22key%22%3A%223FUD3X4P%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Fuks%22%2C%22parsedDate%22%3A%221998%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BFuks%2C%20Leonardo.%20%26%23x201C%3BLeonardo%20Fuks%20Homepage%2C%26%23x201D%3B%201998.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fwww.speech.kth.se%5C%2Fmusic%5C%2Fpublications%5C%2Fleofuks%5C%2Fleosounds.html%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fwww.speech.kth.se%5C%2Fmusic%5C%2Fpublications%5C%2Fleofuks%5C%2Fleosounds.html%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22Leonardo%20Fuks%20Homepage%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Leonardo%22%2C%22lastName%22%3A%22Fuks%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%221998%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fwww.speech.kth.se%5C%2Fmusic%5C%2Fpublications%5C%2Fleofuks%5C%2Fleosounds.html%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%2C%22CS6USM4M%22%5D%2C%22dateModified%22%3A%222009-02-26T14%3A01%3A45Z%22%7D%7D%2C%7B%22key%22%3A%22CSM83DW7%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Fuks%22%2C%22parsedDate%22%3A%221998%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BFuks%2C%20Leonardo.%20%26%23x201C%3BPhD%20Thesis%20in%20Music%20Acoustics%3A%20FROM%20AIR%20TO%20MUSIC%20-%20Acoustical%2C%20Physiological%20and%20Perceptual%20Aspects%20of%20Reed%20Wind%20Instrument%20Playing%20and%20Vocal-Ventricular%20Fold%20Phonation.%26%23x201D%3B%20KTH%2C%201998.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22thesis%22%2C%22title%22%3A%22PhD%20Thesis%20in%20music%20acoustics%3A%20FROM%20AIR%20TO%20MUSIC%20-%20Acoustical%2C%20Physiological%20and%20Perceptual%20Aspects%20of%20Reed%20Wind%20Instrument%20Playing%20and%20Vocal-Ventricular%20Fold%20Phonation%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Leonardo%22%2C%22lastName%22%3A%22Fuks%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22thesisType%22%3A%22%22%2C%22university%22%3A%22KTH%22%2C%22date%22%3A%221998%22%2C%22language%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%2C%22CS6USM4M%22%5D%2C%22dateModified%22%3A%222012-11-13T21%3A43%3A11Z%22%7D%7D%2C%7B%22key%22%3A%226RNV38TN%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Fuks%22%2C%22parsedDate%22%3A%221998%22%2C%22numChildren%22%3A2%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BFuks%2C%20Leonardo.%20%26%23x201C%3BPhD%20Thesis%20in%20Music%20Acoustics%2C%26%23x201D%3B%201998.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fwww.speech.kth.se%5C%2Fmusic%5C%2Fpublications%5C%2Fleofuks%5C%2Fthesis%5C%2Fcontents.html%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fwww.speech.kth.se%5C%2Fmusic%5C%2Fpublications%5C%2Fleofuks%5C%2Fthesis%5C%2Fcontents.html%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22thesis%22%2C%22title%22%3A%22PhD%20Thesis%20in%20music%20acoustics%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Leonardo%22%2C%22lastName%22%3A%22Fuks%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22thesisType%22%3A%22%22%2C%22university%22%3A%22%22%2C%22date%22%3A%221998%22%2C%22language%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fwww.speech.kth.se%5C%2Fmusic%5C%2Fpublications%5C%2Fleofuks%5C%2Fthesis%5C%2Fcontents.html%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%2C%22CS6USM4M%22%5D%2C%22dateModified%22%3A%222013-03-01T14%3A40%3A32Z%22%7D%7D%2C%7B%22key%22%3A%22CN5Z76GU%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Fuks%22%2C%22numChildren%22%3A2%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BFuks%2C%20Leonardo.%20%26%23x201C%3BComputer-Aided%20Musical%20Analysis%20of%20Extended%20Vocal%20Techniques%20for%20Compositional%20Applications.%26%23x201D%3B%20%26lt%3Bi%26gt%3BCompmus.Ime.Usp.Br%26lt%3B%5C%2Fi%26gt%3B.%20Accessed%20September%206%2C%202019.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fwww.academia.edu%5C%2F30880857%5C%2FComputer-aided_musical_analysis_of_extended_vocal_techniques_for_compositional_applications%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fwww.academia.edu%5C%2F30880857%5C%2FComputer-aided_musical_analysis_of_extended_vocal_techniques_for_compositional_applications%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22Computer-aided%20musical%20analysis%20of%20extended%20vocal%20techniques%20for%20compositional%20applications%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Leonardo%22%2C%22lastName%22%3A%22Fuks%22%7D%5D%2C%22abstractNote%22%3A%22This%20paper%20describes%20an%20ongoing%20investigation%20on%20various%20extended%20vocal%20effects%2C%20assisted%20by%20personal%20computer%2C%20for%20the%20application%20in%20contemporary%20music.%20Phenomena%20of%20co-oscillation%20between%20the%20vocal%20folds%20and%20other%20structures%20may%20cause%20amplitude%22%2C%22date%22%3A%22%22%2C%22language%22%3A%22en%22%2C%22DOI%22%3A%22%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fwww.academia.edu%5C%2F30880857%5C%2FComputer-aided_musical_analysis_of_extended_vocal_techniques_for_compositional_applications%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222019-09-06T16%3A57%3A59Z%22%7D%7D%2C%7B%22key%22%3A%229BTQQNFC%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Fuks%20et%20al.%22%2C%22parsedDate%22%3A%221998%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BFuks%2C%20Leonardo%2C%20Britta%20Hammarberg%2C%20and%20Johan%20Sundberg.%20%26%23x201C%3BA%20Self-Sustained%20Vocal-Ventricular%20Phonation%20Mode%3A%20Acoustical%2C%20Aerodynamic%20and%20Glottographic%20Evidences.%26%23x201D%3B%20%26lt%3Bi%26gt%3BKTH%20TMH-QPSR%26lt%3B%5C%2Fi%26gt%3B%203%2C%20no.%201998%20%281998%29%3A%2049%26%23x2013%3B59.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fwww.researchgate.net%5C%2Fprofile%5C%2FJohan_Sundberg%5C%2Fpublication%5C%2F285742169_A_self-sustained_vocal-ventricular_phonation_mode_Acoustical_aerodynamic_and_glottographic_evidences%5C%2Flinks%5C%2F56e91a0f08ae9bcb3e1dbed8.pdf%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fwww.researchgate.net%5C%2Fprofile%5C%2FJohan_Sundberg%5C%2Fpublication%5C%2F285742169_A_self-sustained_vocal-ventricular_phonation_mode_Acoustical_aerodynamic_and_glottographic_evidences%5C%2Flinks%5C%2F56e91a0f08ae9bcb3e1dbed8.pdf%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22A%20self-sustained%20vocal-ventricular%20phonation%20mode%3A%20acoustical%2C%20aerodynamic%20and%20glottographic%20evidences%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Leonardo%22%2C%22lastName%22%3A%22Fuks%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Britta%22%2C%22lastName%22%3A%22Hammarberg%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Johan%22%2C%22lastName%22%3A%22Sundberg%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%221998%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fwww.researchgate.net%5C%2Fprofile%5C%2FJohan_Sundberg%5C%2Fpublication%5C%2F285742169_A_self-sustained_vocal-ventricular_phonation_mode_Acoustical_aerodynamic_and_glottographic_evidences%5C%2Flinks%5C%2F56e91a0f08ae9bcb3e1dbed8.pdf%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%2C%22CS6USM4M%22%5D%2C%22dateModified%22%3A%222019-12-10T08%3A17%3A11Z%22%7D%7D%2C%7B%22key%22%3A%227SGUAJGT%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Garc%5Cu00eda%22%2C%22parsedDate%22%3A%221985%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BGarc%26%23xED%3Ba%2C%20Manuel.%20%26lt%3Bi%26gt%3B%26%23xC9%3Bcole%20de%20Garcia%3A%20trait%26%23xE9%3B%20complet%20de%20l%26%23x2019%3Bart%20du%20chant%20en%20deux%20parties%26lt%3B%5C%2Fi%26gt%3B.%20Minkoff%2C%201985.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22%5Cu00c9cole%20de%20Garcia%3A%20trait%5Cu00e9%20complet%20de%20l%27art%20du%20chant%20en%20deux%20parties%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Manuel%22%2C%22lastName%22%3A%22Garc%5Cu00eda%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%221985%22%2C%22language%22%3A%22fr%22%2C%22ISBN%22%3A%229782826608172%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222013-11-21T22%3A35%3A52Z%22%7D%7D%2C%7B%22key%22%3A%22TXZET536%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Garcia%22%2C%22parsedDate%22%3A%221878%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BGarcia%2C%20Manuel.%20%26lt%3Bi%26gt%3BTrait%26%23xE9%3B%20Complet%20de%20l%26%23x2019%3Bart%20Du%20Chant%20En%20Deux%20Parties%26lt%3B%5C%2Fi%26gt%3B.%20Ecole%20de%20Garcia.%20Paris%3A%20Heugel%20et%20cie%2C%201878.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fcatalog.hathitrust.org%5C%2FRecord%5C%2F001981291%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fcatalog.hathitrust.org%5C%2FRecord%5C%2F001981291%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Trait%5Cu00e9%20complet%20de%20l%27art%20du%20chant%20en%20deux%20parties%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Manuel%22%2C%22lastName%22%3A%22Garcia%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%221878%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fcatalog.hathitrust.org%5C%2FRecord%5C%2F001981291%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222013-11-21T22%3A37%3A11Z%22%7D%7D%2C%7B%22key%22%3A%2236PWH7RX%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Garc%5Cu00eda%22%2C%22numChildren%22%3A3%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BGarc%26%23xED%3Ba%2C%20Manuel.%20%26%23x201C%3B%26%23xC9%3Bcole%20de%20Garcia%20%28Garcia%20Jr.%2C%20Manuel%29%20%26%23x2013%3B%20IMSLP.%26%23x201D%3B%20Accessed%20July%2026%2C%202014.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fimslp.org%5C%2Fwiki%5C%2F%25C3%2589cole_de_Garcia_%28Garcia_Jr.%2C_Manuel%29%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fimslp.org%5C%2Fwiki%5C%2F%25C3%2589cole_de_Garcia_%28Garcia_Jr.%2C_Manuel%29%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22%5Cu00c9cole%20de%20Garcia%20%28Garcia%20Jr.%2C%20Manuel%29%20%5Cu2013%20IMSLP%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Manuel%22%2C%22lastName%22%3A%22Garc%5Cu00eda%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fimslp.org%5C%2Fwiki%5C%2F%25C3%2589cole_de_Garcia_%28Garcia_Jr.%2C_Manuel%29%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222014-07-26T20%3A56%3A30Z%22%7D%7D%2C%7B%22key%22%3A%22SKBAV2E5%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Garc%5Cu00eda%22%2C%22parsedDate%22%3A%221847%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BGarc%26%23xED%3Ba%2C%20Manuel.%20%26lt%3Bi%26gt%3BEcole%20de%20Garcia.%20Trait%26%23xE9%3B%20Complet%20de%20l%26%23x2019%3Bart%20Du%20Chant%20En%202%20Parties%26lt%3B%5C%2Fi%26gt%3B.%20l%26%23x2019%3Bauteur%20%28Paris%29%2C%201847.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fgallica.bnf.fr%5C%2Fark%3A%5C%2F12148%5C%2Fbtv1b52502455v%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fgallica.bnf.fr%5C%2Fark%3A%5C%2F12148%5C%2Fbtv1b52502455v%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Ecole%20de%20Garcia.%20Trait%5Cu00e9%20complet%20de%20l%27art%20du%20chant%20en%202%20parties%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Manuel%22%2C%22lastName%22%3A%22Garc%5Cu00eda%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%221847%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fgallica.bnf.fr%5C%2Fark%3A%5C%2F12148%5C%2Fbtv1b52502455v%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222014-07-26T20%3A35%3A03Z%22%7D%7D%2C%7B%22key%22%3A%22CQDH8FMC%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Garc%5Cu00eda%22%2C%22parsedDate%22%3A%221851%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BGarc%26%23xED%3Ba%2C%20Manuel%20Compositeur.%20%26lt%3Bi%26gt%3BEcole%20de%20Garcia.%20Trait%26%23xE9%3B%20Complet%20de%20l%26%23x2019%3Bart%20Du%20Chant%20En%202%20Parties%20%283e%20%26%23xC9%3Bd.%29%20-%20Premi%26%23xE8%3Bre%20Partie%26lt%3B%5C%2Fi%26gt%3B.%20l%26%23x2019%3Bauteur%20%28Paris%29%2C%201851.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fgallica.bnf.fr%5C%2Fark%3A%5C%2F12148%5C%2Fbtv1b525032004%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fgallica.bnf.fr%5C%2Fark%3A%5C%2F12148%5C%2Fbtv1b525032004%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Ecole%20de%20Garcia.%20Trait%5Cu00e9%20complet%20de%20l%27art%20du%20chant%20en%202%20parties%20%283e%20%5Cu00e9d.%29%20-%20Premi%5Cu00e8re%20partie%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Manuel%20Compositeur%22%2C%22lastName%22%3A%22Garc%5Cu00eda%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%221851%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fgallica.bnf.fr%5C%2Fark%3A%5C%2F12148%5C%2Fbtv1b525032004%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222014-07-26T20%3A37%3A34Z%22%7D%7D%2C%7B%22key%22%3A%22A9U6GUGL%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Goeth%22%2C%22parsedDate%22%3A%222003%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BGoeth%2C%20Maria.%20%26%23x201C%3BKh%26%23xF6%3B%26%23xF6%3Bmii%20-%20Obertongesang%20in%20Der%20Mongolei%20Und%20Tuva%20-%20Hausarbeit.%26%23x201D%3B%20Ludwig%20Maximilan%20Universit%26%23xE4%3Bt%20M%26%23xFC%3Bnchen%2C%202003.%20Wolfgang%20Saus.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22document%22%2C%22title%22%3A%22Kh%5Cu00f6%5Cu00f6mii%20-%20Obertongesang%20in%20der%20Mongolei%20und%20Tuva%20-%20Hausarbeit%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Maria%22%2C%22lastName%22%3A%22Goeth%22%7D%5D%2C%22abstractNote%22%3A%22Seminar%3A%20Das%20Singen-%20akustische%2C%20physiologische%2C%20kulturgeschichtliche%20und%20auff%5Cu00fchrungspraktische%20Aspekte%5CnWS%202003%5C%2F%202004%5CnDozent%3A%20Prof.%20Dr.%20Dr.%20Lorenz%20Welker%5CnLudwig-Maximilians-Universit%5Cu00e4t%20M%5Cu00fcnchen%5CnInstitut%20f%5Cu00fcr%20Musikwissenschaft%22%2C%22date%22%3A%222003%22%2C%22language%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222021-10-14T11%3A01%3A36Z%22%7D%7D%2C%7B%22key%22%3A%22C64DG9HD%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Grawunder%22%2C%22parsedDate%22%3A%222012%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BGrawunder%2C%20Sven.%20%26%23x201C%3BOn%20the%20Physiology%20of%20Voice%20Production%20in%20South-Siberian%20Throat%20Singing%20%26%23x2013%3B%20Extended%20Abstract.%26%23x201D%3B%20%26lt%3Bi%26gt%3BThe%20Phonetician%26lt%3B%5C%2Fi%26gt%3B%20101%5C%2F102%20%282012%29%3A%2025%26%23x2013%3B32.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fwww.isphs.org%5C%2FPhonetician%5C%2FPhonetician_101.pdf%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fwww.isphs.org%5C%2FPhonetician%5C%2FPhonetician_101.pdf%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22On%20the%20Physiology%20of%20Voice%20Production%20in%20South-Siberian%20Throat%20singing%20%5Cu2013%20Extended%20Abstract.%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Sven%22%2C%22lastName%22%3A%22Grawunder%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222012%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fwww.isphs.org%5C%2FPhonetician%5C%2FPhonetician_101.pdf%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222014-07-06T17%3A59%3A33Z%22%7D%7D%2C%7B%22key%22%3A%22NB2JMICJ%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Grawunder%22%2C%22parsedDate%22%3A%222003%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BGrawunder%2C%20Sven.%20%26%23x201C%3BDer%20S%26%23xFC%3Bdsibirische%20Kehlgesang%20Als%20Gegenstand%20Phonetischer%20Untersuchungen.%26%23x201D%3B%20In%20%26lt%3Bi%26gt%3BGegenstandsauffassung%20Und%20Aktuelle%20Forschungen%20Der%20Halleschen%20Sprechwissenschaft%26lt%3B%5C%2Fi%26gt%3B%2C%20edited%20by%20Eva-Maria%20Krech%20and%20Eberhard%20Stock%2C%2053%26%23x2013%3B91.%20Frankfurt%20am%20Main%3A%20Peter%20Lang%2C%202003.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Femail.eva.mpg.de%5C%2F~grawunde%5C%2Ffiles%5C%2FAutorreferat_SG_Dipl.pdf%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Femail.eva.mpg.de%5C%2F~grawunde%5C%2Ffiles%5C%2FAutorreferat_SG_Dipl.pdf%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22bookSection%22%2C%22title%22%3A%22Der%20s%5Cu00fcdsibirische%20Kehlgesang%20als%20Gegenstand%20phonetischer%20Untersuchungen.%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Sven%22%2C%22lastName%22%3A%22Grawunder%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Eva-Maria%22%2C%22lastName%22%3A%22Krech%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22Eberhard%22%2C%22lastName%22%3A%22Stock%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22bookTitle%22%3A%22Gegenstandsauffassung%20und%20aktuelle%20Forschungen%20der%20halleschen%20Sprechwissenschaft%22%2C%22date%22%3A%222003%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Femail.eva.mpg.de%5C%2F~grawunde%5C%2Ffiles%5C%2FAutorreferat_SG_Dipl.pdf%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222014-07-06T18%3A08%3A50Z%22%7D%7D%2C%7B%22key%22%3A%22UHQGMCJ3%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Grawunder%22%2C%22parsedDate%22%3A%222003%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BGrawunder%2C%20Sven.%20%26%23x201C%3BComparison%20of%20Voice%20Production%20Types%20of%20%60Western%26%23x2019%3B%20Overtone%20Singing%20and%20South%20Siberian%20Throat%20Singing.%26%23x201D%3B%20In%20%26lt%3Bi%26gt%3BProceedings%20of%20the%2015th%20International%20Congress%20of%20Phonetic%20Sciences%2C%20Conference%20Paper%26lt%3B%5C%2Fi%26gt%3B%2C%204.%20Barcelona%2C%202003.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Comparison%20of%20Voice%20Production%20Types%20of%20%60Western%27%20Overtone%20Singing%20and%20South%20Siberian%20Throat%20Singing%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Sven%22%2C%22lastName%22%3A%22Grawunder%22%7D%5D%2C%22abstractNote%22%3A%22The%20investigator%20uses%20a%20non-invasive%20methodology%20based%20on%20a%20synchronous%20recording%20of%20voice%2C%20laryngographic%20signal%20and%20subglottal%20resonance%20on%202%20%5Cu2018European%5Cu2019%20overtone%20singers%20and%202%20%5Cu2018Siberian%5Cu2019%20semi-professional%20throat%20singers.%20For%20the%20upper%20registers%20of%20throat%20singing%20an%20extremely%20short%20contacting%20phase%20was%20obtained%20and%20SQ%20seems%20to%20be%20appropriate%20to%20distinguish%20between%20both%20phonation%20types.%20Lower%20registers%20share%20doublet%20and%20triplet%20waveform%20patterns%2C%20but%20differ%20significantly%20in%20jitter%20and%20shimmer%20rates%20%28j%20%26lt%3B%200.1%3B%20sh%20%26lt%3B%200.15%20for%20ThS%29.%20Other%20findings%20are%20a%20narrowed%20bandwidth%20of%20a%20dominant%20F2%20and%20an%20ostinato%20formant%20between%20F3%20and%20F4%2C%20which%20are%20remarkable%20for%20all%20throat%20singing%20styles.%22%2C%22date%22%3A%222003%22%2C%22proceedingsTitle%22%3A%22Proceedings%20of%20the%2015th%20International%20Congress%20of%20Phonetic%20Sciences%2C%20Conference%20Paper%22%2C%22conferenceName%22%3A%2215th%20ICPhS%20Barcelona%22%2C%22language%22%3A%22en%22%2C%22DOI%22%3A%22%22%2C%22ISBN%22%3A%221-876346-48-5%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%2C%22FTCRNM7T%22%5D%2C%22dateModified%22%3A%222021-10-14T08%3A17%3A36Z%22%7D%7D%2C%7B%22key%22%3A%22WEC7JG6W%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Grawunder%22%2C%22parsedDate%22%3A%221999%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BGrawunder%2C%20Sven.%20%26%23x201C%3BObertongesang%20versus%20Kehlgesang.%26%23x201D%3B%20Diplomarbeit%2C%20Martin-Luther-Universit%26%23xE4%3Bt%20Halle-Wittenberg%2C%20Halle%5C%2FS.%2C%201999.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fwww.eva.mpg.de%5C%2Ffileadmin%5C%2Fcontent_files%5C%2Fstaff%5C%2Fgrawunde%5C%2Fbonusmaterial%5C%2FKehlgesangversObertongesang.pdf%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fwww.eva.mpg.de%5C%2Ffileadmin%5C%2Fcontent_files%5C%2Fstaff%5C%2Fgrawunde%5C%2Fbonusmaterial%5C%2FKehlgesangversObertongesang.pdf%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22thesis%22%2C%22title%22%3A%22Obertongesang%20versus%20Kehlgesang%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Sven%22%2C%22lastName%22%3A%22Grawunder%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22thesisType%22%3A%22Diplomarbeit%22%2C%22university%22%3A%22Martin-Luther-Universit%5Cu00e4t%20Halle-Wittenberg%2C%20Halle%5C%2FS.%22%2C%22date%22%3A%221999%22%2C%22language%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fwww.eva.mpg.de%5C%2Ffileadmin%5C%2Fcontent_files%5C%2Fstaff%5C%2Fgrawunde%5C%2Fbonusmaterial%5C%2FKehlgesangversObertongesang.pdf%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%2C%22GE96DTGS%22%2C%22TBKN9IWS%22%2C%22FTCRNM7T%22%2C%22WM3CA9W9%22%5D%2C%22dateModified%22%3A%222021-10-14T20%3A14%3A31Z%22%7D%7D%2C%7B%22key%22%3A%22ZL5CZ4QH%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Hebart%22%2C%22parsedDate%22%3A%222002%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BHebart%2C%20Martin.%20%26%23x201C%3BObertongesang%20-%20Facharbeit%2C%26%23x201D%3B%202002.%20Wolfgang%20Saus.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22document%22%2C%22title%22%3A%22Obertongesang%20-%20Facharbeit%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Martin%22%2C%22lastName%22%3A%22Hebart%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222002%22%2C%22language%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222021-10-14T11%3A02%3A06Z%22%7D%7D%2C%7B%22key%22%3A%22QF5MXQFJ%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Hefele%20et%20al.%22%2C%22parsedDate%22%3A%222019-06-10%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BHefele%2C%20Anna-Maria%2C%20Robert%20Eklund%2C%20and%20Anita%20McAllister.%20%26%23x201C%3BPolyphonic%20Overtone%20Singing%3A%20An%20Acoustic%20and%20Physiological%20%28MRI%29%20Analysis%20and%20a%20First-Person%20Description%20of%20a%20Unique%20Mode%20of%20Singing%2C%26%23x201D%3B%20June%2010%2C%202019.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-DOIURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2FZENODO.3246011%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2FZENODO.3246011%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22Polyphonic%20overtone%20singing%3A%20An%20acoustic%20and%20physiological%20%28MRI%29%20analysis%20and%20a%20first-person%20description%20of%20a%20unique%20mode%20of%20singing%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Anna-Maria%22%2C%22lastName%22%3A%22Hefele%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Robert%22%2C%22lastName%22%3A%22Eklund%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Anita%22%2C%22lastName%22%3A%22McAllister%22%7D%5D%2C%22abstractNote%22%3A%22This%20paper%20describes%20a%20unique%20singing%20mode%2C%20tentatively%20labeled%20%5Cu201cpolyphonic%20overtone%20singing%5Cu201d.%20In%20overtone%20singing%20the%20vocal%20harmonics%20of%20a%20stabile%20fundamental%20frequency%20are%20filtered%20by%20the%20singer%20in%20such%20a%20way%20that%20specific%20upper%20harmonics%20are%20amplified%2C%20and%20heard%20clearly%2C%20as%20a%20second%20musical%20voice.%20In%20the%20%5Cu201cthroat%20singing%5Cu201d%20of%20Tuva%20%28Mongolia%29%20moving%20overtones%20usually%20occur%20over%20a%20stable%20drone.%20In%20polyphonic%20overtone%20singing%20not%20only%20the%20pitch%20of%20the%20overtones%20are%20changed%20and%20moving%2C%20but%20also%20the%20fundamental%20which%20results%20in%20twovoice%20singing.%22%2C%22date%22%3A%222019-06-10%22%2C%22language%22%3A%22en%22%2C%22DOI%22%3A%2210.5281%5C%2FZENODO.3246011%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fzenodo.org%5C%2Frecord%5C%2F3246011%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222022-03-17T13%3A04%3A41Z%22%7D%7D%2C%7B%22key%22%3A%22ZIPTLPTQ%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Hefele%20et%20al.%22%2C%22parsedDate%22%3A%222019-06-30%22%2C%22numChildren%22%3A3%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BHefele%2C%20Anna-Maria%2C%20Robert%20Eklund%2C%20and%20Anita%20Mcallister.%20%26%23x201C%3BPolyphonic%20Overtone%20Singing%3A%20An%20Acoustic%20and%20Physiological%20%28MRI%29%20Analysis%20and%20a%20First-Person%20Description%20of%20a%20Unique%20Mode%20of%20Singing.%26%23x201D%3B%20In%20%26lt%3Bi%26gt%3BProceedings%20from%20Fonetik%202019%26lt%3B%5C%2Fi%26gt%3B%2C%207%2C%202019.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-DOIURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.3246011%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.5281%5C%2Fzenodo.3246011%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Polyphonic%20Overtone%20Singing%3A%20an%20acoustic%20and%20physiological%20%28MRI%29%20analysis%20and%20a%20first-person%20description%20of%20a%20unique%20mode%20of%20singing%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Anna-Maria%22%2C%22lastName%22%3A%22Hefele%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Robert%22%2C%22lastName%22%3A%22Eklund%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Anita%22%2C%22lastName%22%3A%22Mcallister%22%7D%5D%2C%22abstractNote%22%3A%22This%20paper%20describes%20a%20unique%20singing%20mode%2C%20tentatively%20labeled%20%5Cu201cpolyphonic%20overtone%20singing%5Cu201d.%20In%20overtone%20singing%20the%20vocal%20harmonics%20of%20a%20stabile%20fundamental%20frequency%20are%20filtered%20by%20the%20singer%20in%20such%20a%20way%20that%20specific%20upper%20harmonics%20are%20amplified%2C%20and%20heard%20clearly%2C%20as%20a%20second%20musical%20voice.%20In%20the%20%5Cu201cthroat%20singing%5Cu201d%20of%20Tuva%20%28Mongolia%29%20moving%20overtones%20usually%20occur%20over%20a%20stable%20drone.%20In%20polyphonic%20overtone%20singing%20not%20only%20the%20pitch%20of%20the%20overtones%20are%20changed%20and%20moving%2C%20but%20also%20the%20fundamental%20which%20results%20in%20twovoice%20singing.%22%2C%22date%22%3A%222019-06-30%22%2C%22proceedingsTitle%22%3A%22Proceedings%20from%20Fonetik%202019%22%2C%22conferenceName%22%3A%22%22%2C%22language%22%3A%22en%22%2C%22DOI%22%3A%2210.5281%5C%2Fzenodo.3246011%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222025-03-23T01%3A47%3A10Z%22%7D%7D%2C%7B%22key%22%3A%22H5UB5MXL%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Hinds%22%2C%22parsedDate%22%3A%222012-10-15%22%2C%22numChildren%22%3A2%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BHinds%2C%20Stuart.%20%26%23x201C%3BOvertone%20Singing%3A%20Not%20Just%20for%20Monks%20and%20Shamans%20Anymore.%26%23x201D%3B%20The%20IFCM%20Magazine%2C%20October%2015%2C%202012.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Ficb.ifcm.net%5C%2Fen_US%5C%2Fovertone-singing-not-just-monks-shamans-anymore%5C%2F%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Ficb.ifcm.net%5C%2Fen_US%5C%2Fovertone-singing-not-just-monks-shamans-anymore%5C%2F%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22Overtone%20Singing%3A%20Not%20Just%20for%20Monks%20and%20Shamans%20Anymore%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Stuart%22%2C%22lastName%22%3A%22Hinds%22%7D%5D%2C%22abstractNote%22%3A%22Stuart%20Hinds%2C%20composer%2C%20singer%2C%20choral%20conductor%2C%20and%20teacher%5Cu00a0The%20last%20decade%20has%20witnessed%20a%20dramatic%20increase%20in%20the%20popularity%20of%20overtone%20singing%20in%20its%20various%20forms%2C%20and%20choral%20music%20is%20no%20exception.%5Cu00a0%20More%20new%20wor...Read%20More%20%5Cu2192%22%2C%22date%22%3A%222012-10-15T15%3A07%3A34%2B00%3A00%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Ficb.ifcm.net%5C%2Fen_US%5C%2Fovertone-singing-not-just-monks-shamans-anymore%5C%2F%22%2C%22language%22%3A%22en-US%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222018-09-15T13%3A17%3A41Z%22%7D%7D%2C%7B%22key%22%3A%226SUYF9CB%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Hinds%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BHinds%2C%20Stuart.%20%26%23x201C%3BOvertone%20Singing%3A%20Not%20Just%20for%20Monks%20and%20Shamans%20Anymore%20-%20The%20IFCM%20Magazine.%26%23x201D%3B%20Accessed%20September%2015%2C%202018.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Ficb.ifcm.net%5C%2Fen_US%5C%2Fovertone-singing-not-just-monks-shamans-anymore%5C%2F%3Fprint%3Dprint%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Ficb.ifcm.net%5C%2Fen_US%5C%2Fovertone-singing-not-just-monks-shamans-anymore%5C%2F%3Fprint%3Dprint%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22Overtone%20Singing%3A%20Not%20Just%20for%20Monks%20and%20Shamans%20Anymore%20-%20The%20IFCM%20Magazine%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Stuart%22%2C%22lastName%22%3A%22Hinds%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Ficb.ifcm.net%5C%2Fen_US%5C%2Fovertone-singing-not-just-monks-shamans-anymore%5C%2F%3Fprint%3Dprint%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222018-09-15T12%3A50%3A40Z%22%7D%7D%2C%7B%22key%22%3A%22P66MXF93%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Jentsch%22%2C%22parsedDate%22%3A%222007%22%2C%22numChildren%22%3A2%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BJentsch%2C%20Alexander.%20%26lt%3Bi%26gt%3BObertongesang%20in%20Mitteleuropa%26lt%3B%5C%2Fi%26gt%3B.%201st%20ed.%20GRIN%20Verlag%2C%202007.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fwww.grin.com%5C%2Fdocument%5C%2F83717%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fwww.grin.com%5C%2Fdocument%5C%2F83717%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Obertongesang%20in%20Mitteleuropa%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Alexander%22%2C%22lastName%22%3A%22Jentsch%22%7D%5D%2C%22abstractNote%22%3A%22Magisterarbeit%20aus%20dem%20Jahr%202007%20im%20Fachbereich%20Musikwissenschaft%2C%20Note%3A%201%2C1%2C%20Freie%20Universit%5Cu00e4t%20Berlin%20%28Vergleichende%20Musikwissenschaft%29%2C%2054%20Quellen%20im%20Literaturverzeichnis%2C%20Sprache%3A%20Deutsch%2C%20Abstract%3A%20Mit%20dem%20Begriff%20Obertongesang%20werden%20Singtechniken%20und%20musikalischen%20Stile%20bezeichnet%2C%20bei%20denen%20ein%20einzelner%20S%5Cu00e4nger%20bzw.%20eine%20S%5Cu00e4ngerin%20scheinbar%20zwei-%20oder%20mehrstimmig%20singt.%20Bei%20verschiedenen%20Ethnien%20Zentralasiens%20stellen%20bestimmte%20Obertongesangsformen%20einen%20essenziellen%20Teil%20bestehender%20Musiktraditionen%20dar.%20In%20den%20letzten%20Jahrzehnten%20ist%20jedoch%20auch%20in%20musikalischen%20und%20esoterischen%20Kontexten%20westlicher%20Kulturen%20eine%20zunehmende%20Besch%5Cu00e4ftigung%20mit%20Obertongesang%20zu%20beobachten.%20Diese%20f%5Cu00fchrt%20insbesondere%20in%20Mitteleuropa%20und%20den%20USA%20in%20breitem%20Umfang%20zu%20musiktheoretischen%20und%20musikpraktischen%20Entwicklungen.%20Hinsichtlich%20dieser%20Entwicklungen%20wird%20sowohl%20von%20westlichen%20als%20auch%20von%20zentralasiatischen%20Obertons%5Cu00e4ngern%20von%20Europ%5Cu00e4ischem%20oder%20Westlichem%20Obertongesang%20gesprochen.%20Aus%20Sicht%20der%20Vergleichenden%20Musikwissenschaft%20steht%20jedoch%20in%20Frage%2C%20ob%20eine%20solche%20Differenzierung%20inhaltlich%20sinnvoll%20ist.%20Der%20Aufkl%5Cu00e4rung%20dieser%20Sachlage%20widmet%20sich%20die%20vorliegende%20Arbeit.Um%20eine%20Besch%5Cu00e4ftigung%20mit%20dem%20Thema%20zu%20erm%5Cu00f6glichen%2C%20werden%20einf%5Cu00fchrend%20die%20physikalischen%20und%20physiologischen%20Grundlagen%20des%20Obertongesangs%20erl%5Cu00e4utert.%20Darauf%20folgt%20eine%20Kurzvorstellung%20weltweiter%20Beispiele%20der%20musikalischen%20Verwendung%20von%20Obertongesang%2C%20damit%20die%20westlichen%20Entwicklungen%20mit%20diesen%20verglichen%20werden%20k%5Cu00f6nnen.%20Eine%20Ph%5Cu00e4nomenologie%20der%20Besch%5Cu00e4ftigung%20mit%20Obertongesang%20in%20den%20westlichen%20Kulturen%20schlie%5Cu00dft%20den%20einf%5Cu00fchrenden%20Teil%20ab%2C%20um%20die%20Relevanz%20der%20Fragestellung%20zu%20umrei%5Cu00dfen.Der%20Hauptteil%20der%20Arbeit%20widmet%20sich%20der%20Geschichte%20des%20Obertongesangs%20in%20Europa.%20Darin%20werden%20die%20musikgeschichtlichen%20Entwicklungen%20chronologisch%20dargestellt%2C%20die%20zu%20den%20gegenw%5Cu00e4rtig%20bestehenden%20Obertongesangsformen%20in%20Mitteleuropa%20f%5Cu00fchren.%20Richtungsweisende%20Entwicklungen%20der%20okzidentalen%20Kunstmusikgeschichte%20werden%20bez%5Cu00fcglich%20ihres%20Einflusses%20auf%20den%20musikpraktischen%20Umgang%20mit%20Obert%5Cu00f6nen%20und%20ihres%20Beitrag%20f%5Cu00fcr%20das%20Entstehen%20einer%20Obertongesangsform%20im%20Westen%20untersucht.%20Die%20Herausbildung%20einer%20Obertonmusik%20im%20Westen%20w%5Cu00e4hrend%20der%20letzten%20Jahrzehnte%20wird%20historisch%20genau%20nachvollzogen%2C%20wobei%20eine%20Unterscheidung%20verschiedener%20Entwicklungskontexte%20Neue%20Musik%20bzw.%20Kunstmusik%20versus%20New%20Age%20%5Cu2013%20Musikalit%5Cu00e4t%20vorgenommen%20wird.%20Schlie%5Cu00dflich%20werden%20die%20in%20Europa%20verwendeten%20Obertongesangstechniken%20werden%20mit%20den%20in%20Zentralasien%20angewandten%20verglichen.%20Wobei%20die%20Rolle%20der%20zentralasiatischen%20Obertongesangsformen%20f%5Cu00fcr%20die%20Entwicklung%20der%20westlichen%20Obertonmusik%20bestimmt%20wird.%22%2C%22date%22%3A%222007%22%2C%22language%22%3A%22Deutsch%22%2C%22ISBN%22%3A%22978-3-638-91600-4%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fwww.grin.com%5C%2Fdocument%5C%2F83717%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222021-10-14T11%3A38%3A43Z%22%7D%7D%2C%7B%22key%22%3A%222NKECZUV%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Kaschade%22%2C%22parsedDate%22%3A%222023%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BKaschade%2C%20Katharina%20Valeria%20Sophie.%20%26%23x201C%3B%26%23x201E%3BWelche%20Potentiale%20bietet%20der%20Obertongesang%20als%20Therapieform%20in%20der%20Musiktherapie%3F%26%23x201C%3B.%26%23x201D%3B%20Hausarbeit.%20Wuppertal%3A%20Bergische%20Universit%26%23xE4%3Bt%20Wuppertal%2C%202023.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22report%22%2C%22title%22%3A%22%5Cu201eWelche%20Potentiale%20bietet%20der%20Obertongesang%20als%20Therapieform%20in%20der%20Musiktherapie%3F%5Cu201c%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Katharina%20Valeria%20Sophie%22%2C%22lastName%22%3A%22Kaschade%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22reportNumber%22%3A%22%22%2C%22reportType%22%3A%22Hausarbeit%22%2C%22institution%22%3A%22Bergische%20Universit%5Cu00e4t%20Wuppertal%22%2C%22date%22%3A%222023%22%2C%22language%22%3A%22de%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222023-04-15T14%3A54%3A49Z%22%7D%7D%2C%7B%22key%22%3A%2253NJDEEB%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Klingholz%22%2C%22parsedDate%22%3A%221993-06-01%22%2C%22numChildren%22%3A2%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BKlingholz%2C%20F.%20%26%23x201C%3BOvertone%20Singing%3A%20Productive%20Mechanisms%20and%20Acoustic%20Data.%26%23x201D%3B%20%26lt%3Bi%26gt%3BJournal%20of%20Voice%26lt%3B%5C%2Fi%26gt%3B%2C%20The%20Voice%20Foundation%26%23x2019%3Bs%2022nd%20Annual%20Symposium%2C%207%2C%20no.%202%20%28June%201%2C%201993%29%3A%20118%26%23x2013%3B22.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-DOIURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1016%5C%2FS0892-1997%2805%2980340-6%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1016%5C%2FS0892-1997%2805%2980340-6%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22Overtone%20singing%3A%20Productive%20mechanisms%20and%20acoustic%20data%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22F.%22%2C%22lastName%22%3A%22Klingholz%22%7D%5D%2C%22abstractNote%22%3A%22Overtone%20singing%20is%20where%20one%20person%20sings%20in%20two%20voices%2C%20the%20first%20voice%20represented%20by%20the%20fundamental%20and%20the%20second%20by%20an%20enhanced%20harmonic.%20Overtone%20singing%20is%20performed%20in%20chest%20register.%20Tuning%20of%20the%20first%20or%20second%20formant%20and%20a%20reduction%20of%20the%20formant%20bandwidth%20down%20to%2020%20Hz%20make%20harmonics%20prominent.%20Narrowing%20the%20pharynx%2C%20velar%20constriction%2C%20variation%20of%20the%20small%20mouth%20opening%2C%20and%20a%20tension%20of%20the%20walls%20of%20the%20mouth%20cavity%20are%20used.%20Changing%20prominent%20harmonics%20has%20the%20effect%20of%20creating%20an%20overtone%20melody%20with%20sustained%20tones%2C%20tone%20steps%2C%20and%20trillos.%22%2C%22date%22%3A%221993-06-01%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%2210.1016%5C%2FS0892-1997%2805%2980340-6%22%2C%22ISSN%22%3A%220892-1997%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fwww.sciencedirect.com%5C%2Fscience%5C%2Farticle%5C%2Fpii%5C%2FS0892199705803406%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222024-11-11T09%3A32%3A06Z%22%7D%7D%2C%7B%22key%22%3A%223KXK7PWM%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Kob%22%2C%22parsedDate%22%3A%222004-12-01%22%2C%22numChildren%22%3A2%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BKob%2C%20Malte.%20%26%23x201C%3BAnalysis%20and%20Modelling%20of%20Overtone%20Singing%20in%20the%20Sygyt%20Style.%26%23x201D%3B%20%26lt%3Bi%26gt%3BApplied%20Acoustics%26lt%3B%5C%2Fi%26gt%3B%2C%20Musical%20Acoustics%2C%2065%2C%20no.%2012%20%28December%201%2C%202004%29%3A%201249%26%23x2013%3B59.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-DOIURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1016%5C%2Fj.apacoust.2004.04.010%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1016%5C%2Fj.apacoust.2004.04.010%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22Analysis%20and%20modelling%20of%20overtone%20singing%20in%20the%20sygyt%20style%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Malte%22%2C%22lastName%22%3A%22Kob%22%7D%5D%2C%22abstractNote%22%3A%22Overtone%20singing%2C%20also%20called%20biphonic%20singing%2C%20x%5Cu00f6%5Cu00f6mij%20or%20chant%20diphonique%20in%20french%3B%20is%20a%20special%20singing%20style%20that%20exhibits%20two%20or%20more%20separate%20sounds%20%5Cu2013%20one%20%5Cu201cdrone%5Cu201d%20sound%20of%20relatively%20low%20pitch%20and%20one%20or%20more%20high%20pitch%20melody%20sounds.%20The%20perceived%20pitches%20of%20the%20upper%20tones%20are%20multiples%20of%20the%20drone%20sound%2C%20i.e.%20taken%20from%20its%20overtone%20scale.%20Compared%20to%20voiced%20sounds%20of%20western%20style%20singers%2C%20the%20relative%20amplitude%20of%20the%20melody%20pitches%20is%20quite%20high%2C%20and%20the%20formant%20bandwidth%20of%20overtone%20sounds%20is%20small.%20This%20paper%20tries%20to%20answer%20the%20question%20of%20how%20these%20formant%20properties%20are%20achieved.%20Experimental%20investigations%20and%20numerical%20calculations%20prove%20the%20existence%20of%20two%20closely%20neighboured%20formants%20for%20the%20production%20of%20the%20melody%20sound%20in%20the%20sygyt%20style.%22%2C%22date%22%3A%22December%201%2C%202004%22%2C%22language%22%3A%22en%22%2C%22DOI%22%3A%2210.1016%5C%2Fj.apacoust.2004.04.010%22%2C%22ISSN%22%3A%220003-682X%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fwww.sciencedirect.com%5C%2Fscience%5C%2Farticle%5C%2Fpii%5C%2FS0003682X04001082%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222019-11-07T00%3A59%3A11Z%22%7D%7D%2C%7B%22key%22%3A%225AHESY6Y%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Kob%20and%20Neuschaefer-Rube%22%2C%22parsedDate%22%3A%222003%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BKob%2C%20M.%2C%20and%20C.%20Neuschaefer-Rube.%20%26%23x201C%3BAcoustic%20Analysis%20of%20Overtone%20Singing%2C%26%23x201D%3B%202003.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fwww.semanticscholar.org%5C%2Fpaper%5C%2FAcoustic-analysis-of-overtone-singing-Kob-Neuschaefer-Rube%5C%2Fbba91900b891ac4f95f8804648b7a7879a10a36f%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fwww.semanticscholar.org%5C%2Fpaper%5C%2FAcoustic-analysis-of-overtone-singing-Kob-Neuschaefer-Rube%5C%2Fbba91900b891ac4f95f8804648b7a7879a10a36f%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Acoustic%20analysis%20of%20overtone%20singing%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22M.%22%2C%22lastName%22%3A%22Kob%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22C.%22%2C%22lastName%22%3A%22Neuschaefer-Rube%22%7D%5D%2C%22abstractNote%22%3A%22The%20articulatory%20configuration%20of%20an%20overtone%20singer%20is%20analysed%20with%20frequency%20analysis%20of%20the%20voice%20signal%2C%20sonographic%20visualisation%20of%20the%20tongue%20position%2C%20and%20analysis%20of%20the%20vocal%20tract%20impedance%20at%20the%20mouth.%20The%20biphonic%20character%20of%20the%20signal%20is%20observed%20in%20the%20spectrum%20plot.%20The%20sonographic%20analysis%20reveals%20a%20highly%20variable%20tongue%20position%20during%20production%20of%20a%20rising%20overtone.%20The%20high%20pitch%20of%20the%20produced%20biphonic%20sound%20is%20further%20analysed%20using%20the%20impedance%20technique.%20The%20extraordinary%20amplification%20of%20the%20melody%20pitch%20seems%20to%20be%20caused%20by%20the%20coincidence%20in%20frequency%20of%20two%20resonances.%20This%20findings%20support%20the%20theory%20that%20the%20overtone%20sound%20in%20sygyt%20style%20is%20a%20result%20of%20the%20filter%20effect%20of%20the%20vocal%20tract.%22%2C%22date%22%3A%222003%22%2C%22proceedingsTitle%22%3A%22%22%2C%22conferenceName%22%3A%22International%20Workshop%20on%20Models%20and%20Analysis%20of%20Vocal%20Emissions%20for%20Biomedical%20Applications%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fwww.semanticscholar.org%5C%2Fpaper%5C%2FAcoustic-analysis-of-overtone-singing-Kob-Neuschaefer-Rube%5C%2Fbba91900b891ac4f95f8804648b7a7879a10a36f%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222023-11-05T19%3A48%3A52Z%22%7D%7D%2C%7B%22key%22%3A%223QXJ8XJS%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Kob%20et%20al.%22%2C%22parsedDate%22%3A%222001%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BKob%2C%20Malte%2C%20Christiane%20Neuschaefer-Rube%2C%20and%20Wolfgang%20Saus.%20%26%23x201C%3BUntersuchungen%20Der%20Akustischen%20Eigenschaften%20Des%20Obertongesangs.%26%23x201D%3B%20In%20%26lt%3Bi%26gt%3BFORTSCHRITTE%20DER%20AKUSTIK%26lt%3B%5C%2Fi%26gt%3B%2C%2027%3A436%26%23x2013%3B37.%20Hamburg%3A%20TU%20Hamburg-Harburg%2C%202001.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fpub.dega-akustik.de%5C%2FDAGA_1999-2008%5C%2Fdata%5C%2Farticles%5C%2F000479.pdf%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fpub.dega-akustik.de%5C%2FDAGA_1999-2008%5C%2Fdata%5C%2Farticles%5C%2F000479.pdf%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Untersuchungen%20der%20akustischen%20Eigenschaften%20des%20Obertongesangs%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Malte%22%2C%22lastName%22%3A%22Kob%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Christiane%22%2C%22lastName%22%3A%22Neuschaefer-Rube%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Wolfgang%22%2C%22lastName%22%3A%22Saus%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222001%22%2C%22proceedingsTitle%22%3A%22FORTSCHRITTE%20DER%20AKUSTIK%22%2C%22conferenceName%22%3A%22DAGA%202001%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fpub.dega-akustik.de%5C%2FDAGA_1999-2008%5C%2Fdata%5C%2Farticles%5C%2F000479.pdf%22%2C%22collections%22%3A%5B%222CSIETRP%22%2C%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222024-02-07T17%3A16%3A24Z%22%7D%7D%2C%7B%22key%22%3A%2234HLCZWG%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Kova%5Cu0159%5Cu00edkov%5Cu00e1%22%2C%22parsedDate%22%3A%222019-04-18%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BKova%26%23x159%3B%26%23xED%3Bkov%26%23xE1%3B%2C%20Ludmila.%20%26%23x201C%3BAlikvotn%26%23xED%3B%20zp%26%23x11B%3Bv%20a%20jeho%20uplatn%26%23x11B%3Bn%26%23xED%3B%20ve%20sborov%26%23xE9%3Bm%20zp%26%23x11B%3Bvu.%26%23x201D%3B%20Univerzita%20Karlova%2C%202019.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fdspace.cuni.cz%5C%2Fbitstream%5C%2Fhandle%5C%2F20.500.11956%5C%2F106532%5C%2F130252186.pdf%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fdspace.cuni.cz%5C%2Fbitstream%5C%2Fhandle%5C%2F20.500.11956%5C%2F106532%5C%2F130252186.pdf%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22thesis%22%2C%22title%22%3A%22Alikvotn%5Cu00ed%20zp%5Cu011bv%20a%20jeho%20uplatn%5Cu011bn%5Cu00ed%20ve%20sborov%5Cu00e9m%20zp%5Cu011bvu%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Ludmila%22%2C%22lastName%22%3A%22Kova%5Cu0159%5Cu00edkov%5Cu00e1%22%7D%5D%2C%22abstractNote%22%3A%22This%20%20bachelor%20%20thesis%20%20deals%20%20with%20%20overtone%20%20singing%2C%20%20its%20%20history%20%20and%20%20traditional%20%20variants%20%20and%20further%20development%20in%20Western%20Europe%20and%20in%20the%20Czech%20Republic.%20The%20main%20focus%20of%20the%20thesis%20is%20the%20practicaluse%20of%20overtone%20singing%20in%20choral%20practice%2C%20which%20is%20demonstrated%20on%20the%20Czech%20overtone%20choir%20Spektrum.%20The%20enclosed%20sheet%20music%20shows%20how%20overtonescan%20be%20used%20in%20specific%20songs%20and%20how%20they%20are%20written%20into%20notes.KEYWORDSovertones%2C%20overtone%20singing%2C%20choir%20singing%2C%20Spektrum%20choir%2C%20Jan%20Stan%5Cu011bk%22%2C%22thesisType%22%3A%22%22%2C%22university%22%3A%22Univerzita%20Karlova%22%2C%22date%22%3A%2218.04.2019%22%2C%22language%22%3A%22cs%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fdspace.cuni.cz%5C%2Fbitstream%5C%2Fhandle%5C%2F20.500.11956%5C%2F106532%5C%2F130252186.pdf%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222019-12-31T10%3A43%3A29Z%22%7D%7D%2C%7B%22key%22%3A%226WEJN8NF%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Kova%5Cu0159%5Cu00edkov%5Cu00e1%22%2C%22parsedDate%22%3A%222019%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BKova%26%23x159%3B%26%23xED%3Bkov%26%23xE1%3B%2C%20Ludmila.%20%26%23x201C%3BAlikvotn%26%23xED%3B%20zp%26%23x11B%3Bv%20a%20jeho%20uplatn%26%23x11B%3Bn%26%23xED%3B%20ve%20sborov%26%23xE9%3Bm%20zp%26%23x11B%3Bvu%20-%20Overtone%20Singing%20and%20Its%20Application%20in%20Choir%20Singing.%26%23x201D%3B%20Bachelor%20Thesis%2C%20Univerzita%20Karlova%2C%202019.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fdspace.cuni.cz%5C%2Fbitstream%5C%2Fhandle%5C%2F20.500.11956%5C%2F106532%5C%2F130252186.pdf%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fdspace.cuni.cz%5C%2Fbitstream%5C%2Fhandle%5C%2F20.500.11956%5C%2F106532%5C%2F130252186.pdf%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22thesis%22%2C%22title%22%3A%22Alikvotn%5Cu00ed%20zp%5Cu011bv%20a%20jeho%20uplatn%5Cu011bn%5Cu00ed%20ve%20sborov%5Cu00e9m%20zp%5Cu011bvu%20-%20Overtone%20Singing%20and%20Its%20Application%20in%20Choir%20Singing%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Ludmila%22%2C%22lastName%22%3A%22Kova%5Cu0159%5Cu00edkov%5Cu00e1%22%7D%5D%2C%22abstractNote%22%3A%22This%20bachelor%20thesis%20deals%20with%20overtone%20singing%2C%20its%20history%20and%20traditional%20variants%20and%5Cnfurther%20development%20in%20Western%20Europe%20and%20in%20the%20Czech%20Republic.%20The%20main%20focus%20of%20the%5Cnthesis%20is%20the%20practical%20use%20of%20overtone%20singing%20in%20choral%20practice%2C%20which%20is%20demonstrated%20on%5Cnthe%20Czech%20overtone%20choir%20Spektrum.%20The%20enclosed%20sheet%20music%20shows%20how%20overtones%20can%20be%5Cnused%20in%20specific%20songs%20and%20how%20they%20are%20written%20into%20notes.%5CnKEYWORDS%5Cnovertones%2C%20overtone%20singing%2C%20choir%20singing%2C%20Spektrum%20choir%2C%20Jan%20Stan%5Cu011bk%22%2C%22thesisType%22%3A%22Bachelor%20Thesis%22%2C%22university%22%3A%22Univerzita%20Karlova%22%2C%22date%22%3A%222019%22%2C%22language%22%3A%22cs%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fdspace.cuni.cz%5C%2Fbitstream%5C%2Fhandle%5C%2F20.500.11956%5C%2F106532%5C%2F130252186.pdf%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%2C%22LICZBCEJ%22%5D%2C%22dateModified%22%3A%222022-12-19T09%3A42%3A24Z%22%7D%7D%2C%7B%22key%22%3A%22K9SGSAIX%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Kratz%22%2C%22parsedDate%22%3A%222007%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BKratz%2C%20Thomas.%20Interview%20mit%20dem%20Obertons%26%23xE4%3Bnger%20Wolfgang%20Saus%2C%202007.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fwww.spirituelles-portal.de%5C%2FThomas-Kratz-Interview-mit-dem-Obertonsaenger-Wolfgang-Saus%2C2%2C40.html%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fwww.spirituelles-portal.de%5C%2FThomas-Kratz-Interview-mit-dem-Obertonsaenger-Wolfgang-Saus%2C2%2C40.html%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22interview%22%2C%22title%22%3A%22Interview%20mit%20dem%20Obertons%5Cu00e4nger%20Wolfgang%20Saus%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22interviewee%22%2C%22firstName%22%3A%22Thomas%22%2C%22lastName%22%3A%22Kratz%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222007%22%2C%22interviewMedium%22%3A%22%22%2C%22language%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fwww.spirituelles-portal.de%5C%2FThomas-Kratz-Interview-mit-dem-Obertonsaenger-Wolfgang-Saus%2C2%2C40.html%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222013-03-01T12%3A53%3A02Z%22%7D%7D%2C%7B%22key%22%3A%22KH7GSTJ2%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Kritzer%22%2C%22parsedDate%22%3A%221999%22%2C%22numChildren%22%3A2%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BKritzer%2C%20Inge.%20%26%23x201C%3BAtem%20Und%20Stimme.%20Die%20Heilende%20Kraft%20Der%20Obert%26%23xF6%3Bne%20in%20Der%20Musiktherapie%20Mit%20Schwer%20Behinderten%20Kindern%2C%26%23x201D%3B%201999.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Finside-out.academy%5C%2Fwp-content%5C%2Fuploads%5C%2F215_kritzer_obertoene.pdf%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Finside-out.academy%5C%2Fwp-content%5C%2Fuploads%5C%2F215_kritzer_obertoene.pdf%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22document%22%2C%22title%22%3A%22Atem%20und%20Stimme.%20Die%20heilende%20Kraft%20der%20Obert%5Cu00f6ne%20in%20der%20Musiktherapie%20mit%20schwer%20behinderten%20Kindern%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Inge%22%2C%22lastName%22%3A%22Kritzer%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%221999%22%2C%22language%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Finside-out.academy%5C%2Fwp-content%5C%2Fuploads%5C%2F215_kritzer_obertoene.pdf%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%2C%228EXEMJKG%22%5D%2C%22dateModified%22%3A%222024-07-07T19%3A09%3A21Z%22%7D%7D%2C%7B%22key%22%3A%22AQ22B64R%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Levin%20and%20Edgerton%22%2C%22parsedDate%22%3A%221999%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BLevin%2C%20Theodore%20Craig%2C%20and%20Michael%20Edgerton.%20%26%23x201C%3BDie%20Obertons%26%23xE4%3Bnger%20von%20Tuwa%20-%20Spektrum%20Der%20Wissenschaft%2C%26%23x201D%3B%201999.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fwww.spektrum.de%5C%2Falias%5C%2Fdachzeile%5C%2Fdie-obertonsaenger-von-tuwa%5C%2F825863%3Fid%3D825863%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fwww.spektrum.de%5C%2Falias%5C%2Fdachzeile%5C%2Fdie-obertonsaenger-von-tuwa%5C%2F825863%3Fid%3D825863%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22Die%20Obertons%5Cu00e4nger%20von%20Tuwa%20-%20Spektrum%20der%20Wissenschaft%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Theodore%20Craig%22%2C%22lastName%22%3A%22Levin%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Michael%22%2C%22lastName%22%3A%22Edgerton%22%7D%5D%2C%22abstractNote%22%3A%22Sie%20loten%20die%20Grenzbereiche%20der%20stimmlichen%20F%5Cu00e4higkeiten%20aus%3A%20Obertons%5Cu00e4nger%20erzeugen%20Kl%5Cu00e4nge%2C%20die%20weder%20der%20Sprechsprache%20noch%20dem%20Gesang%20gleichen.%20Sie%20singen%20sogar%20mehrstimmig%20und%20bringen%20ihren%20Gesang%20in%20Einklang%20mit%20Naturger%5Cu00e4uschen.%22%2C%22date%22%3A%221999%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fwww.spektrum.de%5C%2Falias%5C%2Fdachzeile%5C%2Fdie-obertonsaenger-von-tuwa%5C%2F825863%3Fid%3D825863%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222013-03-01T14%3A40%3A14Z%22%7D%7D%2C%7B%22key%22%3A%227HGMSDEU%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Levin%20and%20Edgerton%22%2C%22parsedDate%22%3A%221999%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BLevin%2C%20Theodore%20C.%2C%20and%20Michael%20E.%20Edgerton.%20%26%23x201C%3BThe%20Throat%20Singers%20of%20Tuva.%26%23x201D%3B%20%26lt%3Bi%26gt%3BScientific%20American%26lt%3B%5C%2Fi%26gt%3B%20281%2C%20no.%203%20%281999%29%3A%2080%26%23x2013%3B87.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-DOIURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1038%5C%2Fscientificamerican0999-80%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fdoi.org%5C%2F10.1038%5C%2Fscientificamerican0999-80%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22journalArticle%22%2C%22title%22%3A%22The%20Throat%20Singers%20of%20Tuva%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Theodore%20C.%22%2C%22lastName%22%3A%22Levin%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Michael%20E.%22%2C%22lastName%22%3A%22Edgerton%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%229%5C%2F1999%22%2C%22language%22%3A%22en%22%2C%22DOI%22%3A%2210.1038%5C%2Fscientificamerican0999-80%22%2C%22ISSN%22%3A%220036-8733%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fwww.nature.com%5C%2Fdoifinder%5C%2F10.1038%5C%2Fscientificamerican0999-80%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222019-08-23T15%3A00%3A51Z%22%7D%7D%2C%7B%22key%22%3A%22UFU8N9N7%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Liesowska%20and%20Lambie%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BLiesowska%2C%20Anne%2C%20and%20Derek%20Lambie.%20%26%23x201C%3BSecrets%20of%20Throat%20Singing%20Revealed%20by%20Scientific%20Research%20into%20the%20Unusual%20Sounds.%26%23x201D%3B%20Accessed%20February%207%2C%202017.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fsiberiantimes.com%5C%2Fscience%5C%2Fothers%5C%2Fnews%5C%2F0070-secrets-of-throat-singing-revealed-by-scientific-research-into-the-unusual-sounds%5C%2F%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fsiberiantimes.com%5C%2Fscience%5C%2Fothers%5C%2Fnews%5C%2F0070-secrets-of-throat-singing-revealed-by-scientific-research-into-the-unusual-sounds%5C%2F%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22Secrets%20of%20throat%20singing%20revealed%20by%20scientific%20research%20into%20the%20unusual%20sounds%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Anne%22%2C%22lastName%22%3A%22Liesowska%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Derek%22%2C%22lastName%22%3A%22Lambie%22%7D%5D%2C%22abstractNote%22%3A%22Simply%20put%2C%20the%20people%20of%20Tuva%20and%20southern%20Siberia%20have%20different%20vocal%20cords%20to%20the%20rest%20of%20the%20planet%20and%20are%20the%20only%20ones%20with%20the%20capability%20to%20master%20the%20art.%22%2C%22date%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fsiberiantimes.com%5C%2Fscience%5C%2Fothers%5C%2Fnews%5C%2F0070-secrets-of-throat-singing-revealed-by-scientific-research-into-the-unusual-sounds%5C%2F%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222017-02-07T20%3A46%3A10Z%22%7D%7D%2C%7B%22key%22%3A%22J6UIAY9M%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22L%5Cu00fcbben%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BL%26%23xFC%3Bbben%2C%20Barbara.%20%26%23x201C%3BObertonspektrum%20von%20Frauen%20-%20Wo%20Liegt%20Der%20Wohlf%26%23xFC%3Bhlbereich%3F%26%23x201D%3B%20Accessed%20October%2029%2C%202017.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fpolyphona.de%5C%2Fkomponieren.html%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fpolyphona.de%5C%2Fkomponieren.html%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22Obertonspektrum%20von%20Frauen%20-%20wo%20liegt%20der%20Wohlf%5Cu00fchlbereich%3F%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Barbara%22%2C%22lastName%22%3A%22L%5Cu00fcbben%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fpolyphona.de%5C%2Fkomponieren.html%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%2C%22HV4SXCI7%22%5D%2C%22dateModified%22%3A%222017-10-29T10%3A06%3A24Z%22%7D%7D%2C%7B%22key%22%3A%22ZHKI9KR6%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Mantovani%22%2C%22parsedDate%22%3A%222015-03-11%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BMantovani%2C%20Walter.%20%26%23x201C%3BIl%20Canto%20difonico%20oggi.%26%23x201D%3B%20%26lt%3Bi%26gt%3BArmonici.it%26lt%3B%5C%2Fi%26gt%3B%20%28blog%29%2C%20March%2011%2C%202015.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fblog.armonici.it%5C%2Fil-canto-difonico-oggi%5C%2F%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fblog.armonici.it%5C%2Fil-canto-difonico-oggi%5C%2F%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22blogPost%22%2C%22title%22%3A%22Il%20Canto%20difonico%20oggi%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Walter%22%2C%22lastName%22%3A%22Mantovani%22%7D%5D%2C%22abstractNote%22%3A%22Il%20canto%20difonico%20moderno%20si%20%5Cu00e8%20siviluppato%20inizialmente%20in%20Europa%20e%20Nord%20America%20durante%20gli%20anni%20%26%23039%3B60%20del%20Novecento%2C%20e%20questo%20nuovo%20approccio%20si%20%5Cu00e8%20oggi%20dif%20-%20Si%20parla%20di%3A%20Canto%20Arte%2C%20Musica%2C%20Storia%2C%20Tecniche%20fonative%22%2C%22blogTitle%22%3A%22Armonici.it%22%2C%22date%22%3A%222015-03-11T01%3A27%3A46%2B01%3A00%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fblog.armonici.it%5C%2Fil-canto-difonico-oggi%5C%2F%22%2C%22language%22%3A%22it-IT%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222018-03-02T01%3A14%3A25Z%22%7D%7D%2C%7B%22key%22%3A%22REMGEKAK%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Matern%20et%20al.%22%2C%22parsedDate%22%3A%222001%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BMatern%2C%20Gabriele%2C%20Christiane%20Neuschaefer-Rube%2C%20Wolfgang%20Saus%2C%20and%20Malte%20Kob.%20%26%23x201C%3BAnsatzrohrgestaltung%20Beim%20Obertonsingen.%26%23x201D%3B%20In%20%26lt%3Bi%26gt%3BAktuelle%20Phoniatrisch-P%26%23xE4%3Bdaudiologische%20Aspekte%202000%26lt%3B%5C%2Fi%26gt%3B%2C%20edited%20by%20M%20Gross%2C%208%3A16%26%23x2013%3B18%2C%202001.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22conferencePaper%22%2C%22title%22%3A%22Ansatzrohrgestaltung%20beim%20Obertonsingen%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Gabriele%22%2C%22lastName%22%3A%22Matern%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Christiane%22%2C%22lastName%22%3A%22Neuschaefer-Rube%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Wolfgang%22%2C%22lastName%22%3A%22Saus%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Malte%22%2C%22lastName%22%3A%22Kob%22%7D%2C%7B%22creatorType%22%3A%22editor%22%2C%22firstName%22%3A%22M%22%2C%22lastName%22%3A%22Gross%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222001%22%2C%22proceedingsTitle%22%3A%22Aktuelle%20phoniatrisch-p%5Cu00e4daudiologische%20Aspekte%202000%22%2C%22conferenceName%22%3A%22Aktuelle%20phoniatrisch-p%5Cu00e4daudiologische%20Aspekte%202000%5C%2F2001%22%2C%22language%22%3A%22%22%2C%22DOI%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%222CSIETRP%22%2C%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222024-02-07T17%3A09%3A47Z%22%7D%7D%2C%7B%22key%22%3A%22VPHCZQWP%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Matern%20et%20al.%22%2C%22parsedDate%22%3A%222000%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BMatern%2C%20Gabriele%2C%20Christiane%20Neuschaefer-Rube%2C%20Wolfgang%20Saus%2C%20and%20Malte%20Kob.%20%26lt%3Bi%26gt%3BAnsatzrohrgestaltung%20beim%20Obertonsingen.%2017.%20Wiss.%20Jahrestagung%20Deutsche%20Ges.%20f%26%23xFC%3Br%20Phoniatrie%20und%20P%26%23xE4%3Bdaudiologie%2C%20T%26%23xFC%3Bbingen%20%282000%29%26lt%3B%5C%2Fi%26gt%3B.%20DVD.%20Aachen%3A%20RWTH%2C%20Uniklinik%2C%202000.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22videoRecording%22%2C%22title%22%3A%22Ansatzrohrgestaltung%20beim%20Obertonsingen.%2017.%20Wiss.%20Jahrestagung%20Deutsche%20Ges.%20f%5Cu00fcr%20Phoniatrie%20und%20P%5Cu00e4daudiologie%2C%20T%5Cu00fcbingen%20%282000%29%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22director%22%2C%22firstName%22%3A%22Gabriele%22%2C%22lastName%22%3A%22Matern%22%7D%2C%7B%22creatorType%22%3A%22director%22%2C%22firstName%22%3A%22Christiane%22%2C%22lastName%22%3A%22Neuschaefer-Rube%22%7D%2C%7B%22creatorType%22%3A%22director%22%2C%22firstName%22%3A%22Wolfgang%22%2C%22lastName%22%3A%22Saus%22%7D%2C%7B%22creatorType%22%3A%22director%22%2C%22firstName%22%3A%22Malte%22%2C%22lastName%22%3A%22Kob%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22videoRecordingFormat%22%3A%22DVD%22%2C%22studio%22%3A%22RWTH%2C%20Uniklinik%22%2C%22date%22%3A%222000%22%2C%22runningTime%22%3A%22%22%2C%22language%22%3A%22de%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%2C%22PA2Z29NZ%22%5D%2C%22dateModified%22%3A%222011-03-29T17%3A47%3A32Z%22%7D%7D%2C%7B%22key%22%3A%227KUSVLJH%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Mathews%20and%20Pierce%22%2C%22parsedDate%22%3A%221989-06-14%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BMathews%2C%20Max%20V.%2C%20and%20John%20R.%20Pierce.%20%26lt%3Bi%26gt%3BCurrent%20Directions%20in%20Computer%20Music%20Research%26lt%3B%5C%2Fi%26gt%3B.%20Cambridge%2C%20Mass%3A%20MIT%20Press%2C%201989.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Current%20Directions%20in%20Computer%20Music%20Research%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Max%20V.%22%2C%22lastName%22%3A%22Mathews%22%7D%2C%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22John%20R.%22%2C%22lastName%22%3A%22Pierce%22%7D%5D%2C%22abstractNote%22%3A%22An%20expensive%20laboratory%20luxury%20just%2025%20years%20ago%2C%20computer%20music%20is%20now%20entering%20the%20public%20domain.%20Inexpensive%20digital%20keyboards%20and%20related%20hardware%20are%20more%20widely%20available%20than%20the%20piano.%20These%2021%20original%20contributions%20by%20composers%2C%20behavioral%20scientists%2C%20engineers%2C%20and%20other%20specialists%20from%20many%20of%20the%20international%20centers%20of%20research%20in%20computer%20music%20provide%20an%20inside%20report%20on%20the%20most%20sophisticated%20aspects%20of%20digital%20synthesis%2C%20control%20and%20understanding%20of%20musical%20sound%2C%20and%20related%20work%20on%20perception.%20The%20use%20of%20the%20computer%20to%20analyze%20and%20synthesize%20complex%20sounds%20has%20resulted%20in%20faster%20and%20more%20accurate%20experimental%20study%20of%20this%20key%20aspect%20of%20human%20perception.%20Many%20of%20the%20chapters%20in%20this%20book%20provide%20new%20insights%20into%20sounds%20and%20hearing.%20These%20include%20the%20investigation%20of%20loudness%2C%20masking%2C%20and%20binaural%20phenomena%2C%20and%20also%20an%20extensive%20study%20of%20the%20perceived%20pitch%20of%20sounds%2C%20many%20of%20which%20are%20remote%20from%20sounds%20ever%20heard%20in%20nature.%20Among%20the%20specific%20topics%20covered%20are%20speech%20songs%2C%20synthesis%20of%20the%20singing%20voice%2C%20spatial%20reverberation%2C%20Fourier-transform-based%20timbral%20manipulations%2C%20the%20simulation%20of%20bowed%20instruments%2C%20automatic%20counterpoint%2C%20and%20a%20conductor%20program%20utilizing%20a%20mechanical%20baton.%20A%20chapter%20authored%20jointly%20by%20Mathews%20and%20Pierce%20describes%20a%20new%20musical%20scale%20they%20have%20been%20working%20on%20over%20the%20past%20few%20years.%20Max%20V.%20Mathews%20and%20John%20R.%20Pierce%20are%20members%20of%20the%20music%20faculty%20at%20Stanford%20University.%20Both%20spent%20the%20major%20part%20of%20their%20professional%20lives%20at%20Bell%20Telephone%20Laboratories%2C%20where%20Mathews%20directed%20the%20Acoustical%20%26amp%3B%20Behavioral%20Research%20Center%2C%20and%20Pierce%20directed%20the%20Communication%20Sciences%20Division.Current%20Directions%20in%20Computer%20Music%20Research%20isincluded%20in%20the%20System%20Development%20Foundation%20Benchmark%20series.%20The%20System%20Development%20Foundation%20was%20one%20of%20the%20first%20major%20supporters%20of%20computer%20music%20research.%22%2C%22date%22%3A%221989-06-14%22%2C%22language%22%3A%22Englisch%22%2C%22ISBN%22%3A%22978-0-262-13241-1%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222021-09-09T21%3A40%3A03Z%22%7D%7D%2C%7B%22key%22%3A%22AT93KHZ8%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Matrenitsky%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BMatrenitsky%2C%20Vladislav.%20%26%23x201C%3BStudy%20of%20Effects%20of%20Overtone%20Throat%20Singing%20in%20Tuvan%20%28Southern%20Siberia%29%20Shamanic%20Tradition.%26%23x201D%3B%20Accessed%20May%209%2C%202013.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fwww.un-hun.com%5C%2Fresearch_en.html%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fwww.un-hun.com%5C%2Fresearch_en.html%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22Study%20of%20effects%20of%20overtone%20throat%20singing%20in%20Tuvan%20%28Southern%20Siberia%29%20shamanic%20tradition%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Vladislav%22%2C%22lastName%22%3A%22Matrenitsky%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fwww.un-hun.com%5C%2Fresearch_en.html%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%5D%2C%22dateModified%22%3A%222014-06-14T19%3A22%3A08Z%22%7D%7D%5D%7D
Adachi, Seiji, and Masashi Yamada. “An Acoustical Study of Sound Production in Biphonic Singing, Xöömij.” The Journal of the Acoustical Society of America 105, no. 5 (1999): 2920–32. https://doi.org/10.1121/1.426905.
Akademie f. gesprochenes Wort, and Hellmut K Geissner. Stimmkulturen: 3. Stuttgarter Stimmtage 2000. 1st ed. St. Ingbert: Röhrig Universitätsverlag, 2002.
Barbiera, Filippo, Antonio Lo Casto, Bruno Murmura, Giovanni Bortoluzzi, Ilaria Orefice, and Alfonso Gianluca Gucciardo. “Dynamic Fast Imaging Employing Steady State Acquisition Magnetic Resonance Imaging of the Vocal Tract in One Overtone Male Singer: Our Preliminary Experience.” Journal of Voice 36, no. 2 (March 1, 2022): 170–75. https://doi.org/10.1016/j.jvoice.2020.05.016.
Barras, Marie-Cécile, and Anne-Marie Gouiffès. “The Reception of Overtone Singing by Uninformed Listeners.” Journal of Interdisciplinary Music Studies 2, no. 142 (2008): 59–70.
Bergevin, Christopher, Chandan Narayan, Joy Williams, Natasha Mhatre, Jennifer KE Steeves, Joshua GW Bernstein, and Brad Story. “Overtone Focusing in Biphonic Tuvan Throat Singing.” ELife 9 (February 17, 2020): e50476. https://doi.org/10.7554/eLife.50476.
Birkicht, Matthias. “Obertonbrevier.Pdf.” Accessed July 12, 2022. http://www.oberton.info/obertonbrevier.pdf.
Black, Jocelyn. “Overtone Singing: History, Development, and Influence in Contemporary Music.” Capstone Projects and Master’s Theses, December 1, 2018. https://digitalcommons.csumb.edu/caps_thes_all/402.
Bloothooft, Gerrit, Eldrid Bringmann, Marieke van Cappellen, Jolanda B. van Luipen, and Koen P. Thomassen. “Acoustics and Perception of Overtone Singing.” The Journal of the Acoustical Society of America 92, no. 4 (October 1, 1992): 1827–36. https://doi.org/10.1121/1.403839.
Cosi, Piero, and Graziano Tisato. “ON THE MAGIC OF OVERTONE SINGING.” Voce, Canto, Parlato / Studi Di Onore Di Franco Ferrero, Instituto di Scienze e Tecnologie della Cognizione Sezione di Padova “Fonetica e Dialettologia,” 2003, 83–100.
Edgerton, Michael Edward, Graham Welch, John Nix, and David Howard. “The Extra-Normal Voice.” Oxford Handbooks Online. Accessed August 23, 2019. https://www.academia.edu/6978897/The_Extra-Normal_Voice.
Foresman, Bryant. “Acoustical Measurement of the Human Vocal Tract: Quantifying Speech & Throat-Singing.” Senior Thesis, Pomona College, 2008. http://scholarship.claremont.edu/pomona_theses/25.
Fuks, Leonardo. “Leonardo Fuks Homepage,” 1998. http://www.speech.kth.se/music/publications/leofuks/leosounds.html.
Fuks, Leonardo. “PhD Thesis in Music Acoustics: FROM AIR TO MUSIC - Acoustical, Physiological and Perceptual Aspects of Reed Wind Instrument Playing and Vocal-Ventricular Fold Phonation.” KTH, 1998.
Fuks, Leonardo. “PhD Thesis in Music Acoustics,” 1998. http://www.speech.kth.se/music/publications/leofuks/thesis/contents.html.
Fuks, Leonardo. “Computer-Aided Musical Analysis of Extended Vocal Techniques for Compositional Applications.” Compmus.Ime.Usp.Br. Accessed September 6, 2019. https://www.academia.edu/30880857/Computer-aided_musical_analysis_of_extended_vocal_techniques_for_compositional_applications.
Fuks, Leonardo, Britta Hammarberg, and Johan Sundberg. “A Self-Sustained Vocal-Ventricular Phonation Mode: Acoustical, Aerodynamic and Glottographic Evidences.” KTH TMH-QPSR 3, no. 1998 (1998): 49–59. https://www.researchgate.net/profile/Johan_Sundberg/publication/285742169_A_self-sustained_vocal-ventricular_phonation_mode_Acoustical_aerodynamic_and_glottographic_evidences/links/56e91a0f08ae9bcb3e1dbed8.pdf.
García, Manuel. École de Garcia: traité complet de l’art du chant en deux parties. Minkoff, 1985.
Garcia, Manuel. Traité Complet de l’art Du Chant En Deux Parties. Ecole de Garcia. Paris: Heugel et cie, 1878. http://catalog.hathitrust.org/Record/001981291.
García, Manuel. “École de Garcia (Garcia Jr., Manuel) – IMSLP.” Accessed July 26, 2014. http://imslp.org/wiki/%C3%89cole_de_Garcia_(Garcia_Jr.,_Manuel).
García, Manuel. Ecole de Garcia. Traité Complet de l’art Du Chant En 2 Parties. l’auteur (Paris), 1847. http://gallica.bnf.fr/ark:/12148/btv1b52502455v.
García, Manuel Compositeur. Ecole de Garcia. Traité Complet de l’art Du Chant En 2 Parties (3e Éd.) - Première Partie. l’auteur (Paris), 1851. http://gallica.bnf.fr/ark:/12148/btv1b525032004.
Goeth, Maria. “Khöömii - Obertongesang in Der Mongolei Und Tuva - Hausarbeit.” Ludwig Maximilan Universität München, 2003. Wolfgang Saus.
Grawunder, Sven. “On the Physiology of Voice Production in South-Siberian Throat Singing – Extended Abstract.” The Phonetician 101/102 (2012): 25–32. http://www.isphs.org/Phonetician/Phonetician_101.pdf.
Grawunder, Sven. “Der Südsibirische Kehlgesang Als Gegenstand Phonetischer Untersuchungen.” In Gegenstandsauffassung Und Aktuelle Forschungen Der Halleschen Sprechwissenschaft, edited by Eva-Maria Krech and Eberhard Stock, 53–91. Frankfurt am Main: Peter Lang, 2003. http://email.eva.mpg.de/~grawunde/files/Autorreferat_SG_Dipl.pdf.
Grawunder, Sven. “Comparison of Voice Production Types of `Western’ Overtone Singing and South Siberian Throat Singing.” In Proceedings of the 15th International Congress of Phonetic Sciences, Conference Paper, 4. Barcelona, 2003.
Grawunder, Sven. “Obertongesang versus Kehlgesang.” Diplomarbeit, Martin-Luther-Universität Halle-Wittenberg, Halle/S., 1999. https://www.eva.mpg.de/fileadmin/content_files/staff/grawunde/bonusmaterial/KehlgesangversObertongesang.pdf.
Hebart, Martin. “Obertongesang - Facharbeit,” 2002. Wolfgang Saus.
Hefele, Anna-Maria, Robert Eklund, and Anita McAllister. “Polyphonic Overtone Singing: An Acoustic and Physiological (MRI) Analysis and a First-Person Description of a Unique Mode of Singing,” June 10, 2019. https://doi.org/10.5281/ZENODO.3246011.
Hefele, Anna-Maria, Robert Eklund, and Anita Mcallister. “Polyphonic Overtone Singing: An Acoustic and Physiological (MRI) Analysis and a First-Person Description of a Unique Mode of Singing.” In Proceedings from Fonetik 2019, 7, 2019. https://doi.org/10.5281/zenodo.3246011.
Hinds, Stuart. “Overtone Singing: Not Just for Monks and Shamans Anymore.” The IFCM Magazine, October 15, 2012. http://icb.ifcm.net/en_US/overtone-singing-not-just-monks-shamans-anymore/.
Hinds, Stuart. “Overtone Singing: Not Just for Monks and Shamans Anymore - The IFCM Magazine.” Accessed September 15, 2018. http://icb.ifcm.net/en_US/overtone-singing-not-just-monks-shamans-anymore/?print=print.
Jentsch, Alexander. Obertongesang in Mitteleuropa. 1st ed. GRIN Verlag, 2007. https://www.grin.com/document/83717.
Kaschade, Katharina Valeria Sophie. “„Welche Potentiale bietet der Obertongesang als Therapieform in der Musiktherapie?“.” Hausarbeit. Wuppertal: Bergische Universität Wuppertal, 2023.
Klingholz, F. “Overtone Singing: Productive Mechanisms and Acoustic Data.” Journal of Voice, The Voice Foundation’s 22nd Annual Symposium, 7, no. 2 (June 1, 1993): 118–22. https://doi.org/10.1016/S0892-1997(05)80340-6.
Kob, Malte. “Analysis and Modelling of Overtone Singing in the Sygyt Style.” Applied Acoustics, Musical Acoustics, 65, no. 12 (December 1, 2004): 1249–59. https://doi.org/10.1016/j.apacoust.2004.04.010.
Kob, Malte, Christiane Neuschaefer-Rube, and Wolfgang Saus. “Untersuchungen Der Akustischen Eigenschaften Des Obertongesangs.” In FORTSCHRITTE DER AKUSTIK, 27:436–37. Hamburg: TU Hamburg-Harburg, 2001. http://pub.dega-akustik.de/DAGA_1999-2008/data/articles/000479.pdf.
Kovaříková, Ludmila. “Alikvotní zpěv a jeho uplatnění ve sborovém zpěvu.” Univerzita Karlova, 2019. https://dspace.cuni.cz/bitstream/handle/20.500.11956/106532/130252186.pdf.
Kovaříková, Ludmila. “Alikvotní zpěv a jeho uplatnění ve sborovém zpěvu - Overtone Singing and Its Application in Choir Singing.” Bachelor Thesis, Univerzita Karlova, 2019. https://dspace.cuni.cz/bitstream/handle/20.500.11956/106532/130252186.pdf.
Kratz, Thomas. Interview mit dem Obertonsänger Wolfgang Saus, 2007. http://www.spirituelles-portal.de/Thomas-Kratz-Interview-mit-dem-Obertonsaenger-Wolfgang-Saus,2,40.html.
Kritzer, Inge. “Atem Und Stimme. Die Heilende Kraft Der Obertöne in Der Musiktherapie Mit Schwer Behinderten Kindern,” 1999. https://inside-out.academy/wp-content/uploads/215_kritzer_obertoene.pdf.
Levin, Theodore Craig, and Michael Edgerton. “Die Obertonsänger von Tuwa - Spektrum Der Wissenschaft,” 1999. http://www.spektrum.de/alias/dachzeile/die-obertonsaenger-von-tuwa/825863?id=825863.
Levin, Theodore C., and Michael E. Edgerton. “The Throat Singers of Tuva.” Scientific American 281, no. 3 (1999): 80–87. https://doi.org/10.1038/scientificamerican0999-80.
Liesowska, Anne, and Derek Lambie. “Secrets of Throat Singing Revealed by Scientific Research into the Unusual Sounds.” Accessed February 7, 2017. http://siberiantimes.com/science/others/news/0070-secrets-of-throat-singing-revealed-by-scientific-research-into-the-unusual-sounds/.
Lübben, Barbara. “Obertonspektrum von Frauen - Wo Liegt Der Wohlfühlbereich?” Accessed October 29, 2017. http://polyphona.de/komponieren.html.
Mantovani, Walter. “Il Canto difonico oggi.” Armonici.it (blog), March 11, 2015. http://blog.armonici.it/il-canto-difonico-oggi/.
Matern, Gabriele, Christiane Neuschaefer-Rube, Wolfgang Saus, and Malte Kob. “Ansatzrohrgestaltung Beim Obertonsingen.” In Aktuelle Phoniatrisch-Pädaudiologische Aspekte 2000, edited by M Gross, 8:16–18, 2001.
Matern, Gabriele, Christiane Neuschaefer-Rube, Wolfgang Saus, and Malte Kob. Ansatzrohrgestaltung beim Obertonsingen. 17. Wiss. Jahrestagung Deutsche Ges. für Phoniatrie und Pädaudiologie, Tübingen (2000). DVD. Aachen: RWTH, Uniklinik, 2000.
Mathews, Max V., and John R. Pierce. Current Directions in Computer Music Research. Cambridge, Mass: MIT Press, 1989.
Matrenitsky, Vladislav. “Study of Effects of Overtone Throat Singing in Tuvan (Southern Siberia) Shamanic Tradition.” Accessed May 9, 2013. http://www.un-hun.com/research_en.html.

Websites

935790 HV4SXCI7 1 chicago-fullnote-bibliography 50 creator asc 2129 http://www.oberton.org/wp-content/plugins/zotpress/
%7B%22status%22%3A%22success%22%2C%22updateneeded%22%3Afalse%2C%22instance%22%3Afalse%2C%22meta%22%3A%7B%22request_last%22%3A0%2C%22request_next%22%3A0%2C%22used_cache%22%3Atrue%7D%2C%22data%22%3A%5B%7B%22key%22%3A%22QKNPMHEI%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Albi%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BAlbi.%20%26%23x201C%3BFace%20Music%20-%20Switzerland%20-%20Geschichte%20Reiternomaden%2C%20in%20Deutsch.%26%23x201D%3B%20Accessed%20January%2026%2C%202010.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fface-music.ch%5C%2Fnomads%5C%2Fhorsemen_de.html%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fface-music.ch%5C%2Fnomads%5C%2Fhorsemen_de.html%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22Face%20Music%20-%20Switzerland%20-%20Geschichte%20Reiternomaden%2C%20in%20Deutsch%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22%22%2C%22lastName%22%3A%22Albi%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fface-music.ch%5C%2Fnomads%5C%2Fhorsemen_de.html%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22HV4SXCI7%22%5D%2C%22dateModified%22%3A%222013-03-01T18%3A34%3A26Z%22%7D%7D%2C%7B%22key%22%3A%22AV2ES3KA%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Birkicht%22%2C%22numChildren%22%3A2%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BBirkicht%2C%20Matthias.%20%26%23x201C%3BDas%20kleine%20Obertonbrevier.%26%23x201D%3B%20Accessed%20January%2020%2C%202013.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fwww.oberton.info%5C%2Fobertonbrevier01.htm%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fwww.oberton.info%5C%2Fobertonbrevier01.htm%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22Das%20kleine%20Obertonbrevier%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Matthias%22%2C%22lastName%22%3A%22Birkicht%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fwww.oberton.info%5C%2Fobertonbrevier01.htm%22%2C%22language%22%3A%22de%22%2C%22collections%22%3A%5B%22UXZTI6RT%22%2C%22HV4SXCI7%22%5D%2C%22dateModified%22%3A%222013-01-22T20%3A57%3A41Z%22%7D%7D%2C%7B%22key%22%3A%22UFTXT6PW%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Gro%5Cu00dfer%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BGro%26%23xDF%3Ber%2C%20Miroslav.%20%26%23x201C%3BEurop%26%23xE4%3Bischer%20Obertongesang%20-%20Unterricht%20Und%20Workshops%20in%20Berlin.%26%23x201D%3B%20Accessed%20January%2020%2C%202013.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fwww.stimmlabor.de%5C%2Fobertongesang%5C%2F%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fwww.stimmlabor.de%5C%2Fobertongesang%5C%2F%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22Europ%5Cu00e4ischer%20Obertongesang%20-%20Unterricht%20und%20Workshops%20in%20Berlin%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Miroslav%22%2C%22lastName%22%3A%22Gro%5Cu00dfer%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fwww.stimmlabor.de%5C%2Fobertongesang%5C%2F%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22HV4SXCI7%22%5D%2C%22dateModified%22%3A%222013-08-06T22%3A42%3A48Z%22%7D%7D%2C%7B%22key%22%3A%22VDFQRQ8X%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Grover%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BGrover%2C%20Brian.%20%26%23x201C%3BGrover%26%23x2019%3Bs%20Khoomei%20Critique%20Page.%26%23x201D%3B%20Accessed%20January%2020%2C%202013.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fwww.busker-kibbutznik.org%5C%2Fkhoomei%5C%2F%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fwww.busker-kibbutznik.org%5C%2Fkhoomei%5C%2F%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22grover%27s%20khoomei%20critique%20page%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Brian%22%2C%22lastName%22%3A%22Grover%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fwww.busker-kibbutznik.org%5C%2Fkhoomei%5C%2F%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22HV4SXCI7%22%5D%2C%22dateModified%22%3A%222013-01-20T15%3A29%3A25Z%22%7D%7D%2C%7B%22key%22%3A%22C27V4MKC%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Hykes%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BHykes%2C%20David.%20%26%23x201C%3BHarmonicpresence.Org.%26%23x201D%3B%20Accessed%20January%2020%2C%202013.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fwww.harmonicpresence.org%5C%2F%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fwww.harmonicpresence.org%5C%2F%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22harmonicpresence.org%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22David%22%2C%22lastName%22%3A%22Hykes%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fwww.harmonicpresence.org%5C%2F%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22HV4SXCI7%22%5D%2C%22dateModified%22%3A%222013-01-20T15%3A28%3A16Z%22%7D%7D%2C%7B%22key%22%3A%22J6UIAY9M%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22L%5Cu00fcbben%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BL%26%23xFC%3Bbben%2C%20Barbara.%20%26%23x201C%3BObertonspektrum%20von%20Frauen%20-%20Wo%20Liegt%20Der%20Wohlf%26%23xFC%3Bhlbereich%3F%26%23x201D%3B%20Accessed%20October%2029%2C%202017.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fpolyphona.de%5C%2Fkomponieren.html%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fpolyphona.de%5C%2Fkomponieren.html%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22Obertonspektrum%20von%20Frauen%20-%20wo%20liegt%20der%20Wohlf%5Cu00fchlbereich%3F%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Barbara%22%2C%22lastName%22%3A%22L%5Cu00fcbben%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fpolyphona.de%5C%2Fkomponieren.html%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22KJWB5QGH%22%2C%22HV4SXCI7%22%5D%2C%22dateModified%22%3A%222017-10-29T10%3A06%3A24Z%22%7D%7D%2C%7B%22key%22%3A%22W6ZME9Q9%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Saus%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BSaus%2C%20Wolfgang.%20%26%23x201C%3BOvertone%20Singing%20News.%26%23x201D%3B%20Social%20network.%20facebook.%20Accessed%20January%2020%2C%202013.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fwww.facebook.com%5C%2Fovertonesinging%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fwww.facebook.com%5C%2Fovertonesinging%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22overtone%20singing%20news%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Wolfgang%22%2C%22lastName%22%3A%22Saus%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fwww.facebook.com%5C%2Fovertonesinging%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22HV4SXCI7%22%5D%2C%22dateModified%22%3A%222013-03-01T18%3A37%3A26Z%22%7D%7D%2C%7B%22key%22%3A%22RF4VEVKP%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Sklar%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BSklar%2C%20Steve.%20%26%23x201C%3BKhoomei.%26%23x201D%3B%20Accessed%20January%2020%2C%202013.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fwww.khoomei.com%5C%2F%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fwww.khoomei.com%5C%2F%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22Khoomei%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Steve%22%2C%22lastName%22%3A%22Sklar%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fwww.khoomei.com%5C%2F%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22HV4SXCI7%22%5D%2C%22dateModified%22%3A%222013-01-20T15%3A26%3A12Z%22%7D%7D%2C%7B%22key%22%3A%22EWJG4RUF%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Sklar%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BSklar%2C%20Steve.%20%26%23x201C%3BSteve%20Sklar%26%23x2019%3Bs%20Online%20Throat-Singing%20Lessons.%26%23x201D%3B%20Accessed%20January%2020%2C%202013.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fwww.khoomei.com%5C%2Flessons.htm%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fwww.khoomei.com%5C%2Flessons.htm%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22Steve%20Sklar%27s%20Online%20Throat-Singing%20Lessons%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Steve%22%2C%22lastName%22%3A%22Sklar%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fwww.khoomei.com%5C%2Flessons.htm%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22HV4SXCI7%22%5D%2C%22dateModified%22%3A%222013-03-01T18%3A35%3A20Z%22%7D%7D%2C%7B%22key%22%3A%22TQSNTRDK%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Tran%20Quang%20Hai%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BTran%20Quang%20Hai.%20%26%23x201C%3BOvertones%20%7C%20Tran%20Quang%20Hai%20Website.%26%23x201D%3B%20Accessed%20January%2020%2C%202013.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Ftranquanghai.info%5C%2Fc29-overtones.html%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Ftranquanghai.info%5C%2Fc29-overtones.html%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22Overtones%20%7C%20Tran%20Quang%20Hai%20website%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22%22%2C%22lastName%22%3A%22Tran%20Quang%20Hai%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Ftranquanghai.info%5C%2Fc29-overtones.html%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22HV4SXCI7%22%5D%2C%22dateModified%22%3A%222013-01-20T15%3A42%3A41Z%22%7D%7D%2C%7B%22key%22%3A%226NXETXTS%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Wikipedia%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BWikipedia.%20%26%23x201C%3BObertongesang.%26%23x201D%3B%20In%20%26lt%3Bi%26gt%3BWikipedia%26lt%3B%5C%2Fi%26gt%3B.%20Accessed%20January%2020%2C%202013.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fde.wikipedia.org%5C%2Fwiki%5C%2FObertongesang%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fde.wikipedia.org%5C%2Fwiki%5C%2FObertongesang%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22encyclopediaArticle%22%2C%22title%22%3A%22Obertongesang%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22%22%2C%22lastName%22%3A%22Wikipedia%22%7D%5D%2C%22abstractNote%22%3A%22Obertongesang%20ist%20eine%20Gesangstechnik%2C%20die%20aus%20dem%20Klangspektrum%20der%20Stimme%20einzelne%20Obert%5Cu00f6ne%20so%20herausfiltert%2C%20dass%20sie%20als%20getrennte%20T%5Cu00f6ne%20wahrgenommen%20werden%20und%20der%20H%5Cu00f6reindruck%20einer%20Mehrstimmigkeit%20entsteht.%20Man%20spricht%20dann%20von%20Obertongesang%2C%20wenn%20den%20Obert%5Cu00f6nen%20eine%20eigenst%5Cu00e4ndige%20musikalische%20Funktion%20zukommt%2C%20zu%20unterscheiden%20von%20Gesangtechniken%2C%20die%20lediglich%20die%20Klangfarbe%20der%20Stimme%20mit%20Obert%5Cu00f6nen%20anreichern.%22%2C%22encyclopediaTitle%22%3A%22Wikipedia%22%2C%22date%22%3A%22%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fde.wikipedia.org%5C%2Fwiki%5C%2FObertongesang%22%2C%22language%22%3A%22de%22%2C%22collections%22%3A%5B%22HV4SXCI7%22%5D%2C%22dateModified%22%3A%222013-08-06T22%3A21%3A20Z%22%7D%7D%2C%7B%22key%22%3A%22H2FSA8N3%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Wikipedia%22%2C%22parsedDate%22%3A%222013-07-29%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BWikipedia.%20%26%23x201C%3BTuvan%20Throat%20Singing.%26%23x201D%3B%20In%20%26lt%3Bi%26gt%3BWikipedia%2C%20the%20Free%20Encyclopedia%26lt%3B%5C%2Fi%26gt%3B%2C%20July%2029%2C%202013.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fen.wikipedia.org%5C%2Fwiki%5C%2FTuvan_throat_singing%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fen.wikipedia.org%5C%2Fwiki%5C%2FTuvan_throat_singing%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22encyclopediaArticle%22%2C%22title%22%3A%22Tuvan%20throat%20singing%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22%22%2C%22lastName%22%3A%22Wikipedia%22%7D%5D%2C%22abstractNote%22%3A%22Tuvan%20throat%20singing%20is%20one%20particular%20variant%20of%20overtone%20singing%20practiced%20by%20the%20Tuva%20people%20of%20southern%20Siberia.%22%2C%22encyclopediaTitle%22%3A%22Wikipedia%2C%20the%20free%20encyclopedia%22%2C%22date%22%3A%222013-07-29T21%3A27%3A44Z%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fen.wikipedia.org%5C%2Fwiki%5C%2FTuvan_throat_singing%22%2C%22language%22%3A%22en%22%2C%22collections%22%3A%5B%22HV4SXCI7%22%5D%2C%22dateModified%22%3A%222014-06-23T13%3A21%3A08Z%22%7D%7D%2C%7B%22key%22%3A%22RV8DF29K%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Wikipedia%22%2C%22parsedDate%22%3A%222013-08-03%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BWikipedia.%20%26%23x201C%3BOvertone%20Singing.%26%23x201D%3B%20In%20%26lt%3Bi%26gt%3BWikipedia%2C%20the%20Free%20Encyclopedia%26lt%3B%5C%2Fi%26gt%3B%2C%20August%203%2C%202013.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fen.wikipedia.org%5C%2Fwiki%5C%2FOvertone_singing%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fen.wikipedia.org%5C%2Fwiki%5C%2FOvertone_singing%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22encyclopediaArticle%22%2C%22title%22%3A%22Overtone%20singing%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22%22%2C%22lastName%22%3A%22Wikipedia%22%7D%5D%2C%22abstractNote%22%3A%22Overtone%20singing%2C%20also%20known%20as%20overtone%20chanting%2C%20or%20harmonic%20singing%2C%20is%20a%20type%20of%20singing%20in%20which%20the%20singer%20manipulates%20the%20resonances%20%28or%20formants%29%20created%20as%20air%20travels%20from%20the%20lungs%2C%20past%20the%20vocal%20folds%2C%20and%20out%20the%20lips%20to%20produce%20a%20melody.%22%2C%22encyclopediaTitle%22%3A%22Wikipedia%2C%20the%20free%20encyclopedia%22%2C%22date%22%3A%222013-08-03T10%3A46%3A21Z%22%2C%22ISBN%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fen.wikipedia.org%5C%2Fwiki%5C%2FOvertone_singing%22%2C%22language%22%3A%22en%22%2C%22collections%22%3A%5B%22HV4SXCI7%22%5D%2C%22dateModified%22%3A%222014-06-23T13%3A21%3A00Z%22%7D%7D%2C%7B%22key%22%3A%22E6AU5NGC%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Wolfe%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BWolfe%2C%20Joe.%20%26%23x201C%3BHarmonic%20Singing.%26%23x201D%3B%20Accessed%20February%202%2C%202009.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fwww.phys.unsw.edu.au%5C%2Fjw%5C%2Fxoomi.html%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fwww.phys.unsw.edu.au%5C%2Fjw%5C%2Fxoomi.html%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22Harmonic%20singing%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Joe%22%2C%22lastName%22%3A%22Wolfe%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fwww.phys.unsw.edu.au%5C%2Fjw%5C%2Fxoomi.html%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22HV4SXCI7%22%5D%2C%22dateModified%22%3A%222013-03-01T14%3A46%3A31Z%22%7D%7D%2C%7B%22key%22%3A%22CZCER9DV%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3B%26%23x201C%3BHarmonic%20Singing%3A%20Your%20Voice%20Is%20a%20Rainbow.%26%23x201D%3B%20Accessed%20March%201%2C%202014.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttp%3A%5C%2F%5C%2Fwww.squidoo.com%5C%2Fharmonicsinging%26%23039%3B%26gt%3Bhttp%3A%5C%2F%5C%2Fwww.squidoo.com%5C%2Fharmonicsinging%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22Harmonic%20Singing%3A%20Your%20Voice%20is%20a%20Rainbow%22%2C%22creators%22%3A%5B%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%22%22%2C%22url%22%3A%22http%3A%5C%2F%5C%2Fwww.squidoo.com%5C%2Fharmonicsinging%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22HV4SXCI7%22%5D%2C%22dateModified%22%3A%222014-03-01T23%3A39%3A44Z%22%7D%7D%2C%7B%22key%22%3A%22SIFM83K3%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3B%26%23x201C%3BTimelineJS%20Embed.%26%23x201D%3B%20Accessed%20May%201%2C%202017.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Fcdn.knightlab.com%5C%2Flibs%5C%2Ftimeline3%5C%2Flatest%5C%2Fembed%5C%2Findex.html%3Fsource%3D1v25ZZZrrXTYmC8RnlMiaaSGo_f5NHkrGgLeJ-GXAEgo%26amp%3Bfont%3DDefault%26amp%3Blang%3Den%26amp%3Binitial_zoom%3D2%26amp%3Bheight%3D650%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Fcdn.knightlab.com%5C%2Flibs%5C%2Ftimeline3%5C%2Flatest%5C%2Fembed%5C%2Findex.html%3Fsource%3D1v25ZZZrrXTYmC8RnlMiaaSGo_f5NHkrGgLeJ-GXAEgo%26amp%3Bfont%3DDefault%26amp%3Blang%3Den%26amp%3Binitial_zoom%3D2%26amp%3Bheight%3D650%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22TimelineJS%20Embed%22%2C%22creators%22%3A%5B%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Fcdn.knightlab.com%5C%2Flibs%5C%2Ftimeline3%5C%2Flatest%5C%2Fembed%5C%2Findex.html%3Fsource%3D1v25ZZZrrXTYmC8RnlMiaaSGo_f5NHkrGgLeJ-GXAEgo%26font%3DDefault%26lang%3Den%26initial_zoom%3D2%26height%3D650%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22HV4SXCI7%22%5D%2C%22dateModified%22%3A%222017-05-01T20%3A50%3A10Z%22%7D%7D%2C%7B%22key%22%3A%22M5C7DR2E%22%2C%22library%22%3A%7B%22id%22%3A935790%7D%2C%22meta%22%3A%7B%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%26lt%3Bdiv%20class%3D%26quot%3Bcsl-bib-body%26quot%3B%20style%3D%26quot%3Bline-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%26quot%3B%26gt%3B%5Cn%20%20%26lt%3Bdiv%20class%3D%26quot%3Bcsl-entry%26quot%3B%26gt%3BFuturism.%20%26%23x201C%3BOvertone%20Singing%3A%20The%20Science%20Behind%20Singing%20Multiple%20Notes%20At%20Once%20%28VIDEO%29.%26%23x201D%3B%20Accessed%20October%2030%2C%202022.%20%26lt%3Ba%20class%3D%26%23039%3Bzp-ItemURL%26%23039%3B%20href%3D%26%23039%3Bhttps%3A%5C%2F%5C%2Ffuturism.com%5C%2Fovertone-singing-science-behind-singing-multiple-notes-video%26%23039%3B%26gt%3Bhttps%3A%5C%2F%5C%2Ffuturism.com%5C%2Fovertone-singing-science-behind-singing-multiple-notes-video%26lt%3B%5C%2Fa%26gt%3B.%26lt%3B%5C%2Fdiv%26gt%3B%5Cn%26lt%3B%5C%2Fdiv%26gt%3B%22%2C%22data%22%3A%7B%22itemType%22%3A%22webpage%22%2C%22title%22%3A%22Overtone%20Singing%3A%20The%20Science%20Behind%20Singing%20Multiple%20Notes%20At%20Once%20%28VIDEO%29%22%2C%22creators%22%3A%5B%5D%2C%22abstractNote%22%3A%22This%20video%20has%20been%20making%20the%20rounds%20recently.%20It%26%23039%3Bs%20a%20neat%20little%20example%20of%20a%5Cu00a0thing%20called%20%26quot%3Bovertone%20singing%2C%26quot%3B%20which%20is%20also%20known%20as%20%26quot%3Bthroat%20singing.%26quot%3B%20When%20you%20first%20hear%20it%2C%20it%20may%20seem%20like%20it%20must%20be%20a%20talent%20that%20is%20only%20granted%20to%20a%20rare%20few%2C%20but%20it%20is%20actually%20a%20technique%20that%20nearly%20%5B%5Cu2026%5D%22%2C%22date%22%3A%22%22%2C%22url%22%3A%22https%3A%5C%2F%5C%2Ffuturism.com%5C%2Fovertone-singing-science-behind-singing-multiple-notes-video%22%2C%22language%22%3A%22%22%2C%22collections%22%3A%5B%22HV4SXCI7%22%5D%2C%22dateModified%22%3A%222022-10-30T10%3A04%3A53Z%22%7D%7D%5D%7D
Albi. “Face Music - Switzerland - Geschichte Reiternomaden, in Deutsch.” Accessed January 26, 2010. http://face-music.ch/nomads/horsemen_de.html.
Birkicht, Matthias. “Das kleine Obertonbrevier.” Accessed January 20, 2013. http://www.oberton.info/obertonbrevier01.htm.
Großer, Miroslav. “Europäischer Obertongesang - Unterricht Und Workshops in Berlin.” Accessed January 20, 2013. http://www.stimmlabor.de/obertongesang/.
Grover, Brian. “Grover’s Khoomei Critique Page.” Accessed January 20, 2013. http://www.busker-kibbutznik.org/khoomei/.
Hykes, David. “Harmonicpresence.Org.” Accessed January 20, 2013. http://www.harmonicpresence.org/.
Lübben, Barbara. “Obertonspektrum von Frauen - Wo Liegt Der Wohlfühlbereich?” Accessed October 29, 2017. http://polyphona.de/komponieren.html.
Saus, Wolfgang. “Overtone Singing News.” Social network. facebook. Accessed January 20, 2013. https://www.facebook.com/overtonesinging.
Sklar, Steve. “Khoomei.” Accessed January 20, 2013. http://www.khoomei.com/.
Sklar, Steve. “Steve Sklar’s Online Throat-Singing Lessons.” Accessed January 20, 2013. http://www.khoomei.com/lessons.htm.
Tran Quang Hai. “Overtones | Tran Quang Hai Website.” Accessed January 20, 2013. http://tranquanghai.info/c29-overtones.html.
Wikipedia. “Obertongesang.” In Wikipedia. Accessed January 20, 2013. http://de.wikipedia.org/wiki/Obertongesang.
Wikipedia. “Tuvan Throat Singing.” In Wikipedia, the Free Encyclopedia, July 29, 2013. http://en.wikipedia.org/wiki/Tuvan_throat_singing.
Wikipedia. “Overtone Singing.” In Wikipedia, the Free Encyclopedia, August 3, 2013. http://en.wikipedia.org/wiki/Overtone_singing.
Wolfe, Joe. “Harmonic Singing.” Accessed February 2, 2009. http://www.phys.unsw.edu.au/jw/xoomi.html.
“Harmonic Singing: Your Voice Is a Rainbow.” Accessed March 1, 2014. http://www.squidoo.com/harmonicsinging.
Futurism. “Overtone Singing: The Science Behind Singing Multiple Notes At Once (VIDEO).” Accessed October 30, 2022. https://futurism.com/overtone-singing-science-behind-singing-multiple-notes-video.

Die erste Version dieses Artikels wurde 2000 veröffentlicht, die erste WordPressverion am 3.8.2013.

4 Kommentare
  1. Gästin von gmx sagte:

    Liebe Oberton-Singer,

    ein Beitrag im Bayerischen Rundfunk machte mich auf diese beeindruckende Technik aufmerksam.

    Seitdem hat es mich nicht mehr losgelassen (spiele auch Piano, Harmonika, Flöte).

    Und das Beste daran ist:

    Wenn ich meinen Tieren eine selbst ausgedachte Melodie vorsinge,
    werden diese sehr schnell gaaanz müüüde und tiefenentspannt bzw.
    sind sie binnen einer Minute eingeschlafen :-)

    Darum herzlichen Dank für Eure erweiterten Infos,
    ich liebe diese Homepage, weil das Austesten
    des Spektrums unerschöpflich ist und einfach
    unglaublich großen Spaß macht.

    Eure Gästin

    Antworten
  2. Claudia Franke sagte:

    Ganz herzlichen Dank für diese klare, hervorragend strukturierte und überzeugende Darstellung!
    Dadurch wird mir die Hörbarkeit des 2. Tons endlich deutlich.
    Ich werde weiter daran versuchen.

    Antworten
  3. Miroslav Grosser sagte:

    oberton.org war und ist aus meiner Sicht eindeutig die informativste Webseite zum Thema Obertongesang im deutschsprachigen Raum. DANKE für soviel Informationen und das ganze Engagement und die Zeit, die es erfordert, dieses ständig aktualisierte, wachsende und mittlerweile sogar interaktive lexikonartige Wissen hier zu versammeln und der Öffentlichkeit zugänglich zu machen. Ich bin echt begeistert von dieser Fundgrube für Stimm-Interessierte und Oberton-Fans!!!

    Antworten

Hinterlasse einen Kommentar

An der Diskussion beteiligen?
Hinterlasse uns deinen Kommentar!

Schreibe einen Kommentar

Deine E-Mail-Adresse wird nicht veröffentlicht. Erforderliche Felder sind mit * markiert

Weitersagen